One man's struggle to contain the curse he hides within... and his last-ditch attempt to free himself with the love of family. But when it looks as if he is losing his battle, and ... See full summary »
NYPD detectives Shepard and Powell are working on a bizarre case of a ritualistic Aztec murder. Meanwhile, something big is attacking people of New York and only greedy small time crook Jimmy Quinn knows where its lair is.
A city cop is assigned to solve a bizarre set of violent murders where it appears that the victoms were killed by animals. In his pursuit he learns of an Indian legend about wolf spirits. Written by
K. Rose <email@example.com>
Moments before the first murder, the killers stalk their victim (using the "night vision" effect) and pass behind a parked car, revealing the reflection of a bright sunny day in the rear hood of the car when it is supposedly taking place at night. See more »
[Eddie and Dewey are up on the top of a bridgeworks]
Shape shifting. We do it for kicks. Turn yourself into a different animal. One night a deer, next night a salmon...
Or a wolf?
[Eddie unhooks Dewey's safety line]
Or an eagle.
[Dewey looks down, a long way... ]
C'mon Dewey, just flap your arms and jump, its easy. It's all in the head.
That would be murder. You wouldn't kill anyone else, would you?
That's what they pay you to find out...
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Wolfen is absolutely a classic of the horror genre. Released in succession after the likes of Altered States, The Howling and An American Werewolf in London it actually provides more tension than the rest because it doesn't overdo the creature effects. The Howling is probably the most famous of the three films yet after purchasing and watching the blu-ray I realized something 33 years later... It's just not scary. The transformations are graphic but feel too long and drawn out now. As an adult I find that werewolves just are no longer scary. Neither is Dracula. At least American Werewolf was funny and had a charismatic lead. Where Wolfen exceeds it's genre roots is in it's attention to plot details and character development. Albert Finney is believable as a burned out cop and Gregory Hines is a treat as his co- star/sidekick the coroner. There are scenes in this film that work on a suspense level that few others can muster and the abandoned tenements provide a creepy location for their two man reconnaissance. As far as 80's horror goes this is essential viewing.
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