A skilled police detective in a case involving the strange, sadistic murder of a young prostitute who has been killed in exactly the same fashion as a young nightclub singer in Saigon ... See full summary »
Keen young Raymond Avila joins the Internal Affairs Department of the Los Angeles police. He and partner Amy Wallace are soon looking closely at the activities of cop Dennis Peck whose financial holdings start to suggest something shady. Indeed Peck is involved in any number of dubious or downright criminal activities. He is also devious, a womaniser, and a clever manipulator, and he starts to turn his attention on Avila.Written by
Jeremy Perkins <email@example.com>
The hearse that is supposedly carrying Van Stretch's body to the cemetery is obviously empty. See more »
[Steven has just walked in on Peck having sex with his wife, Tovah]
I could kill you.
[throws him a gun]
Kill her. Come on, Steven. Be a man! Kill her. She paid me to kill you. She did.
[whispers in his ear]
Go on, shoot her. She's a tramp. She's a *big* tramp. Your parents are dead, and you've got a tramp for a wife. She fucks everybody.
Steven, that was my foot.
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A pretty good, early feature from Figgis. It's a thriller but with a unique strain already showing - it's more a war of character and attrition between Garcia and Gere than a straight chase number and broken up with a notable dream sequence (in fact, with this shot in a monochromatic blue and the nature of the film leaning towards existential examination of the leads I can't help but think of the Michael Mann of Manhunter and Heat respectively).
Garcia gives a good performance, if perhaps a touch excessively 'Latin' in its swinging between inscrutable and violent. He's well supported by Nancy Travis and particularly Lauire Metcalf - playing a unfussy, unostentatious but unequivocal lesbian. The treat of the show though is Gere. A true A-list performance here, powerfully masculine in its self-assurance, sexual charisma and violence in various states of disguise.
A stock film lifted by the agenda of a developing director and a matinée idol. Unsurprising, occasionally laboured but always watchable. 6/10
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