A mistaken delivery in Mumbai's famously efficient lunchbox delivery system connects a young housewife to an older man in the dusk of his life as they build a fantasy world together through notes in the lunchbox.
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Four lives intersect along the Ganges: a low caste boy hopelessly in love, a daughter ridden with guilt of a sexual encounter ending in a tragedy, a hapless father with fading morality, and... See full summary »
The film, set in Mumbai, revolves around a mistaken delivery by the Dabbawalas (lunchbox service) of Mumbai, which leads to a relationship between Saajan, a lonely widower close to retirement, and Ila, an unhappy housewife, as they start exchanging notes through the daily lunchbox.Written by
The three main characters in the film - Saajan (Irrfan Khan), Sheikh (Nawazzudin Siqiui) and Ila (Nimrat Kaur) - all belong to different religions. Saajan is a Christian, Sheikh a Muslim, and Ila is a Hindu. This signifies the unity in diversity existing in the Mumbai City. See more »
Two characters refer to a saying that one Indian rupee is five Bhutanese rupees. The exchange rate of the Bhutanese currency, the Ngultrum, is one Indian rupee, not five. If the saying is about purchasing power, it is an exaggeration: numbeo.com estimates the cost of living in Bhutan's capital is about 75% that of Mumbai. See more »
When my wife died, she got a horizontal burial cot... I tried to buy a burial cot for myself the other day, and what they offered me was a vertical one... I've spent my whole life standing in trains and buses... now I'll even have to stand when I'm dead!
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Great story line, effortless performances, definitely worth a watch!
To be able to write an involving story on something considered impossible is the hallmark of a good writer. 'The Lunchbox' is based on such a story surrounding the dabbawalas of Mumbai.
One mistake that brews a terrific relationship between two strangers, so delicately portrayed through the exchange of letters. There are only three actors in this film and each has delivered a stellar performance. None of them have many dialogues, but their expressions and motions depict their character in such an excellent manner, you wished there were even fewer lines! Irrfan proves with every new film that he in fact is the best 'Khan' of Bollywood and Nawazuddin can just not disappoint. He's used his GoW success to break into films such as this one and done justice to each role. Nimrat Kaur's simplicity throughout the film looks so effortless and yet so unbelievable for the Bollywood of today, which is ever so increasingly synonymous of excessive glamour and fashion.
Cinematography is average, but again, this isn't a 'visual' movie, it's more of a story. Direction looks great as Ritesh has been able to get the best out of his cast. Well, you'd have to try real hard to have Irrfan and Nawaz amidst your cast and yet churn a flop, but the director does deserve some credit.
In my opinion, this is the second best film of the year after Madras Cafe. I haven't seen Bhaag Milkha Bhaag though, so that might change things for me. Either way, this is in no way a bore or a drag as the film keeps you hooked onto the amazing story line and individual performances.
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