Having been discharged from the Marines for a hayfever condition before ever seeing action, Woodrow Lafayette Pershing Truesmith (Eddie Bracken) delays the return to his hometown, feeling ... See full summary »
Saloon-bar singer Freddie gets very angry whenever boyfriend Blackie seems to be playing around. She always packs a six-shooter, so this is bad news for anything that happens to be in the ... See full summary »
An office clerk loves entering contests in the hopes of someday winning a fortune and marrying the girl he loves. His latest attempt is the Maxford House Coffee Slogan Contest. As a joke, ... See full summary »
Sullivan is a successful, spoiled, and naive director of fluff films, with a heart-o-gold, who decides he wants to make a film about the troubles of the downtrodden poor. Much to the chagrin of his producers, he sets off in tramp's clothing with a single dime in his pocket to experience poverty first-hand, and gets some reality shock. Written by
Bob Doolittle <Bob.Doolittle@east.sun.com>
Paul Jones, the associate producer, appears as the portrait of "Dear Joseph", the dead husband, early in the film. See more »
When the supposedly unconscious Sullivan is being pulled by a bum who hit him into an empty boxcar, you can see the actor (Joel McRae) push himself along with his foot, apparently because the other man is not strong enough to drag him. See more »
You know, the nice thing about buying food for a man is that you don't have to listen to his jokes. Just think, if you were some big shot like a casting director or something, I'd be staring into your bridgework saying 'Yes, Mr. Smearcase. No, Mr. Smearcase. Not really, Mr. Smearcase! Oh, Mr. Smearcase, that's my knee!' Give Mr. Smearcase another cup of coffee. Make it two. Want a piece of pie?
John L. Sullivan:
No thanks, kid.
Why, Mr. Smearcase, aren't you getting a little familiar?
See more »
After the opening credits, the film opens with the following statement.
"To the memory of those who made us laugh: the motley mountebanks, the clowns, the buffoons, in all times and in all nations whose efforts have lightened our burden a little, this picture is affectionately dedicated."
With this film, Preston Sturges made one of the smartest and most insightful comedies ever to come out of Hollywood, in which he especially held up the mirror to Tinseltown itself. A Hollywood variation on Gulliver's Travels, it's the tale of Hollywood director John Sullivan (Joel McCrea), tired of making Hollywood Fluff, who wants to branch out with a socially conscious epic, called "O Brother, Where Art Thou", and sets out to research the meaning of poverty. His studio bosses (very funny roles by Robert Warwick and Porter Hall) try to tell him it's a ridiculous idea but Sullivan insists, puts on some hobo clothes and sets out to see what it's like to experience poverty and suffering. The studio soon sees it as potential publicity stunt and sent an entire crew to follow him around during his trip.
Some very enjoyable references to socially conscious movie-making, to Ernst Lubitch in particular, make this particularly fun with some knowledge of the period and the films mentioned, albeit not necessary. And almost worth seeing alone for Veronica Lake's memorable performance as a failed starlet.
According to Sturges, the film did contain a little "message":
"SULLIVAN'S TRAVELS is the result of an urge, an urge to tell some of my fellow filmwrights that they were getting a little too deep-dish and to leave the preaching to the preachers."
By any means, he made a uniquely self-reflective comedy about Hollywood with wonderful characterizations and superlative performances. A brilliant satire with a "message" just as poignant as ever.
Camera Obscura --- 9/10
21 of 24 people found this review helpful.
Was this review helpful to you?