Hazel Flagg of Warsaw, Vermont receives the news that her terminal case of radium poisoning from a workplace incident was a complete misdiagnosis with mixed emotions. She is happy not to be... See full summary »
William A. Wellman
Lonely in his English country estate, Sir Basil decides to gather his grown (albeit illegitimate) children around him in his declining years. He uses a ledger which keeps track of the ... See full summary »
Robert Z. Leonard
C. Aubrey Smith
Sullivan is a successful, spoiled, and naive director of fluff films, with a heart-o-gold, who decides he wants to make a film about the troubles of the downtrodden poor. Much to the chagrin of his producers, he sets off in tramp's clothing with a single dime in his pocket to experience poverty first-hand, and gets some reality shock. Written by
Bob Doolittle <Bob.Doolittle@east.sun.com>
When Sullivan is outside the boxcar door, encouraging the girl to jump out to him, the background scenery is unsynchronized. From the live-action shot taken outside, he is trotting along safely at about five miles per hour, but seen from inside, the scenery is moving behind him at breakneck speed, giving the illusion that Sullivan is being dragged on roller skates. See more »
You see, sir, rich people and theorists - who are usually rich people - think of poverty in the negative, as the lack of riches - as disease might be called the lack of health. But it isn't, sir. Poverty is not the lack of anything, but a positive plague, virulent in itself, contagious as cholera, with filth, criminality, vice and despair as only a few of its symptoms. It is to be stayed away from, even for purposes of study. It is to be shunned.
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This is one of those real joys -- the film you always hope you were going to see when you take the act of faith of going to a theater. This is as good as it gets. McCrea is Sullivan, a successful director (of such films as "Ants in Your Pants of 1938") who decides that in order to make his "important" film -- "O Brother, Where Art Thou?" -- he must take to the road as a hobo and discover suffering. Bringing along lovely Veronica Lake would, of course, tend to defeat the purpose of his "experiment" -- but she is such a wonderful person in this role you could overlook even the extreme silliness of her posing as a boy!
Very funny and still effective, while managing to avoid typical story elements (such as his fight with the girl) that infuse all these road trip/romance movies since "It Happened One Night." An exceptional example of its genre and an exceptional film in any estimation. Probably will be popular even with people who propose to not like "old movies".
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