Over the course of a few hectic days, numerous interrelated people prepare for a political convention as secrets and lies are surfaced and revealed.

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Cast

Cast overview, first billed only:
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Norman
Barbara Baxley ...
Lady Pearl
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Delbert Reese
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Timothy Brown ...
Tommy Brown
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Wade (as Robert Doqui)
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Tricycle Man
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Storyline

This movie tells the intersecting stories of various people connected to the music business in Nashville. Barbara Jean is the reigning queen of Nashville but is near collapse. Linnea and Delbert Reese have a shaky marriage and 2 deaf children. Opal is a British journalist touring the area. These and other stories come together in a dramatic climax. Written by Reid Gagle

Plot Summary | Plot Synopsis

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Wild. Wonderful. Sinful. Laughing. Explosive. See more »

Genres:

Comedy | Drama | Music

Certificate:

R | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

21 September 1975 (UK)  »

Also Known As:

Nashville, i polis ton ekplixeon  »

Box Office

Budget:

$2,200,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

(magnetic prints)

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Robert Altman had Gwen Welles take singing lessons to sound better. The end result of those extended lessons is what you hear in the film. See more »

Goofs

In the conversation between Linnea and Opal in the car, Linnea is eating a popsicle while she tells Opal about her children. A moment later, the popsicle is nowhere to be seen. See more »

Quotes

Barbara Jean: [she finishes singing a song at her concert] Thank you. I wanna tell you all a little secret which you might not know, and that is that last night I thanked my lucky stars that I could be here at all to sing for ya. I heard on the radio this little boy, nine years old. Sometimes a deejay'll play a tune and ask everybody to phone in and say how they like it. I was listenin', and this little nine-year-old called in. The song had voices in the background, like the way they use backup voices these ...
[...]
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Crazy Credits

The Paramount logo is in black and white and the image looks shaky. The scratchy effect was reportedly achieved when director Robert Altman took the negative with the logo on it, threw it onto the ground, and stomped on it. See more »

Connections

Referenced in The Way We Were: Looking Back (1999) See more »

Soundtracks

Bluebird
Written by Ronee Blakley
Performed by Timothy Brown
Lions Gate Music Co. / Sawtooth Music (ASCAP)
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User Reviews

An often-misunderstood masterpiece - full of life like no other movie
21 July 2003 | by (Columbus, Ohio) – See all my reviews

Much like some of the other comments about "Nashville" that are circulating around IMDB, the reviews I've seen of Robert Altman's 1975 Oscar contender have been completely adulatory or completely dismissive. Contrary to some comments I've read, "Nashville" looks as prescient and magnificent now as it appeared to some critics nearly thirty years ago. Dated? Absolutely not. "Nashville" is a movie about people more than anything else, but a political campaign van that appears throughout the movie shows the unavoidable nature of politics in people's lives in the 70's. Has that changed since then? It's even more true now, with our war in Iraq and all of the conflicting viewpoints that exist. Annoying overlapping dialogue? To dismiss this unique trait of "Nashville" is to hate the trademark of director Robert Altman. Do people wait their turn as if reading from a screenplay in real life? Muddy cinematography? Certainly not - to show a Nashville vibrant with colors that don't really fit (a crime that most visually overachieving movies commit) would distract from Altman's amazing focus on the relationships of the characters that he builds so well. And the characters....the dozens of cast members lend terrific support to a film that moves forward constantly while never seeming to move too fast, leaving time for moments of poignancy and heartbreak, as well as unintentionally hilarious moments (as every good pseudo-documentary film has). Who can forget Lily Tomlin gazing at her deaf children tenderly as their father completely ignores them as they speak? Or the moment Keith Carradine performs his Oscar-winning "I'm Easy" in front of a night club crowd? Really, "Nashville" is filled with great moments ALL the time that make the nearly three-hour film unmissable, but nothing in the world can prepare the patient viewer for the film's breathtaking finale which seems even more moving today in the midst of everything. Forget the "National Anthem" or "The Battle Hymn of the Republic." The gospel-esque strains of "It Don't Worry Me" make it the American song for the ages, in an American film that ranks among the best of its kind.


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Addicted to this movie! jaysilentbob37
am i the only one who didnt like it? banddirector23
Why no blu ray? rudden
Does anyone else find this to be hysterically funny in parts? classicleno
Should Ronnee have won the oscar? RueMcClanahan
Favorite Song heffrc
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