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Logan's Run (1976)
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Overview
User Rating:
Director:
Writers:
Release Date:
23 June 1976 (USA)
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Tagline:
Welcome to the 23rd Century more
Plot:
An idyllic sci-fi future has one major drawback: life must end at 30. full summary | full synopsis
Awards:
Nominated for 2 Oscars.
Another 7 wins
&
2 nominations
more
NewsDesk:
(34 articles)
The Foywonder's Ten Worst Horror Films of the Decade
(From Dread Central. 23 December 2009, 8:31 PM, PST)
The Satellites Have Launched. What Are They Orbiting?
(From FilmExperience. 30 November 2009, 6:10 AM, PST)
(From Dread Central. 23 December 2009, 8:31 PM, PST)
The Satellites Have Launched. What Are They Orbiting?
(From FilmExperience. 30 November 2009, 6:10 AM, PST)
User Reviews:
Awesome Sci-Fi 70's Flick
more (196 total)
Cast
(Cast overview, first billed only)| Michael York | ... | Logan | |
| Richard Jordan | ... | Francis | |
| Jenny Agutter | ... | Jessica 6 | |
| Roscoe Lee Browne | ... | Box | |
| Farrah Fawcett | ... | Holly (as Farrah Fawcett-Majors) | |
| Michael Anderson Jr. | ... | Doc | |
| Peter Ustinov | ... | Old Man | |
| Randolph Roberts | ... | 2nd Sanctuary Man | |
| Lara Lindsay | ... | The Woman Runner | |
| Gary Morgan | ... | Billy | |
| Michelle Stacy | ... | Mary 2 | |
| Laura Hippe | ... | Woman Customer | |
| David Westberg | ... | Sandman | |
| Camilla Carr | ... | Sanctuary Woman | |
| Greg Lewis | ... | Cub (as Gregg Lewis) |
Additional Details
Parents Guide:
Runtime:
120 min
Country:
Language:
Color:
Color (Metrocolor)
Aspect Ratio:
2.20 : 1 more
Sound Mix:
70 mm 6-Track (70 mm prints) |
Stereo (with Dolby noise reduction) (35 mm prints)
Certification:
Iceland:L |
West Germany:12 |
Italy:T |
Canada:PG (TV rating) |
Australia:G (alternate rating) |
Australia:PG (original rating) |
Canada:AA (Ontario) |
Canada:PG (Manitoba) |
Finland:K-16 |
Norway:16 |
Singapore:PG |
UK:PG |
USA:PG |
Canada:G (Quebec) |
UK:A (original rating) |
Canada:A (Nova Scotia) |
Netherlands:12
Filming Locations:
Company:
Fun Stuff
Trivia:
The "Love Shop" sequence originally ran much longer, but had to be cut down under pressure from the MGM censors. Other cut scenes include Box making a nude ice sculpture of Logan and Jessica, and several characters visiting the "Hallucimill" shop in Arcade (the latter was cut for its depiction of drug use). All of the additional footage and its background music score were subsequently lost in what is now known as "the great MGM purge", when studio owner Kirk Kerkorian sold off what he could of the studio's extensive archives and simply threw out the rest.
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Goofs:
Revealing mistakes: At the end of the movie, when the whole domed city is falling apart, big blocks of concrete fall onto some people running in panic, but they just keep running.
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Quotes:
[first lines]
Logan: [tapping on a glass window of maternity room] Wake up.
Francis 7: Logan, you are here. I couldn't believe it when they told me. What are you doing?
Logan: [indicates baby] Logan 6. Well it's not everyday that they authorize a new sandman. I tell you Francis,
[indicating baby]
Logan: that's him.
Francis 7: Well maybe, maybe not. What does it matter? Anyway, he isn't yours anymore.
Logan: [continues tapping lightly on the glass]
Francis 7: All right, you want me to wake him?
[bangs loudly on the glass with his baton]
[...]
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Logan: [tapping on a glass window of maternity room] Wake up.
Francis 7: Logan, you are here. I couldn't believe it when they told me. What are you doing?
Logan: [indicates baby] Logan 6. Well it's not everyday that they authorize a new sandman. I tell you Francis,
[indicating baby]
Logan: that's him.
Francis 7: Well maybe, maybe not. What does it matter? Anyway, he isn't yours anymore.
Logan: [continues tapping lightly on the glass]
Francis 7: All right, you want me to wake him?
[bangs loudly on the glass with his baton]
[...]
more
Movie Connections:
Referenced in "Buffy the Vampire Slayer: Life Serial (#6.5)" (2001)
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This movie left a lasting impression because the story and concept are fantastic and the lead characters did a great job. The campy feel of the technology does not deter from the impact of this ageless film. People today tend to get hung-up on technology and forget the value of the story and the acting. I believe a lot of viewers today probably will not understand this film, and people who didn't get it back in the 70's probably still don't get it. The social statement is so true it's not even funny. We do not like old people. Just look around at print media, advertising, Hollywood, music, or sports. We treat older people like the plague.