The centuries old vampire Count Dracula comes to England to seduce his barrister Jonathan Harker's fiancée Mina Murray and inflict havoc in the foreign land.
Ichabod Crane is sent to Sleepy Hollow to investigate the decapitations of three people, with the culprit being the legendary apparition, The Headless Horseman.
Director:
Tim Burton
Stars:
Johnny Depp,
Christina Ricci,
Miranda Richardson
A teenager discovers that the newcomer in his neighborhood is a vampire, so he turns to an actor in a television horror show for help dealing with the undead.
Director:
Tom Holland
Stars:
Chris Sarandon,
William Ragsdale,
Amanda Bearse
As his kingdom is being threatened by the Turks, young prince Vlad Tepes must become a monster feared by his own people in order to obtain the power needed to protect his own family, and the families of his kingdom.
Dracula travels to London, with dark plans for revenge against those who ruined his life centuries earlier. However, his plan is complicated when he falls in love with a woman who seems to be a reincarnation of his dead wife.
Stars:
Jonathan Rhys Meyers,
Jessica De Gouw,
Thomas Kretschmann
An artificial man, who was incompletely constructed and has scissors for hands, leads a solitary life. Then one day, a suburban lady meets him and introduces him to her world.
Death, who takes the form of a young man, asks a media mogul to act as a guide to teach him about life on Earth, and in the process, he falls in love with his guide's daughter.
This version of Dracula is closely based on Bram Stoker's classic novel. Young barrister Jonathan Harker is assigned to a gloomy village in the mists of eastern Europe. He is captured and imprisoned by the undead vampire Dracula, who travels to London, inspired by a photograph of Harker's betrothed, Mina Murray. In Britain, Dracula begins a reign of seduction and terror, draining the life from Mina's closest friend, Lucy Westenra. Lucy's friends gather together to try to drive Dracula away.Written by
Goth <brooks@odie.ee.wits.ac.za>
This is the first major U.S. motion picture to be edited entirely on a non-linear edit system. See more »
Goofs
When the head of the law firm is speaking to Jonathan, he mistakenly calls Jonathan 'Arthur.' Actually he doesn't. He calls him 'by his surname, 'Harker'. See more »
Quotes
Mina:
[watching Lucy flirt with possible suitors at the party, voiceover]
Lucy is a pure and virtuous girl. But, I admit that her free way of speaking shocks me sometimes. Jonathan says it is a defect of the aristocracy that they say what they please. The truth is that I admire Lucy, and I'm not surprised that men flock around her. I wish I were as pretty and as adored as she.
See more »
Alternate Versions
British video version contains a scene where Jonathan Harker's nipple is licked by one of the female vampires, who then bites it and causes it to bleed. See more »
Love Song for a Vampire
(from 'Bram Stoker's Dracula')
Produced by Stephen Lipson
Written and Performed by Annie Lennox
Courtesy of BMG Ariola Muenchen GmbH See more »
Opening with his vow to rise from his grave and take revenge on a God who allowed his beloved to die while he defended Him on the battlefield, we see Count Dracula in the 1890's, conducting business with a London firm. When his first consultant goes mad, Jonathon Harker is sent to Dracula in his place, only to find himself trapped in the castle. Meanwhile, Dracula travels to London where he feeds on the lovely Lucy Westenra. Her various suitors try to help her and call for Professor Van Helsing to come and help they realise that this is not a simple battle against a disease of the blood.
Although a little too long for my liking, this film is a very rich gothic telling of a story that has become watered down slightly with the many different versions of stories with the characters. Here the basic plot follows the tale from the creation of Dracula, his love and his confrontation with Van Helsing and the various suitors of the lovely Lucy. The story is told with a real respect for the source, perhaps a little too much as it can be a little to heavy and lacking in spark at times. However, for the most part the gothic telling works very well and feels very lavish and rich.
Visually the film is great rich colours in the scenery and costumes really bring the goth out of the film. Meanwhile Coppola works well with shadows and images in the backgrounds to make the film have the feel of an old silent movie version (eyes in the storm) but with modern standards. It's not really scary, but I didn't need it to be, I was more interested in the overall story, and that worked well.
The cast suffer from a bit too much respect for the material, some of their performances are a little too hammy and heavy. Oldman is good when compared to the better known image of the `Bela Lagosi' Dracula, but I did still find him a little too hammy at times. Likewise Rider is not totally convincing. Hopkins is quite fun to watch and the three suitors (including Ewles and Grant) very much play stiff upper lipped straight men! Of course of their performances tower with majesty above the sheer miscast ineptitude of Reeves. From the start his accent is horrid, but his inability to bring out emotions and character basically kills his character off before the film has even got going.
Despite this the film is actually very enjoyable even if it is a bit too respectful and long occasionally making it feel a little heavy going. The rich presentation and loyalty to the source material makes for a very enjoyable story even if it isn't really what we'd see now as a horror.
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Opening with his vow to rise from his grave and take revenge on a God who allowed his beloved to die while he defended Him on the battlefield, we see Count Dracula in the 1890's, conducting business with a London firm. When his first consultant goes mad, Jonathon Harker is sent to Dracula in his place, only to find himself trapped in the castle. Meanwhile, Dracula travels to London where he feeds on the lovely Lucy Westenra. Her various suitors try to help her and call for Professor Van Helsing to come and help they realise that this is not a simple battle against a disease of the blood.
Although a little too long for my liking, this film is a very rich gothic telling of a story that has become watered down slightly with the many different versions of stories with the characters. Here the basic plot follows the tale from the creation of Dracula, his love and his confrontation with Van Helsing and the various suitors of the lovely Lucy. The story is told with a real respect for the source, perhaps a little too much as it can be a little to heavy and lacking in spark at times. However, for the most part the gothic telling works very well and feels very lavish and rich.
Visually the film is great rich colours in the scenery and costumes really bring the goth out of the film. Meanwhile Coppola works well with shadows and images in the backgrounds to make the film have the feel of an old silent movie version (eyes in the storm) but with modern standards. It's not really scary, but I didn't need it to be, I was more interested in the overall story, and that worked well.
The cast suffer from a bit too much respect for the material, some of their performances are a little too hammy and heavy. Oldman is good when compared to the better known image of the `Bela Lagosi' Dracula, but I did still find him a little too hammy at times. Likewise Rider is not totally convincing. Hopkins is quite fun to watch and the three suitors (including Ewles and Grant) very much play stiff upper lipped straight men! Of course of their performances tower with majesty above the sheer miscast ineptitude of Reeves. From the start his accent is horrid, but his inability to bring out emotions and character basically kills his character off before the film has even got going.
Despite this the film is actually very enjoyable even if it is a bit too respectful and long occasionally making it feel a little heavy going. The rich presentation and loyalty to the source material makes for a very enjoyable story even if it isn't really what we'd see now as a horror.