Having been discharged from the Marines for a hayfever condition before ever seeing action, Woodrow Lafayette Pershing Truesmith (Eddie Bracken) delays the return to his hometown, feeling ... See full summary »
Saloon-bar singer Freddie gets very angry whenever boyfriend Blackie seems to be playing around. She always packs a six-shooter, so this is bad news for anything that happens to be in the ... See full summary »
Sullivan is a successful, spoiled, and naive director of fluff films, with a heart-o-gold, who decides he wants to make a film about the troubles of the downtrodden poor. Much to the chagrin of his producers, he sets off in tramp's clothing with a single dime in his pocket to experience poverty first-hand, and gets some reality shock. Written by
Bob Doolittle <Bob.Doolittle@east.sun.com>
The film's opening dedication, "To the memory of those who made us laugh: the motley mountebanks, the clowns, the buffoons, in all times and nations, whose efforts have lightened our burden a little, this picture is affectionately dedicated." with the added phrase "...in this cockeyed caravan..." was initially to be spoken by Joel McCrea in an epilogue as if it was to be the prologue for the comedy he intended to make. In the original script the prologue Preston Sturges initially wrote was, "This is the story of a man who wanted to wash an elephant. The elephant darn near ruined him." See more »
The road numbers on the racing locomotive in the opening scene are reversed, indicating the film has been flipped. See more »
You know, the nice thing about buying food for a man is that you don't have to listen to his jokes. Just think, if you were some big shot like a casting director or something, I'd be staring into your bridgework saying 'Yes, Mr. Smearcase. No, Mr. Smearcase. Not really, Mr. Smearcase! Oh, Mr. Smearcase, that's my knee!' Give Mr. Smearcase another cup of coffee. Make it two. Want a piece of pie?
John L. Sullivan:
No thanks, kid.
Why, Mr. Smearcase, aren't you getting a little familiar?
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Laughter, A Precious Commodity In This Cockeyed Caravan
Sullivan's Travels is a twofer for me, it's my favorite Preston Sturges film and my favorite Joel McCrea one. It's an anti-message film, loaded with humor, with a most sublime message indeed.
Joel McCrea plays director John Sullivan who's tired of making silly comedies and musicals for his studio. He wants to make films of social significance with a message about the troubles in today's world.
Problem is that he doesn't know anything about poverty and unemployment, he's a rich kid who's been to boarding school. So off he sets, several times it turns out, to discover how the other half lives.
That last time he sets out is a bit unplanned and through a combination of circumstances he winds up on a prison chain gang in some southern state. He learns some really profound lessons from that experience.
But that's the serious side of Sullivan's Travels. Before that the film has some really gut splitting funny moments like McCrea learning about the speed of a whippet tank, being accused of stealing his own car. But my favorite is when he falls in the clutches of spinsters Elmira Sessions and Esther Howard. McCrea sets out to learn about poverty and deprivation and the two sisters see him as the answer to some poverty and deprivation they've been suffering for some time. Maybe the chain gang didn't look so bad.
Veronica Lake in her memoirs said that one of the films she enjoyed most was Sullivan's Travels where she plays an disillusioned Hollywood hopeful who befriends the tramp McCrea without knowing who he really is. The following year Lake would be paired with Alan Ladd who was closer to her height. She said McCrea was a kind and decent man and wonderful to work with. The disparity of their height was the source of some amusement and some problems for Preston Sturges. Lake was a tiny thing, it was why she was teamed with Alan Ladd, and McCrea was well over six feet tall. Check the shots of them together, very rarely will you see them standing side by side.
Sturges used a lot of his regular company of players. My two favorites in the supporting cast are Robert Grieg and Edward Blore who are McCrea's butler and valet. Both turn out to be wise men in their warnings to their boss about this folly he is undertaking.
It's been said that Sullivan's Travels is supposed to be the anti-Frank Capra film about messages. I'm not sure Capra saw it that way. If you look at the portion of the film when Sullivan falls into this unfamiliar universe of the chain gang, it's very similar to what George Bailey was experiencing in that parallel universe he was sent to in It's A Wonderful Life. I think Sturges and Capra would find a lot of common ground in the messages of It's A Wonderful Life and Sullivan's Travels.
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