A frustrated former big-city journalist now stuck working for an Albuquerque newspaper exploits a story about a man trapped in a cave to re-jump start his career, but the situation quickly escalates into an out-of-control circus.
A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
Sullivan is a successful, spoiled, and naive director of fluff films, with a heart-o-gold, who decides he wants to make a film about the troubles of the downtrodden poor. Much to the chagrin of his producers, he sets off in tramp's clothing with a single dime in his pocket to experience poverty first-hand, and gets some reality shock. Written by
Bob Doolittle <Bob.Doolittle@east.sun.com>
Reportedly, Preston Sturges got the idea for the movie from stories of John Garfield living the life of a hobo, riding freight trains and hitchhiking his way cross-country for a short period in the 1930s. See more »
When Sullivan and the "frail" jump off the train, each lose their hat. However, in the next shot, when both are on the ground the "girl's" hat is on her head See more »
John L. Sullivan:
But nothing is going to stop me. I'm going to find out how it feels to be in trouble. Without friends, without credit, without checkbook, without name. Alone.
And I'll go with you.
John L. Sullivan:
How can I be alone if you're with me?
See more »
In the opening credits, the Paramount logo is depicted as a seal on a package wrapped in brown paper. The package is opened, revealing a book with the title of the movie. The pages are turned to show the credits. See more »
After the opening credits, the film opens with the following statement.
"To the memory of those who made us laugh: the motley mountebanks, the clowns, the buffoons, in all times and in all nations whose efforts have lightened our burden a little, this picture is affectionately dedicated."
With this film, Preston Sturges made one of the smartest and most insightful comedies ever to come out of Hollywood, in which he especially held up the mirror to Tinseltown itself. A Hollywood variation on Gulliver's Travels, it's the tale of Hollywood director John Sullivan (Joel McCrea), tired of making Hollywood Fluff, who wants to branch out with a socially conscious epic, called "O Brother, Where Art Thou", and sets out to research the meaning of poverty. His studio bosses (very funny roles by Robert Warwick and Porter Hall) try to tell him it's a ridiculous idea but Sullivan insists, puts on some hobo clothes and sets out to see what it's like to experience poverty and suffering. The studio soon sees it as potential publicity stunt and sent an entire crew to follow him around during his trip.
Some very enjoyable references to socially conscious movie-making, to Ernst Lubitch in particular, make this particularly fun with some knowledge of the period and the films mentioned, albeit not necessary. And almost worth seeing alone for Veronica Lake's memorable performance as a failed starlet.
According to Sturges, the film did contain a little "message":
"SULLIVAN'S TRAVELS is the result of an urge, an urge to tell some of my fellow filmwrights that they were getting a little too deep-dish and to leave the preaching to the preachers."
By any means, he made a uniquely self-reflective comedy about Hollywood with wonderful characterizations and superlative performances. A brilliant satire with a "message" just as poignant as ever.
Camera Obscura --- 9/10
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