During an archaeological expedition on Bouvetøya Island in Antarctica, a team of archaeologists and other scientists find themselves caught up in a battle between the two legends. Soon, the team realize that only one species can win.
After her last encounter, Ripley crash-lands on Fiorina Fury 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she brought along an unwelcome visitor.
Charles S. Dutton,
After a space merchant vessel perceives an unknown transmission as distress call, their landing on the source moon finds one of the crew attacked by a mysterious lifeform. Continuing their journey back to Earth with the attacked crew having recovered and the critter deceased, they soon realize that its life cycle has merely begun.
A retired elite Black Ops Commando launches a one man war against a group of South American criminals who have kidnapped his daughter to blackmail him into starting a revolution and getting an exiled dictator back into power.
Mark L. Lester
Rae Dawn Chong,
Following clues to the origin of mankind a team journey across the universe and find a structure on a distant moon containing a monolithic statue of a humanoid head and stone cylinders of alien blood but they soon find they are not alone.
When a private satellite encounters an unidentified source of heat in Antarctica and it is found to be a pyramid buried deep underground , a search team comprising of top-of-the-line archaeologists and engineers is sent to Antarctica to find out more . Once there , the team comes across signs which indicate that the place is inhabited by an unknown alien species . It is not long before the aliens begin to hunt the team members . At the same time , a trio of coming-of-age Predators have arrived to collect the skulls of the aliens as trophies , and the humans are caught between a deadly battle between the two warring species . Written by
(at around 13 mins) At the beginning of the film, the readout of the Predator ship is shown reflected in the visor of the predator mask, just as in Alien (1979) the readouts of the Nostromo were reflected on the space helmets. See more »
(at around 29 mins) When the expedition first reaches the hidden pyramid, one of the characters examines the wall markings after rubbing away the cobwebs from the stone. Are there any spiders that thrive 2000 feet below sea level in Antarctica? Spiders and other arachnids have been known to survive in extremely hostile environments, including at high altitudes, in climates of intense cold and where food supply appears to be scarce. The climate inside the pyramid was warm enough that the humans' breath did not condense. Other survival factors may have been present. Also, the material may have not been spider webs, but strings of dust and particles accumulated over time. See more »
The end credits color and style (green computer text on black) are the same as the display of "Mother," the onboard computer in "Alien," right down to the underlining of important text (in this case, the department titles). See more »
...Before a possible showdown between the iconic monsters of "Alien" and "Predator" would occur, when they would cross paths on screen and battle to the death. There's a scene in "Predator 2" that occurs towards the end of the film, where Lt. Mike Harrigan (Danny Glover) ventures into the Predator spaceship and accidentally stumbles onto the alien hunter's trophy room, and neatly placed towards the back amongst the various awards, was an alien skull. Those 10 seconds of film spawned over a decade's worth of rumors that one day these titans were going to go at it head-to-head, and that whoever won, we'd lose.
As a fan of both the "Alien" and "Predator" franchises, I've been looking forward to "Alien Vs. Predator" for a long time, since that historic scene. I've admired the two monsters for years, collecting all kinds of memorabilia, including books and action figures; you name it, I've probably seen it.
With "Alien Vs. Predator," director Paul W.S. Anderson has achieved something of a mixed bag. Undoubtedly critics will balk early into the film. They'll pick apart its MTV-style editing, bad pacing, and lack of spirit of a genuine "Alien" or "Predator" film. Die-hards will balk at Anderson's direction and the fact that he was even allowed near the film.
I had fun watching it, despite some inconsistencies regarding our two iconic monsters who like to either use humans as hosts for more of their hideous offspring, or trophies which can be displayed in their intergalactic showroom of skulls.
The story is that a massive, ancient Aztec/Egyptian/Mayan temple has been discovered deep below the surface of the Antarctic, and Charles Bishop Weyland (Lance Henriksen of "Aliens") has assembled a team of the world's best archaeologists, which includes Alexa "Lex" Woods (Sanaa Lathan, who convincingly fills in the tough female role), Sebastian de Rosa (Raoul Bova) and Graeme Miller (Ewen Bremner) to accompany him in investigating it. But wouldn't you know it? They're not alone in this gargantuan maze of dark tunnels and ever-changing structures, and that a trio of Predators have come there to hunt rapidly reproducing Xenomorphs.
Well, I can tell anyone that the powers-that-be in Hollywood and at Twentieth Century Fox played heavily into the film's mixed bag treatment. If the movie fails, I'd blame constant executive and studio interference - the b*****ds in suits who decide they want to cater to teenage fanboys instead of the largely adult fan base that this film was originally built on. In doing so, they opt for action over story, more importantly, $$$ over artistic vision.
Anderson has remained faithful in preserving the essence of both the "Alien" and "Predator" franchises by casting no-name performers to combat the extraterrestrial foes, and by emphasizing ideas over action and special effects. On a sour, angrier note, the gorehounds will be sorely disappointed, since executives at Fox toned down the violence considerably as to release it with a "PG-13" rating, as to rake in every penny. Of course, that "PG-13" rating doesn't stop us from getting quick edits (read: no gore) of chestbursting sequences, facehuggings, and people being mercilessly slaughtered by the Predators.
I had faith that Paul W.S. Anderson wouldn't let me down long before I even saw the film; he doesn't, but I have a feeling that his film is destined for the same fate as David Fincher and his film "Alien 3" - that it will go down in infamy and only years after the director has disowned the film and controversy is still brewing, that the true vision of "Alien Vs. Predator" will surface and will finally earn the respect owed to it.
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