It’s a hot soap from ’65, when movies promised raging passion but delivered cheap teases and hypocritical judgments. It’s Suzanne Pleshette’s only starring role, but it doesn’t exploit her bright personality, her sense of humor. John O’Hara’s tale hasn’t much pity for a promiscuous young wife who breaks the rules. Does nymphomania make her a social menace, or is she victimized by a script determined to put the blame on Mame? Costarring Ben Gazzara, Bradford Dillman and Peter Graves.
A Rage to Live
Blu-ray
Viavision [Imprint] 197
1965 / B&w / 2:35 widescreen / 101 min. / Street Date December 28, 2022 / Available from [Imprint] / aud 34.98
Starring: Suzanne Pleshette, Bradford Dillman, Ben Gazzara, Peter Graves, Bethel Leslie, Carmen Mathews, Linden Chiles, James Gregory, Ruth White, Mark Goddard, Sarah Marshall, George Furth, Virginia Christine, Aneta Corsaut, Frank Maxwell, Almira Sessions.
Cinematography: Charles Lawton Jr.
Costume Designer: Howard Shoup
Art Director: James Sullivan
Film Editor: Stuart Gilmore...
A Rage to Live
Blu-ray
Viavision [Imprint] 197
1965 / B&w / 2:35 widescreen / 101 min. / Street Date December 28, 2022 / Available from [Imprint] / aud 34.98
Starring: Suzanne Pleshette, Bradford Dillman, Ben Gazzara, Peter Graves, Bethel Leslie, Carmen Mathews, Linden Chiles, James Gregory, Ruth White, Mark Goddard, Sarah Marshall, George Furth, Virginia Christine, Aneta Corsaut, Frank Maxwell, Almira Sessions.
Cinematography: Charles Lawton Jr.
Costume Designer: Howard Shoup
Art Director: James Sullivan
Film Editor: Stuart Gilmore...
- 2/7/2023
- by Glenn Erickson
- Trailers from Hell
Celebrated cartoonist and screenwriter Daniel Clowes discusses his favorite formative films with hosts Josh Olson and Joe Dante.
Show Notes: Movies Referenced In This Episode
Baxter (1989)
Faster Pussycat! Kill! Kill! (1966) – Josh Olson’s trailer commentary
Ghost World (2001) – Josh Olson’s trailer commentary, Glenn Erickson’s Blu-ray review
Art School Confidential (2006)
Help! (1965) – Allan Arkush’s trailer commentary, Charlie Largent’s review
The Russians Are Coming! The Russians Are Coming! (1966) – John Landis’s trailer commentary,
The Adventures of Tom Sawyer (1938) – Charlie Largent’s Blu-ray review
Gone With The Wind (1939)
Mudhoney (1965) – John Badham’s trailer commentary
Finders Keepers, Lovers Weepers! (1968)
Common Law Cabin (1967)
Beyond The Valley Of The Dolls (1970) – Michael Lehmann’s trailer commentary, Glenn Erickson’s Blu-ray review
The Seven Minutes (1971)
Black Snake (1973)
An American Werewolf In London (1981) – Glenn Erickson’s Blu-ray and 4K Blu-ray reviews
Lady In A Cage (1964) – Darren Bousman’s trailer commentary, Charlie Largent’s Blu-ray review
The Wild One (1953)
Hush…...
Show Notes: Movies Referenced In This Episode
Baxter (1989)
Faster Pussycat! Kill! Kill! (1966) – Josh Olson’s trailer commentary
Ghost World (2001) – Josh Olson’s trailer commentary, Glenn Erickson’s Blu-ray review
Art School Confidential (2006)
Help! (1965) – Allan Arkush’s trailer commentary, Charlie Largent’s review
The Russians Are Coming! The Russians Are Coming! (1966) – John Landis’s trailer commentary,
The Adventures of Tom Sawyer (1938) – Charlie Largent’s Blu-ray review
Gone With The Wind (1939)
Mudhoney (1965) – John Badham’s trailer commentary
Finders Keepers, Lovers Weepers! (1968)
Common Law Cabin (1967)
Beyond The Valley Of The Dolls (1970) – Michael Lehmann’s trailer commentary, Glenn Erickson’s Blu-ray review
The Seven Minutes (1971)
Black Snake (1973)
An American Werewolf In London (1981) – Glenn Erickson’s Blu-ray and 4K Blu-ray reviews
Lady In A Cage (1964) – Darren Bousman’s trailer commentary, Charlie Largent’s Blu-ray review
The Wild One (1953)
Hush…...
- 11/15/2022
- by Kris Millsap
- Trailers from Hell
Though their “’80s Horror” lineup would constitute enough of a Halloween push, the Criterion Channel enter October all guns blazing. The month’s lineup also includes a 19-movie vampire series running from 1931’s Dracula (English and Spanish both) to 2014’s A Girl Walks Home Alone at Night, the collection in-between including Herzog’s Nosferatu, Near Dark, and Let the Right One In. Last year’s “Universal Horror” collection returns, a 17-title Ishirō Honda retrospective has been set, and a few genre titles stand alone: Hush…Hush, Sweet Charlotte, The House of the Devil, and Island of Lost Souls.
Streaming premieres include restorations of Tsai Ming-liang’s Vive L’amour and Ed Lachman’s Lou Reed / John Cale concert film Songs for Drella; October’s Criterion editions are Samuel Fuller’s Forty Guns, Bill Duke’s Deep Cover, Haxan, and My Own Private Idaho. Meanwhile, Ari Aster has curated an “Adventures...
Streaming premieres include restorations of Tsai Ming-liang’s Vive L’amour and Ed Lachman’s Lou Reed / John Cale concert film Songs for Drella; October’s Criterion editions are Samuel Fuller’s Forty Guns, Bill Duke’s Deep Cover, Haxan, and My Own Private Idaho. Meanwhile, Ari Aster has curated an “Adventures...
- 9/26/2022
- by Nick Newman
- The Film Stage
Lady in a Cage
Blu ray
ViaVision [Imprint]
1964/ B&w / 1.78:1 / 95 Minutes
Starring Olivia de Havilland, James Caan, Ann Sothern
Directed by Walter Grauman
Though the title suggests anything from a feminist manifesto to a women-in-prison melodrama, Lady in a Cage is in fact a home invasion thriller with a mile-wide mean streak. Critics in 1964 saw the film itself as the intruder, a smash and grab aberration wallowing in bloodshed and perversion. In The New York Times, Bosley Crowther labeled it as “reprehensible.” Gossipmonger Hedda Hopper wailed, “The picture should be burned.” Chances are good the reaction to Walter Grauman’s claustrophobic shocker would have been far less shrill without the presence of its leading lady, Olivia de Havilland—according to Hollywood taste-makers, Maid Marian should not be consorting with such riffraff.
De Havilland plays Cornelia Hilyard, a ripely beautiful dowager who lives in a spacious if drably generic house in an unnamed city.
Blu ray
ViaVision [Imprint]
1964/ B&w / 1.78:1 / 95 Minutes
Starring Olivia de Havilland, James Caan, Ann Sothern
Directed by Walter Grauman
Though the title suggests anything from a feminist manifesto to a women-in-prison melodrama, Lady in a Cage is in fact a home invasion thriller with a mile-wide mean streak. Critics in 1964 saw the film itself as the intruder, a smash and grab aberration wallowing in bloodshed and perversion. In The New York Times, Bosley Crowther labeled it as “reprehensible.” Gossipmonger Hedda Hopper wailed, “The picture should be burned.” Chances are good the reaction to Walter Grauman’s claustrophobic shocker would have been far less shrill without the presence of its leading lady, Olivia de Havilland—according to Hollywood taste-makers, Maid Marian should not be consorting with such riffraff.
De Havilland plays Cornelia Hilyard, a ripely beautiful dowager who lives in a spacious if drably generic house in an unnamed city.
- 2/8/2022
- by Charlie Largent
- Trailers from Hell
Olivia de Havilland, one of the last remaining actresses of Hollywood’s Golden Age and the last surviving star of Gone With the Wind, died July 26 of natural causes at her residence in Paris, where she lived for more than six decades, according to Variety. De Havilland was 104.
De Havilland turned 104 on July 1. She was the older sister of Joan Fontaine, who died in 2013 at 96. The two Academy Award-winning actresses were estranged for most of their lives. Olivia Mary de Havilland was born in Tokyo on July 1, 1916. Her parents, Walter de Havilland, an English professor, and actress Lilian Fontaine, were British. De Havilland and her sister grew up in Saratoga, California, with their mother. Her father married the family’s housekeeper and remained in Tokyo. Havilland’s first performance was in a school production of Alice in Wonderland.
She made her stage debut in Max Reinhardt’s production of Shakespeare’s A Midsummer Night’s Dream.
De Havilland turned 104 on July 1. She was the older sister of Joan Fontaine, who died in 2013 at 96. The two Academy Award-winning actresses were estranged for most of their lives. Olivia Mary de Havilland was born in Tokyo on July 1, 1916. Her parents, Walter de Havilland, an English professor, and actress Lilian Fontaine, were British. De Havilland and her sister grew up in Saratoga, California, with their mother. Her father married the family’s housekeeper and remained in Tokyo. Havilland’s first performance was in a school production of Alice in Wonderland.
She made her stage debut in Max Reinhardt’s production of Shakespeare’s A Midsummer Night’s Dream.
- 7/27/2020
- by Alec Bojalad
- Den of Geek
New bi-weekly Monday series. By popular vote you selected this streaming film for screening & discussion...
by Nathaniel R
Where did the sayings "wear your influences / heart on your sleeves" originate? No matter the etymology of the phrase we think it disagrees with fussy widow Mrs Cornelia Hilyard. Her billowy sleeves aren't half as expressive as the sheer scarf and shawl like top over her simple house dress. She fidgets with it constantly, untying and unbuttoning the extra layer of fabric due to the unfortunate duet of a broken air conditioner and a great lady's modesty!
The influences and emotions clinging visibly to this lady in her cage, or rather Lady in a Cage (1964), are much the same. Screenwriter Luther Davis and Director Walter Grauman throw just about everything they can think of that was cinematically en vogue or brazenly attention-grabbing in the early 1960s into the mix (drug use! homosexuality!
by Nathaniel R
Where did the sayings "wear your influences / heart on your sleeves" originate? No matter the etymology of the phrase we think it disagrees with fussy widow Mrs Cornelia Hilyard. Her billowy sleeves aren't half as expressive as the sheer scarf and shawl like top over her simple house dress. She fidgets with it constantly, untying and unbuttoning the extra layer of fabric due to the unfortunate duet of a broken air conditioner and a great lady's modesty!
The influences and emotions clinging visibly to this lady in her cage, or rather Lady in a Cage (1964), are much the same. Screenwriter Luther Davis and Director Walter Grauman throw just about everything they can think of that was cinematically en vogue or brazenly attention-grabbing in the early 1960s into the mix (drug use! homosexuality!
- 3/9/2020
- by NATHANIEL R
- FilmExperience
Technology is never to be trusted; as evolved as it has become, the thought of sentience and ill will striking back at our computer dependent life will never go away – and kids, just because you use Incognito, nothing is ever really gone. (Trust me.) Enter Paper Man (1971), an early entry into the A.I. Paranoia Sweepstakes that is pretty prescient and a damn entertaining thriller to boot.
Originally broadcast as part of The New CBS Friday Night Movies, Paper Man fought it out against ABC’s lineup of Room 222/The Odd Couple/Love, American Style and NBC’s World Premiere Movie, surely losing to the former’s solid roster. The world was just not ready for computer hijinks if it didn’t involve Stanley Kubrick or Kurt Russell.
Let’s open up the old fusty TV Guide and scour the data:
Paper Man
Five college kids find themselves in danger...
Originally broadcast as part of The New CBS Friday Night Movies, Paper Man fought it out against ABC’s lineup of Room 222/The Odd Couple/Love, American Style and NBC’s World Premiere Movie, surely losing to the former’s solid roster. The world was just not ready for computer hijinks if it didn’t involve Stanley Kubrick or Kurt Russell.
Let’s open up the old fusty TV Guide and scour the data:
Paper Man
Five college kids find themselves in danger...
- 5/12/2019
- by Scott Drebit
- DailyDead
New Yorkers of two centuries ago surely complained loudly about rampant street crime, but in the 1960s the media really ramped up the reportage paranoia. Had a new age of senseless violence begun? A New York play about terror on the subway is the source for this nail-biter with a powerful cast, featuring an ensemble of sharp new faces and undervalued veterans.
The Incident
Blu-ray
Twilight Time
1967 / B&W / 1:85 widescreen / 99 min. / Street Date February 20, 2018 / Available from the Twilight Time Movies Store / 29.95
Starring: Tony Musante, Martin Sheen, Beau Bridges, Jack Gilford, Thelma Ritter, Brock Peters, Ruby Dee, Ed McMahon, Diana Van der Vlis, Mike Kellin, Jan Sterling, Gary Merrill, Robert Fields, Robert Bannard, Victor Arnold, Donna Mills.
Cinematography: Gerald Hirschfeld
Film Editor: Armond Lebowitz
Production design: Manny Gerard
Original Music: Terry Knight, Charles Fox
Written by Nicholas E. Baehr
Produced by Edward Meadow, Monroe Sachson
Directed by Larry Peerce
Various pundits...
The Incident
Blu-ray
Twilight Time
1967 / B&W / 1:85 widescreen / 99 min. / Street Date February 20, 2018 / Available from the Twilight Time Movies Store / 29.95
Starring: Tony Musante, Martin Sheen, Beau Bridges, Jack Gilford, Thelma Ritter, Brock Peters, Ruby Dee, Ed McMahon, Diana Van der Vlis, Mike Kellin, Jan Sterling, Gary Merrill, Robert Fields, Robert Bannard, Victor Arnold, Donna Mills.
Cinematography: Gerald Hirschfeld
Film Editor: Armond Lebowitz
Production design: Manny Gerard
Original Music: Terry Knight, Charles Fox
Written by Nicholas E. Baehr
Produced by Edward Meadow, Monroe Sachson
Directed by Larry Peerce
Various pundits...
- 2/27/2018
- by Glenn Erickson
- Trailers from Hell
The cultural impact of satanic megahit Rosemary’s Baby (1968) was substantial and immediate. All of a sudden supernatural horror was in vogue, whether directly mentioning the Big S or delving into covens and cults. Somehow if money was to be made, Lucifer would be there with his asbestos lined suitcase ready to take donations from one and all. Which brings us to the small screen’s Crowhaven Farm (1970), an ABC Movie of the Week that terrified TV audiences with the knowledge that not all evil has to be metropolitan.
Originally airing on Tuesday, November 24th, Crowhaven Farm’s closest competition was CBS’s Hee Haw, but even those yokels couldn’t beat ABC’s juggernaut, which always won its time slot. And while it may not be a match for Rosemary’s devilish wit and urbane horror (not much is), Crowhaven Farm still offers plenty of spooky, countrified atmosphere.
Let...
Originally airing on Tuesday, November 24th, Crowhaven Farm’s closest competition was CBS’s Hee Haw, but even those yokels couldn’t beat ABC’s juggernaut, which always won its time slot. And while it may not be a match for Rosemary’s devilish wit and urbane horror (not much is), Crowhaven Farm still offers plenty of spooky, countrified atmosphere.
Let...
- 5/21/2017
- by Scott Drebit
- DailyDead
Olivia de Havilland picture U.S. labor history-making 'Gone with the Wind' star and two-time Best Actress winner Olivia de Havilland turns 99 (This Olivia de Havilland article is currently being revised and expanded.) Two-time Best Actress Academy Award winner Olivia de Havilland, the only surviving major Gone with the Wind cast member and oldest surviving Oscar winner, is turning 99 years old today, July 1.[1] Also known for her widely publicized feud with sister Joan Fontaine and for her eight movies with Errol Flynn, de Havilland should be remembered as well for having made Hollywood labor history. This particular history has nothing to do with de Havilland's films, her two Oscars, Gone with the Wind, Joan Fontaine, or Errol Flynn. Instead, history was made as a result of a legal fight: after winning a lawsuit against Warner Bros. in the mid-'40s, Olivia de Havilland put an end to treacherous...
- 7/2/2015
- by Andre Soares
- Alt Film Guide
Two-Time Oscar Winner: Olivia de Havilland vs. Warner Bros. Pt.3 [Olivia de Havilland picture: Irwin Allen's The Swarm.] Olivia de Havilland‘s second marriage was to journalist Pierre Galante in 1955. De Havilland moved to Paris, making only sporadic movie appearances (The Ambassador’s Daughter, Libel, The Proud Rebel, Light in the Piazza). None of those made much of an impact, whether with critics or at the box office, though Robert Aldrich’s over-the-top 1964 thriller Hush…Hush, Sweet Charlotte was a box-office hit. Co-starring de Havilland’s fellow Warner Bros. contract player Bette Davis, Hush…Hush, Sweet Charlotte had de Havilland playing against type. Also in 1964, Walter Grauman’s Lady in a Cage gave de Havilland a good chance to display her acting skills as an invalid stuck in an elevator while terrorized by hoodlum James Caan and pals. In the ’70s, de Havilland made only a handful of films — Pope Joan, Airport ’77, The Swarm, The Fifth Musketeer — all in supporting roles.
- 6/6/2012
- by Andre Soares
- Alt Film Guide
Article by Dan Clark of Movie Revolt
Well it’s that time again, time for another installment of Streaming for Your Pleasure. With Memorial Day weekend upon us America is about to officially start the summer. Barbeques, beers, and beaches will surely take up much of our time this weekend, however let us not forget the purpose behind this day as we celebrate the glory that is a three day weekend. In all seriousness it is a time to honor our Veterans and current soldiers for the remarkable sacrifices they make. No matter what political stance you may take I feel that is one thing we can all get behind. With that in mind I dedicated this installment to all things military as I look at military centric films currently available on Netflix Streaming.
The Longest Day
Directed By: Ken Annakin, Andrew Marton, Bernhard Wicki, and Darryl F. Zanuck
Written...
Well it’s that time again, time for another installment of Streaming for Your Pleasure. With Memorial Day weekend upon us America is about to officially start the summer. Barbeques, beers, and beaches will surely take up much of our time this weekend, however let us not forget the purpose behind this day as we celebrate the glory that is a three day weekend. In all seriousness it is a time to honor our Veterans and current soldiers for the remarkable sacrifices they make. No matter what political stance you may take I feel that is one thing we can all get behind. With that in mind I dedicated this installment to all things military as I look at military centric films currently available on Netflix Streaming.
The Longest Day
Directed By: Ken Annakin, Andrew Marton, Bernhard Wicki, and Darryl F. Zanuck
Written...
- 5/30/2012
- by Phil
- Nerdly
Retro-active: The Best Articles From Cinema Retro's Archives
Bradford Dillman: A Compulsively Watchable Actor
By Harvey Chartrand
In a career that has spanned 43 years, Bradford Dillman accumulated more than 500 film and TV credits. The slim, handsome and patrician Dillman may have been the busiest actor in Hollywood during the late sixties and early seventies, working non-stop for years. In 1971 alone, Dillman starred in seven full-length feature films. And this protean output doesn’t include guest appearances on six TV shows that same year.
Yale-educated Dillman first drew good notices in the early 1950s on the Broadway stage and in live TV shows, such as Climax and Kraft Television Theatre. After making theatrical history playing Edmund Tyrone in the first-ever production of Eugene O’Neill’s Long Day’s Journey into Night in 1956, Dillman landed the role of blueblood psychopath Artie Straus in the crime-and-punishment thriller Compulsion (1959), for which he...
Bradford Dillman: A Compulsively Watchable Actor
By Harvey Chartrand
In a career that has spanned 43 years, Bradford Dillman accumulated more than 500 film and TV credits. The slim, handsome and patrician Dillman may have been the busiest actor in Hollywood during the late sixties and early seventies, working non-stop for years. In 1971 alone, Dillman starred in seven full-length feature films. And this protean output doesn’t include guest appearances on six TV shows that same year.
Yale-educated Dillman first drew good notices in the early 1950s on the Broadway stage and in live TV shows, such as Climax and Kraft Television Theatre. After making theatrical history playing Edmund Tyrone in the first-ever production of Eugene O’Neill’s Long Day’s Journey into Night in 1956, Dillman landed the role of blueblood psychopath Artie Straus in the crime-and-punishment thriller Compulsion (1959), for which he...
- 3/31/2012
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Actress Joan Taylor, best remembered for two sci-fi / horror B movies of the late 1950s, died March 4 in Santa Monica, in Los Angeles County. Taylor was 82. According to various sources, Taylor was born Rose Marie Emma in Geneva, Illinois, on August 18, 1929. She was the daughter of Austrian vaudeville player Amelia Berky and an Italian-born immigrant who later became a Hollywood prop man. Curiously, last Friday night I watched for the first time the 1957 Columbia release 20 Million Miles to Earth. Though wasted in a non-role in this King Kong rip-off with stop-motion animation by Ray Harryhausen, Taylor looked quite pretty (as an Italian) whether angry at leading man William Hopper (son of gossip columnist Hedda Hopper) or screaming at the ballooning Martian creature. I guess it says something about her screen presence that I was rooting for the Martian Monster to gobble up the film's director (Nathan Juran), writers (Robert Creighton Williams...
- 3/7/2012
- by Andre Soares
- Alt Film Guide
With the Star Wars saga out now on Blu-ray, Terence looks back at the original 1977 film, and examines the disparate elements George Lucas brought together…
The original 1977 Star Wars film arrived on Blu-ray this week, along with the rest of the original trilogy and its prequels. News of the release has once again brought George Lucas into the center of a fan controversy about special editions versus original editions, and the issue of yet more obsessive tinkering. At the same time, though, the Blu-ray release is also a good opportunity to look back at what Lucas’ landmark first Star Wars film did give us.
Quite simply, Star Wars was the world’s first mash-up.
Originally a technical term to describe the mixing of disparate elements in website design, the mash-up concept quickly spread to music and, with the help of YouTube, to the cutting together of different movies to make something entirely new.
The original 1977 Star Wars film arrived on Blu-ray this week, along with the rest of the original trilogy and its prequels. News of the release has once again brought George Lucas into the center of a fan controversy about special editions versus original editions, and the issue of yet more obsessive tinkering. At the same time, though, the Blu-ray release is also a good opportunity to look back at what Lucas’ landmark first Star Wars film did give us.
Quite simply, Star Wars was the world’s first mash-up.
Originally a technical term to describe the mixing of disparate elements in website design, the mash-up concept quickly spread to music and, with the help of YouTube, to the cutting together of different movies to make something entirely new.
- 9/13/2011
- Den of Geek
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.