Compulsion (1959)

Two wealthy law-school students go on trial for murder in this version of the Leopold-Loeb case.

Director:

Richard Fleischer

Writers:

Richard Murphy (screenplay), Meyer Levin (based on the novel by)

Stars:

Orson Welles, Dean Stockwell, Diane Varsi

Nominated for 1 BAFTA Film Award. Another 1 win & 4 nominations.

Cast

Complete credited cast:
Orson Welles	...	Jonathan Wilk
Diane Varsi	...	Ruth Evans
Dean Stockwell	...	Judd Steiner
Bradford Dillman	...	Arthur A. Straus
E.G. Marshall	...	District Attorney Harold Horn
Martin Milner	...	Sid Brooks
Richard Anderson	...	Max Steiner
Robert F. Simon	...	Police Lt. Johnson (as Robert Simon)
Edward Binns	...	Tom Daly
Robert Burton	...	Charles Straus
Wilton Graff	...	Mr. Steiner
Louise Lorimer	...	Mrs. Straus aka 'Mumsy'
Gavin MacLeod	...	Padua - Horn's Assistant

Storyline

In Chicago in 1924, Artie Strauss and Judd Steiner are friends and fellow law students who come from wealthy backgrounds. They have few true friends as they believe all their contemporaries to be intellectually inferior. Although Judd acts arrogantly towards others his inherent weakness is understood and exploited by Artie and indeed Judd appears to relish his submissiveness to Artie. Part of their goal in life, influenced perhaps by their admiration for Nietzsche, is to experience how it feels to do anything one pleases. They thus plot to commit what they consider the perfect crime - a kidnapping and murder - not only in order to experience killing for killing's sake, but also - especially in Artie's case - to taunt the authorities after the fact. They believe themselves above the law. The actual killing of little Paulie Kessler, and the subsequent attempts to cover their tracks, are not so perfect however. Sid Brooks, a fellow student (who also works for the Globe newspaper) whom ...

---

Plot Keywords:

leopold loeb case | murder of a child | reporter | student | perfect crime | 

---

Taglines:

DIANE VARSI in her greatest role since "Peyton Place"!

---

Genres:

Biography | Crime | Drama | History | Thriller

---

Certificate:

Approved

Details

Country:

USA

Language:

English

Release Date:

April 1959 (USA)

Also Known As:

Der Zwang zum Bösen

Filming Locations:

Los Angeles High School - 4650 W. Olympic Boulevard, Los Angeles, California, USA

Company Credits

Production Co:

Darryl F. Zanuck Productions

Technical Specs

Runtime:

103 min 99 min (FMC Library Print)

Sound Mix:

4-Track Stereo (35 mm magnetic prints) (Westrex Recording System) Mono (35 mm optical prints) (Westrex Recording System)

Color:

Black and White

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

During a rehearsal of the court room scene shooting starring Orson Welles and Diane Varsi, Welles humiliated a young publicity man who had made the mistake not to cancel an appointment between Welles and Hedda Hooper. Welles then ignored the poor publicity man and resumed the rehearsal, just in front a very confused Diane Varsi.

---

Goofs

When the murdered boy is in the morgue, his uncle recognizes him instantly, and the coroner doesn't mention to the young journalist (who found the glasses) that the kid had acid burned all over his face so he couldn't be identified. In the real life case, his face was burned and, most importantly, at the very end of the movie, Orson Welles as the defending attorney mentions that the murdered boy's face was burned with acid.

---

Quotes

[first lines]
Judd Steiner: To the perfect crime!
Arthur Straus: Crime. Oh, my wealthy fraternity brothers. 67 dollars, and a second-hand typewriter.

---

Crazy Credits

Opening credits prologue: CHICAGO, 1924

---

Connections

Referenced in At the Movies: Sneakers/Where the Day Takes You/Husbands and Wives/Wind/Swoon (1992)

User Reviews

Mesmerized by Dean Stockwell

I don't know why I'm so attracted to this vulnerable weirdos. From Anthony Perkins as Norman Bates in Psycho to Colin Firth as Adrian Leduc in Apartment Zero, darkness and a fragility that is part of the unbearable suspense. Maybe I'm in need of professional attention but I don't think so. What attracts me is by the undeniable innocence behind the horror and that has a lot, if not everything, to do with the actors playing them. Look at Anthony Perkins in Psycho! 57 years ago and it still looks and feels kind of revolutionary or Colin Firth in Apartment Zero, the character is so unique and real that you can see it a thousand times and always find some new extra something, then Dean Stockwell in Compulsion. He plays a monster, a sick, pathetic prince of a man. Yes all of that. The humanity of the actor makes the monster human and we can't dismiss him, he doesn't allow us. Orson Welles has a great entrance into the film and E.G Marshall is superb as per usual, it is the rest of the cast who seem a bit dated, specially when sharing the frame with the extraordinary Dean Stockwell