When a sports agent has a moral epiphany and is fired for expressing it, he decides to put his new philosophy to the test as an independent agent with the only athlete who stays with him and his former secretary.
Cuba Gooding Jr.,
As students at the United States Navy's elite fighter weapons school compete to be best in the class, one daring young pilot learns a few things from a civilian instructor that are not taught in the classroom.
LA cabbie Max Durocher is the type of person who can wax poetic about other people's lives, which impresses U.S. Justice Department prosecutor Annie Farrell, one of his fares, so much that she gives him her telephone number at the end of her ride. Although a dedicated man as seen through the efficiency in which he does his work, he can't or won't translate that eloquence into a better life for himself. He deludes himself into believing that his now twelve year cabbie job is temporary and that someday he will own his own limousine service. He even lies to his hospitalized mother that he already owns one, with a further lie that he tells her as such primarily to make her happy, rather than the truth which is that he won't do anything to achieve that dream. One night, Max picks up a well dressed man named Vincent, who asks Max to be his only fare for the evening. For a flat fee of $600, plus an extra $100 if he gets to the airport on time - Vincent wants Max to drive him to five stops ... Written by
This is a collision of two lives All collapsed in the events of one night
The movie starts with Vincent (Tom Cruise) arriving to L.A., a guy who just looks perfect
Some people happen to people on purpose, in order to tell them something about their lives And they sit somewhere and share two or three lines, and they leave, and you know, your life is changed
When Max (Jamie Foxx) first meets Vincent, it was "who cares? He was a dreamer when he said: "I just saw the woman of my dreams I'm getting married in my mind right now." Vincent says, "I want you to disconnect so that when you guy do connect, it's like day and night." And continues "I got five stops to make. Collect signatures, see some friends, and then I got a 6 a.m. out of LAX. Why don't you hang with me?"
It's not until the offering of the money that you see really connect
"Collateral" projects in a much deeper way into Cruise/Vincent character He can become very quiet, and we can look at the screen, and we will feel that Cruise is totally in command He's a quick draw Vincent is fast As an assassin, he must be economical in his moves
The film focused some of the wildness, and what lurks below the surface of L.A. Just the opening shot, when we look at that cab driving out and we see the big paintings on the walls, it was just visual sophistication
The movie is not an action story It's a compelling drama with realistic action that works for the story And it is done for an emotional reason Cruise gives a dynamic performance as the cold-blooded killer Foxx is terrific as the honest hearted guy driving a cab for twelve years, and both come together suddenly like a spike in a railroad right here in this point where things were going to change in one night Jamie Foxx finds himself in the presence of a real adversary in the form of this bumbling cab driver, who has never fired a handgun in his life
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