With only the plan of moving in together after high school, two unusually devious friends seek direction in life. As a mere gag, they respond to a man's newspaper ad for a date, only to find it will greatly complicate their lives.
Starting from childhood attempts at illustration, the protagonist pursues his true obsession to art school. But as he learns how the art world really works, he finds that he must adapt his vision to the reality that confronts him.
A high school teacher's personal life becomes complicated as he works with students during the school elections, particularly with an obsessive overachiever determined to become student body president.
Enid and Rebecca after they finish the high school. Both have problems relating to people and they spend their time hanging around and bothering creeps. When they meet Seymour who is a social outsider who loves to collect old 78 records, Enid's life will change forever.Written by
eric from Mexico City
[about the rap song playing in the 50s diner]
So, who could forget this great hit from the fifties, huh?
I feel as though I've stepped into a time warp.
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After all the credits roll, there's another take of the scene where Seymour (Steve Buscemi) gets attacked by Doug in the minimart. Only this time, Buscemi's characer easily wins the fight, choking Doug with his own weapon, and stomps out triumphantly. He finishes with a bunch of Mr. Pink type dialogue. See more »
This film is well outside of mainstream movie making and is largely a successful effort in displaying the pains of leaving high school and entering adulthood today, particularly for those in the middle class who don't have the structure of college or military service to help organize their time. The movie certainly makes you squirm and think about our current mass culture. For example, it's display of the downside potential of political correctness -- how easliy one can be misunderstood and branded as racist when handling sensitive material with irony or other intelligent twist -- was brilliantly handled and very painful to view. Also of note, Steve Buscemi's character appears as a cleaner version of R. Crumb, the great cartoonist/artist who director Zwigoff earlier made a successful film on. His physical appearance, his love of music from the thirties and forties, his awkward and sensitive attraction to the young and buxom Laura Birch character -- this stood out for me as another plus with the film. Not a film for everyone, but clearly worthwhile for those who are used to the off-beat. 8/10.
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