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L'Atalante (1934)

 -  Drama | Romance  -  21 June 1947 (USA)
7.9
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Ratings: 7.9/10 from 8,545 users  
Reviews: 65 user | 67 critic

When Juliette marries Jean, she comes to live with him as he captains a river barge. Besides the two of them, are a cabin boy and the strange old second mate Pere Jules. Soon bored by life ... See full summary »

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(scenario), (adaptation), 3 more credits »
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Title: L'Atalante (1934)

L'Atalante (1934) on IMDb 7.9/10

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Cast

Complete credited cast:
...
Dita Parlo ...
Juliette
Jean Dasté ...
Jean
Gilles Margaritis ...
Le camelot
Louis Lefebvre ...
Le gosse
Maurice Gilles ...
Le chef de bureau
Raphaël Diligent ...
Raspoutine, le batelier (as Rafa Diligent)
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Storyline

When Juliette marries Jean, she comes to live with him as he captains a river barge. Besides the two of them, are a cabin boy and the strange old second mate Pere Jules. Soon bored by life on the river, she slips off to see the nightlife when they come to Paris. Angered by this, Jean sets off, leaving Juliette behind. Overcome by grief and longing for his wife, Jean falls into a depression and Pere Jules goes and tries to find Juliette. Written by dlevy1201

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »

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Release Date:

21 June 1947 (USA)  »

Also Known As:

L'Atalante  »

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Aspect Ratio:

1.37 : 1
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Trivia

The last film completed by Jean Vigo before his death from tuberculosis at twenty-nine. See more »

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User Reviews

 
One of the greatest of all films
20 April 1999 | by (NAS Whidbey Island, WA) – See all my reviews

Pauline Kael told us that "L'Atalante" was one of those films that are more pleasurable in the memory than while seeing it. Maybe so, but not for me. I knew I was witnessing a masterpiece after the first thirty seconds.

There was not a false step in the whole thing, and many wonderful surprises. There's a brief flash of strange eroticism when Dita Parlo sticks out her tongue at Michel Simon, the old seaman who runs the boat (and I can't even remember why she did it). There's some comedy, with an astoundingly nimble Vaudeville-like cafe performer/one-man-band who serenades Parlo, to her husband's dismay. There's aching heartbreak, with the separated lovers who long for each other so much that it wakes them up in the night and hear each other's yearning. And after all those things, the sensuality, the humor, and the tragedy, the movie just dreams on by as smooth and as fragile as a film can be. I fell in love with it the same way I did with "The Third Man"--the heedless, foolish romanticism just got to me in the end.


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