A passionate love story between two people of different backgrounds and temperaments, who are fatefully mismatched, set against the background of the Cold War in the 1950s in Poland, Berlin, Yugoslavia and Paris.
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Poland, 1962. Anna, an orphan brought up by nuns in the convent, is a novice. She has to see Wanda, the only living relative, before she takes her vows. Wanda tells Anna about her Jewish roots. Both women start a journey not only to find their family's tragic story, but to see who they really are and where they belong. They question what they used to believe in.Written by
When Ida is in a church, the priest seems to be getting ready to say Mass and we see a versus populum altar, which didn't become the norm until years later after Vatican II. The movie takes place in 1961 and the priest would have been saying Mass on the high altar. See more »
Amazing movie, amazing technique, acting, music, and story
Ida was a dark somber tragic story expressed perfectly in film.
I am not a big fan of black and white "art" movies done for effect, except the old black and white movies, but Ida was filmed so perfectly, and the stark black and white was so integral to the story and feeling of the movie it was really perfect.
I am not a big fan of jazz either, but again, the choice of Coltrane's jazz music for parts of this film really let you feel what jazz is all about, it was beautiful.
The story was of an orphan nun who is preparing to take her final vows to God. The Mother Superior calls her in and tells her about who she is. Ida grew up not knowing her name or anything about her family. Ida finds that she has an aunt nearby and is told to go to see her before taking her vows.
The slow, heavy and deliberate pace of the movie express the story so perfectly, and there is no pandering or cheap shots, the movie is beautifully done. This is a story that is not for everyone, or every time, but I am glad it was made and that I saw it.
I have to give it a 10/10 for pure craftsmanship and cinematic perfection.
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