Hey, Grey's Anatomy fans. We've got a new report for you guys via the folks over at TV Line. It turns out that your favorite show will be offering up six new surprises as early as this Thursday night, October 12,2017! That's right. In the 4th new episode of this current 14th season, Grey's Anatomy is going to debut 6 new castmembers! They are all interns. And just to be all the way accurate, technically five of the six new castmembers will make their debut. One of them already debuted during the big two hour premiere episode. That one was actor Jake Borelli who plays character Levi. He is Jo's new intern. Levi will be a recurring character. Jake Borelli's acting resume includes roles in Psych, ICarly, The Forgotten, Parenthood, CBS' NCIS: Los Angeles,True Jackson, Greek, Suburgatory, Elf Employment, Supermoms, Nesting, a short called, "Meanamorphosis," a TV series called,"CeReality,...
- 10/10/2017
- by Andre Braddox
- OnTheFlix
The Georgia Film Critics Association 2014 awards nominations were par for the course, sure-things with a sprinkle of outliers. Voting for the winners followed suit, with Jake Gyllenhaal, emerging as a likelier and likelier Oscar contender, taking Best Actor and "Snowpiercer" costar Tilda Swinton earning praise for her villainous caricature. Though he lost out in the Best Actor category, "Selma" star David Oyelowo still managed to take home an award, picking up a win the Gfca’s Breakthrough category. See the full list of winners below: Best Picture "Boyhood" Best Director Richard Linklater, "Boyhood" Best Actor Jake Gyllenhaal, "Nightcrawler" Best Actress Marion Cotillard, "Two Days, One Night" Best Supporting Actor J.K. Simmons, "Whiplash" Best Supporting Actress Tilda Swinton, "Snowpiercer" Best Ensemble "The Grand Budapest Hotel" Best Original Screenplay "Nightcrawler," Dan Gilroy Best Adapated Screenplay "Gone Girl," Gillian Flynn Best Cinematography "Birdman," Emmanuel Lubezki Best Production Design "The Grand Budapest Hotel," Adam Stockhausen,...
- 1/9/2015
- by Matt Patches
- Hitfix
The Georgia Film Critics Association has more or less kept to the standard flow today with a list of nominations led by critical darlings "Birdman," "Boyhood," "The Grand Budapest Hotel" and "Selma." Each film picked up seven nods, though "Selma" also figured into collective nods for two breakthrough nominees so you'd be on solid turf to say it was out in front. Check out the full list of nominees below. Winners will be announced on Jan. 9. Check out the rest of the madness at The Circuit. Best Picture "Birdman" "Boyhood" "Gone Girl" "The Grand Budapest Hotel" "Ida" "A Most Violent Year" "Nightcrawler" "Selma" "Snowpiercer" "Whiplash" Best Director Richard Linklater, "Boyhood" David Fincher, "Gone Girl" Wes Anderson, "The Grand Budapest Hotel" Ava DuVernay, "Selma" Damien Chazelle, "Whiplash" Best Actor Ralph Fiennes, "The Grand Budapest Hotel" Jake Gyllenhaal, "Nightcrawler" Michael Keaton, "Birdman" David Oyelowo, "Selma" Eddie Redmayne, "The Theory of Everything" Best Actress Marion Cotillard,...
- 1/5/2015
- by Kristopher Tapley
- Hitfix
David Oyelowo shines as Dr. Martin Luther King, Jr. in Ava Duvernay's "Selma" and now, he's being honored at the upcoming Palm Springs International Film Festival! Here's the complete press release:
Palm Springs, CA (December 7, 2014) . The 26th annual Palm Springs International Film Festival (Psiff) will present David Oyelowo with the Breakthrough Performance Award, Actor for his critically acclaimed performance as Dr. Martin Luther King, Jr. in Ava DuVernay.s Selma at its annual Awards Gala. The Gala will also present awards to previously announced honorees Richard Linklater, Julianne Moore, Rosamund Pike, Eddie Redmayne, J.K. Simmons, Reese Witherspoon and the cast of The Imitation Game. Presented by Cartier, and hosted by Mary Hart, the Awards Gala will be held Saturday, January 3 at the Palm Springs Convention Center. The Festival runs January 2-12.
.David Oyelowo.s transformation into Dr. Martin Luther King, Jr. is truly outstanding,. said Film Festival Chairman Harold Matzner.
Palm Springs, CA (December 7, 2014) . The 26th annual Palm Springs International Film Festival (Psiff) will present David Oyelowo with the Breakthrough Performance Award, Actor for his critically acclaimed performance as Dr. Martin Luther King, Jr. in Ava DuVernay.s Selma at its annual Awards Gala. The Gala will also present awards to previously announced honorees Richard Linklater, Julianne Moore, Rosamund Pike, Eddie Redmayne, J.K. Simmons, Reese Witherspoon and the cast of The Imitation Game. Presented by Cartier, and hosted by Mary Hart, the Awards Gala will be held Saturday, January 3 at the Palm Springs Convention Center. The Festival runs January 2-12.
.David Oyelowo.s transformation into Dr. Martin Luther King, Jr. is truly outstanding,. said Film Festival Chairman Harold Matzner.
- 12/8/2014
- by Manny
- Manny the Movie Guy
Not every film opens on thousands of screens (or in theaters at all) as more and more each year make their debuts on various video on demand services. We’ve already looked at a couple of the horror titles opening today, but two other new films aim to deliver VOD thrills this weekend too. They don’t share a genre, but both films feature characters who film part or all of the action. Default is a hostage drama reminiscent in some ways of Captain Phillips or A Hijacking for the simple reason that it gives serious time to exploring the pirates’ motivations. It’s an airplane instead of a ship, but the bigger difference is that the film is presented in a found footage-ish format as both the hostages and pirates are wielding cameras. Extraterrestrial also drops a group of people into harm’s way, but the danger this time comes from someplace farther away than the...
- 10/17/2014
- by Rob Hunter
- FilmSchoolRejects.com
“Default,” Simon Brand’s new social thriller, will get inevitable comparisons to “Captain Phillips”, the other Somali pirate movie. Yes, the film is about a hostage taking, and the battle of wills and wits between a pirate and a gritty white lead, but what sets it apart as an intriguing answer to the Tom Hanks vehicle is that it’s told almost entirely through ‘found footage.’ Opening with newsreel of a 16-year-old Somali boy on trial for a bloody ship takeover, the story revolves around a television film crew on a flight from The Seychelles to Nairobi. Before takeoff, the plane is commandeered by armed Somali pirates, seeking ransom. Amongst the imprisoned crew are producer Marcela...
- 10/16/2014
- by Zeba Blay
- ShadowAndAct
Piracy Politique: Brand Uses Topical Subject for Common Critique
Colombian born filmmaker Simon Brand cashes in on the current fascination with hijacking pirates for his latest film, Default, moving the action out of the water and onto a plane. Utilizing the aesthetic of the found footage genre, the perspective is almost exclusively from the camera of the news crew trapped in the hijacked plane. But rather than lending the film a tense, guerrilla style quality, this effect creates a rather visually unappealing, downright drab aesthetic. Moments of violence punctuate this rather overly talkative drama quite effectively, but it’s dismal, almost gimmicky cinematography cheapens the film.
A veteran news correspondent, Frank Saltzman (Greg Callahan), has just completed an assignment in the Seychelles. But after he boards a dilapidated, private plane with his crew, they are taken hostage by a quartet of terrorists led by the well-spoken Atlas (David Oyelowo). As...
Colombian born filmmaker Simon Brand cashes in on the current fascination with hijacking pirates for his latest film, Default, moving the action out of the water and onto a plane. Utilizing the aesthetic of the found footage genre, the perspective is almost exclusively from the camera of the news crew trapped in the hijacked plane. But rather than lending the film a tense, guerrilla style quality, this effect creates a rather visually unappealing, downright drab aesthetic. Moments of violence punctuate this rather overly talkative drama quite effectively, but it’s dismal, almost gimmicky cinematography cheapens the film.
A veteran news correspondent, Frank Saltzman (Greg Callahan), has just completed an assignment in the Seychelles. But after he boards a dilapidated, private plane with his crew, they are taken hostage by a quartet of terrorists led by the well-spoken Atlas (David Oyelowo). As...
- 10/16/2014
- by Nicholas Bell
- IONCINEMA.com
"Default," directed by Colombian director Simon Brand, and picked up by the distribution company Wild Bunch, had its world premiered at the NY Colombian Film Festival this year, at the end of March. Described as a claustrophobic thriller, "Default," centers on the hijacking of an American news crew's chartered jet off the coast of Seychelles by Somali pirates, and stars David Oyelowo as Atlas, leader of plane hijackers/pirates, who is driven by one goal - to be interviewed by a prominent member of the crew, legendary journalist Frank Saltzman. And for the sake of his colleagues, Saltzman agrees to the demand before realizing they are...
- 10/15/2014
- by Vanessa Martinez
- ShadowAndAct
Before he goes to outer space in Christopher Nolan's "Interstellar," fights for civil rights in "Selma," and mixes it up in "A Most Violent Year," David Oyelowo is hijacking a plane in "Default." The movie finds the ever busy actor in thriller mode, and today we have an exclusive clip from the upcoming film. Co-starring Katherine Moennig, Jeanine Mason, and Stephen Lord, the Simon Brand-directed picture follows an American news crew whose flight is hijacked by Somali pirates. The gang's leader, played by Oyelowo, demands an interview with legendary journalist Frank Saltzman. When the journalist agrees, it soon becomes clear that there is much more at stake, and in the scene below, even a simple question has grave intentions behind it. "Default" opens on October 17th. Watch below.
- 10/14/2014
- by Edward Davis
- The Playlist
There are few filmic genres that get your blood pumping quite like a good hostage drama, thanks to the back-and-forth between characters and the inevitable double-crossing along with last-minute bargaining between the two or more parties. So, following the award-winning success of last year’s astute hostage drama, Captain Phillips, Amplify is hoping to recapture that specific air of tension with this year’s Default.
Billed as a claustrophobic thriller, the film largely takes place 35,000 feet in the air, where an american news crew find their plane hijacked by a gang of Somalian pirates. Led by Atlas (David Oyelowo), the terrorists seek to record an interview with renown journalist, Frank Saltzman.
Default was directed by Simon Brand — known for his work on Paraiso Travel and Unknown — and is said to hone the socio-political undertones found in Tom Hanks’ aforementioned thriller. Joining Oyelowo on the casting list is Jeanine Mason, Stephen Lord...
Billed as a claustrophobic thriller, the film largely takes place 35,000 feet in the air, where an american news crew find their plane hijacked by a gang of Somalian pirates. Led by Atlas (David Oyelowo), the terrorists seek to record an interview with renown journalist, Frank Saltzman.
Default was directed by Simon Brand — known for his work on Paraiso Travel and Unknown — and is said to hone the socio-political undertones found in Tom Hanks’ aforementioned thriller. Joining Oyelowo on the casting list is Jeanine Mason, Stephen Lord...
- 10/5/2014
- by Michael Briers
- We Got This Covered
With roles in Christopher Nolan's "Interstellar," J.C. Chandor's "A Most Violent Year" and Ava DuVernay's "Selma" in the next few months, David Oyelowo will have a lot of light of shining on him. Coming before all those movies is something far more low profile, and low-budget, the thriller "Default." And the first trailer is here. Directed by award-winning Colombian filmmaker Simon Brand (who made his name getting behind the camera for music videos for artists such as Shakira and Ricky Martin), the "Captain Phillips"-esque thriller follows an American news crew who have their charter flight hijacked by Somali pirates. As you'll see, what follows looks to be a gritty, intense little picture that hopefully has brings some freshness to the premise. "Default" hits VOD and opens in theaters on October 17th. Watch below.
- 9/26/2014
- by Kevin Jagernauth
- The Playlist
"Default," directed by Colombian director Simon Brand, and picked up by the distribution company Wild Bunch, had its world premiered at the NY Colombian Film Festival this year at the end of March. Described as a claustrophobic thriller, "Default," centers on the hijacking of an American news crew's chartered jet off the coast of Seychelles by Somali pirates, and stars David Oyelowo as Atlas, leader of plane hijackers/pirates, who is driven by one goal - to be interviewed by a prominent member of the crew, legendary journalist Frank Saltzman. And for the sake of his colleagues, Saltzman agrees to the demand before realizing they are...
- 9/24/2014
- by Vanessa Martinez
- ShadowAndAct
Exclusive: When seasoned agents leave one major percentery for another, the tale is told by how many clients change addresses with them. Back in March, Stuart Manashil made the leap to Wme after spending the past 6 1/2 years at CAA and before that spent six years at UTA. In what marks the third case — Dan Aloni and Warren Zavala were the first two — where agents pried their clients away from CAA, Manashil has strengthened Wme’s writer-director roster quite a bit. Related: Selena Gomez Signs With Wme Here’s who he brought with him: Alex Graves, who helmed the most recent Game Of Thrones episode; Pixar’s Day Of The Dead writer Matt Aldrich; Evil Dead‘s Fede Alvarez & Rodo Sayagues; Carlos helmer Olivier Assayas; Simon Barrett (You’re Next); Henry Bean (Internal Affairs); Simon Brand (Default); Juan Campanella (The Secret In Their Eyes); John Dowdle & Drew Dowdle (Quarantine); Kieran Fitzgerald...
- 4/22/2014
- by MIKE FLEMING JR
- Deadline
Default, directed by Colombian director Simon Brand, and picked up by the distribution company Wild Bunch, had its world premiered at the NY Colombian Film Festival this year at the end of March. Described as a claustrophobic thriller, Default, focuses on the hijacking of an American news crew's plan on an African runway, and stars David Oyelowo as Atlas, a Somali pirate and leader of plane hijackers, who want to tape an interview with Frank Saltzman, the plane crew's newsman. With a script penned by Jim Wolfe Jr. and Dan Bence, Default also stars Greg Callahan, Katherine Moennig, and Stephen Lord. Joining Oyelowo, other actors of...
- 4/15/2014
- by Vanessa Martinez
- ShadowAndAct
Reporting from Cartagena Film Festival.
Coproductions are increasing in Colombia.The French are participating as special guests at the Encuentros (Coproduction Meetings) this year but coproductions of the last four years have been with Germany, Norway, Spain in Europe as well as with Argentina, Peru and Uruguay. In 2013 the U.S. joined in as well.
There is a special relationship and notable variations on the coproduction theme between U.S. and Colombia. It doesn’t hurt that there is a direct flight on Jet Blue from N.Y. to Colombia , making travel less difficult to Colombia from the U.S. than it is from Europe.
Colombian directors such as Simon Brand (who lives in U.S.) are making English language genre films such as this year’s festival debuting Default which Wild Bunch has already sold in Hong Kong, the Middle East and the Netherlands. For budgets under Us$1 million, action, thrillers and horror genres can cross borders, and can recoup costs and even profit because they are in English and as such are perceived as more “Hollywood”, a positive marketing point.
There are other such coproductions: Gallows Hill coproduced with Peter Block’s L.A.-based A Bigger Boat, David and Angelique Higgins’ Launchpad Productions and Andrea Chung of Bowery Hills Entertainment which has the further distinction of being sold internationally by Im Global. And there is Out of the Dark, a coproduction with the prestigious Participant. These are not represented at the festival, and so they are not really the subject of this blog.
The reverse is also notable. Four films screening at the Cartagena Film Festival are Colombian films made by Americans. Each one has been created by unique and different types of Americans. They are the subject of this blog.
The winner of three (3!) prizes here for Audience Favorite, Best Director and Best Picture, Marmato by Mark Grieco was work-shopped twice at Sundance labs and premiered at Sundance this January 2014 (Isa: Ro*co, U.S. contact Ben Weiss at Paradigm). Manos Sucias by Josef Wladyka is a film with great pedigrees, directed, produced and shot by a team who have received the highest film and business educations from Tisch and Stern Schools at Nyu, Parador Hungaro by Patrick Alexander and Aseneth Suarez Ruiz a work of passion made with love and sweat, and Mambo Cool by Chris Gude and uniquely beautiful and soulful study of a small part of the underbelly of the underworld in Medelin.
Following is an interview with Chris Gude, the director of Mambo Cool. Interviews will soon follow with the other three directors who came to Colombia and, because of their experiences here, decided to make these exceptional movies. With its 40% cash rebate, Colombia is a great place to make movies.
Mambo Cool
While only 60 minutes long, Mambo Cool stirred great interest in the beautiful and packed theater Teatro Adolfo Maijia Cine Colombia (Tam). In a unique impressionistic style, the depiction of a micro-ecology of the underbelly of Medellin. Colombia. At the core of the film is the connection between the characters' passion for mambo dancing, music and history. Drug dealers and drug takers, whores and salsa dancers spend time in the shadows, in rat-hole apartments or in a dance bar which actually exists in Medellin under the name El Bururu Barara, talking poetically and philosophically about the meaning of friendship vs. loyalty. The main salsero of this film gave us 5 minutes of dancing which I am going to post here as soon as I can figure out how.
I interviewed the filmmaker Chris Gude, an American who in 2006 came here to work with an Ngo for displaced persons, met and established a friendship with the people in this fiction film in Medellín. Chris lives in New York. He graduated from Middlebury and attended Columbia grad school in anthropology. Perhaps his anthropology interests were part of the inspiration for this work. He returned to make this film when his friends here suggested he return to make a movie that he wrote in close collaboration with the film’s protagonist, Jorge Gavidor and other protagonist-friends. Jorge, who is the bald guy in the film is self-described as an industrial mechanic and inventor. The dialogue is stylized to communicate the magic of the environment. Cinema veritè would not work to communicate what they wanted about the environment. Chris also says that the film does not come close to fully communicating the community and mythology of the place. But for me it captures an essential rhythm and soulful quality that kept me immersed in the story.
The film has shown in various festivals and has no sales or distribution representation. Fid Marseilles invited it to play and since then it has played at the Transinema Festival in Lima, Split Film Festival, Festival du Nouveau Cinéma de Montréal, , Free Zone Festival in Belgrade, Serbia, Mar del Plata in Argentina and the Museum of the Moving Image in New York.
Coproductions are increasing in Colombia.The French are participating as special guests at the Encuentros (Coproduction Meetings) this year but coproductions of the last four years have been with Germany, Norway, Spain in Europe as well as with Argentina, Peru and Uruguay. In 2013 the U.S. joined in as well.
There is a special relationship and notable variations on the coproduction theme between U.S. and Colombia. It doesn’t hurt that there is a direct flight on Jet Blue from N.Y. to Colombia , making travel less difficult to Colombia from the U.S. than it is from Europe.
Colombian directors such as Simon Brand (who lives in U.S.) are making English language genre films such as this year’s festival debuting Default which Wild Bunch has already sold in Hong Kong, the Middle East and the Netherlands. For budgets under Us$1 million, action, thrillers and horror genres can cross borders, and can recoup costs and even profit because they are in English and as such are perceived as more “Hollywood”, a positive marketing point.
There are other such coproductions: Gallows Hill coproduced with Peter Block’s L.A.-based A Bigger Boat, David and Angelique Higgins’ Launchpad Productions and Andrea Chung of Bowery Hills Entertainment which has the further distinction of being sold internationally by Im Global. And there is Out of the Dark, a coproduction with the prestigious Participant. These are not represented at the festival, and so they are not really the subject of this blog.
The reverse is also notable. Four films screening at the Cartagena Film Festival are Colombian films made by Americans. Each one has been created by unique and different types of Americans. They are the subject of this blog.
The winner of three (3!) prizes here for Audience Favorite, Best Director and Best Picture, Marmato by Mark Grieco was work-shopped twice at Sundance labs and premiered at Sundance this January 2014 (Isa: Ro*co, U.S. contact Ben Weiss at Paradigm). Manos Sucias by Josef Wladyka is a film with great pedigrees, directed, produced and shot by a team who have received the highest film and business educations from Tisch and Stern Schools at Nyu, Parador Hungaro by Patrick Alexander and Aseneth Suarez Ruiz a work of passion made with love and sweat, and Mambo Cool by Chris Gude and uniquely beautiful and soulful study of a small part of the underbelly of the underworld in Medelin.
Following is an interview with Chris Gude, the director of Mambo Cool. Interviews will soon follow with the other three directors who came to Colombia and, because of their experiences here, decided to make these exceptional movies. With its 40% cash rebate, Colombia is a great place to make movies.
Mambo Cool
While only 60 minutes long, Mambo Cool stirred great interest in the beautiful and packed theater Teatro Adolfo Maijia Cine Colombia (Tam). In a unique impressionistic style, the depiction of a micro-ecology of the underbelly of Medellin. Colombia. At the core of the film is the connection between the characters' passion for mambo dancing, music and history. Drug dealers and drug takers, whores and salsa dancers spend time in the shadows, in rat-hole apartments or in a dance bar which actually exists in Medellin under the name El Bururu Barara, talking poetically and philosophically about the meaning of friendship vs. loyalty. The main salsero of this film gave us 5 minutes of dancing which I am going to post here as soon as I can figure out how.
I interviewed the filmmaker Chris Gude, an American who in 2006 came here to work with an Ngo for displaced persons, met and established a friendship with the people in this fiction film in Medellín. Chris lives in New York. He graduated from Middlebury and attended Columbia grad school in anthropology. Perhaps his anthropology interests were part of the inspiration for this work. He returned to make this film when his friends here suggested he return to make a movie that he wrote in close collaboration with the film’s protagonist, Jorge Gavidor and other protagonist-friends. Jorge, who is the bald guy in the film is self-described as an industrial mechanic and inventor. The dialogue is stylized to communicate the magic of the environment. Cinema veritè would not work to communicate what they wanted about the environment. Chris also says that the film does not come close to fully communicating the community and mythology of the place. But for me it captures an essential rhythm and soulful quality that kept me immersed in the story.
The film has shown in various festivals and has no sales or distribution representation. Fid Marseilles invited it to play and since then it has played at the Transinema Festival in Lima, Split Film Festival, Festival du Nouveau Cinéma de Montréal, , Free Zone Festival in Belgrade, Serbia, Mar del Plata in Argentina and the Museum of the Moving Image in New York.
- 4/12/2014
- by Sydney Levine
- Sydney's Buzz
Today I am writing from Cartagena, Colombia where I attended Ficci, the Festival Internacional de Cine de Cartagena de Indias.
This former colonial jewel in the crown of Spain offers a huge array of delights, film-wise, art-wise, food-wise and people-wise. Gorgeous arts and gorgeous people, sweet, polite and proud. As much as I love Havana, Cartagena is how Havana should look.
And as much as I loved Careyes where I was last week, the art and artisanal scope here is so wide; from the Colombian painter and sculptor, Botero to indigenous palm weaving – décor for homes (not cheap!), bags, designer clothing, linen and rubies.
Aside from films, my big discoveries of the day are Ruby Rumie, a Colombian artist who spends much of her time here in her studio in the Getsemaní section of town and in Chile. Coincidentally (again) Gary Meyer (Telluride Film Festival) and his wife Cathy who are here with Gary on the Documentary Competition Jury (I just left them in Careyas!) also just discovered her as well. The other artist, Olga Amaral, works in indigenous styles of weaving and textile production and now is favoring gold leaf displays of woven wall tapestries. Stunning. Both are available at the Nh Gallery, a place I just happened to wander into as I was walking from the theater to my equally stunning hotel Casa Pestagua.
The courteous and helpful people here are a proud mix of white, brown and black. They say the blacks will never follow the orders of a white. They say the blood of slaves is embedded in the wall fortifications of the city. The Inquisition here was very powerful, and they say the Jews (Conversos) coming in the conquistadors’ ships went to settle Medellín and the Catholics to Bogotá. Cartagena was the last city to be free of the Spanish crown and as such, it was extremely conservative.
It would take days to visit all the museums throughout the city. The Art Biennale is now in many of them (free entry) including the Museum of the Inquisition with its torture machines. The Museum of Gold with pre-Colombian gold artworks is astounding. All the gold of Latin America (and emeralds, diamonds and silver) went from here in the Spanish galleons back to Spain until the city declared its independence in 1811. We in the North know this history but from a different perspective. Eduardo Galeano’s Open Veins of Latin America and Gonzalo Arijon’s documentary Eyes Wide Open, an update of Galeano’s ideas are good starting points for understanding this part of the world. Eye opening indeed!
The beauty of the city and its people is matched by the food. There is great food here here and some very haute cuisine restaurants. Ceviches of many kinds, new sweet fruits like the pitaya and the drink mixing limeade and coconut milk delight the palate. The festival invites enough but not too many industry folks so it can host lunches and dinners in wonderful venues along with cocktail hours where we can all meet and talk. Talk among us is of food and film, film and food…even of food film festivals that are cropping up from Berlin, San Sebastian, here and in Northern California…stay tuned.
The Colombian government is aware of the need for the public to rediscover their own stories and to this end all the festival screenings are free, and all are packed Sro. The government also supports filmmakers with a deliberate, well-planned and well executed strategy to increase production and create an infrastructure.
Colombian films’ biggest challenge is to increase their share of their rapidly growing domestic market, worth $182.3 million in box office in 2012. One way forward is international co-production, where Bam (Bogotá Audiovisual Market) July 14-18, 2014 plays a large role. There is a mini version of this here (Encuentros Cartagena), centering on French and Colombian co-production, but not limited to that, with guests like George Goldenstern from Cinefondation (Cannes), producer/ international sales agent Marie-Pierre Masia and and the ever present Thierry Lenouvel of Cine-Sud whose film Tierra en la lengua aka Dust on the Tongue won the Best Picture Award in Competition. Vincenzo Bugno of World Cinema Fund of the Berlinale is always here too as is Jose Maria Riba on the Jury of the Competition and programmer for San Sebastian and Directors Fortnight. Also on the jury are Wendy Mitchel and Pawel Pawlikowski whose film Ida (Isa: Portobello Film Sales) is playing (outside of the Competition). A look at the winning competition films shows the strength of co-productions today.
Best Picture: Dust on the Tongue of Ruben Mendoza (Colombia) Colombia Film of $15,000. Special Jury Prize: The Third Side of the River (La tercera orilla) which premiered in Competition at the Berlinale, by Celina Murga (Argentina, Netherlands, Germany) (Isa: The Match Factory) Best Director: Alejandro Fernández Almendras for To kill a man (Matar a un hombre) which premiered in Sundance (Chile, France). Film Factory is selling international rights and Film Movement has U.S. It also won the Fipresci or International Critics’ Award. Best Actor: Fernando Bacilio by El Mudo (Peru, Mexico, France), Urban Distribution International is the sales agent.
Cinema in Colombia continues its steep ascent in the international production world. The reasons, according to Bugno, lie in “new political decisions, funding structures, and the developing of a new producing environment that also has to do with new emerging young talent.”
A visit to the festival headquarters proves the point of the extensive government support of film not only for its own sake, but for the sake of all the people, dispossessed, abused, Lgbt, children and women. It is a beautiful sight to see such support, and the people seem to reciprocate; I hear more praise than complaints about the government and everyone seems cautiously optimistic, aware of its current position vis à vis what has thankfully become recent history with the guerillas who had been waging war with the government for the past 40 years and the current elections and competing points of view between the former President Uribe and the current President Juan Manuel Santos.
Aecid , Association Espagnola de Cooperacon Internacional para el Desarrollo (The Spanish Association for International Cooperation for Development), a festival sponsor supports social cohesion, equality of genders, construction of peace, respect for cultural diversity and the reduction of poverty.
Currently in Colombia, national cinema holds a 10% share of the Colombian market and 8% of the box office. In 2012, 213 films were produced in Colombia, a huge increase since 2009 when 19 were produced according to Ocal, the Observotario del Cine f nCl [sic]. In 2012, 23 of the 213 domestic films were released theatrically, a tremendous increase from the 6 Colombian films released in the year 2000. [1],[2] This number surpasses every record in Colombia’s film history
This 10 day spectacular film festival gives free entry to all at 8 theaters and, proving the point that people love the movies, every single screening is packed solid, Sro. More than 135 films come from 27 countries. 48 daily screenings include 14 open air screenings in great locations. There are 40 world premieres and 26 Latin American premieres.
150 invited guests included Abbas Kiarostami, Clive Owen, Alejandro Gonzales Inarritu, Pavel Pawlikowsky with his film Ida, John Sayles with whom I had an interesting talk about U.S. current distribution and of Return of Seacaucus Seven and Sunshine State. The screening of his film Go For Sisters has received an enthusiastic response from the audiences.
Since 2013, coproductions between the U.S. and Colombia with variations on the theme are on the rise. With its 40% cash rebate, Colombia is proving to be a great place to make movies.
Colombians such as Simon Brand are making English language genre films such as this year’s festival debuting Default (Isa: Wild Bunch). For budgets under Us$1 million, action, thrillers and horror genres can cross borders, and can recoup costs and even profit.
The reverse is also notable. Four films screening here are Colombian films made by Americans. The winner to three prizes here for Best Director, Best Documentary and the Audience Prize, Marmato by Marc Grieco was workshopped twice at Sundance where it premiered this January 2014. It is represented internationally by Ro*co and its U.S. representative is Ben Weiss at Paradigm. The other three remarkable debut films are Mambo Cool by Chris Gude,Manos Sucias by Josef Wladyka (a Japanese-Polish American) and Parador Hungaro by Patrick Alexander and Aseneth Suarez Ruiz. Look for upcoming interviews with these four directors who came to Colombia and, because of their experiences here, decided to make these exceptional movies. My next blog will be interviews with each of these films’ directors.
Secundaria , the first film I saw here was not shot here although it too was directed by an American who made 21 trips to Cuba to make it. Documenting the high school ballet training and competitions held by Cuba’s world famous National Ballet School -- Watch the trailer here -- it was not only beautiful but it magically captured the ever-present economic issues of Cuba. I can’t wait to see Primaria about the grade school of the Nbs.
Director and coproducer Mary Jane Doherty has been an Associate Professor of Film at Boston University since 1990. Proud of her lineage as a student of iconic documentarian Ricky Leacock, she developed B.U.’s Narrative Documentary Program: a novel approach to non-fiction storytelling using the building blocks of fiction film. Lyda Kuth , the coproducer, is founding board member and executive director of the Lef Foundation, which supports independent filmmakers through the Lef Moving Image Fund. In 2005, she established Nadita Productions and was producer/director on her first feature documentary, Love and Other Anxieties.
A cocktail party is given daily at the festival where we can all meet up. It was there I met Gail Gendler VP of Acquisitions for AMC/ Sundance Channel Global (international not domestic) and Gus
Dinner one night was with the jury for Nuevos Creadores (New Creators). Cynthia Garcia Calvo, Editor in Chief of LatamCinema.com, a Latino equivalent to Indiewire.com out of Chile and Argentina and I spoke of possible ways to cooperate. The third member of the jury, Javier Mejia, director of Colombia’s best film of 2008 Apocalypsur also has a documentary here, Duni, about a Chilean filmmaker who left Chile during the dictatorship and came to Colombia where he made political films in Medellin but never discussed his reasons for coming or even his Chilean roots. How happy I was that I had seen and enjoyed the films of the third jury member, Daniel Vega, who with his brother Diego made The Mute aka El Mudo (Isa: Urban Media) which played in Toronto and San Sebastian and his earlier film October, both dark comedies or perhaps dramadies dealing with subjective realities in unique environs of Peru we have never seen. He promised to help me with the Peru chapter of my upcoming book. Peru is in the lower middle of countries which support filmmaking. Their film fund is a rather laid back affair administered by the Ministry of Culture who receives money from the Ministry of Finance when they “get around to it”.
Jury for New Creators: Javier Mejía, Cynthia García Calvo and Diego Vega,displaying the winner for the Best Short Film: Alen Natalia Imery (Universidad del Valle) who won a Sony video camera, 2,000, 000 pesos of in kind services from Shock Magazin, and a scholarship for graduate Project Management and Film Production at the Autonomous University of Bucaramanga
Second prize went to The murmur of the earth Alejandro Daza (National University) - Win a Sony camera, and a Fellowship for Graduate Record Audio and Sound Design of the Autonomous University of Bucaramanga.
Other winners are:
Official Colombian Film Competition
Jurors: David Melo - Alissa Simon - Daniela Michel
Best Film: Marmato by Mark Grieco (Colombia, USA) Winner of the I.Sat Award for $30K and the Cinecolor Award for $11k in deliveries
Special Jury Prize: Mateo by María Gamboa
Best Director: Rubén Mendoza for Dust on the Tongue (Tierra en la lengua). Winner of Hangar Films Award for $30K in film equipment to produce his next film.
Additional Awards
Audience Award Colombia: Marmato by Mark Grieco (Colombia, USA). Winner of $15K
Official Documentary Competition
Jurors: Gary Meyer- Luis Ospina - Laurie Collyer
Best Film: Marmato by Mark Grieco (Colombia, USA). Winner of the Cinecolor Award for $13Kin post-production services.
Special Jury Prize: What Now? Remind Me (E Agora? Lembra-me) by Joaquim Pinto (Portugal)
Best Director: Justin Webster for I Will Be Murdered (Seré asesinado) (Spain, Denmark, U.K.)
Official Short Film Competition
JurorsOswaldo Osorio -Pacho Bottia - Denis de la Roca
Best Short Film: Statues (Estatuas) by Roberto Fiesco (Mexico). Winner of a professional Sony camera and $3K from Cinecolor in post-production services for his next project.
Special Jury Prize: About a Month (Pouco Mais de um Mês) by André Novais Oliveira (Brazil)
Best Director: Manuel Camacho Bustillo for Blackout chapter 4 "A Call to Neverland" (Blackout capítulo 4 "Una llamada a Neverland") (Mexico). Winner of a Sony photographic camera.
Gems
Jurors: Mauricio Reina - Manuel Kalmanowitz - Sofia Gomez Gonzalez
Best Film: Like Father, Like Son by Hirokazu Koreeda (Japan). Winner of the Rcn Award for $50 to promote the release of the film in Colombia.
Special Jury Prize: Ilo Ilo by Anthony Chen (Singapore)
[1] http://www.cinelatinoamericano.org/ocal/cifras.aspx
[2] http://www.mincultura.gov.co/areas/cinematografia/estadisticas-del-sector/Documents/Anuario%202012.p...
This former colonial jewel in the crown of Spain offers a huge array of delights, film-wise, art-wise, food-wise and people-wise. Gorgeous arts and gorgeous people, sweet, polite and proud. As much as I love Havana, Cartagena is how Havana should look.
And as much as I loved Careyes where I was last week, the art and artisanal scope here is so wide; from the Colombian painter and sculptor, Botero to indigenous palm weaving – décor for homes (not cheap!), bags, designer clothing, linen and rubies.
Aside from films, my big discoveries of the day are Ruby Rumie, a Colombian artist who spends much of her time here in her studio in the Getsemaní section of town and in Chile. Coincidentally (again) Gary Meyer (Telluride Film Festival) and his wife Cathy who are here with Gary on the Documentary Competition Jury (I just left them in Careyas!) also just discovered her as well. The other artist, Olga Amaral, works in indigenous styles of weaving and textile production and now is favoring gold leaf displays of woven wall tapestries. Stunning. Both are available at the Nh Gallery, a place I just happened to wander into as I was walking from the theater to my equally stunning hotel Casa Pestagua.
The courteous and helpful people here are a proud mix of white, brown and black. They say the blacks will never follow the orders of a white. They say the blood of slaves is embedded in the wall fortifications of the city. The Inquisition here was very powerful, and they say the Jews (Conversos) coming in the conquistadors’ ships went to settle Medellín and the Catholics to Bogotá. Cartagena was the last city to be free of the Spanish crown and as such, it was extremely conservative.
It would take days to visit all the museums throughout the city. The Art Biennale is now in many of them (free entry) including the Museum of the Inquisition with its torture machines. The Museum of Gold with pre-Colombian gold artworks is astounding. All the gold of Latin America (and emeralds, diamonds and silver) went from here in the Spanish galleons back to Spain until the city declared its independence in 1811. We in the North know this history but from a different perspective. Eduardo Galeano’s Open Veins of Latin America and Gonzalo Arijon’s documentary Eyes Wide Open, an update of Galeano’s ideas are good starting points for understanding this part of the world. Eye opening indeed!
The beauty of the city and its people is matched by the food. There is great food here here and some very haute cuisine restaurants. Ceviches of many kinds, new sweet fruits like the pitaya and the drink mixing limeade and coconut milk delight the palate. The festival invites enough but not too many industry folks so it can host lunches and dinners in wonderful venues along with cocktail hours where we can all meet and talk. Talk among us is of food and film, film and food…even of food film festivals that are cropping up from Berlin, San Sebastian, here and in Northern California…stay tuned.
The Colombian government is aware of the need for the public to rediscover their own stories and to this end all the festival screenings are free, and all are packed Sro. The government also supports filmmakers with a deliberate, well-planned and well executed strategy to increase production and create an infrastructure.
Colombian films’ biggest challenge is to increase their share of their rapidly growing domestic market, worth $182.3 million in box office in 2012. One way forward is international co-production, where Bam (Bogotá Audiovisual Market) July 14-18, 2014 plays a large role. There is a mini version of this here (Encuentros Cartagena), centering on French and Colombian co-production, but not limited to that, with guests like George Goldenstern from Cinefondation (Cannes), producer/ international sales agent Marie-Pierre Masia and and the ever present Thierry Lenouvel of Cine-Sud whose film Tierra en la lengua aka Dust on the Tongue won the Best Picture Award in Competition. Vincenzo Bugno of World Cinema Fund of the Berlinale is always here too as is Jose Maria Riba on the Jury of the Competition and programmer for San Sebastian and Directors Fortnight. Also on the jury are Wendy Mitchel and Pawel Pawlikowski whose film Ida (Isa: Portobello Film Sales) is playing (outside of the Competition). A look at the winning competition films shows the strength of co-productions today.
Best Picture: Dust on the Tongue of Ruben Mendoza (Colombia) Colombia Film of $15,000. Special Jury Prize: The Third Side of the River (La tercera orilla) which premiered in Competition at the Berlinale, by Celina Murga (Argentina, Netherlands, Germany) (Isa: The Match Factory) Best Director: Alejandro Fernández Almendras for To kill a man (Matar a un hombre) which premiered in Sundance (Chile, France). Film Factory is selling international rights and Film Movement has U.S. It also won the Fipresci or International Critics’ Award. Best Actor: Fernando Bacilio by El Mudo (Peru, Mexico, France), Urban Distribution International is the sales agent.
Cinema in Colombia continues its steep ascent in the international production world. The reasons, according to Bugno, lie in “new political decisions, funding structures, and the developing of a new producing environment that also has to do with new emerging young talent.”
A visit to the festival headquarters proves the point of the extensive government support of film not only for its own sake, but for the sake of all the people, dispossessed, abused, Lgbt, children and women. It is a beautiful sight to see such support, and the people seem to reciprocate; I hear more praise than complaints about the government and everyone seems cautiously optimistic, aware of its current position vis à vis what has thankfully become recent history with the guerillas who had been waging war with the government for the past 40 years and the current elections and competing points of view between the former President Uribe and the current President Juan Manuel Santos.
Aecid , Association Espagnola de Cooperacon Internacional para el Desarrollo (The Spanish Association for International Cooperation for Development), a festival sponsor supports social cohesion, equality of genders, construction of peace, respect for cultural diversity and the reduction of poverty.
Currently in Colombia, national cinema holds a 10% share of the Colombian market and 8% of the box office. In 2012, 213 films were produced in Colombia, a huge increase since 2009 when 19 were produced according to Ocal, the Observotario del Cine f nCl [sic]. In 2012, 23 of the 213 domestic films were released theatrically, a tremendous increase from the 6 Colombian films released in the year 2000. [1],[2] This number surpasses every record in Colombia’s film history
This 10 day spectacular film festival gives free entry to all at 8 theaters and, proving the point that people love the movies, every single screening is packed solid, Sro. More than 135 films come from 27 countries. 48 daily screenings include 14 open air screenings in great locations. There are 40 world premieres and 26 Latin American premieres.
150 invited guests included Abbas Kiarostami, Clive Owen, Alejandro Gonzales Inarritu, Pavel Pawlikowsky with his film Ida, John Sayles with whom I had an interesting talk about U.S. current distribution and of Return of Seacaucus Seven and Sunshine State. The screening of his film Go For Sisters has received an enthusiastic response from the audiences.
Since 2013, coproductions between the U.S. and Colombia with variations on the theme are on the rise. With its 40% cash rebate, Colombia is proving to be a great place to make movies.
Colombians such as Simon Brand are making English language genre films such as this year’s festival debuting Default (Isa: Wild Bunch). For budgets under Us$1 million, action, thrillers and horror genres can cross borders, and can recoup costs and even profit.
The reverse is also notable. Four films screening here are Colombian films made by Americans. The winner to three prizes here for Best Director, Best Documentary and the Audience Prize, Marmato by Marc Grieco was workshopped twice at Sundance where it premiered this January 2014. It is represented internationally by Ro*co and its U.S. representative is Ben Weiss at Paradigm. The other three remarkable debut films are Mambo Cool by Chris Gude,Manos Sucias by Josef Wladyka (a Japanese-Polish American) and Parador Hungaro by Patrick Alexander and Aseneth Suarez Ruiz. Look for upcoming interviews with these four directors who came to Colombia and, because of their experiences here, decided to make these exceptional movies. My next blog will be interviews with each of these films’ directors.
Secundaria , the first film I saw here was not shot here although it too was directed by an American who made 21 trips to Cuba to make it. Documenting the high school ballet training and competitions held by Cuba’s world famous National Ballet School -- Watch the trailer here -- it was not only beautiful but it magically captured the ever-present economic issues of Cuba. I can’t wait to see Primaria about the grade school of the Nbs.
Director and coproducer Mary Jane Doherty has been an Associate Professor of Film at Boston University since 1990. Proud of her lineage as a student of iconic documentarian Ricky Leacock, she developed B.U.’s Narrative Documentary Program: a novel approach to non-fiction storytelling using the building blocks of fiction film. Lyda Kuth , the coproducer, is founding board member and executive director of the Lef Foundation, which supports independent filmmakers through the Lef Moving Image Fund. In 2005, she established Nadita Productions and was producer/director on her first feature documentary, Love and Other Anxieties.
A cocktail party is given daily at the festival where we can all meet up. It was there I met Gail Gendler VP of Acquisitions for AMC/ Sundance Channel Global (international not domestic) and Gus
Dinner one night was with the jury for Nuevos Creadores (New Creators). Cynthia Garcia Calvo, Editor in Chief of LatamCinema.com, a Latino equivalent to Indiewire.com out of Chile and Argentina and I spoke of possible ways to cooperate. The third member of the jury, Javier Mejia, director of Colombia’s best film of 2008 Apocalypsur also has a documentary here, Duni, about a Chilean filmmaker who left Chile during the dictatorship and came to Colombia where he made political films in Medellin but never discussed his reasons for coming or even his Chilean roots. How happy I was that I had seen and enjoyed the films of the third jury member, Daniel Vega, who with his brother Diego made The Mute aka El Mudo (Isa: Urban Media) which played in Toronto and San Sebastian and his earlier film October, both dark comedies or perhaps dramadies dealing with subjective realities in unique environs of Peru we have never seen. He promised to help me with the Peru chapter of my upcoming book. Peru is in the lower middle of countries which support filmmaking. Their film fund is a rather laid back affair administered by the Ministry of Culture who receives money from the Ministry of Finance when they “get around to it”.
Jury for New Creators: Javier Mejía, Cynthia García Calvo and Diego Vega,displaying the winner for the Best Short Film: Alen Natalia Imery (Universidad del Valle) who won a Sony video camera, 2,000, 000 pesos of in kind services from Shock Magazin, and a scholarship for graduate Project Management and Film Production at the Autonomous University of Bucaramanga
Second prize went to The murmur of the earth Alejandro Daza (National University) - Win a Sony camera, and a Fellowship for Graduate Record Audio and Sound Design of the Autonomous University of Bucaramanga.
Other winners are:
Official Colombian Film Competition
Jurors: David Melo - Alissa Simon - Daniela Michel
Best Film: Marmato by Mark Grieco (Colombia, USA) Winner of the I.Sat Award for $30K and the Cinecolor Award for $11k in deliveries
Special Jury Prize: Mateo by María Gamboa
Best Director: Rubén Mendoza for Dust on the Tongue (Tierra en la lengua). Winner of Hangar Films Award for $30K in film equipment to produce his next film.
Additional Awards
Audience Award Colombia: Marmato by Mark Grieco (Colombia, USA). Winner of $15K
Official Documentary Competition
Jurors: Gary Meyer- Luis Ospina - Laurie Collyer
Best Film: Marmato by Mark Grieco (Colombia, USA). Winner of the Cinecolor Award for $13Kin post-production services.
Special Jury Prize: What Now? Remind Me (E Agora? Lembra-me) by Joaquim Pinto (Portugal)
Best Director: Justin Webster for I Will Be Murdered (Seré asesinado) (Spain, Denmark, U.K.)
Official Short Film Competition
JurorsOswaldo Osorio -Pacho Bottia - Denis de la Roca
Best Short Film: Statues (Estatuas) by Roberto Fiesco (Mexico). Winner of a professional Sony camera and $3K from Cinecolor in post-production services for his next project.
Special Jury Prize: About a Month (Pouco Mais de um Mês) by André Novais Oliveira (Brazil)
Best Director: Manuel Camacho Bustillo for Blackout chapter 4 "A Call to Neverland" (Blackout capítulo 4 "Una llamada a Neverland") (Mexico). Winner of a Sony photographic camera.
Gems
Jurors: Mauricio Reina - Manuel Kalmanowitz - Sofia Gomez Gonzalez
Best Film: Like Father, Like Son by Hirokazu Koreeda (Japan). Winner of the Rcn Award for $50 to promote the release of the film in Colombia.
Special Jury Prize: Ilo Ilo by Anthony Chen (Singapore)
[1] http://www.cinelatinoamericano.org/ocal/cifras.aspx
[2] http://www.mincultura.gov.co/areas/cinematografia/estadisticas-del-sector/Documents/Anuario%202012.p...
- 3/26/2014
- by Sydney Levine
- Sydney's Buzz
The International Film Festival of Cartagena de Indias has confirmed the rest of its programme.
Cartagena has added a Midnight Cinema section including two Colombian horror films: Gallows Hill (Encerrada), directed by Víctor García and written by Richard D´Ovidio and starring Peter Facinelli; and Demental by young Colombian David Bohórquez, which will have its world premiere at the festival.
The outdoor series Cinema Under the Stars includes:
Gloria, Sebastián Lelio (Chile)La Jaula de Oro, Diego Quemada Diez (Mexico)The Lunchbox, Ritesh Batra (India)Ciudad Delirio, Chus Gutiérrez (festival opening film)Porro Hecho en Colombia, Adriana Lucía, who will give a concert at the end of the screening.
Special Presentations section include Simon Brand’s Default, Laurie Collyer’s Sunlight Jr, Spike Jonze’s Her, Go for Sisters by John Sayles (the subject of a retrospective), and Medeas by Andrea Pallaoro.
There are also two films that are also part of Tributes: Alejandro González Iñárritu’s [link...
Cartagena has added a Midnight Cinema section including two Colombian horror films: Gallows Hill (Encerrada), directed by Víctor García and written by Richard D´Ovidio and starring Peter Facinelli; and Demental by young Colombian David Bohórquez, which will have its world premiere at the festival.
The outdoor series Cinema Under the Stars includes:
Gloria, Sebastián Lelio (Chile)La Jaula de Oro, Diego Quemada Diez (Mexico)The Lunchbox, Ritesh Batra (India)Ciudad Delirio, Chus Gutiérrez (festival opening film)Porro Hecho en Colombia, Adriana Lucía, who will give a concert at the end of the screening.
Special Presentations section include Simon Brand’s Default, Laurie Collyer’s Sunlight Jr, Spike Jonze’s Her, Go for Sisters by John Sayles (the subject of a retrospective), and Medeas by Andrea Pallaoro.
There are also two films that are also part of Tributes: Alejandro González Iñárritu’s [link...
- 2/27/2014
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
Exclusive: Actress Katherine Moennig has signed for representation with Paradigm. Moennig co-stars on Showtime’s Ray Donovan as Lena, the right-hand woman/press agent to Liev Schreiber’s eponymous fixer. The drama series will return for a second season this year. Moennig, an L Word and Three Rivers alum, is currently filming the feature My Dead Boyfriend, directed by Anthony Edwards, and recently wrapped hostage thriller Default. She’s also repped by Framework Entertainment.
- 1/9/2014
- by JEN YAMATO
- Deadline TV
Colombian broadcast giant Rcn is looking to shift its film production focus away from local product in favour of low budget English-language genre fare, top brass said on Thursday [11].
During a tour of the company’s premises in Bogota, newly promoted executive vice-president of international channels Julian Giraldo told a group of mostly Us producers and trade press that the move was a result of market forces at home and abroad.
“We are now trying to focus more on co-productions in English,” said Giraldo after screening footage from in-house Rcn Films’ first two such projects, Gallows Hill and Default. Rcn Films is currently raising funds for a couple of further projects budgeted in the $1m-$3m range.
Although Rcn Films has backed more than 45 local titles, Giraldo said it was difficult to raise more than $3m from local investors in Colombia and intimated that indigenous product lacked global appeal.
“That’s why we are moving towards English-language...
During a tour of the company’s premises in Bogota, newly promoted executive vice-president of international channels Julian Giraldo told a group of mostly Us producers and trade press that the move was a result of market forces at home and abroad.
“We are now trying to focus more on co-productions in English,” said Giraldo after screening footage from in-house Rcn Films’ first two such projects, Gallows Hill and Default. Rcn Films is currently raising funds for a couple of further projects budgeted in the $1m-$3m range.
Although Rcn Films has backed more than 45 local titles, Giraldo said it was difficult to raise more than $3m from local investors in Colombia and intimated that indigenous product lacked global appeal.
“That’s why we are moving towards English-language...
- 7/12/2013
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
David Oyelowo is one of those actors who's able to stay constantly busy, despite laments about the challenges black actors face. Over the last 2 years, he's appeared in Rise Of The Planet Of The Apes, The Help, The Paperboy, Red Tails, Middle Of Nowhere, Lincoln, and more. Taking a look at his upcoming slate, he's an actor in demand, working on both sides of the Atlantic: look for him in The Butler, and Cynthia Mort's Nina Simone film; he's also attached to play Sugar Ray Robinson, as well as a found-footage-style hijacking thriller titled Default. There was the political thriller Complicit (it already aired in the...
- 7/10/2013
- by Tambay A. Obenson
- ShadowAndAct
Distribution company Wild Bunch has picked up Colombian director Simon Brand’s English-language, Africa-set found-footage-style thriller titled Default, which stars David Oyelowo, Greg Callahan, Katherine Moennig, and Stephen Lord, in a film that tells the story of "the hijacking of an American news crew’s plane on an African runway by Somali pirates who were the subjects of their reportage," says Screen Daily. It's not clear in what country/city this "African runway" resides, but given that the hijacking is done by Somalis, we can assume that it's a runway somewhere in Somalia. There are more than a dozen airports in the east...
- 10/24/2012
- by Tambay A. Obenson
- ShadowAndAct
Kate Moennig has been an AfterEllen.com favorite since she first appeared on The L Word as Shane McCutcheon, the girl everyone wanted to date and just couldn't hate, no matter how many times she screwed them over. The actress behind the role has managed to move on from the series to play a doctor (Three Rivers), a tattoo artist (Dexter) and a druggie prostitute (The Lincoln Lawyer). There's no typecasting for this woman, who told our Lindsey Byrnes (during a shoot for the new issue of Work magazine) about her experiences as an actor, the difference between film and TV and how she developed her own sense of style.
All photos by Lindsey Byrnes
AfterEllen.com: You recently had a part in a big Hollywood movie, The Lincoln Lawyer, starring Matthew McConaughey, and, in 2009, you were in a movie called Everybody's Fine with Robert DeNiro and Drew Barrymore. But,...
All photos by Lindsey Byrnes
AfterEllen.com: You recently had a part in a big Hollywood movie, The Lincoln Lawyer, starring Matthew McConaughey, and, in 2009, you were in a movie called Everybody's Fine with Robert DeNiro and Drew Barrymore. But,...
- 7/22/2011
- by Lindsey Byrnes
- AfterEllen.com
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