The Lady Eve (1941)

A trio of classy card sharks targets the socially awkward heir to brewery millions for his money, till one of them falls in love with him.

Director:

Preston Sturges

Writers:

Monckton Hoffe (based on a story by), Preston Sturges

Stars:

Barbara Stanwyck, Henry Fonda, Charles Coburn

Nominated for 1 Oscar. Another 2 wins.

Cast

Complete credited cast:
Barbara Stanwyck	...	Jean
Henry Fonda	...	Charles
Charles Coburn	...	'Colonel' Harrington
Eugene Pallette	...	Mr. Pike
William Demarest	...	Muggsy
Eric Blore	...	Sir Alfred McGlennan Keith
Melville Cooper	...	Gerald
Martha O'Driscoll	...	Martha
Janet Beecher	...	Mrs. Pike
Robert Greig	...	Burrows
Dora Clement	...	Gertrude
Luis Alberni	...	Pike's Chef

Storyline

Returning from a year up the Amazon studying snakes, the rich but unsophisticated Charles Pike meets con-artist Jean Harrington on a ship. They fall in love, but a misunderstanding causes them to split on bad terms. To get back at him, Jean disguises herself as an English lady, and comes back to tease and torment him.

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Plot Keywords:

love | card shark | heir | snake | ship | 

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Taglines:

Another Preston Sturges Hit!

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Genres:

Comedy | Romance

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Certificate:

Passed

Details

Country:

USA

Language:

English

Release Date:

21 March 1941 (USA)

Also Known As:

Lady Eve

Filming Locations:

Los Angeles County Arboretum & Botanic Garden - 301 N. Baldwin Avenue, Arcadia, California, USA

Company Credits

Production Co:

Paramount Pictures

Technical Specs

Runtime:

94 min

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

When Muggsy places a brush over his face and imitates Hitler, he is actually speaking Swedish. Directly translated he is saying: "Naughty boy I'm going to punch you in the face".

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Goofs

When Charles first meets "the Lady Eve Sidwich" at the party, his face goes from blank expression to shock twice - first with all characters, then in closeup.

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Quotes

Jean Harrington: You see, Hopsi, you don't know very much about girls. The best ones aren't as good as you probably think they are and the bad ones aren't as bad. Not nearly as bad.

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Connections

Featured in American Masters: Preston Sturges: The Rise and Fall of an American Dreamer (1990)

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Soundtracks

"Isn't It Romantic"
(1932) (uncredited)
Music by Richard Rodgers
Played often in the score

User Reviews

A Tonic For The Senses

As a lifelong Preston Sturges fan, I find the problem with submitting 'user comments' on his films to be twofold. The first is where to begin, the second how to stop. A third problem (growing out of the first two) manifests itself immediately upon watching a flawless jewel like THE LADY EVE: why even bother to praise it? No matter how accurate or elegant a rave you write, they'd still be merely words, and words can't do Sturges justice...not after hearing and seeing his own words spinning like a thousand plates over the 90-odd minutes it takes for this film to utterly captivate you. Unlike many black-and-white products of the studio era, which generate condescension or apathy among the Gen X'ers of today (when do we get to Gen Z - or are we there already?), the Sturges cult grows with every passing year, as younger fans fall under his spell, drawn initially to his work for the still-startling energy of the stream of raspberries he blew at the Production Code. (In this sense, EVE marks a high point; it's all about sexual gamesmanship, and its tone is both matter-of-fact and dizzyingly playful at the same time.) But hopefully, they're coming for the sizzle and staying for the steak. Like all Sturges' Paramount films, EVE is an embarrassment of riches - a boudoir farce, a slapstick clinic, a cynical dialogue comedy AND a love story of great, soulful heart. It's especially recommended to anyone beset by misery and tribulation as a guaranteed restorative and cure-all. When a movie from any era can so completely take you out of yourself and lift the blackest of clouds without resorting to any cheapjack plot-gimmicks or trite manipulation of an audience's emotions, all you can do is be grateful. Though the unfailingly superb Sturges Players are on hand, in fine form (including of course his human rabbit's foot, Wm Demarest) EVE features a number of actors making their first and only appearances in a Sturges-directed film: Stanwyck, Fonda, Eric Blore, Melville Cooper and perennial Fonda cohort Eugene Pallette. All of them take to the material like catnip, making one long for an alternate reality in which Preston Sturges could have remained unmolested at Paramount for 20 years and a dozen more films than he actually made, not only to see this cast reunited, but to see what might have resulted from any number of quality actors being exposed to the hothouse atmosphere of his screenplays. That it never worked out that way is one more reason to treasure THE LADY EVE.