The International (2009)

An Interpol agent attempts to expose a high-profile financial institution's role in an international arms dealing ring.

Director:

Tom Tykwer

Writer:

Eric Warren Singer

Stars:

Clive Owen, Naomi Watts, Armin Mueller-Stahl

1 win & 1 nomination.

Cast

Cast overview, first billed only:
Clive Owen	...	Louis Salinger
Naomi Watts	...	Eleanor Whitman
Armin Mueller-Stahl	...	Wilhelm Wexler
Ulrich Thomsen	...	Jonas Skarssen
Brían F. O'Byrne	...	The Consultant
Michel Voletti	...	Viktor Haas
Patrick Baladi	...	Martin White
Jay Villiers	...	Francis Ehames
Fabrice Scott	...	Nicolai Yeshinski
Haluk Bilginer	...	Ahmet Sunay
Luca Barbareschi	...	Umberto Calvini (as Luca Giorgio Barbareschi)
Alessandro Fabrizi	...	Inspector Alberto Cerutti
Felix Solis	...	Detective Iggy Ornelas
Jack McGee	...	Detective Bernie Ward
Nilaja Sun	...	Detective Gloria Hubbard

Storyline

In The International, Interpol Agent Louis Salinger and Manhattan Assistant District Attorney Eleanor Whitman are determined to bring to justice one of the world's most powerful banks. Uncovering illegal activities including money laundering, arms trading, and the destabilization of governments, Salinger and Whitman's investigation takes them from Berlin to Milan to New York and to Istanbul. Finding themselves in a high-stakes chase across the globe, their relentless tenacity puts their own lives at risk as the bank will stop at nothing - even murder - to continue financing terror and war.

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Plot Keywords:

money laundering | post punk | bank | interpol | district attorney | 

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Taglines:

Sometimes a man can meet his destiny on the road he took to find it.

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Genres:

Action | Crime | Drama | Mystery | Thriller

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Motion Picture Rating (MPAA)

Rated R for some sequences of violence and language

Details

Official Sites:

Sony Pictures [United States]

Country:

USA Germany UK France

Language:

English Italian French Danish

Release Date:

13 February 2009 (USA)

Also Known As:

Agente internacional

Filming Locations:

USA

Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend USA:

$9,331,739, 15 February 2009

Gross USA:

$25,450,527

Cumulative Worldwide Gross:

$60,253,843

Company Credits

Production Co:

Columbia Pictures, Relativity Media, Atlas Entertainment

Technical Specs

Runtime:

118 min

Sound Mix:

DTS Dolby Digital SDDS

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

At Jonas Skarssen's home, Ulrich Thomsen and Benjamin Wandschneider are speaking Danish, their native language.

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Goofs

The characters Tommy and Clement are talking inside of an Audi. But when Louis finds out that Clement died, the car shown in the picture online is clearly a VW Passat.

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Quotes

[first lines]
Thomas Schumer: Listen, I'm from the Bronx, so you need to keep it simple. Why is the bank buying all this missile-guidance stuff from Calvini? - I don't get it.

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Crazy Credits

During the credits fade-in on the second and third newspaper printed articles, look above the main story of focus and you will see articles that reference a company by the name of SuckleOil, which is most likely a nod to Producer Richard Suckle.

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Connections

References The Eye (2008)

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Soundtracks

Wir Setzen Uns Mit Traenen Nieder
from "St. Matthew's Passion" BWV 244
Written by Johann Sebastian Bach
Performed by Hungarian State Symphony Orchestra
Courtesy of Naxos of America

User Reviews

Better film than critics give it credit

I was persuaded by my brother to see this film. I wanted to see another one but since he was visiting I agreed with his choice, and was surprised to find myself liking the film very much. OK, the script could be a little better, but the direction and acting were very good, even down to the supporting players such as the actors who portrayed the two NYC cops who assist the main character, Interpol agent Sallinger (Clive Owens), once the story moved to NYC. What I particularly liked was the way the story was told cinematically rather than through a lot of verbose dialogue. It seemed to me like a Bourne thriller for adults. No kinetic hand-held camera action, but smooth visually appealing cinematic exposition the way Hitchcock did it in his prime. Even the closing credits were used effectively to give a rather downbeat dénouement to the film.

In short, an entertaining movie that alleviated the February blues.