| Cast overview, first billed only: | |||
| Agata Kulesza | ... | Wanda | |
| Agata Trzebuchowska | ... | Anna | |
| Dawid Ogrodnik | ... | Lis | |
| Jerzy Trela | ... | Szymon | |
| Adam Szyszkowski | ... | Feliks | |
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Halina Skoczynska | ... | Mother Superior |
| Joanna Kulig | ... | Singer | |
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Dorota Kuduk | ... | Kaska |
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Natalia Lagiewczyk | ... | Bronia |
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Afrodyta Weselak | ... | Marysia |
| Mariusz Jakus | ... | Barman | |
| Izabela Dabrowska | ... | Waitress | |
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Artur Janusiak | ... | Policeman |
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Anna Grzeszczak | ... | Neighbour |
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Jan Wociech Poradowski | ... | Father Andrew |
Poland, 1962. Anna, an orphan brought up by nuns in the convent, is a novice. She has to see Wanda, the only living relative, before she takes her vows. Wanda tells Anna about her Jewish roots. Both women start a journey not only to find their family's tragic story, but to see who they really are and where they belong. They question what they used to believe in. Written by Anonymous
It's so rare that a work of art whether film or dance or theater or visual art can live up to the superlative reviews and the gushing from critics, but IDA is such a work. A relatively short film of only 80 minutes that captures the near past, present and future of Europe in what amounts to a road movie with only two characters. IDA shatters all expectations by making the personal truly political. In every way director Pawel Pawlikowski, in his first native language film, captures who we are and where we are going in a story that takes place in only a matter of days. This is art of the highest order that requires time and processing but so well worth the adventure.