7.8/10
19,360
162 user 104 critic

Nashville (1975)

Over the course of a few hectic days, numerous interrelated people prepare for a political convention as secrets and lies are surfaced and revealed.

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Won 1 Oscar. Another 22 wins & 25 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Norman
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Delbert Reese
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Tommy Brown
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Wade (as Robert Doqui)
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Tricycle Man
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Storyline

This movie tells the intersecting stories of various people connected to the music business in Nashville. Barbara Jean is the reigning queen of Nashville but is near collapse. Linnea and Delbert Reese have a shaky marriage and 2 deaf children. Opal is a British journalist touring the area. These and other stories come together in a dramatic climax. Written by Reid Gagle

Plot Summary | Plot Synopsis

Taglines:

The damnedest thing you ever saw! See more »

Genres:

Comedy | Drama | Music

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

21 September 1975 (UK)  »

Also Known As:

Nashville, i polis ton ekplixeon  »

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Box Office

Budget:

$2,200,000 (estimated)

Gross USA:

$9,984,123
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(magnetic prints)

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The role of runaway wife "Albuquerque" eventually played by Barbara Harris was first offered to Bette Midler and then Bernadette Peters. See more »

Goofs

Howard K. Smith does a report on Hal Phillip Walker, including that he had won three primaries and was close to winning the primary in Tennessee. In the movie, Walker was not running as a Democrat or Republican, but is a third-party candidate running as the "Replacement Party". He therefore would not have participated in any other party's primary and could not have been reported as having won any primaries. See more »

Quotes

Haven Hamilton: What a surprise. Julie Christie.
Connie White: Who's Julie Christie?
Haven Hamilton: Who's Julie Christie? She's a star. She's won an Academy Award.
Connie White: Oh!
Haven Hamilton: No, I'm not kiddin'. For one of those pictures. I don't know which one. She's done so many.
Connie White: Isn't he a gem? He's got the worst sense of humor.
Haven Hamilton: No, she's lovely.
Connie White: Oh, come on. She can't even comb her hair.
See more »

Crazy Credits

In the opening credits, the featured actors and actresses are announced by a radio deejay as though they were country music stars. See more »

Connections

Referenced in Family Guy: Death Is a Bitch (2000) See more »

Soundtracks

Tapedeck in His Tractor (The Cowboy Song)
Written and Performed by Ronee Blakley
Lions Gate Music Co. / Sawtooth Music (ASCAP)
See more »

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User Reviews

 
a milestone in my filmgoing experience
21 August 2004 | by See all my reviews

I saw Nashville when it was first shown, billed as Altman's "birthday card" to America on the occasion of the bicentennial. The greatest tribute I can pay is that, despite its frequent shifts of location, many individual scenes and characterizations, as well as the overarching story line, remained vivid in my mind over the years before I was able to purchase the film on video. When I taught Film History at my college I used Nashville as the final examination for the course. After having viewed the film, students were instructed to identify the elements of film technique previously studied(such as overlapping dialogue, jump shots, widescreen, etc) in order to forward the narrative, as they were employed by Altman. In general, they did very well; even those who disliked the film. There are too many admirable performances for me to mention; however, those that remained most vivid in my mind over the years were those of Gwen Welles, Ronee Blakley, Henry Gibson, and Lily Tomlin. One last note of appreciation regards the fact that all the characters were introduced within the first twenty minutes at the airport; their personalities brought out in the highway scene;and their being brought together again, cyclically, during the last twenty minutes at the "Parthenon". It has been several years since I used Nashville for pedagogical purposes. When I purchased the DVD recently I found that, despite my numerous viewings and classroom analysis, the impact was virtually the same as when I first saw it in 1976. For me, it did not "murder to dissect" this personal milestone.


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