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King Arthur (2004)

 -  Action | Adventure | Drama  -  7 July 2004 (USA)
6.3
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Ratings: 6.3/10 from 110,710 users   Metascore: 46/100
Reviews: 875 user | 173 critic | 39 from Metacritic.com

A demystified take on the tale of King Arthur and the Knights of the Round Table.

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Title: King Arthur (2004)

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Cast

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Pat Kinevane ...
Ivano Marescotti ...
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Storyline

Based on a more realistic portrayal of "Arthur" than has ever been presented onscreen. The film will focus on the history and politics of the period during which Arthur ruled -- when the Roman empire collapsed and skirmishes over power broke out in outlying countries -- as opposed to the mystical elements of the tale on which past Arthur films have focused. Written by Scott Summerton

Plot Summary | Plot Synopsis

Taglines:

The Untold True Story That Inspired The Legend See more »


Motion Picture Rating (MPAA)

Rated R for sequences of strong war violence | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Release Date:

7 July 2004 (USA)  »

Also Known As:

King Arthur: Director's Cut  »

Box Office

Budget:

$120,000,000 (estimated)

Opening Weekend:

$1,829,788 (Italy) (1 October 2004)

Gross:

$3,165,602 (Brazil) (5 November 2004)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Costume designer Penny Rose prepared for the film by studying the famous book "The Bog People: Iron Age Man Preserved" by P.V. Glob. Glob discovered both Tollund Man and Grauballe Man in Denmark, both dating from roughly 400 A.D., and both with almost perfectly preserved clothing. See more »

Goofs

The "traitor" outside the gate of Hadrian's Wall is seen hiding in a Horse Chestnut tree. However these were not introduced to Great Britain until the middle of the sixteenth century See more »

Quotes

[first lines]
Lancelot: [voiceover] By 300 AD, the Roman Empire extended from Arabia to Britain. But they wanted more. More land. More peoples loyal and subservient to Rome. But no people so important as the powerful Sarmatians to the east. Thousands died on that field. And when the smoke cleared on the fourth day, the only Sarmatian soldiers left alive were members of the decimated but legendary cavalry. The Romans, impressed by their bravery and horsemanship, spared their lives. In exchange, these ...
[...]
See more »

Crazy Credits

There are no opening credits, not even the production company and studio bumpers, only the title. See more »

Connections

Referenced in Pathfinder (2007) See more »

Soundtracks

Amergin's Invocation
Composed by Lisa Gerrard & Patrick Cassidy
Courtesy of Sony/ATV Music Publishing Australia
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Fresh Look On An Old Theme
4 August 2004 | by (USA) – See all my reviews

And I loved it!

Not just the new take on the King Arthur legend and the able cast, but the colors, the costumes, the landscapes, the horses, and Hans Zimmer's heart-pounding score.

I'm no King Arthur scholar but I have always been enamored with the chivalric ideals. It's great to see the knights in shining armor and Merlin conjuring up the mists and casting spells, and the young Arthur pulling Excalibur out of the stone.

But I went into this movie with an open mind. I was swiftly transported to that earlier time and happy for the journey. I could see where the elements of the now oh-so-familiar Arthurian themes may have had their beginnings. I found the on-screen chemistry between Ioan Gruffod and Clive Owen to be very powerful and it provided poignant counterpoint to Lancelot's most fateful choice.

The love triangle was never my favorite part of the Arthurian legends, so the subtle treatment of it here didn't bother me at all. In fact, I found it more intriguing in this film than in any other King Arthur movie I've seen.

I loved that there was no hocus-pocus-type magic. Instead the magic was in nature itself - the landscapes, the forests, the rain, the fog, the ice and snow - all creating an other-worldly atmosphere along with Moya Brennan's haunting vocals and Hans Zimmer's stirring score.

I loved the knights. I loved the idea that they were just regular guys and, in effect, drafted into military service. Not the privileged elite who volunteered their services to a king. Yet it is apparent that the Sarmatian knights fought more out of their love and respect for Arthur than any duty to Rome. That comraderie feels very organic and the sentiments, pure. I liked that they're not all wearing the same uniform, that they might have picked up pieces here and there as spoils of war.

I was especially captivated by Mads Mikkelson's Tristan. There appeared to be Eastern influences in his tattoos, clothing, sword, and fighting style. I love the idea of Lancelot using two swords. And I learned something about battlefield strategy, too.

Whatever shortcomings this movie may have, I found heart and soul in it. It was not only entertaining, it touched all my senses, and I felt good when I walked out of the theatre.


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