On the H.M.S. Defiant, during the French Revolutionary War, fair Captain Crawford is locked in a battle of wills against his cruel second-in-command Lieutenant Scott-Padget, whose heavy-handed command style pushes the crew to mutiny.
Father Arturo Carrera (Sir Dirk Bogarde) leaves the priesthood over the church's indifferent position during the Spanish Civil War, but finds himself attracted to beautiful entertainer Soledad (Ava Gardner).
Joan Fisk, daughter of the American ambassador to France, is bored with entertaining the wives of visiting V.I.P.s and decides to conduct an experiment. She accepts a date with an American ... See full summary »
Olivia de Havilland,
San Francisco ex-con Eddie Pedak wants to go straight but local cop Mike Vido, motivated by a personal vendetta, keeps harassing him while Eddie's brother, Walter, wants Eddie for one last major heist.
A Canadian commercial pilot sees a telecast in London of an interview with Sir Mark Lodden (Sir Dirk Bogarde) at his home. The Canadian is convinced that the baronet is a fraud, that he is actually a look-alike actor named Frank Welney (Sir Dirk Bogarde). The Canadian, the baronet, and the actor were all prisoners in the same German camp during the war and escaped together. One of them disappeared during the escape. Was he Sir Mark or Welney? The tabloids have a field day with the Canadian's accusations, and Lady Margaret Lodden (Olivia de Havilland) urges her husband to sue for libel and engage the distinguished barrister Sir Wilfred (Robert Morley). The long drawn-out case is made complex by the fact that Sir Mark is not quite sure of his identity. Injured in the war, he stutters on occasion and has difficulty remembering portions of his life. As the evidence sways back and forth in court, it begins to appear that Sir Mark is an impostor and the possible murderer of the missing ...Written by
In opening credits, Arthur Davey is listed as In Charge of Adminstration; no way of missing the obvious error - it takes up half the screen; of course, it should be Administration. How can such glaring errors be missed by editors. See more »
Libel is directed by Anthony Asquith and adapted from Edward Wooll's play by Anatole de Grunwald and Karl Tunberg. It stars Dirk Bogarde, Olivia de Havilland, Paul Massie, Robert Morley, Wilfrid Hyde-White, Anthony Dawson and Richard Wattis. Music is by Benjamin Frankel and cinematography by Robert Krasker.
A shell-shocked ex-WWII prisoner of war with amnesia is accused of being an impostor by one of the guys he was imprisoned with. This sends him spinning into the middle of a Libel court case that could destroy everything in his life.
A splendidly stylish mystery/drama that offers up two Dirk Bogarde's for the price of one. The big question throughout is if Bogarde, in the shoes of Sir Mark Sebastian Loddon, is actually a doppleganger that he was in the war with called Frank Welney. Loddon has the riches, the estate and a beautiful loving wife, Welney was a struggling actor and something of a mischievous imp. The big narrative thrust is that Loddon is not sure himself, he can only remember certain things, thus we are never sure either as the plot twists and turns and the court case simmers away with dramatic force.
Bogarde is great in his dual role, with a voice change for each character and different hair styles to help the viewers differentiate. In the court we have a trio of classy character actors, with Hyde- White and Morley as the opposing lawyers (wonderful to witness this) and Watiss as the judge presiding over the trial. Havilland isn't asked to do much until late in the day, but then she shines bright and puts some emotional punch into proceedings. The great Krasker photographs it in crisp black and white, while Asquith directs with a smoothness that undercuts the coincidences and conveniences that exist in this sort of story.
All the highlights of a court room drama are here, and it's a cracking mystery to boot. 8/10
4 of 4 people found this review helpful.
Was this review helpful to you?
| Report this