Pope Joan (1972)

In medieval Europe, a pious young woman becomes a scholar of theology, disguises herself as a man, rises through the Catholic Church hierarchy and is elected Pope.

Director:

Michael Anderson

Writer:

John Briley (screenplay)

Stars:

Liv Ullmann, Jeremy Kemp, Natasa Nicolescu

Cast

Cast overview, first billed only:
Liv Ullmann	...	Pope Joan
Jeremy Kemp	...	Joan's Father
Natasa Nicolescu	...	Joan's Mother
Sharon Winter	...	Joan as a child
Margareta Pogonat	...	Village woman
Richard Bebb	...	Lord of Manor
Peter Arne	...	Richard
Patrick Magee	...	Elder monk
George Innes	...	Monk
Nigel Havers	...	Young monk
Lesley-Anne Down	...	Cecilia
Susan Macready	...	Sister Nunciata
Shelagh Wilcocks	...	Sister Louise
Olivia de Havilland	...	Mother Superior
André Morell	...	Emperor Louis

Storyline

This movie is based on the medieval legend of Pope Joan, who was made Pope for a brief period around 855 A.D. Although it is questionable that Pope Joan really did exist, this movie presents her existence as fact, and portrays her relationships with other notables of the time.

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Plot Keywords:

pope | woman priest | religion | catholicism | character name as title | 

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Taglines:

I, a woman, will be Pope. I swear it !

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Genres:

Drama | History

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Certificate:

PG

Details

Country:

UK

Language:

English

Release Date:

25 October 1972 (UK)

Also Known As:

The Devil's Imposter

Filming Locations:

Brasov, Romania

Company Credits

Production Co:

Big City, Command Production Establishment, Roadshow Productions

Technical Specs

Runtime:

132 min

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Although Jeremy Kemp played Liv Ullmann's father, he was less than four years her senior in real life.

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Alternate Versions

The 2009 cut includes the 20th century scenes but omits 20 minutes of scenes with Joan being Pope.

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Connections

Referenced in Giornata nera (2006)

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Soundtracks

Tu es Petrus
Sung by The Sistine Chapel Choir
Under the Direction of Domenico Bartolucci

User Reviews

Very good film although flawed

I found the film version of the Pope Joan story compelling viewing because it conveyed the force and importance of Joan's spiritual calling yet portrayed her as an breathing human being (this may be somewhat ironic since it is possible she is only a legend). Here is a woman who hears God's voice and the voice of carnal longing. She is neither the lowly whore nor the ethereal virgin. Also, it is refreshing to see films where spirituality and belief in God are taken seriously.

I found the performances to be excellent, especially those of Liv Ullman and Trevor Howard. Ullman is very good at portraying the vertical pull of spirituality and the wrenching ambiguity of living in the material world. Trevor Howard's performance was utterly convincing. Also, Susan Winter had a quiet presence about her in her brief performance as the young Joan, which impressed me. What a tenuous thing to be a young girl in the Medieval age - what a microcosm she is of all human existence.

This film has its flaws, most notably the disjointed editing and jarred pacing. I do not quibble, however, with the less than ideal sound quality of the dialog or the occasional white lines which momentarily appear on the screen now and again because when I watch a film, I accept the film on its own terms; I do not wish it was something it isn't - a film made on a modest budget in 1972 should not be expected to look and sound like a mega-budget blockbuster filmed in 2006. On the whole, this movie is a success.

Cautionary note: not a movie for kids.