One man's struggle to contain the curse he hides within... and his last-ditch attempt to free himself with the love of family. But when it looks as if he is losing his battle, and ... See full summary »
A vicious wild boar terrorizes the Australian outback. The first victim is a small child who is killed. The child's granddad is brought to trial for killing the child but acquitted. The ... See full summary »
Plastic surgeon Larry Roberts performs a series of minor alterations on a group of models who are seeking perfection. The operations are a resounding success. But when someone starts ... See full summary »
When a group of people from different walks of life converge in a Hungarian castle situated in Budapest which has been sealed for 500 years, they bring with them a werewolf which slowly ... See full summary »
A city cop is assigned to solve a bizarre set of violent murders where it appears that the victoms were killed by animals. In his pursuit he learns of an Indian legend about wolf spirits. Written by
K. Rose <firstname.lastname@example.org>
The source novel's title was changed from "The Wolfen" to simply "Wolfen" for the movie. See more »
Moments before the first murder, the killers stalk their victim (using the "night vision" effect) and pass behind a parked car, revealing the reflection of a bright sunny day in the rear hood of the car when it is supposedly taking place at night. See more »
The smartest ones, they went underground into a new wilderness, YOUR CITIES. You have your technology but you lost. You lost your senses
In their world, there can be no lies, no crimes.
No need for detectives.
In their eyes, YOU ARE THE SAVAGE.
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Unusual film that takes a very different path from the traditional werewolf movie. Low budget in feel, which is good, this starts incredibly well with horror, gore and bewilderment. The use of the negative image when we see through the eyes of the wolves is great, its less plastic than ordinary SFX and far more realistic than CGI, its also cheap (I've used it myself!) but the best thing about it is that it is literally an inversion of reality, which is just what you want here. Finney is fine but maybe should have been encouraged to put a little more effort in. As for his co-star, Diane Venora, in her first film, her lack of presence is worrying. I guess first time director (apart from Woodstock work) Michael Wadleigh was not used to getting the best out of his actors and indeed never made another film. Not to take away from this little gem though, not perfect by any means but different enough and occasionally startling enough to make at least one viewing essential.
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