A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
Stephen Campbell Moore
When Keller Dover's daughter and her friend go missing, he takes matters into his own hands as the police pursue multiple leads and the pressure mounts. But just how far will this desperate father go to protect his family?
LA cabbie Max Durocher is the type of person who can wax poetic about other people's lives, which impresses U.S. Justice Department prosecutor Annie Farrell, one of his fares, so much that she gives him her telephone number at the end of her ride. Although a dedicated man as seen through the efficiency in which he does his work, he can't or won't translate that eloquence into a better life for himself. He deludes himself into believing that his now twelve year cabbie job is temporary and that someday he will own his own limousine service. He even lies to his hospitalized mother that he already owns one, with a further lie that he tells her as such primarily to make her happy, rather than the truth which is that he won't do anything to achieve that dream. One night, Max picks up a well dressed man named Vincent, who asks Max to be his only fare for the evening. For a flat fee of $600, plus an extra $100 if he gets to the airport on time - Vincent wants Max to drive him to five stops ... Written by
"Collateral" sat on DreamWorks development books for three years. Mimi Leder was initially attached to direct, it then passed on to Janusz Kaminski. It wasn't until Russell Crowe became interested in playing Vincent, the hitman, that the project started generating any heat. Crowe brought Michael Mann on board, but the constant delays meant that Crowe left the project. Mann immediately went to Tom Cruise with the idea of him playing the hitman and Adam Sandler as the cabbie. See more »
While driving on a near-deserted road (going to Fever) what appears to be the flashing red and blue lights of a police car (presumably escorting the production vehicles) can be seen reflected in the cab's window. See more »
One of the most beautifully crafted movies of the past 10 years. Why this movie is going by with very little publicity is beyond me. It has incredible screenplay, incredible directing (Michael Mann puts his trademark two cents in with the camera work and gritty feeling left from the lighting) and above all, great acting. Foxx and Cruise work together in a way unrivaled since..... Excellent story with little or no plot holes I could find. No cheesy lines, although the ending was quite rehashed from other suspense thrillers. All in all, this movie exceeded my expectations for a summer movie.
Pros:Excellent Acting, Screenplay, Plot, Script, and Directing Cons: Unoriginal Ending, seems a bit overly dramatic.
This was quite a beautiful movie.
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