Inspired by real events, five friends struggle to cope with their frustrations and are compelled to violence as Weltstadt, a once-popular tourist spot, falls onto hard times following the reunification of Germany.
Becky, Maik and Tommi, a group of right-wing radical youths, aim to establish a terrorist cell in Germany. Seeking national attention, they commit a range of escalating crimes whilst facing disorientation and their appetite for murder.
A psychiatrist and his blind girlfriend, bound by sinister interest. A school doctor, who lost more than work with her dismissal. Her brother, who will do everything for her. A desperate ... See full summary »
Sarah Victoria Frick,
Martha is in a happy relationship with Paul. She shares her life with him, and she trusts him and feels she knows him inside out. But one day two policewomen appear at her door and suddenly... See full summary »
The shadows of screams climb beyond the hills. It has happened before. But this will be the last time. The last few sense it, withdrawing deep into the forest. They cry out into the black, as the shadows pass away, into the ground.
The prestigious politician and large-scale farmer Franz Murer, responsible for the Ghetto of Vilnius as SS leader and NSDAP functionary from 1941-1943, stands trial in Graz, Austria. ... See full summary »
Alexander E. Fennon,
A 50-year-old housewife, Manana, struggles with her dilemma - she has to choose between her family life and her passion, writing, which she had repressed for years - she decides to follow ... See full summary »
Shot in Taft, California despite the setting of the film being middle-eastern. See more »
Although the movie is set in the Iranian ghost-town Bad City. Two locomotives from the California area are seen at the power plant after The Girl gets her ears pierced. Two engines, one marked CEFX 3048 and one marked Railink RLK 2121 are seen pulling some GATX corporation cars. CEFX 3048's and RLK 2121's normal area of operations would be in California. See more »
This was one of the most anticipated art-house horror films. The fact it's done in Persian with Iranian director and crew absolutely peeks every filmophile's interest. Unfortunately, the hype surrounding it sometimes works against anticipated releases like this, but the wait was worth it.
A Girl Walks Home...was heavily influenced by Jim Jarmusch's aesthetic, like a love letter to this director. A vampire western with a touch of romance - something I haven't seen before. Let's see if this unusual combination worked... The last few years were great for vampire subgenre, reviving it with a few films that have became instant favorites and, in my opinion, deserve their place in film history.
Let The Right One In and Only Lovers Left Alive are notable examples, and now A Girl has joined them, forming fantastic trinity of style, ideas, cinematography and unparalleled atmosphere. Modern vampire subgenre works best in authentic urban surroundings, with as little action sequences as possible, focusing on loneliness, inner turmoil of the characters, existentialism and sometimes unlikely companionship between humans and vamps. A Girl has it all, adding extra cultural layer to these key ingredients.
Jarmusch's Only Lovers Left Alive have set vampire tale in Western and Eastern world both, and A Girl... paints excerpts of Iranian life. (Although filmed in California) the rest is authentic. This black&white picture offers style and atmosphere, quiet, meditative and rarely violent, it's filled with music and shadows. There is a running thread of social commentary although the town and premise are fictional.
Mysterious titular 'Girl' in fictional town named 'Bad Town' stalks the residents quietly, watching them go about their routines, helping the weak and good, punishing the crooked and corrupt. We know absolutely nothing about The Girl, but there is a pattern...unlike women in Iran, she has a certain, albeit supernatural power, and she uses it to punish men who have bullied others and wallowed in vices. Even if I'm only reading into this, I thought this was liberating in the context of the culture that's old and rich but traditionally repressive against women.
However, The Girl is not some feminist vigilante fixing to destroy the mankind, just like Eli in Let the Right One In, she protects those in need. Unlike Eli, The Girl does not look for symbiotic relationship with disposable humans, the companionship she forms with Arash is of different nature. Big shout out to Masuka the cat, the talent and screen presence is fantastic and adorable. One lovely and immersing cinematic experience, bravo, Miss Amirpour!
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