The Cusp is a serial killer who kills his victims and then brings them back to life; over and over again; until they beg to die! Maya is a psychic investigator who gained her powers after a... See full summary »
In a hospital on the outskirts of 1920s Los Angeles, an injured stuntman begins to tell a fellow patient, a little girl with a broken arm, a fantastic story of five mythical heroes. Thanks to his fractured state of mind and her vivid imagination, the line between fiction and reality blurs as the tale advances.
An extremely wealthy elderly man, dying from cancer, undergoes a radical medical procedure that transfers his consciousness to the body of a healthy young man, but all is not as it seems ... See full summary »
Catharine Deane is a psychotherapist who is part of a revolutionary new treatment which allows her mind to literally enter the mind of her patients. Her experience in this method takes an unexpected turn when an FBI agent comes to ask for a desperate favour. They had just tracked down a notorious serial killer, Carl Stargher, whose MO is to abduct women one at a time and place them in a secret area where they are kept for about 40 hours until they are slowly drowned. Unfortunately, the killer has fallen into an irreversible coma which means he cannot confess where he has taken his latest victim before she dies. Now, Catherine Deane must race against time to explore the twisted mind of the killer to get the information she needs, but Stargher's damaged personality poses dangers that threaten to overwhelm her. Written by
Kenneth Chisholm <email@example.com>
The scene when Catherine Deane is chasing Carl through a stone hallway, right before she enters the room with the horse, is based on a painting by Swiss surrealist H.R. Giger called "Schacht". See more »
During the second filling of the cell the cameraman, and possibly the director (another person is seen next to the cameraman), can be seen in a reflection on the inside of the cell. When the camera pans to the left as Julia pounds on the glass walls and curses out her captor, you can see two figures (one with a camera) reflected in the glass. See more »
Style over substance. But what a style it is. "The Cell" is the internal version of most serial killer movies. Unfortunately, the story hardly supports the visuals.
Psychotherapist Catherine Deane (J-Lo) goes into her patients' dreams via artificial means to discover and help them over come their phobias and obsessions. A new patient whose fallen into a coma, is brought to her attention by the FBI. He's a serial killer who drowns his female victims then poses their bodies in grotesque scenarios like mannequins. Deane must enter the killer's mind and navigate through his sick fantasies in order to find and save his latest victim.
Director Tarsem Singh has incredible visions and set pieces for this production. Each dream sequence is like a nightmare-ish painting in motion, from the landscapes to the costumes.
But the plot suffers from lack of history of its characters. Stargher is the only person with a thorough background and he's the last person you want to care about. Without him, you basically have a movie that moves in the present tense only, which is a shame since the movie is so visually stunning and genuinely scary. Lopez is wasted but she's not that amazing an actress anyway, though she's as gorgeous as ever. And Vince Vaughn? I don't even know why he was chosen. This is not his forte and he overacts to boot. He tried too hard to become his character and it showed. Stick to comedy, Vince! Even so, this movie is so visually frightening, I still watch this movie with the lights on and can never fall asleep right away afterward.
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