An office clerk loves entering contests in the hopes of someday winning a fortune and marrying the girl he loves. His latest attempt is the Maxford House Coffee Slogan Contest. As a joke, ... See full summary »
Sullivan is a successful, spoiled, and naive director of fluff films, with a heart-o-gold, who decides he wants to make a film about the troubles of the downtrodden poor. Much to the chagrin of his producers, he sets off in tramp's clothing with a single dime in his pocket to experience poverty first-hand, and gets some reality shock. Written by
Bob Doolittle <Bob.Doolittle@east.sun.com>
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »
In the scene where Sullivan is in bed with a cold the girl sits next to him on the bed, she shifts between being at higher level with him and then same level as him from shot to shot. (This happens more than once in same scene.) See more »
You know, the nice thing about buying food for a man is that you don't have to listen to his jokes. Just think, if you were some big shot like a casting director or something, I'd be staring into your bridgework saying 'Yes, Mr. Smearcase. No, Mr. Smearcase. Not really, Mr. Smearcase! Oh, Mr. Smearcase, that's my knee!' Give Mr. Smearcase another cup of coffee. Make it two. Want a piece of pie?
John L. Sullivan:
No thanks, kid.
Why, Mr. Smearcase, aren't you getting a little familiar?
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In the opening credits, the Paramount logo is depicted as a seal on a package wrapped in brown paper. The package is opened, revealing a book with the title of the movie. The pages are turned to show the credits. See more »
This is one of those films I keep rating higher each time I watch it. At first I thought it was just "fair" and, frankly, overrated, but I don't think so now. I especially would recommend seeing this on the Criterion DVD version to get the best picture available. I'm not plugging that company because I think their discs are overpriced, but they do a great job giving you the best transfer of these classics you'll ever find and it made this film even better.
The story is very different: one that suddenly turns 180 degrees in the last segment. After a more lighthearted combination of drama and humor through much of the story, the film gets surprisingly rough in the last 20 minutes and is not always fun to watch and the leading man, Joel McCrea, goes through some very, very tough times.
This is one of Veronica Lake's more appealing roles and, although not a beautiful women, she's intriguing enough - especially with her fabulous long blonde hair - to make me glad I have at least one sharp-looking film of her.
Overall, this Preston Sturges-directed movie is good stuff and a classic film that deservedly still has a solid reputation.
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