In the late 1960s/early 1970s, a San Francisco cartoonist becomes an amateur detective obsessed with tracking down the Zodiac Killer, an unidentified individual who terrorizes Northern California with a killing spree.
Robert Downey Jr.,
Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the co-founder who was later squeezed out of the business.
NIGHTCRAWLER is a thriller set in the nocturnal underbelly of contemporary Los Angeles. Jake Gyllenhaal stars as Lou Bloom, a driven young man desperate for work who discovers the high-speed world of L.A. crime journalism. Finding a group of freelance camera crews who film crashes, fires, murder and other mayhem, Lou muscles into the cut-throat, dangerous realm of nightcrawling - where each police siren wail equals a possible windfall and victims are converted into dollars and cents. Aided by Rene Russo as Nina, a veteran of the blood-sport that is local TV news, Lou blurs the line between observer and participant to become the star of his own story.Written by
Open Road Films
The red car Jake Gyllenhaal drives in the second half of the film is a 2014 Dodge Challenger SRT8. He starts off driving a Toyota Tercel. See more »
When Lou and Rick are driving to the structure fire, they pass a series of buildings (most visibly an IHOP with its lights off). After they make a sudden left turn, they pass the same series of buildings again (the IHOP is illuminated this time). See more »
Nightcrawler seems like a satire to modern television news about how they choose their leads or often seek for more ratings by entertaining their viewers rather than aim straightly to the facts. But there is a much interesting story beneath here and that is the main character, Louis Bloom. The guy that easily manipulates people with his sinister tricks of persuasion. Everything else may just be the natural world of crime and accidents, but in the eyes of this character, the experience is made far stranger and oddly fascinating. This provides a compellingly menacing and provoking piece of commentary which results to such engrossing film.
What the plot mostly does is to fully absorb the viewers into the character of Bloom by studying his sociopathic behavior and the words coming out from his mouth. He is a charming young man with a dark intention hidden behind his grins. He pushes the limits of the law and his own safety, only to accomplish on what he must do in the job, even if it risks many people's lives. The actions of this antihero is ought to feel terrifying on how it affects to both the business he's working on and the society he is watching. The media's side however is more of a picture of cynicism on how they broadcast the scariest stories of the city, giving the people fear so they could earn more viewers out of the concern. It just breaks down on how the evil of their success is disguised as their own ethics.
The filmmaking perfectly captures their night's work. You couldn't clearly see the scenario they shoot unless you watch them on a video footage. The violence and peril they witness are shown without any hint of sympathy, since they only use them for the news show. The horror of these gritty scenes once again belongs to the nightcrawler. Jake Gyllenhaal is one of the biggest highlights here. His character obviously has the personality of a psychotic villain; he is mostly bluffing, and by the dashing enthusiasm he shows to the people around him, you probably may not know when his inner total madness will burst out from his frightening eyeballs, and that provides more tension than you expect. This is one of the Gyllenhaal performances that will be remembered for his career.
Out of common sense, this story may lead its main character to a moral about how much he is taking this job too far, probably destroying his humanity. But no, this guy is relentless, almost inhumane, and his style in fact helps his career grow bigger, which turns out we are actually rooting for a villain. And that probably pictures to some oppressive ambitious beings out there behind some system. This is where things go in the end, bringing an outcome to a social satire. You can spot a lot of relevance even when some of the situations get a little out of hand. Nightcrawler is something else than a sentiment, what we must focus here is Lou Bloom: a new, possibly iconic, movie vigilante, except the only skin he is purposely saving is himself and his career.
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