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The Cell (2000)

 -  Sci-Fi | Thriller  -  18 August 2000 (USA)
6.3
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Ratings: 6.3/10 from 70,999 users   Metascore: 40/100
Reviews: 662 user | 216 critic | 32 from Metacritic.com

An FBI agent persuades a social worker, who is adept with a new experimental technology, to enter the mind of a comatose serial killer in order to learn where he has hidden his latest kidnap victim.

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Title: The Cell (2000)

The Cell (2000) on IMDb 6.3/10

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Nominated for 1 Oscar. Another 6 wins & 20 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Henry West
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Dr. Barry Cooperman
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Lucien Baines
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Catherine Sutherland ...
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Gordon Ramsey
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Cole
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Julia Hickson
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Mrs. Hickson
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Storyline

Catharine Deane is a psychotherapist who is part of a revolutionary new treatment which allows her mind to literally enter the mind of her patients. Her experience in this method takes an unexpected turn when an FBI agent comes to ask for a desperate favour. They had just tracked down a notorious serial killer, Carl Stargher, whose MO is to abduct women one at a time and place them in a secret area where they are kept for about 40 hours until they are slowly drowned. Unfortunately, the killer has fallen into an irreversible coma which means he cannot confess where he has taken his latest victim before she dies. Now, Catherine Deane must race against time to explore the twisted mind of the killer to get the information she needs, but Stargher's damaged personality poses dangers that threaten to overwhelm her. Written by Kenneth Chisholm <kchishol@home.com>

Plot Summary | Plot Synopsis

Taglines:

Can beauty tame the beast? See more »

Genres:

Sci-Fi | Thriller

Motion Picture Rating (MPAA)

Rated R for bizarre violence and sexual images, nudity and language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Release Date:

18 August 2000 (USA)  »

Also Known As:

Ćelija  »

Filming Locations:

 »

Box Office

Budget:

$33,000,000 (estimated)

Opening Weekend:

$36,626 (Norway) (10 November 2000)

Gross:

ESP 652,426,863 (Spain) (29 June 2001)
 »

Company Credits

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Technical Specs

Runtime:

| (director's cut)

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

In the scene where Catherine talks with Carl while he is "cleaning" his first victim, the scenery resembles the music video "Losing My Religion" by R.E.M.; that video was directed by this film's director, Tarsem Singh. See more »

Goofs

Though "Whalen's Infraction," a brain disorder which is said to have accelerated Stargher's schizophrenia was made up for the movie, an infraction actually refers to an incomplete bone fraction and affects bony tissues, not the brain. Cerebral infarction ("infarct" instead of "infract"), or tissue death due to lack of blood flow, does occur in the brain, but this is said to cause schizophrenia-like symptoms and would not cause or affect schizophrenia itself. See more »

Quotes

Carl Stargher: Why are you here... don't lie.
Catharine Deane: I came to help you.
Carl Stargher: You're lying! Bitch, whore... cunt!
Catharine Deane: You sound like your father.
Carl Stargher: My father?
Carl Stargher: [in a monster's voice] HE WAS NOTHING, HE IS NOTHING!
See more »

Connections

References Cube (1997) See more »

Soundtracks

YOU CAN FIND THE FEELING
(RADIO EDIT)
Written by Bachir Attar, Talvin Singh and Brad Somatik
Performed by Master Musicians of Jajouka featuring Bachir Attar
Courtesy of Point Music, Decca Music Group
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

The Cell: whoa... eww... whoa...
11 September 2000 | by (Los Angeles, CA) – See all my reviews

The last time I reviewed a film helmed by a music video director, I was very angry at what I'd seen (`Mystery Men'), but Tarsem Singh spares us the fish-eye lenses and commercial overindulgences and decides to concentrate on presenting an astonishing visual and audible journey into the mind of a serial killer in `The Cell'.

Carl Stargher (Vincent D'Onofrio) kills women by drowning them in glass cells, all the while videotaping the event. Afterwards, he disfigures the bodies to resemble dolls and then tosses the finished `products' off highways into ditches and streams. Nice guy. He also likes to suspend himself on chains attached to hooks inserted directly into his back. Lovely.

Meanwhile, FBI agent Peter Novak (Vince Vaughn) is hot on the killer's trail, and although Carl's started to get sloppy, he's just kidnapped another girl and she has 40 hours before her cell fills with water. Carl is soon apprehended, but only because he enters into a schizophrenic seizure and falls into a coma on his kitchen floor. A coma? But how are they going to find out where the last victim is? Oh, if only they could TRAVEL INSIDE HIS MIND. Hey, what a coincidence! Catherine Deane (Jennifer Lopez) is a child psychologist involved in an experimental project that allows her to TRAVEL INSIDE THE MIND of coma victims.

And so begins a strange array of visuals and sounds, blended together so unusually that you honestly feel like you're experiencing a dream… a not so pleasant dream. Not only is Carl's mind slightly twisted, it's violent, disturbingly sexual, and very graphic. But, it's also like a train wreck; you can't help but look. Oddly enough, Mr. Singh clearly had the resources to make his special effects scream out at you with bright color and absurd lavishness, but he chose instead to simplify, placing the terror in the scale and content of the visuals. I can't even use an example. All I can say is think about a dream you've had that you couldn't describe to someone, and that's what watching this movie is like. The photography is so stunning that it virtually eliminates the need for dialogue (only about half the film has discourse), and coupled with the horrifically spooky and scathing soundtrack, the film literally takes on a life of its own.

My only objection is that when all is said and done, the only character we really understand is the serial killer. Several clues about the other characters' pasts led me to believe that their lives would come into play and that their own memories would be tested and confronted. To me, this would have taken this story to yet another psychological level, but perhaps it would have been too much for viewers.

Despite this shortcoming, `The Cell' stills provides a myriad of images that will make you want to watch a lot of cute cartoons before turning in for the night. Still, I don't know what was more disturbing: the movie, or the parents in the next row over who brought their two small kids to watch it.


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