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A city cop is assigned to solve a bizarre set of violent murders where it appears that the victoms were killed by animals. In his pursuit he learns of an Indian legend about wolf spirits. Written by
K. Rose <firstname.lastname@example.org>
The theatrical trailer contains scenes/dialogue not present in the movie: When Van der Veer jumps out and startles his wife, the trailer shows a clip of their bodyguard reaching for his gun which is not present in the film; when Executive Security is reviewing the video of Becky Neff, someone says "team her up with Wilson". In the film, the head of security says "I want her."; the trailer includes a scene where Dewey and Becky, en route to the South Bronx, are talking in his car about the mysterious nature of the killings. This scene is not in the film; an overhead shot of the moon and clouds in "Wolfen-vision" that is present in the trailer is not in the film; in the scene where the Wolfen lures Becky up to the second floor of the abandoned church, there is a voice-over from Dewey (although it is NOT Albert Finney's voice) where he tells her that something was trying to lure her upstairs and separate them. See more »
Moments before the first murder, the killers stalk their victim (using the "night vision" effect) and pass behind a parked car, revealing the reflection of a bright sunny day in the rear hood of the car when it is supposedly taking place at night. See more »
In arrogance man knows nothing of what exists. There exists on this earth such as we dare not imagine; life as certain as our death, life that will prey on us as surely as we prey on this earth.
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Unusual film that takes a very different path from the traditional werewolf movie. Low budget in feel, which is good, this starts incredibly well with horror, gore and bewilderment. The use of the negative image when we see through the eyes of the wolves is great, its less plastic than ordinary SFX and far more realistic than CGI, its also cheap (I've used it myself!) but the best thing about it is that it is literally an inversion of reality, which is just what you want here. Finney is fine but maybe should have been encouraged to put a little more effort in. As for his co-star, Diane Venora, in her first film, her lack of presence is worrying. I guess first time director (apart from Woodstock work) Michael Wadleigh was not used to getting the best out of his actors and indeed never made another film. Not to take away from this little gem though, not perfect by any means but different enough and occasionally startling enough to make at least one viewing essential.
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