Mike Waters lives on the street and befriends the somewhat older and streetwise Scott Favor who shows him what is necessary to survive. Waters suffers from narcolepsy and can fall asleep at any moment and in almost any circumstance. Favor comes from a rich family and is rebelling against his own background. They travel together extensively - Waters is driven by the need to find his biological mother - and spend time in Italy. Later in life however, Favor has joined mainstream society and has little time for his old friend.Written by
When Mike and Scott are biking it to Idaho, and Scott is having trouble starting the bike, the bike is steady on its stand in the front shot, when Scott is still astride it. When Scott hands the bike over to Mike, and the shot is from behind, Scott's hands are back on the handlebars, they were on the tank, and the bike is not on the stand. See more »
I had heard some good recommendations on this film but am lost as to why the overall rating (6.9) on IMDb is so high. Am I missing something?
I watched the whole movie intently, even though my attention was flagging a lot. Those long (metaphoric?) cloud scenes with houses falling apart, reminiscent to me of the Kansas tornado in the Wizard of Oz, lonely stretches of road reminding the protagonist (over and over) of a face, yeah we get it, we don't care. And on. River Phoenix, in the lead playing Mike, is remarkable and eerie too - so much of James Dean in him, the short intense and talented life.
This is loosely based on Shakespeare's Henry IV part one, and it transfers huge chunks of the play into the movie script, some of it sounding forced and odd. An experiment that for me, fell flat on its face.
Keanu Reeves, playing Scott, plays a street hustler in an act of rebellion against his father the mayor of the town. He befriends Mike, a narcoleptic prostitute who falls asleep on the job all the time, and who to all intents and purposes falls in love with him. They go on a road trip to find River's mother who abandoned him when he was small.
The details of Mike's parentage are appalling and the road trip takes them to a rather weird Italy and then back again to the streets where Scott turns his back on his old ways, abandoning Mike.
Uneven and actually frustrating, the dialogue was very muddy and hard to understand at times and the shifting of script from modern to Shakespeare not successful.
4 out of 10. Could be to some tastes, but not to mine.
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