My Own Private Idaho (1991)

Two best friends living on the streets of Portland as hustlers embark on a journey of self discovery and find their relationship stumbling along the way.

Director:

Gus Van Sant

Writer:

Gus Van Sant (screenplay)

Stars:

River Phoenix, Keanu Reeves, James Russo

9 wins & 8 nominations.

Cast

Cast overview, first billed only:
River Phoenix	...	Mike Waters
Keanu Reeves	...	Scott Favor
James Russo	...	Richard Waters
William Richert	...	Bob Pigeon
Rodney Harvey	...	Gary
Chiara Caselli	...	Carmella
Michael Parker	...	Digger
Jessie Thomas	...	Denise
Flea	...	Budd
Grace Zabriskie	...	Alena
Tom Troupe	...	Jack Favor
Udo Kier	...	Hans
Sally Curtice	...	Jane Lightwork
Robert Lee Pitchlynn	...	Walt
Mickey Cottrell	...	Daddy Carroll

Storyline

Mike Waters lives on the street and befriends the somewhat older and streetwise Scott Favor who shows him what is necessary to survive. Waters suffers from narcolepsy and can fall asleep at any moment and in almost any circumstance. Favor comes from a rich family and is rebelling against his own background. They travel together extensively - Waters is driven by the need to find his biological mother - and spend time in Italy. Later in life however, Favor has joined mainstream society and has little time for his old friend.

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Plot Keywords:

homoerotic friendship | male hustler | narcolepsy | street life | portland oregon | 

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Taglines:

whatever it takes to have a nice day

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Genres:

Drama

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Motion Picture Rating (MPAA)

Rated R for strong sensuality, language and drug use

Details

Country:

USA

Language:

English Italian German

Release Date:

20 July 1991 (Japan)

Also Known As:

A Caminho de Idaho

Filming Locations:

Oregon, USA

Box Office

Budget:

$2,500,000 (estimated)

Opening Weekend USA:

$68,542, 6 October 1991, Limited Release

Gross USA:

$6,401,336

Company Credits

Technical Specs

Runtime:

104 min

Sound Mix:

Ultra Stereo Dolby SR

Color:

Color (Alphacine)

Aspect Ratio:

1.78 : 1

Did You Know?

Trivia

River Phoenix was absent from the New York City premiere of the film. He disliked flying, and traveled mostly everywhere by car or train. Attempting to drive from his hometown in Florida to New York City, he didn't leave himself enough time, and was still making the journey as the premiere took place without him.

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Goofs

(At 12.45) As Mike goes to look out the window at the back garden in the old ladies house the boom mic is visible reflected in the window.

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Quotes

Bob Pigeon: Are you not a coward? Answer that, and that goes double!
Mike Waters: You're calling me a coward? You fat duck!
Bob Pigeon: I'd give a thousand dollars to be able to run as fast as you can.
Mike Waters: It'll never happen Bob.

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Connections

References Drugstore Cowboy (1989)

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Soundtracks

Nun Freut Euch
Music Composed by Thomas Stoltzer
Performed by Bruce Van Buskirk

User Reviews

Odd, touching, River Phoenix is intensely brilliant..

This is the movie that I sincerely hope River Phoenix will long be remembered for. His performance as the narcoleptic and confused street-hustler Mike is so perfect and touching and realistic that it makes me cry every time. Gus Van Sant's films often have a strange aura about them (see Drugstore Cowboy, To Die For) and never has it been more evident than in this oddly affecting road movie/drama. The camera shots of long horizon-spanning roads and skylines, fast-motion clouds, surreal and symbolic shots of houses and rushing rivers provide the film with a strange almost other-worldly charm. Interspersed with the gritty realism of life on the streets of Portland Oregon in the early 90's, and (stranger still) Shakespeare. Some of the plot (Bob and Scott mainly) is based on the Shakespeare play Henry IV (with Keanu Reeves playing the Prince Hal character of Scott, and William Richert playing the Falstaff-like role of "King-Of-The-Streets" Bob.) It's a fascinating, touching and very successful blend of styles overall. The big themes (the search for love and belonging) are conveyed in a very interesting and genuinely moving manner. I particularly enjoyed the symbolism and pathos the film flittingly suggests. The performances are uniformly excellent, and this movie remains one of my all-time favourites. One of the greatest (and most unique) indie movies of the 1990's.