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Collateral (2004)

 -  Crime | Drama | Thriller  -  6 August 2004 (USA)
7.6
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Ratings: 7.6/10 from 250,222 users   Metascore: 71/100
Reviews: 805 user | 298 critic | 41 from Metacritic.com

A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.

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Title: Collateral (2004)

Collateral (2004) on IMDb 7.6/10

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Nominated for 2 Oscars. Another 22 wins & 43 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Max
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Ida
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...
Traffic Cop #1
Klea Scott ...
Fed #1
...
...
...
...
...
Traffic Cop #2
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Storyline

LA cabbie Max Durocher is the type of person who can wax poetic about other people's lives, which impresses U.S. Justice Department prosecutor Annie Farrell, one of his fares, so much that she gives him her telephone number at the end of her ride. Although a dedicated man as seen through the efficiency in which he does his work, he can't or won't translate that eloquence into a better life for himself. He deludes himself into believing that his now twelve year cabbie job is temporary and that someday he will own his own limousine service. He even lies to his hospitalized mother that he already owns one, with a further lie that he tells her as such primarily to make her happy, rather than the truth which is that he won't do anything to achieve that dream. One night, Max picks up a well dressed man named Vincent, who asks Max to be his only fare for the evening. For a flat fee of $600, plus an extra $100 if he gets to the airport on time - Vincent wants Max to drive him to five stops ... Written by Huggo

Plot Summary | Plot Synopsis

Plot Keywords:

one night | kill | killer | fbi | airport | See more »

Taglines:

It started like any other night

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for violence and language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

6 August 2004 (USA)  »

Also Known As:

Untitled Michael Mann Project  »

Box Office

Budget:

$65,000,000 (estimated)

Opening Weekend:

$1,419,258 (Japan) (29 October 2004)

Gross:

$7,648,801 (Japan) (10 December 2004)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Mark Ruffalo states that the scene where Fanning first discovers Ramon Ayala's disappearance; and proceeds to call for "S.I.D", that Mann insisted on eighty or more takes. Ruffalo goes on to say that "you begin to lose your shit." Foxx and Barry Shabaka-Henley confirmed that Mann did in fact, film a massive amount of takes. Foxx stated: "Oh, yeah that hurts cuz Michael Mann *can* take some takes." See more »

Goofs

During the conversation Vincent and Max have immediately prior to Max crashing the cab, Vincent's beard changes thickness in each closeup shot. See more »

Quotes

[first lines]
Vincent: You OK?
Airport Man: Yeah, I'm fine mate, don't worry about it.
See more »

Crazy Credits

There are no opening credits of any kind. The title does not appear until the closing credits. See more »

Connections

Featured in The 77th Annual Academy Awards (2005) See more »

Soundtracks

Air
Written by Johann Sebastian Bach (as J.S. Bach)
Arranged by Tim Hahn, Kilian Forster & Tobias Forster
Performed by Klazz Brothers & Cuba Percussion
Courtesy of Sony Classical and Sony Music Entertainment (Germany) GmbH & Co., KG
By Arrangement with Sony Music Licensing
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
One of the Best movies I've seen this year
16 December 2004 | by (Windsor, Canada) – See all my reviews

Who would have ever thought that Jamie Foxx and Tom Cruise would be an on screen duo? Well it has happened in fine fashion. Michael Mann's articulate direction and his obsession with nitetime LA have made this film fast paced an smooth looking. The basic plot revolves around Foxx as a cabbie who catches a stroke of bad luck by acquiring Cruise as a passenger. Cruise turns out to be a hit-man who is picking people off as his temporary employer sees fit. A wild ride through LA's nightlife gives way for a journey of self-realization for Foxx (whom dreams of his own limo company and tropical islands). The slick script and sophistication of the plot and character development always keep the audience on the edge of their seats. Although this movie has received good ratings, I feel that the film is slightly overlooked. Collateral serves as a great model for how thrillers should be made, and it delivers a great breakthrough performance by Foxx. Well Done!


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