Spoilers...
First it isn't funny, for adults or kids. I especially think kids would be bored watching this movie, it has a mundane setting and characters. I think it tries too hard to try and put adult humor in the film (and not succeeding) at the expense of leaving out stuff for kids. I would have been more forgiving if it was goofier and aimed at a younger audience, but as it stands. I can't help thinking how bored I was now as an adult watching it and how much more I would have been bored if I was watching it 15-20 years ago.
The characters in the movie lack distinct personalities, especially the supporting cast. There is a scene in the movie where Collete is showing Linguini around the kitchen and tells him a little about all the other cooks. Beyond the 1 or 2 line oddly dark description of these characters there is nothing in the rest of the movie that makes them distinct. They are just the guys in the background and effectively are scenery instead of amusing or funny little characters. Much the same can be said about the rats who are just cartoon clichés who have very little to do.
The aforementioned Collete is a totally unbelievable character who is just there to be the love interest. When she first converses with Linguini she kind of blows her lid and almost stabs him with butcher knives while delivering some out of place speech about how she is the only woman in the kitchen. Then like a day or 2 later Linguini out of no where confesses his love to her and she kisses him right back. How did that happen? Is there any build up or reason for either character to love the other. I'm especially mystified as to why Collete's character, given her personality would be attracted to the dim witted Linguini. If this weren't an animated movie this particular relationship would be critically torn to shreds. But because it's animated, check that computer animated it isn't given a second thought. This is the definition of HORRIBLE CHARACTER DEVELOPMENT. This is poor writing that operates only on the clichéd level that states there needs to be a smart independent female love interest for the generic often dumb male lead.
However I wouldn't say this is the worst bit of characterization in the film. That award falls to Gousteau. The deceased yet omnipresent chef whose message of "Everyone can cook" not only inspires Patton Oswalts' rat character but also provides "the meaning" or message of the film. Too bad that Gousteau's death totally undermines the entire point of the movie(!!!) Gousteau is established early in the movie as a jovial chef who loved to cook and firmly believed that "everyone can cook" and to be great you have to take chances and be creative. So one day the obligatory villain food critic comes to his restaurant with the intention of writing a bad review (since it is clear he is a snob and hates the notion that "anyone can do it"). Gousteau then DIES because the review was so bad and his restaurant goes from a 5 star to a 4 star. WHAT!?! That is totally contrary to the message of the film...which is provided by GOUSTEAU HIMSELF! Gousteau should be the LAST character in the movie to be negatively effected by a bad review. He shouldn't care if his restaurant is only 4 stars; throughout the entire film his philosophy of cooking and good natured message of "anyone can do it" is hammered home. On an interpritive level his death completely undermines the message of the film. His death suggests that it actually does matter what other people think of you and not everyone can cook. Furthermore it suggests that Gousteau himself doesn't even believe that and his motivations aren't just cooking because he loves it. Of course over the rest of the movie the complete opposite is said and shown through the development of the plot.
The result is that Gousteau's death is merely a plot contrivance which has 2 purposes. First (of course) to set up the plot with Linguini going to the restaurant and second to introduce the critic as a villain. Oh, but then at the end the critic is so moved by the food that he gives the restaurant a great review. Once again a character is betrayed by Gousteau's death at the beginning of the film. Early in the movie it was established that the critic was determined to give the restaurant a bad review based upon the sole reason that he hated what Gousteau was preaching. Now all of the sudden he is affected by the actual quality of the food and is going to give the restaurant a good review? I guess no one has ever made great food that reminded him of his childhood before if that was all it took to make his character to an abrupt 180. Whatever. I can't say I didn't see that one coming, and like I said before it isn't the worst butchering of a character in this movie.
So basically Ratatouille is a bunch of unfunny, bland, lethally hypocritical characters cooking and talking about cooking in a restaurant in France. Oh and it's boring. But because it's computer animated it gets not only a pass but is lauded for being great. IF any of these elements were in a live action movie they would be criticized. The plot which betrays severely several of the characters (Collete romance, the villainous critic's motives, and of course Gousteau dying), the predictable outcome in all regards, the lack of jokes for kids or adults are all forgiven/forgotten. If you do decide to watch it try to look at it with a critical eye and try to look beyond the impressive computer animation.
First it isn't funny, for adults or kids. I especially think kids would be bored watching this movie, it has a mundane setting and characters. I think it tries too hard to try and put adult humor in the film (and not succeeding) at the expense of leaving out stuff for kids. I would have been more forgiving if it was goofier and aimed at a younger audience, but as it stands. I can't help thinking how bored I was now as an adult watching it and how much more I would have been bored if I was watching it 15-20 years ago.
The characters in the movie lack distinct personalities, especially the supporting cast. There is a scene in the movie where Collete is showing Linguini around the kitchen and tells him a little about all the other cooks. Beyond the 1 or 2 line oddly dark description of these characters there is nothing in the rest of the movie that makes them distinct. They are just the guys in the background and effectively are scenery instead of amusing or funny little characters. Much the same can be said about the rats who are just cartoon clichés who have very little to do.
The aforementioned Collete is a totally unbelievable character who is just there to be the love interest. When she first converses with Linguini she kind of blows her lid and almost stabs him with butcher knives while delivering some out of place speech about how she is the only woman in the kitchen. Then like a day or 2 later Linguini out of no where confesses his love to her and she kisses him right back. How did that happen? Is there any build up or reason for either character to love the other. I'm especially mystified as to why Collete's character, given her personality would be attracted to the dim witted Linguini. If this weren't an animated movie this particular relationship would be critically torn to shreds. But because it's animated, check that computer animated it isn't given a second thought. This is the definition of HORRIBLE CHARACTER DEVELOPMENT. This is poor writing that operates only on the clichéd level that states there needs to be a smart independent female love interest for the generic often dumb male lead.
However I wouldn't say this is the worst bit of characterization in the film. That award falls to Gousteau. The deceased yet omnipresent chef whose message of "Everyone can cook" not only inspires Patton Oswalts' rat character but also provides "the meaning" or message of the film. Too bad that Gousteau's death totally undermines the entire point of the movie(!!!) Gousteau is established early in the movie as a jovial chef who loved to cook and firmly believed that "everyone can cook" and to be great you have to take chances and be creative. So one day the obligatory villain food critic comes to his restaurant with the intention of writing a bad review (since it is clear he is a snob and hates the notion that "anyone can do it"). Gousteau then DIES because the review was so bad and his restaurant goes from a 5 star to a 4 star. WHAT!?! That is totally contrary to the message of the film...which is provided by GOUSTEAU HIMSELF! Gousteau should be the LAST character in the movie to be negatively effected by a bad review. He shouldn't care if his restaurant is only 4 stars; throughout the entire film his philosophy of cooking and good natured message of "anyone can do it" is hammered home. On an interpritive level his death completely undermines the message of the film. His death suggests that it actually does matter what other people think of you and not everyone can cook. Furthermore it suggests that Gousteau himself doesn't even believe that and his motivations aren't just cooking because he loves it. Of course over the rest of the movie the complete opposite is said and shown through the development of the plot.
The result is that Gousteau's death is merely a plot contrivance which has 2 purposes. First (of course) to set up the plot with Linguini going to the restaurant and second to introduce the critic as a villain. Oh, but then at the end the critic is so moved by the food that he gives the restaurant a great review. Once again a character is betrayed by Gousteau's death at the beginning of the film. Early in the movie it was established that the critic was determined to give the restaurant a bad review based upon the sole reason that he hated what Gousteau was preaching. Now all of the sudden he is affected by the actual quality of the food and is going to give the restaurant a good review? I guess no one has ever made great food that reminded him of his childhood before if that was all it took to make his character to an abrupt 180. Whatever. I can't say I didn't see that one coming, and like I said before it isn't the worst butchering of a character in this movie.
So basically Ratatouille is a bunch of unfunny, bland, lethally hypocritical characters cooking and talking about cooking in a restaurant in France. Oh and it's boring. But because it's computer animated it gets not only a pass but is lauded for being great. IF any of these elements were in a live action movie they would be criticized. The plot which betrays severely several of the characters (Collete romance, the villainous critic's motives, and of course Gousteau dying), the predictable outcome in all regards, the lack of jokes for kids or adults are all forgiven/forgotten. If you do decide to watch it try to look at it with a critical eye and try to look beyond the impressive computer animation.
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