7.5/10
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70 user 53 critic

Compulsion (1959)

Approved | | Biography, Crime, Drama | April 1959 (USA)
Trailer
2:26 | Trailer

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ON DISC
Two wealthy law-school students go on trial for murder in this version of the Leopold-Loeb case.

Director:

Richard Fleischer

Writers:

Richard Murphy (screenplay), Meyer Levin (based on the novel by)
Reviews
Nominated for 1 BAFTA Film Award. Another 1 win & 4 nominations. See more awards »

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Cast

Complete credited cast:
Orson Welles ... Jonathan Wilk
Diane Varsi ... Ruth Evans
Dean Stockwell ... Judd Steiner
Bradford Dillman ... Arthur A. Straus
E.G. Marshall ... District Attorney Harold Horn
Martin Milner ... Sid Brooks
Richard Anderson ... Max Steiner
Robert F. Simon ... Police Lt. Johnson (as Robert Simon)
Edward Binns ... Tom Daly
Robert Burton ... Charles Straus
Wilton Graff ... Mr. Steiner
Louise Lorimer ... Mrs. Straus aka 'Mumsy'
Gavin MacLeod ... Padua - Horn's Assistant
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Storyline

In Chicago in 1924, Artie Strauss and Judd Steiner are friends and fellow law students who come from wealthy backgrounds. They have few true friends as they believe all their contemporaries to be intellectually inferior. Although Judd acts arrogantly towards others his inherent weakness is understood and exploited by Artie and indeed Judd appears to relish his submissiveness to Artie. Part of their goal in life, influenced perhaps by their admiration for Nietzsche, is to experience how it feels to do anything one pleases. They thus plot to commit what they consider the perfect crime - a kidnapping and murder - not only in order to experience killing for killing's sake, but also - especially in Artie's case - to taunt the authorities after the fact. They believe themselves above the law. The actual killing of little Paulie Kessler, and the subsequent attempts to cover their tracks, are not so perfect however. Sid Brooks, a fellow student (who also works for the Globe newspaper) whom ... Written by Huggo, edited with some additional material by Chrid

Plot Summary | Add Synopsis

Taglines:

THEIRS WAS THE PERFECT CRIME they thought! They were too sure...too smart...too careful to leave a clue -- but they did! and it exploded -- The shocking story of two teenagers out for kicks...looking for thrills...and finding them! See more »


Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

April 1959 (USA) See more »

Also Known As:

Der Zwang zum Bösen See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (FMC Library Print)

Sound Mix:

4-Track Stereo (35 mm magnetic prints) (Westrex Recording System)| Mono (35 mm optical prints) (Westrex Recording System)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The first film produced by Richard D. Zanuck. See more »

Goofs

When the murdered boy is in the morgue, his uncle recognizes him instantly, and the coroner doesn't mention to the young journalist (who found the glasses) that the kid had acid burned all over his face so he couldn't be identified. In the real life case, his face was burned and, most importantly, at the very end of the movie, Orson Welles as the defending attorney mentions that the murdered boy's face was burned with acid. See more »

Quotes

[first lines]
Judd Steiner: To the perfect crime!
Arthur Straus: Crime. Oh, my wealthy fraternity brothers. 67 dollars, and a second-hand typewriter.
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Crazy Credits

Opening credits prologue: CHICAGO, 1924 See more »

Connections

Featured in 20th Century-Fox: The First 50 Years (1997) See more »

Frequently Asked Questions

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User Reviews

 
The Strange Case Of Dean Stockwell
15 November 2007 | by Ubaldo MartinezSee all my reviews

Watching this 1959 Richard Fleischer confirmed something I've always known. Dean Stockwell is a superb actor and an extraordinary presence on the screen. So, I think it's strange that he's not regarded as one of the greatest actors that ever lived. He started as a kid. He was Gregory Peck's son, twice. He was in musicals with Gene Kelly and Frank Sinatra. He was directed by Elia Kazan. He made allegorical movies like "The Boy With Green Hair" directed by black listed Joseph Losey. He was Edmond in "Long Day's Journey Into Night" sharing the screen with Katharine Hepburn, Ralph Richardson and Jason Robards. No to mention his work in "Sons and Lovers" or the movies with Wim Wenders and David Lynch. Here, in "Compulsion" his performance is worthy of an Oscar and in fact he go the accolades at the Cannes Film Festival sharing the acting honors with Orson Welles and Bradford Dillman. But, looking at it now he is the one that comes out as the one who passed in triumph the test of time. His performance is so rich so perfectly modulated that you go straight into the human center of his sick, appalling character. "Compulsion" deserves to be rediscovered and Dean Stockwell's performance should be the main reason.


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