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Nashville (1975)

R  |   |  Drama, Music  |  21 September 1975 (UK)
7.8
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Ratings: 7.8/10 from 15,974 users  
Reviews: 148 user | 97 critic

Over the course of a few hectic days, numerous interrelated people prepare for a political convention as secrets and lies are surfaced and revealed.

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Title: Nashville (1975)

Nashville (1975) on IMDb 7.8/10

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Won 1 Oscar. Another 23 wins & 24 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Norman
Barbara Baxley ...
Lady Pearl
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Delbert Reese
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Timothy Brown ...
Tommy Brown
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Wade (as Robert Doqui)
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Tricycle Man
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Storyline

This movie tells the intersecting stories of various people connected to the music business in Nashville. Barbara Jean is the reigning queen of Nashville but is near collapse. Linnea and Delbert Reese have a shaky marriage and 2 deaf children. Opal is a British journalist touring the area. These and other stories come together in a dramatic climax. Written by Reid Gagle

Plot Summary | Plot Synopsis

Taglines:

The damnedest thing you ever saw! See more »

Genres:

Drama | Music

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

21 September 1975 (UK)  »

Also Known As:

Nashville, i polis ton ekplixeon  »

Box Office

Budget:

$2,200,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(magnetic prints)

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

In the opening sequence, the character played by Henry Gibson demanded that his piano player be replaced by the "Pig". At that time in Nashville, one of the most in-demand session players was a blind pianist named Hargus "Pig" Robbins. The man playing the piano in that scene is Richard Baskin, the actual music supervisor on the film. See more »

Goofs

In the crowd near the end of the film, Kenny Fraiser is just wearing his regular blue shirt he has worn through out the film. However, after Barbera Jean starts singing solo, we see him come into the crowd wearing a brown jacket. See more »

Quotes

Albuquerque: Now, if we don't -- we don't live peaceful, there's gonna be nothin' left in our graves except Clorox bottles and plastic fly swatters with red dots on 'em.
See more »

Crazy Credits

In the opening credits, the featured actors and actresses are announced by a radio deejay as though they were country music stars. See more »

Connections

Referenced in Birth of the Living Dead (2013) See more »

Soundtracks

Honey
Music and Lyrics by Keith Carradine
Performed by Keith Carradine
See more »

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User Reviews

 
One of the great films of our time
19 August 2004 | by (Planet Earth) – See all my reviews

I suppose the brilliance of "Nashville" is that almost 30 years after its initial release, Robert Altman's slice of Americana has lost none of its punch. Despite being made in the Watergate and Vietnam era, the film remains relevant as ever.

In fact, one could argue, the film's even more relevant today in this age of celebrity-worship and apathetic, gutless American media who believe missing suburban wives are more pertinent and crucial to this nation's well-being than questioning facts and our leaders' motives for waging a needless, costly war.

The film's about the politics of country music, families, stardom, search for stardom, political manipulation and populist political candidates. The unseen presidential candidate's spiel in "Nashville" could easily have been sound bites from contemporary populists; he could be seen as the cinematic trend-setter for the Ross Perots, Jesse Venturas, Howard Deans and Ralph Naders.

The film is at once a political drama, musical and documentary all effortless woven together by a master storyteller, who truly is an American treasure. In "Nashville," Altman's overlapping dialogue works to perfection as he captures this panoramic view of five days in Nashville through the eyes of two-dozen characters.

With so many characters, it's Altman's genius that he keeps this an engrossing character study. Although he tosses aside all conventions of narrative storytelling, we get to know characters better in "Nashville" than we do in many contemporary dramas with fewer characters. There's Ronee Blakley's country singer; Lily Tomlin's doting housewife and mother; Scott Glenn's caring soldier; Keith Carradine's lecherous pop star; Ned Beatty's disinterested father; Keenan Wynn's loving husband; Michael Murphy's sleazy campaigner; and Gwen Welles' sad wannabe country singer, whose scene at a political fund-raiser is heartbreaking. And Jeff Goldblum's motorcyclist and Geraldine Chaplin's Opal are the threads that weave through all the lives in this marvelous tapestry.

There are plenty of terrific songs in "Nashville" - some might complain too many - but the best are Carradine's Oscar-winning "I'm Easy" and "It Don't Bother Me." They add to the nice sense of cynicism that layers the movie.

Altman's one of the big reasons the 1970s is regarded as the greatest decade of American filmmaking. Look at just a few of his contributions in that decade - "Nashville," "MASH" (1970), "Brewster McCloud" (1970), "McCabe and Mrs. Miller" (1971), "Images" (1972) and "The Long Goodbye" (1973). His films also influence other talented filmmakers, including Alan Rudolph (who worked on Altman films) and Paul Thomas Anderson, whose storytelling style - "Boogie Nights" (1997) and "Magnolia" (1999) - clearly is Altman-inspired.


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