An idyllic sci-fi future has one major drawback: life must end at the age of 30.

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Nominated for 2 Oscars. Another 7 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
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Box
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Holly (as Farrah Fawcett-Majors)
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Doc
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Randolph Roberts ...
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Mary 2
Laura Hippe ...
Woman Customer
...
Sandman
Camilla Carr ...
Greg Lewis ...
Cub (as Gregg Lewis)
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Storyline

It's 2274 and on the surface, it all seems to be an idyllic society. Living in a city within an enclosed dome, there is little or no work for humans to perform and inhabitants are free to pursue all of the pleasures of life. There is one catch however: your life is limited and when you reach 30, it is terminated in a quasi-religious ceremony known as Carousel. Some, known as runners, do try to escape their fate when the time comes and it's the job of Sandmen to track them down and kill them. Logan is such a man and with several years before his own termination date, thinks nothing of the job he does. Soon after meeting a young woman, Jessica-6, he is ordered to become a runner himself and infiltrate a community outside the dome known as Sanctuary and to destroy it. Pursued by his friend Francis, also a Sandman, Logan and Jessica find their way to the outside. There they discover a beautiful, virtually uninhabited world. Logan realizes that he must return to the dome to tell them what ... Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

Welcome to the 23rd century. A perfect world of total pleasure. ...there's just one catch. See more »


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

23 June 1976 (USA)  »

Also Known As:

Flucht ins 23. Jahrhundert  »

Filming Locations:

 »

Box Office

Budget:

$9,000,000 (estimated)

Gross:

$25,000,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(70 mm prints)| (35 mm prints) (as Dolby System Noise Reduction-High Fidelity)|

Color:

(Metrocolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Michael York, Richard Jordan, Michael Anderson Jr. and David Westberg were all over the age of 30 when they made the film. See more »

Goofs

The last act established the city as being on the coast (presumably the Atlantic Ocean.) Yet after Logan and Jessica flee the city and travel across the countryside, they approach Washington DC from the west, crossing the Potomac and traveling up the Mall from the Lincoln Memorial to the Capitol. See more »

Quotes

[first lines]
Logan: [tapping on a glass window of maternity room] Wake up.
Francis 7: Logan, you are here. I couldn't believe it when they told me. What are you doing?
Logan: [indicates baby] Logan 6. Well it's not everyday that they authorize a new sandman. I tell you Francis,
[indicating baby]
Logan: that's him.
Francis 7: Well maybe, maybe not. What does it matter? Anyway, he isn't yours anymore.
Logan: [continues tapping lightly on the glass]
Francis 7: All right, you want me to wake him?
[bangs loudly on the glass with his baton]
[...]
See more »

Connections

Referenced in Sexmission (1984) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A science fiction film that gives the genre a run for its money
11 October 1998 | by (Orlando, FL) – See all my reviews

Beyond the entrapment of lavish special effects (for which "Logan's Run" won an Oscar anyway), few science fiction films actually present a good story, much less one that makes you think and/or presents new ideas. "Logan's Run" is one of those few.

Before "Stars Wars" enraptured audiences with its stunning special effects and created a precedent for a string of similarly effects-laden knock-offs and genre wanna-be's (mirroring what "The War of the Worlds" had done for audiences in the 50's), true science fiction films such as "Logan's Run" were giving us stories simply complimented by special effects, not about them. I say "true" because "Star Wars" is of the fantasy genre; it is not a science fiction story, though it does share some common elements.

"Logan's Run" presents us with a vivid, somewhat horrifying vision of a possible future. It doesn't take place "a long time ago in a galaxy far, far away." It happens on earth in a believable time frame. It doesn't ask us to greatly suspend disbelief by accepting alien races and magic powers. Instead, it presents us with a chilling fast forward of our own technology, attitudes, and policies. Concerning the latter, the film includes an almost creepy euthanasia undertone to it.

Though, in all honesty, I care more about and become more closely associated with the characters in "Star Wars," the disassociation I feel for LR's characters somewhat aids the lack of individuality that the story tries to convey. The actors, however, give great performances.

Beautiful cinematography and settings greatly compliment the film's mood and timeframe, from the sterile domed city to the decimated Washington D.C., which still provides one of (if not) the best visuals of a post-apocalyptic world that I've ever seen. It's right there with "The Planet of the Apes'" Statue of Liberty.

Another thing that SW does well is disassociate itself from the decade in which it was created. You have to overlook this aspect in LR because like so many films of the 70's, it carries its decade's time stamp.

Though minor, another thing I, in particular, enjoy about LR are the weapons. Unlike every other weapon in and out of science fiction history, LR's "blasters" do not actually shoot anything. There is simply an explosion at their designated target. It may be campy (or corny), but it's definitely different and a fine example of real, working props.

Another interesting note: the film varies greatly from the original novel, but most people agree that the film is much better. I tend to agree with them.

For me, in terms of science fiction, "Logan's Run" takes its place among such decade-defining films as "The War of the Worlds" (50's) and "The Planet of the Apes" (60's) and among such thought-provoking science fiction as "Soylent Green" and "Gattaca."

Ask yourself this: what or where is "sanctuary?" Isn't that what we're all looking for? Answer both, and you'll have the film's theme.


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