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Kind Hearts and Coronets (1949)

 -  Comedy | Crime  -  14 June 1950 (USA)
8.2
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Ratings: 8.2/10 from 22,218 users  
Reviews: 114 user | 87 critic

A distant poor relative of the Duke of D'Ascoyne plots to inherit the title by murdering the eight other heirs who stand ahead of him in the line of succession.

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(novel), (screenplay), 1 more credit »
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Title: Kind Hearts and Coronets (1949)

Kind Hearts and Coronets (1949) on IMDb 8.2/10

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Nominated for 1 BAFTA Film Award. Another 4 wins & 1 nomination. See more awards »

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Director: Marshall Neilan
Stars: Mary Pickford, Milla Davenport, Percy Haswell
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Cast

Cast overview, first billed only:
...
...
Edith
...
...
The D'Ascoyne Family: The Duke / The Banker / The Parson / The General / The Admiral / Young Ascoyne / Young Henry / Lady Agatha
Audrey Fildes ...
Mama
Miles Malleson ...
The Hangman
Clive Morton ...
The Prison Governor
John Penrose ...
Lionel
Cecil Ramage ...
Crown Counsel
...
Lord High Steward
John Salew ...
Mr. Perkins
Eric Messiter ...
Burgoyne
Lyn Evans ...
The Farmer
Barbara Leake ...
The Schoolmistress
Peggy Ann Clifford ...
Maud
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Storyline

Louis Mazzini's mother belongs to the aristocratic family D'Ascoyne, but she ran away with an opera singer. Therefore, she and Louis were rejected by the D'Ascoynes. Once adult, Louis decides to avenges his mother and him, by becoming the next Duke of the family. Murdering every potential successor is clearly the safest way to achieve his goal... Written by Yepok

Plot Summary | Plot Synopsis

Plot Keywords:

duke | jealousy | heir | dukedom | singer | See more »

Taglines:

He chopped down the family tree... See more »

Genres:

Comedy | Crime

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

14 June 1950 (USA)  »

Also Known As:

As Oito Vítimas  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Alec Guinness' first film for Ealing Studios. See more »

Goofs

The first murder that Louis Mazzini commits involves him swimming fully dressed underwater to release a boat from its moorings. In spite of having brought no change of clothes or even a towel, he is shown shortly after committing the murder paddling down the river with his clothes bone dry. See more »

Quotes

[first lines]
Warder in Jail: Good evening, Mr. Elliot.
The Hangman: Good evening.
See more »

Crazy Credits

The opening credits list photos of the 4 leading actors with their character names; in the case of Alec Guinness, 8 photos of the 8 characters he plays are shown, along with the one character name of "The D'Ascoyne Family." In the end credits, the 8 character names are listed for him. See more »

Connections

Featured in The 52nd Annual Academy Awards (1980) See more »

Soundtracks

Il mio tesoro intanto
The Aria is
from Don Giovanni by Wolfgang Amadeus Mozart (as Mozart)
Libretto by Lorenzo da Ponte (uncredited)
The music is played by The Philharmonia Orchestra
Conducted by Ernest Irving
Sung by an unidentified solist
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
My most beloved Ealing film, it's dated but in a good way
18 November 2010 | by (United Kingdom) – See all my reviews

As I've said on all my Ealing movie reviews, I watched these cause the plots looked interesting but I'm still unsure on how to judge the movies. I'm not one to dismiss them as 'old' and therefore 'boring'; at the same time I don't just jump on the bandwagon saying they're classics just because they've got that reputation and a lot of people without even judging for themselves assume they're great.

To quote to further my point - "A Classic is something that everybody wants to have read but nobody wants to read. A classic is also something that everyone praises but no one has read." -Mark Twain So, watching this with an open mind, I really enjoyed it. Yes you have to realise it's not a modern movie so the kind of themes and scenes presented are different from the packaged elements of modern Hollywood, but that makes postwar British cinema very refreshing viewing. I think the use of the term 'comedy' is misleading because it most likely refers to it in the classic literary sense from Shakespeare and Greek theatre (probably in the early 20th century people were a bit better read than today so these terms would still have meaning to them) which refers to a story with happy ending and farcial plot and wit rather than obvious jokes like in the modern sense but even these movies have some funny scenes. Also the humour and premise is black comedy and subtle so look for something modern if you need laugh-out-loud movies.

'Kind Hearts and Coronets' When I first came across this the plot looked so unique I knew I just had to see it at least once, although I've rewatched it many times since. I do find Guinness's 8 roles are over-hyped because most of them have few lines and the distinctions between a few of them are non-existent though it's still a novelty and a brave act to pull off in a movie. For me, Mazzini's 'bad guy' characterisation is the most appealing element of the movie, with a characterisation that makes even a criminal charming and someone to empathise with a little (and for me some visual appeal). The unique premises of who we see him murder next and the wit and black humour makes it a treasure of a film that I'm glad was made and is still available and enjoyed.

One of my most beloved films for definite. Definitely worth one watch just to see something different.


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