The Lady Eve (1941)

Director:

Preston Sturges

Writers:

Monckton Hoffe (story) and
Preston Sturges (writer)

Release Date:

25 February 1941 (USA)

Genre:

Comedy | Romance

Tagline:

Eve Sure Knows Her Apples !

Plot:

Returning from a year up the Amazon studying snakes, the rich but unsophisticated Charles Pike meets con-artist Jean Harrington on a ship...

Plot Keywords:

Ship | Snake | Con Artist | Lady | Divorce Settlement

Awards:

Nominated for Oscar. Another 1 win

Cast

Barbara Stanwyck	...	Eugenia 'Jean' Harrington
Henry Fonda	...	Charles 'Charlie' Poncefort Pike
Charles Coburn	...	'Colonel' Harry Harrington
Eugene Pallette	...	Horace Pike
William Demarest	...	Ambrose 'Muggsy' Murgatroyd
Eric Blore	...	Sir Alfred McGlennan Keith
Melville Cooper	...	Gerald
Martha O'Driscoll	...	Martha - the Maid
Janet Beecher	...	Janet Pike
Robert Greig	...	Burrows - Pike's Butler
Dora Clement	...	Gertrude
Luis Alberni	...	Emile, Pike's chef

Runtime:

94 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Certification:

Canada:PG (Ontario) | Sweden:15 | South Korea:12 (2004) | West Germany:16 (nf) | Finland:K-16 | USA:Unrated | UK:U

Filming Locations:

Los Angeles County Arboretum & Botanic Garden - 301 N. Baldwin Avenue, Arcadia, California, USA

Company:

Paramount Pictures

Trivia:

Preston Sturges wrote the script in Reno, Nevada, while awaiting his third divorce.

Goofs:

Revealing mistakes: When Charles and Jean are standing on the deck talking, the ambient, background sounds - of people talking and birds singing - can be heard running on a loop. The scene lasts several minutes, but the ambient sounds repeat every several seconds.

Quotes:

Charles Pike: You ought to put handles on that skull. Maybe you could grow geraniums in it.

Movie Connections:

Featured in Fonda on Fonda (1992) (TV)

Soundtrack:

Isn't It Romantic

A Tonic For The Senses

As a lifelong Preston Sturges fan, I find the problem with submitting 'user comments' on his films to be twofold. The first is where to begin, the second how to stop. A third problem (growing out of the first two) manifests itself immediately upon watching a flawless jewel like THE LADY EVE: why even bother to praise it? No matter how accurate or elegant a rave you write, they'd still be merely words, and words can't do Sturges justice...not after hearing and seeing his own words spinning like a thousand plates over the 90-odd minutes it takes for this film to utterly captivate you. Unlike many black-and-white products of the studio era, which generate condescension or apathy among the Gen X'ers of today (when do we get to Gen Z - or are we there already?), the Sturges cult grows with every passing year, as younger fans fall under his spell, drawn initially to his work for the still-startling energy of the stream of raspberries he blew at the Production Code. (In this sense, EVE marks a high point; it's all about sexual gamesmanship, and its tone is both matter-of-fact and dizzyingly playful at the same time.) But hopefully, they're coming for the sizzle and staying for the steak. Like all Sturges' Paramount films, EVE is an embarrassment of riches - a boudoir farce, a slapstick clinic, a cynical dialogue comedy AND a love story of great, soulful heart. It's especially recommended to anyone beset by misery and tribulation as a guaranteed restorative and cure-all. When a movie from any era can so completely take you out of yourself and lift the blackest of clouds without resorting to any cheapjack plot-gimmicks or trite manipulation of an audience's emotions, all you can do is be grateful. Though the unfailingly superb Sturges Players are on hand, in fine form (including of course his human rabbit's foot, Wm Demarest) EVE features a number of actors making their first and only appearances in a Sturges-directed film: Stanwyck, Fonda, Eric Blore, Melville Cooper and perennial Fonda cohort Eugene Pallette. All of them take to the material like catnip, making one long for an alternate reality in which Preston Sturges could have remained unmolested at Paramount for 20 years and a dozen more films than he actually made, not only to see this cast reunited, but to see what might have resulted from any number of quality actors being exposed to the hothouse atmosphere of his screenplays. That it never worked out that way is one more reason to treasure THE LADY EVE.