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Nosferatu (1922)

Nosferatu, eine Symphonie des Grauens (original title)
Not Rated | | Fantasy, Horror | 3 June 1929 (USA)
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Vampire Count Orlok expresses interest in a new residence and real estate agent Hutter's wife.

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(screen play), (based on the novel: "Dracula")
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1 win & 2 nominations. See more awards »

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Cast

Cast overview:
... Graf Orlok
... Hutter (as Gustav v. Wangenheim)
... Ellen - seine Frau (as Greta Schroeder)
Georg H. Schnell ... Harding - ein Reeder (as G.H. Schnell)
Ruth Landshoff ... Ruth - seine Schwester
Gustav Botz ... Professor Sievers - der Stadtarzt
... Knock - ein Häusermakler
John Gottowt ... Professor Bulwer - ein Paracelsianer
Max Nemetz ... Ein Kapitän
Wolfgang Heinz ... 1. Matrose
Albert Venohr ... 2. Matrose
Eric van Viele ... Matrose 2
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Storyline

Wisbourg, Germany based estate agent Knock dispatches his associate, Hutter, to Count Orlok's castle in Transylvania as the Count wants to purchase an isolated house in Wisbourg. They plan on selling him the one across the way from Hutter's own home. Hutter leaves his innocent wife, Ellen, with some friends while he is away. Hutter's trek is an unusual one, with many locals not wanting to take him near the castle where strange events have been occurring. Once at the castle, Hutter does manage to sell the Count the house, but he also notices and feels unusual occurrences, primarily feeling like there is a dark shadow hanging over him, even in the daytime when the Count is unusually asleep. Hutter eventually sees the Count's sleeping chamber in a crypt, and based on a book he has recently read, believes the Count is really a vampire or Nosferatu. While Hutter is trapped in the castle, the Count, hiding in a shipment of coffins, makes his way to Wisbourg, causing death along his way, ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

A thrilling mystery masterpiece - a chilling psycho-drama of blood-lust.

Genres:

Fantasy | Horror

Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

Official Sites:

Official Site

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Language:

Release Date:

3 June 1929 (USA)  »

Also Known As:

Nosferatu  »

Company Credits

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Technical Specs

Runtime:

| (video) | (DVD) | | (1997 restored) | (DVD)

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

The film is included on Roger Ebert's "Great Movies" list. See more »

Goofs

(at around 52 mins) The captain of the ship carrying Count Orlok ties himself to the wheel with a 'granny knot', which may slip loose, rather than the correct sailors' 'reef knot'. See more »

Quotes

[as Hutter is on his way to Knock's real estate office]
Prof. Bulwer: Not so hasty, young friend! No one can escape his destiny.
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Connections

Version of Dracula (2002) See more »

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User Reviews

One of my two favorites
21 May 1999 | by See all my reviews

Quite possibly my own very favourite movie. No vampire film before or since has been either as disturbing or as artful. Less overtly "expressionistic" than some of the other German films of the day, but no less visually impressive. Look at the seascape where Ellen/Nina/Mina pines over her departed husband. Watch those marvelous shadows, which we see in Bremen more often than the vampire itself, used especially effectively in the closing sequence.

And look at Max Schreck himself! While Bram Stoker gave his Count affinity with wolves and bats, Murnau favours that rat, both in that they surround him and that he physically resembles a shaved, cadaverous rat. Spreading his pestilence, Max Schreck is truly the vilest, most loathsome villain in the history of film. The scene where he rises suddenly erect from his coffin aboard ship is one that horror directors everywhere should study very carefully.

Nosferatu is also noteworthy as the origin of the idea that vampires are killed by sunlight, previously present neither in literature nor folklore. In response to the poster who complained that the vampire seems to be walking around in light before his death, these scenes are set at night. In the original versions, there was a blue tint over these scenes to let you tell night from day; it's difficult to tell the difference without them.

My copy is marred with some hilarious inappropriate sound effects (such as a massive "BOING" when the gates of the castle open on their own accord) which I've learned not to hold against the film itself.

Thank God that Florence Stoker did not manage to completely wipe this film of the face of existence.


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