American Honey, a road movie about a teen runaway who takes up with a traveling youth crew, won the official competition at Los Cabos Film Festival on Saturday. Winner of the jury prize at Cannes earlier this year, American Honey is British writer-director Andrea Arnold’s first U.S. feature. X500 (X Quinientos), a Mexico-Canada-Colombia co-production from Colombian filmmaker Juan Andres Arango (La Playa D.C.), won the Mexico competition section. The drama, a portrait of three young migrants living in different places of the Americas, had its world premiere at the Toronto film fest. Los
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- 11/13/2016
- The Hollywood Reporter - Movie News
I caught up with Argentine producer Gema Juarez Allen at the Panama Film Festival. Since seeing (and falling in love with) the Argentine road movie “Road to La Paz”/ “Camino a La Paz in Guadalajara and interviewing its director, Francisco Varone, I was interested in meeting her as well, even more so because her other film, the Colombian drama “Oscuro Animal” which premiered in Rotterdam and won four prizes at Mexico’s Guadalajara International Film Festival in March 2016, for Best Film, Best Director, Best Actress and Best Cinematography and has been sold to seven territories. “Oscuro Animal” is about three women fleeing armed conflict in Colombia. It was directed by Colombia’s Felipe Guerrero, an editor on “La Playa DC,” “Perro come perro” and “El Paramo”. It received funding from the Hubert Bals Fund and World Cinema Fund.
In Panama Gema was quite busy, not only with “Road to La Paz” but participating on the panel, Your Project in Motion: Coproduction and Financing along with Panamanian producers and directors, Delfina Vidal (“Caja 25”), Annie Canavaggio (“Breaking the Wave”) and Abner Benaim (“Invasion”) who also happens to be Gema’s partner.
As one of Latin America’s most active producers, Gema’s extensive experience international coproduction was invaluable and she shared it freely at the panel. Her participation in workshops in Europe, such as the Eave Producers Workshop and Eurodoc, has played a key role in establishing her international connections. While at Eave, she met Greek Boo Productions and Germany’s Ingmar Trost of Sutor Kolonko who came on board to coproduce “Oscuro Animal”.
“Road to La Paz” director, Francisco Varone said,
"In 2012 we submitted the project to Visions Sud Est in Switzerland. I was almost working by myself on the film at this time and then started working with a larger Argentinean production company, Concreto Films, owned by Juan Taratuto, a big film director who was directing TV commercials and said he’d help. They had a tough time finding investors so he introduced me to Gema Juarez Allen (whose recent film “Invasion” is the story of the U.S. invasion of Panama in the 1980s). She is a well-known documentary producer with experience in coproductions who knows how to find money and understands the value of going to festivals. She said she would do it as her first fiction film and went to San Sebastian Film Festival’s Foro de Coproduccion in 2013. There she had lots of one-on-one meetings and met Julius Ponten our Dutch coproducer who got funding from the Netherlands Film Fonds and Gunter Hanfgarn (“Bad Hair”) who applied to Ezef, an Evangelistic Fund for films from the south (one of the backers of “Timbuktu”). “
Read more on “Road to La Paz” here.
Gema continued this story when we spoke:
Juan liked the project but it was not in his domain so he sought me out. I read the script about two men and one car and thought, “This is easy”. But of course it was not. A road movie is the most difficult of all genres, and with animals, and covering two countries! Working with Pancho (Francisco Varone), he is the kind of director I like. I find the shooting is usually more important than the people, but with Pancho, the crew is important and he balanced the people and the shoot, so after all, it was ‘easy’.
The film is being sold internationally by FiGa. It is doing well in Argentina with 35,000 admissions, 20 copies and now in its fourth month in the cinemas. It is a ‘word of mouth’ film.
Sl: What are you working on now?
Gema Juarez Allen: I am now filming “Mapa Mudo”/ “Silent Map”.
A doc project by Felipe Guerrero, Nicolás Rincón and Jorge Caballero, based on video letters of three Colombian filmmakers who left their home country in the late 90s.
And I am developing a new project with the directors of our breakthough film from 2011, “Revenge of the Antipodes”/ “¡Vivan las antípodas!“ which screened in Venice. It’s called “Cro-goo-fant” and is a documentary for children, a funny story about animals. The director, Victor Kossokovsky, did a short doc for kids before.
I am also working with Andres di Tella, the most important documentary filmmaker and founder of Bafici in Argentina. It’s a very personal story about the avant garde art Institute lead by his father, the Instituto Di Tella.
And I am working on “Veterans” about the Falkland Islands War. Bertha Fund is backing it. Lola Arias is directing this documentary feature about the unexpected consequences of war on its protagonists, about the way memory is turned into fiction. I am looking for coproducers now. It is a different look at United Kingdom and Argentina vets that is at the same time both serious and humorous. We are creating a film around a theater play which will open in London this May. It began with the London International Theater Festival along with the Royal Court House Theater. It is not filmic; Lola Arias’ language is so refreshing; she is from the theater.
A winner of the 2015 Berlinale Co-production Market Pitch, Abner Benaim’s “Plaza catedral,” is also in the works. It is a tangled false friendship drama with thriller elements, set against the background of Panama’s social divide.
And I am currently producing Benaim’s doc, “My Name is Not Ruben Blades” with Ruben Blades.
Also in the works: the next film from Manuel Abramovich (“La Reina”), a Mar del Plata 2014 Works in Progress winner for “Solar” – a small but remarkable heart-warming doc-feature whose power struggle between director and subject adds unusually honest depths to a bio-portrait of someone who claims to come from the sun.
Sl: You are so prolific! How did you get started in this?
I studied anthropology at the University of Buenos Aires and the University of Rio de Janeiro but didn’t like academia and so I studied film at the National Film School and thought I would combine the two. In England I studied Visual Anthropology and worked as a P.A. and as a researcher for the BBC for a “Discovery Channel” type of channel and then I returned to Argentina.
Between 2003 to 2008 I worked at Cine Ojo the oldest doc company in Argentina and at Habitación 1520 Producciones (“Imagen Final”, “Criada”, “Los Jóvenes Muertos”, “Dulce Espera”) before creating my own company Gema Films in 2009.
Sl: You were coordinator of DocBuenos Aires until 2003, a training initiative as well.
Gema Juarez Allen: I have produced 17 films with lots of help.
I was a Sundance Documentary Fund grantee on two films. My projects have been supported by Visions Sud Est, Tribeca Film Institute, Hubert Bals Fund, Idfa Fund, Cinereach, Fondo Nacional de las Artes, DocStation Berlin, et al. I received the Arte/Bal Award in 2008 for Upcoming Producers at Bafici.
I coproduce with Wg Film (Sweden), Majade FilmProduktion (Germany), Gebrüder Beetz (Germany), Lemming Film (Netherlands) and Producciones Aplaplac (Chile).
I have received awards at Berlinale, Bafici, Roma, Guadalajara, Silverdocs, among many others. Gema is part of EuroDoc since 2010 and is a member of the Board of Adn, the Argentinean Documentary Filmmakers Network.
Sl: What advice do you have for young filmmakers?
Gema Juarez Allen: First find a good project. It is very competitive and you must have an original perspective on the subject. There are so many ideas everywhere, it must be good.
Producers should be highly-organized. Be sure to fully develop projects before presenting them to partners and funding decision makers. The key elements to present when the project is fully conceived are an overview, a synopsis, a director’s statement, a brief treatment, a financial plan, a budget, a production timetable and bio-filmographies.
Find a producer with experience. I’m always interested in new directors and new voices.
The best opportunities to find partners are at festivals, markets and above all workshops. These are good places to find colleagues and mentors to give you great feedback. Diana Elbaum is my mentor from Eave and she is always looking at what I’m doing. And most of my coproduction partners came from the Eave and Eurodoc workshops.
Beyond Eave and Eurodoc, which are very open to Latin American projects, other good workshops are Docmontevideo, Guadalajara, Typa, Cinergia Lab, Idfa Summer Academy, Chiledoc, Berlin Talent Campus, Documentary Campus, Morelia Lab among others.
Good international funding sources are Ibermedia and also the “Plus” schemes associated to funds such as Creative Europe, World Cinema Fund, Hubert Bals Fund and the Idfa Bertha fund. Other funds are Fonds d’Aide aux Cinémas du Monde, the Sundance documentary fund, Visions Sud Est, the Tribeca Film Institute, the Doha Film Institute and Sorfond, for co-productions with Norway.
In terms of leading international markets, Cannes, Rotterdam’s Cinemart, Berlin’s European Film Market, Ventana Sur and Guadalajara – and for documentaries – starting with Idfa Forum and Hotdocs, followed by Meetmarket Sheffield and Docmontevideo.
It is also important to choose the right festival to premiere a project since it’s virtually impossible to premiere a picture in a small festival and then get a larger fest to screen the film. It’s also important to explore the work-in-progress sidebars that now exist at most Latin American festivals, including Iff Panama’s Primera Mirada competition.
State funding sources in Latin America include Dicine, in Panama, Incaa in Argentina, Proimagenes in Colombia, Brazil’s Fundo Setorial do Audiovisual, the Fondo Audiovisual in Chile, and Imcine in Mexico. The selection criteria used by these national funds varies considerably. Proimagenes in Colombia, which only finances around 14 films per year last year had three pictures at Cannes.
Over the last three or four years many national funds have created specific lines of funding for co-productions, through bilateral agreements, such as that between Brazil’s Ancine and Argentina’s Incaa, which grants $250,000 per pic supported. As a result of such bilateral agreements Brazil, for example, is now a key partner for all of Latin America.
“I’d like to make the second or third films of my directors. They’ve all been such good experience. We’ve grown together,” Juarez Allen told Variety at the Mar del Plata Festival.
In Panama Gema was quite busy, not only with “Road to La Paz” but participating on the panel, Your Project in Motion: Coproduction and Financing along with Panamanian producers and directors, Delfina Vidal (“Caja 25”), Annie Canavaggio (“Breaking the Wave”) and Abner Benaim (“Invasion”) who also happens to be Gema’s partner.
As one of Latin America’s most active producers, Gema’s extensive experience international coproduction was invaluable and she shared it freely at the panel. Her participation in workshops in Europe, such as the Eave Producers Workshop and Eurodoc, has played a key role in establishing her international connections. While at Eave, she met Greek Boo Productions and Germany’s Ingmar Trost of Sutor Kolonko who came on board to coproduce “Oscuro Animal”.
“Road to La Paz” director, Francisco Varone said,
"In 2012 we submitted the project to Visions Sud Est in Switzerland. I was almost working by myself on the film at this time and then started working with a larger Argentinean production company, Concreto Films, owned by Juan Taratuto, a big film director who was directing TV commercials and said he’d help. They had a tough time finding investors so he introduced me to Gema Juarez Allen (whose recent film “Invasion” is the story of the U.S. invasion of Panama in the 1980s). She is a well-known documentary producer with experience in coproductions who knows how to find money and understands the value of going to festivals. She said she would do it as her first fiction film and went to San Sebastian Film Festival’s Foro de Coproduccion in 2013. There she had lots of one-on-one meetings and met Julius Ponten our Dutch coproducer who got funding from the Netherlands Film Fonds and Gunter Hanfgarn (“Bad Hair”) who applied to Ezef, an Evangelistic Fund for films from the south (one of the backers of “Timbuktu”). “
Read more on “Road to La Paz” here.
Gema continued this story when we spoke:
Juan liked the project but it was not in his domain so he sought me out. I read the script about two men and one car and thought, “This is easy”. But of course it was not. A road movie is the most difficult of all genres, and with animals, and covering two countries! Working with Pancho (Francisco Varone), he is the kind of director I like. I find the shooting is usually more important than the people, but with Pancho, the crew is important and he balanced the people and the shoot, so after all, it was ‘easy’.
The film is being sold internationally by FiGa. It is doing well in Argentina with 35,000 admissions, 20 copies and now in its fourth month in the cinemas. It is a ‘word of mouth’ film.
Sl: What are you working on now?
Gema Juarez Allen: I am now filming “Mapa Mudo”/ “Silent Map”.
A doc project by Felipe Guerrero, Nicolás Rincón and Jorge Caballero, based on video letters of three Colombian filmmakers who left their home country in the late 90s.
And I am developing a new project with the directors of our breakthough film from 2011, “Revenge of the Antipodes”/ “¡Vivan las antípodas!“ which screened in Venice. It’s called “Cro-goo-fant” and is a documentary for children, a funny story about animals. The director, Victor Kossokovsky, did a short doc for kids before.
I am also working with Andres di Tella, the most important documentary filmmaker and founder of Bafici in Argentina. It’s a very personal story about the avant garde art Institute lead by his father, the Instituto Di Tella.
And I am working on “Veterans” about the Falkland Islands War. Bertha Fund is backing it. Lola Arias is directing this documentary feature about the unexpected consequences of war on its protagonists, about the way memory is turned into fiction. I am looking for coproducers now. It is a different look at United Kingdom and Argentina vets that is at the same time both serious and humorous. We are creating a film around a theater play which will open in London this May. It began with the London International Theater Festival along with the Royal Court House Theater. It is not filmic; Lola Arias’ language is so refreshing; she is from the theater.
A winner of the 2015 Berlinale Co-production Market Pitch, Abner Benaim’s “Plaza catedral,” is also in the works. It is a tangled false friendship drama with thriller elements, set against the background of Panama’s social divide.
And I am currently producing Benaim’s doc, “My Name is Not Ruben Blades” with Ruben Blades.
Also in the works: the next film from Manuel Abramovich (“La Reina”), a Mar del Plata 2014 Works in Progress winner for “Solar” – a small but remarkable heart-warming doc-feature whose power struggle between director and subject adds unusually honest depths to a bio-portrait of someone who claims to come from the sun.
Sl: You are so prolific! How did you get started in this?
I studied anthropology at the University of Buenos Aires and the University of Rio de Janeiro but didn’t like academia and so I studied film at the National Film School and thought I would combine the two. In England I studied Visual Anthropology and worked as a P.A. and as a researcher for the BBC for a “Discovery Channel” type of channel and then I returned to Argentina.
Between 2003 to 2008 I worked at Cine Ojo the oldest doc company in Argentina and at Habitación 1520 Producciones (“Imagen Final”, “Criada”, “Los Jóvenes Muertos”, “Dulce Espera”) before creating my own company Gema Films in 2009.
Sl: You were coordinator of DocBuenos Aires until 2003, a training initiative as well.
Gema Juarez Allen: I have produced 17 films with lots of help.
I was a Sundance Documentary Fund grantee on two films. My projects have been supported by Visions Sud Est, Tribeca Film Institute, Hubert Bals Fund, Idfa Fund, Cinereach, Fondo Nacional de las Artes, DocStation Berlin, et al. I received the Arte/Bal Award in 2008 for Upcoming Producers at Bafici.
I coproduce with Wg Film (Sweden), Majade FilmProduktion (Germany), Gebrüder Beetz (Germany), Lemming Film (Netherlands) and Producciones Aplaplac (Chile).
I have received awards at Berlinale, Bafici, Roma, Guadalajara, Silverdocs, among many others. Gema is part of EuroDoc since 2010 and is a member of the Board of Adn, the Argentinean Documentary Filmmakers Network.
Sl: What advice do you have for young filmmakers?
Gema Juarez Allen: First find a good project. It is very competitive and you must have an original perspective on the subject. There are so many ideas everywhere, it must be good.
Producers should be highly-organized. Be sure to fully develop projects before presenting them to partners and funding decision makers. The key elements to present when the project is fully conceived are an overview, a synopsis, a director’s statement, a brief treatment, a financial plan, a budget, a production timetable and bio-filmographies.
Find a producer with experience. I’m always interested in new directors and new voices.
The best opportunities to find partners are at festivals, markets and above all workshops. These are good places to find colleagues and mentors to give you great feedback. Diana Elbaum is my mentor from Eave and she is always looking at what I’m doing. And most of my coproduction partners came from the Eave and Eurodoc workshops.
Beyond Eave and Eurodoc, which are very open to Latin American projects, other good workshops are Docmontevideo, Guadalajara, Typa, Cinergia Lab, Idfa Summer Academy, Chiledoc, Berlin Talent Campus, Documentary Campus, Morelia Lab among others.
Good international funding sources are Ibermedia and also the “Plus” schemes associated to funds such as Creative Europe, World Cinema Fund, Hubert Bals Fund and the Idfa Bertha fund. Other funds are Fonds d’Aide aux Cinémas du Monde, the Sundance documentary fund, Visions Sud Est, the Tribeca Film Institute, the Doha Film Institute and Sorfond, for co-productions with Norway.
In terms of leading international markets, Cannes, Rotterdam’s Cinemart, Berlin’s European Film Market, Ventana Sur and Guadalajara – and for documentaries – starting with Idfa Forum and Hotdocs, followed by Meetmarket Sheffield and Docmontevideo.
It is also important to choose the right festival to premiere a project since it’s virtually impossible to premiere a picture in a small festival and then get a larger fest to screen the film. It’s also important to explore the work-in-progress sidebars that now exist at most Latin American festivals, including Iff Panama’s Primera Mirada competition.
State funding sources in Latin America include Dicine, in Panama, Incaa in Argentina, Proimagenes in Colombia, Brazil’s Fundo Setorial do Audiovisual, the Fondo Audiovisual in Chile, and Imcine in Mexico. The selection criteria used by these national funds varies considerably. Proimagenes in Colombia, which only finances around 14 films per year last year had three pictures at Cannes.
Over the last three or four years many national funds have created specific lines of funding for co-productions, through bilateral agreements, such as that between Brazil’s Ancine and Argentina’s Incaa, which grants $250,000 per pic supported. As a result of such bilateral agreements Brazil, for example, is now a key partner for all of Latin America.
“I’d like to make the second or third films of my directors. They’ve all been such good experience. We’ve grown together,” Juarez Allen told Variety at the Mar del Plata Festival.
- 4/26/2016
- by Sydney Levine
- Sydney's Buzz
An exponential surge in the quantity and quality of films is continuing to come out of Latin America. (Hence my urge to write two books on the subject, the next to come out this fall.)
Mexico's output of 140 films, the highest in its glorious if erratic film history, has been accompanied by an explosion of the number of top ranking directors (Alejandro G. Iñárritu, Alfonso Cuarón,Guillermo del Toro), DOPs (Emmanuel Lubezki), actors (Eugenio Derbez, Gael García Bernal), producers, below the line, etc; major blockbusters (“Instructions Not Included”, “The Noble Family”), and festivals in every state of The United States of Mexico from Chiapas, Morelia, Cuernavaca, Oaxaca, Baja, Guadalajara, Puerta Vallarta, Acapulco, etc. What a way to see Mexico through its films and film festivals! USA's partnership in the cross-border cultural achievements of Mexico unites our two countries in culture, a great alliance which benefits us perhaps more than it does them...but that is another article.
Argentina continues, in spite of its erratic politics and economy, to keep its production steady as it always has and continues export the largest number of arthouse cinema of Latin America, Daniel Burman’s "The Tenth Man" being its latest, with Kino Lorber picking it up for U.S. and Canada. Argentina's Latam market, Ventana Sur, in partnership with the Cannes Marché, is the strongest and best market of Latin America for Latino films.
Colombia's systematic, steady work at creating a film culture is paying off in a tremendous outflow of award winning arthouse, indigenous (Ciro Guerra's "Embrace of the Serpent" whose Isa Films Boutique sold to Oscilloscope for U.S., Interior 13 Cine for Mexico, Alfa Films for Argentina, Diaphana Films for France, Mfa Filmdistribution for Germany, Magyarhangya for Hungary, Peccadillo Pictures for U.K.,trigon-film for Switzerland, Natlys for Denmark, Diaphana for France, Alambique for Portugal) , Afro-diaspora ("La Playa DC" whose Isa Cineplex sold it for U.S. to Artmattan Productions, Canada to K Films Amerique, Colombia to Cineplex, France to Jour2fete; and "La Sirga" which Cineplex licensed to Film Movement for U.S., for Colombia to Cineplex, France to Zootrope Films ) and genre films.
Tiny Uruguay has strong films by doubly strong producers like Mariana Secco whose strength at carving out a niche equals the work of Wonder Woman. Guatamala, Paraguay, Peru and Cuba are showing the world their undeniable accomplishments as well.
Central America, long denied its own voice -- first because United States and United Fruit created banana republics out of them, then by the trade in drugs and now by exporting gang members to their parents' countries – all of which has resulted in creating nations of violence and poverty -- is now experiencing the thrill of creating sustainable film economies.
Will Costa Rica prevail? To its advantage, it has not been a part of the violent cycle of drugs and gangs) and its stability and economy are able to sustain growth if the government creates cinema laws to help it along. The film writer María Lourdes Cortés from Costa Rica is the most articulate advocate of Central American Cinema and has established Cinergia, Central America's only homemade film promotion, training, dissemination and funding organ. The astoundingly prolific young producer, Marcela Esquivel, whose "Red Princesses" brought Costa Rica to the world's attention as two frontrunners in Costa Rica's race is another promient voice from Costa Rica. Esquivel's Cuban-Costa Rican coproduction “August”/ "Agosto" (Isa: FiGa) was nurtured by Cannes's Fabrique des Cinemas du Monde and was recently in Ficg’s Coproduction Market along with her project “The Ballroom”/ “El Baile y el salon” about to start production.
Or will Panama prevail? Its Canal has just doubled in size and is a center for international trade to such a degree that China itself is challenging it by tearing up the rain forest of Nicaragua in order to build its own canal.
Panama, with its eye on taking a lead as the internet hub for Latin America, Panama whose Canal creates a Cuba-u.S.-China triangle for trade, Panama whose close history with U.S., its same time zone location with U.S., its direct flights to U.S., its central position for Israeli businesses fleeing the instability of the Mid East, Panama may well come out ahead of Costa Rica. Yes, well there are also the "Panama Papers" whose discovery has come since I first wrote this article. But I don't think this latest revelation of the wealthiest and greediest 1% will put a stop to Panama's growth. These are the two horses I am putting my money on.
I am now at the 5th Panama Film Festival, long headed by the much acclaimed Pituka Ortega-Heilbron and headed on the programming and industry fronts by the Toronto Ff vet Diana Sanchez. Covering it in all its diversity to see if it furthers the odds against the Costa Rica International Film Festival has not been disappointing. Also here is the longtime Costa Rica advisor, 20-year Sundance Film Festival industry vet, Nicole Guillemet. Criff is now, reportedly finally being stabilized by the installation of a permanent producer also attending Iff Panama.
Panama is also premiering six of its own films. Comprised of three documentaries and three fiction films, this year’s Panamanian pictures portray the constant struggle of minorities, problematic life in the city, the search for one’s identity, and unresolved past events, exploring numerous socio-cultural issues living in the isthmus of Panama. Comedy will not be missed.
“Salsipuedes”, co-directed by Ricardo Aguilar and Manolito Rodríguez is about Andrés Pimienta, a young neighborhood boy from Panama who is sent to the United States to remain as far away as possible from his troubled homeland and his father Boby, a boxing ex-champion now serving time in prison. Andrés returns to Panama ten years later to attend his grandfather’s burial, where he meets again with Boby-- a reunion that transforms Andres’ destiny.
“Time to Love, A Backstage Tale”/ "Es la hora de enamorarse", a documentary directed by Guido Bilbao, is the true story of a group of young actors with Down Syndrome who courageously mount the classic Panamanian play La Cucarachita Mandinga, without any previous experience on stage. Many thought it unlikely that they would manage to memorize lines, learn choreography or capture the attention of the public. The artistic process is unveiled as Bilbao shows the intimate world of these young aspiring actors, along with their fears, hopes, and daily struggles.
“Drifting Away”/ "A la deriva", a documentary film directed by Miguel I. González is an expose of the healthcare system in Panama in 2006 when it mistakenly created and distributed over 200,000 jars of a common flu remedy, made of a substance named diethylene glycol used in the automotive industry. This caused the mass poisoning of patients, mostly resulting in permanent illness or even death. This notorious case involved companies in China, Spain and Panama. Highlighted are the lives of Iris, Milagros, and Briseida, three women who were severely affected by the poison, both physically and emotionally telling stories of their inner conflicts, as well as their patience, desperation, solitude, and their yearning to be healthy again.
“The Route”/ "La ruta" is Pituka Ortega-Heilbron’s new documentary.
Every morning from Monday to Saturday Severino González, a construction worker, wakes up at 3:30 A.M. to take the bus to work. For most Panamanians, buses are their only option to get to work and sustain a city that grows so recklessly. Yet these buses are like time bombs, its passengers well-aware of its danger but ignorant of its countdown. Every month people die or get hurt, and Severino knows this, but he has no other choice as he will show us through his everyday bus route and his life. This is the portrait of a nation that claims it is becoming a first world country but lacks the basic resources to live up to it.
“The Check”/ "El cheque" is Arturo Montenegro’s first feature film. It is a Panamanian comedy taking place in the midst of the chaos that haunts the Vinda household. A wild and vigilant vegetarian spirit with massive eyes carrying the name of Dominga changes their lives in unimaginable ways. In her stay with the Vindas, Dominga’s fuss and madness becomes the joy and fervor of the family, except with the household’s spoiled dog, Claudia, who’s the only one aware of Dominga’s secret. Everything seems to work fine until a check raises a debate about identity, happiness, trust and the great beyond.
“Kenke”, directed by Enrique Pérez Him, concerns a professional and successful young man, Josué who accepts the family challenge to help his cousin Kenny get away from marijuana. Unbeknownst to the rest of his family, he too shares this vice. Together Josué and Kenny face a society ruled by double standards and other addictions.
Even if only one of these films is directed by a woman, and that woman is the festival’s own director, it is still noticeable that in all this exciting activity of festivals and countries growing culturally, that women are in the majority taking the lead in innovating and establishing these cultural outposts in counties that have been brought to their knees formerly by the macho impositions of capitalism in its ugliest forms of colonialism and imperialism.
As a side remark here, we are witnessing similar activitiy in Mena's (Middle East and North Africa) Gulf State of Qatar with the Doha Film Institute’s CEO Fatma Al Remaihi and in the Emirate State of Dubai with its long standing Dubai Film Festival led by Managing Director, Shivani Pandya.
Culture, always the first to go when the men get going using armaments to build wealth, is now finding that with the potential strength of 51% of the world’s population behind it, it just might get the upper hand for the first time in "civilized" society. Also we are witnessing the Lgbt community's creative might also being exercised on the side of culture. This always original, innovative segment of world society helps enormously in crossing the lines drawn in the sand by the white male establishment.
So we will put our eye upon Panama, the next possible contender for The Latin American Prize for Excellence in Cinematic Experience.
Mexico's output of 140 films, the highest in its glorious if erratic film history, has been accompanied by an explosion of the number of top ranking directors (Alejandro G. Iñárritu, Alfonso Cuarón,Guillermo del Toro), DOPs (Emmanuel Lubezki), actors (Eugenio Derbez, Gael García Bernal), producers, below the line, etc; major blockbusters (“Instructions Not Included”, “The Noble Family”), and festivals in every state of The United States of Mexico from Chiapas, Morelia, Cuernavaca, Oaxaca, Baja, Guadalajara, Puerta Vallarta, Acapulco, etc. What a way to see Mexico through its films and film festivals! USA's partnership in the cross-border cultural achievements of Mexico unites our two countries in culture, a great alliance which benefits us perhaps more than it does them...but that is another article.
Argentina continues, in spite of its erratic politics and economy, to keep its production steady as it always has and continues export the largest number of arthouse cinema of Latin America, Daniel Burman’s "The Tenth Man" being its latest, with Kino Lorber picking it up for U.S. and Canada. Argentina's Latam market, Ventana Sur, in partnership with the Cannes Marché, is the strongest and best market of Latin America for Latino films.
Colombia's systematic, steady work at creating a film culture is paying off in a tremendous outflow of award winning arthouse, indigenous (Ciro Guerra's "Embrace of the Serpent" whose Isa Films Boutique sold to Oscilloscope for U.S., Interior 13 Cine for Mexico, Alfa Films for Argentina, Diaphana Films for France, Mfa Filmdistribution for Germany, Magyarhangya for Hungary, Peccadillo Pictures for U.K.,trigon-film for Switzerland, Natlys for Denmark, Diaphana for France, Alambique for Portugal) , Afro-diaspora ("La Playa DC" whose Isa Cineplex sold it for U.S. to Artmattan Productions, Canada to K Films Amerique, Colombia to Cineplex, France to Jour2fete; and "La Sirga" which Cineplex licensed to Film Movement for U.S., for Colombia to Cineplex, France to Zootrope Films ) and genre films.
Tiny Uruguay has strong films by doubly strong producers like Mariana Secco whose strength at carving out a niche equals the work of Wonder Woman. Guatamala, Paraguay, Peru and Cuba are showing the world their undeniable accomplishments as well.
Central America, long denied its own voice -- first because United States and United Fruit created banana republics out of them, then by the trade in drugs and now by exporting gang members to their parents' countries – all of which has resulted in creating nations of violence and poverty -- is now experiencing the thrill of creating sustainable film economies.
Will Costa Rica prevail? To its advantage, it has not been a part of the violent cycle of drugs and gangs) and its stability and economy are able to sustain growth if the government creates cinema laws to help it along. The film writer María Lourdes Cortés from Costa Rica is the most articulate advocate of Central American Cinema and has established Cinergia, Central America's only homemade film promotion, training, dissemination and funding organ. The astoundingly prolific young producer, Marcela Esquivel, whose "Red Princesses" brought Costa Rica to the world's attention as two frontrunners in Costa Rica's race is another promient voice from Costa Rica. Esquivel's Cuban-Costa Rican coproduction “August”/ "Agosto" (Isa: FiGa) was nurtured by Cannes's Fabrique des Cinemas du Monde and was recently in Ficg’s Coproduction Market along with her project “The Ballroom”/ “El Baile y el salon” about to start production.
Or will Panama prevail? Its Canal has just doubled in size and is a center for international trade to such a degree that China itself is challenging it by tearing up the rain forest of Nicaragua in order to build its own canal.
Panama, with its eye on taking a lead as the internet hub for Latin America, Panama whose Canal creates a Cuba-u.S.-China triangle for trade, Panama whose close history with U.S., its same time zone location with U.S., its direct flights to U.S., its central position for Israeli businesses fleeing the instability of the Mid East, Panama may well come out ahead of Costa Rica. Yes, well there are also the "Panama Papers" whose discovery has come since I first wrote this article. But I don't think this latest revelation of the wealthiest and greediest 1% will put a stop to Panama's growth. These are the two horses I am putting my money on.
I am now at the 5th Panama Film Festival, long headed by the much acclaimed Pituka Ortega-Heilbron and headed on the programming and industry fronts by the Toronto Ff vet Diana Sanchez. Covering it in all its diversity to see if it furthers the odds against the Costa Rica International Film Festival has not been disappointing. Also here is the longtime Costa Rica advisor, 20-year Sundance Film Festival industry vet, Nicole Guillemet. Criff is now, reportedly finally being stabilized by the installation of a permanent producer also attending Iff Panama.
Panama is also premiering six of its own films. Comprised of three documentaries and three fiction films, this year’s Panamanian pictures portray the constant struggle of minorities, problematic life in the city, the search for one’s identity, and unresolved past events, exploring numerous socio-cultural issues living in the isthmus of Panama. Comedy will not be missed.
“Salsipuedes”, co-directed by Ricardo Aguilar and Manolito Rodríguez is about Andrés Pimienta, a young neighborhood boy from Panama who is sent to the United States to remain as far away as possible from his troubled homeland and his father Boby, a boxing ex-champion now serving time in prison. Andrés returns to Panama ten years later to attend his grandfather’s burial, where he meets again with Boby-- a reunion that transforms Andres’ destiny.
“Time to Love, A Backstage Tale”/ "Es la hora de enamorarse", a documentary directed by Guido Bilbao, is the true story of a group of young actors with Down Syndrome who courageously mount the classic Panamanian play La Cucarachita Mandinga, without any previous experience on stage. Many thought it unlikely that they would manage to memorize lines, learn choreography or capture the attention of the public. The artistic process is unveiled as Bilbao shows the intimate world of these young aspiring actors, along with their fears, hopes, and daily struggles.
“Drifting Away”/ "A la deriva", a documentary film directed by Miguel I. González is an expose of the healthcare system in Panama in 2006 when it mistakenly created and distributed over 200,000 jars of a common flu remedy, made of a substance named diethylene glycol used in the automotive industry. This caused the mass poisoning of patients, mostly resulting in permanent illness or even death. This notorious case involved companies in China, Spain and Panama. Highlighted are the lives of Iris, Milagros, and Briseida, three women who were severely affected by the poison, both physically and emotionally telling stories of their inner conflicts, as well as their patience, desperation, solitude, and their yearning to be healthy again.
“The Route”/ "La ruta" is Pituka Ortega-Heilbron’s new documentary.
Every morning from Monday to Saturday Severino González, a construction worker, wakes up at 3:30 A.M. to take the bus to work. For most Panamanians, buses are their only option to get to work and sustain a city that grows so recklessly. Yet these buses are like time bombs, its passengers well-aware of its danger but ignorant of its countdown. Every month people die or get hurt, and Severino knows this, but he has no other choice as he will show us through his everyday bus route and his life. This is the portrait of a nation that claims it is becoming a first world country but lacks the basic resources to live up to it.
“The Check”/ "El cheque" is Arturo Montenegro’s first feature film. It is a Panamanian comedy taking place in the midst of the chaos that haunts the Vinda household. A wild and vigilant vegetarian spirit with massive eyes carrying the name of Dominga changes their lives in unimaginable ways. In her stay with the Vindas, Dominga’s fuss and madness becomes the joy and fervor of the family, except with the household’s spoiled dog, Claudia, who’s the only one aware of Dominga’s secret. Everything seems to work fine until a check raises a debate about identity, happiness, trust and the great beyond.
“Kenke”, directed by Enrique Pérez Him, concerns a professional and successful young man, Josué who accepts the family challenge to help his cousin Kenny get away from marijuana. Unbeknownst to the rest of his family, he too shares this vice. Together Josué and Kenny face a society ruled by double standards and other addictions.
Even if only one of these films is directed by a woman, and that woman is the festival’s own director, it is still noticeable that in all this exciting activity of festivals and countries growing culturally, that women are in the majority taking the lead in innovating and establishing these cultural outposts in counties that have been brought to their knees formerly by the macho impositions of capitalism in its ugliest forms of colonialism and imperialism.
As a side remark here, we are witnessing similar activitiy in Mena's (Middle East and North Africa) Gulf State of Qatar with the Doha Film Institute’s CEO Fatma Al Remaihi and in the Emirate State of Dubai with its long standing Dubai Film Festival led by Managing Director, Shivani Pandya.
Culture, always the first to go when the men get going using armaments to build wealth, is now finding that with the potential strength of 51% of the world’s population behind it, it just might get the upper hand for the first time in "civilized" society. Also we are witnessing the Lgbt community's creative might also being exercised on the side of culture. This always original, innovative segment of world society helps enormously in crossing the lines drawn in the sand by the white male establishment.
So we will put our eye upon Panama, the next possible contender for The Latin American Prize for Excellence in Cinematic Experience.
- 3/26/2016
- by Sydney Levine
- Sydney's Buzz
Nearly 60 international and Canadian producers will head to the Ontario Media Development Corporation’s (Omdc) annual International Financing Forum in Toronto.
The 10th anniversary edition of Omdc’s International Financing Forum (Iff), a feature co-financing market for English-language projects, will run Sept 13-14 during Toronto International Film Festival (Sept 10-20).
The projects include Drama, the third feature to be directed by Oscar-winning Us actress Helen Hunt, written by Justin W. Lo (‘Mistresses’).
Scroll down for more projects
The two-day event includes one-on-one meetings, an industry panel discussion, roundtable meetings, a networking luncheon, and a producers’ opening night networking reception.
Iff partners include Telefilm Canada, UK Trade and Investment (Ukti) and new sponsor Canadian Media Producers Association (Cmpa).
More than 750 meetings will be scheduled for the 37 producer teams (20 Canadian projects and 17 international projects).
In total, 56 producers have been selected to participate in the programme from countries including: Australia, Germany, India, Israel, Spain, Uganda...
The 10th anniversary edition of Omdc’s International Financing Forum (Iff), a feature co-financing market for English-language projects, will run Sept 13-14 during Toronto International Film Festival (Sept 10-20).
The projects include Drama, the third feature to be directed by Oscar-winning Us actress Helen Hunt, written by Justin W. Lo (‘Mistresses’).
Scroll down for more projects
The two-day event includes one-on-one meetings, an industry panel discussion, roundtable meetings, a networking luncheon, and a producers’ opening night networking reception.
Iff partners include Telefilm Canada, UK Trade and Investment (Ukti) and new sponsor Canadian Media Producers Association (Cmpa).
More than 750 meetings will be scheduled for the 37 producer teams (20 Canadian projects and 17 international projects).
In total, 56 producers have been selected to participate in the programme from countries including: Australia, Germany, India, Israel, Spain, Uganda...
- 9/1/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
As part of the 3rd edition of Los Cabos Film Festival, the first co-production forum Mexico-usa-Canada will take place, 12 projects (4 for each Country) will be selected to participate. Los Cabos Film Fest will select a project from the filmmaker/industry meetings that Tribeca Film Institute holds for its grantees each year during the Tribeca Film Institute and a Canadian project of Halifax Atlantic Festival.
The project of Tfi must fulfill the next conditions: be a U.S. production, a fiction film and be in development stage.
A Russian project in development will have access to the Forum, it needs to have a co-production with North America as part of Moscow Fest Moscow Business Square.
Three Mexican projects in development awarded in Gabriel Figueroa Film Fund, will be invited to participate at Tribeca, Moscow and Halifax, one for each event.
The announcement of the project selected will be made during Los Cabos Film Fest dates, Nov. 11-16, 2014.
Inzomnia from Mexican animation pioneer Luis Téllez, will be traveling to Moscow Business Square, which participated in Gabriel Figueroa Film Fund 2013 open call. A stop-motion animated feature, that mixes a future world and a mythological past.
With these three-part partnerships Los Cabos Film Festival approaches in its goal of reducing distances between producers and filmmakers from Mexico, U.S. and Canada, between each other and with the rest of the world.
Jorge Michel Grau, Emma Films, Filmoption and Alonso Aguilar-Castillo, Los Cabos Film Fest Director.
Industry Deals Announcements
Jorge Michel Grau and Mayra Espinosa Castro form Velarium Arts and Andrew Corkin from Uncorked Productions, will produce Grau’s next film Yamaha 300, pact developed in Los Cabos Film Fest.
In addition, Velarium Arts, EMAfilms and Filmoption International are teaming up to co-produce Multiplier by Rodrigo Hernández, Mayra Espinosa Castro & Jorge Michel Grau (Velarium Arts), Anne-Marie Gélinas and Benoit Beaulieu (EMAfilms) and Andrew Noble (Filmoption International) signed the deal in Cannes for Hernandez’s sci-fi.
The film is currently in development with an aim for principal photography to start in Mexico in 2015. Post-production, including the visual effects, will take place in Montreal.
At Los Cabos International Film Festival, Velarium Arts did the first pitching to Anne Marie and Andrew Noble for “Multiplier”.
"Los Cabos Film Fest is the place were we first did a pitch to Anne Marie and Andrew Noble about Multiplier at the meeting point were all the industry gets together, so this is how everything started so good. Also, by the beach, Andrew Corkin listened our Yamaha 300 project and he loved it, our plan is to keep things moving and keep closing deals in order to shoot these two projects in 2015" mentioned Mayra Castro (Velarium Arts) to Los Cabos Film Fest.
Also, Machete Films is co-producing X Quinientos from Juan Andres Arango (La Playa DC), that is also produced by Montreal-based Peripheria Productions and Septima Films in Colombia.Peripheria’s Yanick Letourneau and Machete’s Edher Campos first met at Los Cabos where they start talking about the project.
"Yamaha 300"
For more information: www.cabosfilmfestival.com
Come And See What The Neighbors Are Doing
Mexico, Canada and USA showcase their best films to the world.
About Tribeca Film Institute ® ( http://www.tribecafilminstitute.org )
Tribeca Film Institute champions storytellers to be catalysts for change in their communities and around the world. Through grants and professional development programs, Tfi supports a diverse, exceptional group of filmmakers and media artists, providing them resources needed to fully realize their stories and connect with audiences. The Institute’s educational programming leverages an extensive film community network to help underserved New York City students learn filmmaking and gain the media skills necessary to be productive citizens and creative individuals in the 21st century. Featuring hands-on training and exposure to socially relevant films, the Institute administers programs to more than 25,000 students annually. Tfi was founded by Robert De Niro, Jane Rosenthal, and Craig Hatkoff in the wake of September 11, 2001 and is a 501(c)(3) year-round nonprofit arts organization.
The project of Tfi must fulfill the next conditions: be a U.S. production, a fiction film and be in development stage.
A Russian project in development will have access to the Forum, it needs to have a co-production with North America as part of Moscow Fest Moscow Business Square.
Three Mexican projects in development awarded in Gabriel Figueroa Film Fund, will be invited to participate at Tribeca, Moscow and Halifax, one for each event.
The announcement of the project selected will be made during Los Cabos Film Fest dates, Nov. 11-16, 2014.
Inzomnia from Mexican animation pioneer Luis Téllez, will be traveling to Moscow Business Square, which participated in Gabriel Figueroa Film Fund 2013 open call. A stop-motion animated feature, that mixes a future world and a mythological past.
With these three-part partnerships Los Cabos Film Festival approaches in its goal of reducing distances between producers and filmmakers from Mexico, U.S. and Canada, between each other and with the rest of the world.
Jorge Michel Grau, Emma Films, Filmoption and Alonso Aguilar-Castillo, Los Cabos Film Fest Director.
Industry Deals Announcements
Jorge Michel Grau and Mayra Espinosa Castro form Velarium Arts and Andrew Corkin from Uncorked Productions, will produce Grau’s next film Yamaha 300, pact developed in Los Cabos Film Fest.
In addition, Velarium Arts, EMAfilms and Filmoption International are teaming up to co-produce Multiplier by Rodrigo Hernández, Mayra Espinosa Castro & Jorge Michel Grau (Velarium Arts), Anne-Marie Gélinas and Benoit Beaulieu (EMAfilms) and Andrew Noble (Filmoption International) signed the deal in Cannes for Hernandez’s sci-fi.
The film is currently in development with an aim for principal photography to start in Mexico in 2015. Post-production, including the visual effects, will take place in Montreal.
At Los Cabos International Film Festival, Velarium Arts did the first pitching to Anne Marie and Andrew Noble for “Multiplier”.
"Los Cabos Film Fest is the place were we first did a pitch to Anne Marie and Andrew Noble about Multiplier at the meeting point were all the industry gets together, so this is how everything started so good. Also, by the beach, Andrew Corkin listened our Yamaha 300 project and he loved it, our plan is to keep things moving and keep closing deals in order to shoot these two projects in 2015" mentioned Mayra Castro (Velarium Arts) to Los Cabos Film Fest.
Also, Machete Films is co-producing X Quinientos from Juan Andres Arango (La Playa DC), that is also produced by Montreal-based Peripheria Productions and Septima Films in Colombia.Peripheria’s Yanick Letourneau and Machete’s Edher Campos first met at Los Cabos where they start talking about the project.
"Yamaha 300"
For more information: www.cabosfilmfestival.com
Come And See What The Neighbors Are Doing
Mexico, Canada and USA showcase their best films to the world.
About Tribeca Film Institute ® ( http://www.tribecafilminstitute.org )
Tribeca Film Institute champions storytellers to be catalysts for change in their communities and around the world. Through grants and professional development programs, Tfi supports a diverse, exceptional group of filmmakers and media artists, providing them resources needed to fully realize their stories and connect with audiences. The Institute’s educational programming leverages an extensive film community network to help underserved New York City students learn filmmaking and gain the media skills necessary to be productive citizens and creative individuals in the 21st century. Featuring hands-on training and exposure to socially relevant films, the Institute administers programs to more than 25,000 students annually. Tfi was founded by Robert De Niro, Jane Rosenthal, and Craig Hatkoff in the wake of September 11, 2001 and is a 501(c)(3) year-round nonprofit arts organization.
- 5/28/2014
- by Sydney Levine
- Sydney's Buzz
Best Foreign Language Film Oscar 2014 submissions (photo: Ziyi Zhang in ‘The Grandmaster’) (See previous post: Best Foreign Language Film Oscar: ‘The Past,’ ‘Wadjda,’ Andrzej Wajda Among Omissions) In case you missed it, here’s the full list of submissions (in alphabetical order, per country) for the 2014 Best Foreign Language Film Academy Award. The list of contenders was originally announced on October 7, 2013. Of note: Saudi Arabia and Moldova were first-timers; Montenegro was a first-timer as an independent country. Afghanistan, Wajma — An Afghan Love Story, Barmak Akram, director; Albania, Agon, Robert Budina, director; Argentina, The German Doctor, Lucía Puenzo, director; Australia, The Rocket, Kim Mordaunt, director; Austria, The Wall, Julian Pölsler, director; Azerbaijan, Steppe Man, Shamil Aliyev, director; Bangladesh, Television, Mostofa Sarwar Farooki, director; Belgium, The Broken Circle Breakdown, Felix van Groeningen, director; Bosnia and Herzegovina, An Episode in the Life of an Iron Picker, Danis Tanovic, director; Brazil, Neighboring Sounds, Kleber Mendonça Filho,...
- 12/25/2013
- by Andre Soares
- Alt Film Guide
And then there were 9... A record 76 countries submitted films for consideration in the Foreign Language Film Oscar category for the upcoming 86th Academy Awards. That list of 76 (revealed in October) has now been trimmed down to 9 features that will advance to the next round of voting. Unfortunately, not a single one of the 5 Diaspora films that were part of the original 76 made the cut, and therefore won't be able to contend for the final list of nominees, which will be announced a month from now. Those 5 films are: - GriGris, Mahamat-Saleh Haroun (Chad) - La Playa DC, Juan Andrés Arango (Colombia) - Winter of Discontent, Ibrahim El Batout...
- 12/20/2013
- by Tambay A. Obenson
- ShadowAndAct
The Academy of Motion Picture Arts and Sciences announced its shortlist for the 2014 Foreign Language Film Oscar — totaling a not-so-short 76 submitted films.
The number, up from 71 films last year, sets a new record for the category and includes frontrunners such as Asghar Farhadi’s The Past from Iran, Thomas Vinterberg’s The Hunt from Denmark, and Wong Kar-Wai’s The Grandmaster from Hong Kong. Abdellatif Kechiche’s festival favorite lesbian drama Blue Is the Warmest Color from France, however, failed to make the cut-off date for eligibility, while India controversially submitted Gyan Correa’s The Good Road over Ritesh Batra’s The Lunchbox.
The number, up from 71 films last year, sets a new record for the category and includes frontrunners such as Asghar Farhadi’s The Past from Iran, Thomas Vinterberg’s The Hunt from Denmark, and Wong Kar-Wai’s The Grandmaster from Hong Kong. Abdellatif Kechiche’s festival favorite lesbian drama Blue Is the Warmest Color from France, however, failed to make the cut-off date for eligibility, while India controversially submitted Gyan Correa’s The Good Road over Ritesh Batra’s The Lunchbox.
- 10/8/2013
- by Shirley Li
- EW - Inside Movies
The Academy officially announced today that a record 76 countries have submitted films for consideration in the Foreign Language Film category for the 2014 Oscars. Among those submitting, Moldova and Saudi Arabia are first-time entrants and this is the first time Montenegro has submitted a film as an independent country. Based solely on name recognition alone I'd say Thomas Vinterberg's The Hunt (Denmark) and Asghar Farhadi's The Past (Iran) will be looked at as front-runners. However, I haven't only seen a few of the titles on this list, another of which is Mexico's entry, Heli from Amat Escalante. I have heard good things about Borgman (Netherlands) and it will be interesting to see how Haifaa al-Mansour's Wadjda is treated as it is a story unto itself, not to mention it seems to be receiving high marks from those that have seen it. I'm personally hoping to catch it soon...
- 10/7/2013
- by Brad Brevet
- Rope of Silicon
A record 76 countries have submitted films for consideration in the foreign language film category for the 86th Academy Awards.
Moldova and Saudi Arabia are first-time entrants while Montenegro is submitting for the first time as an independent country.
Earlier this year the Academy changed its rule allowing all voting members to vote on the shortlist.
The nominations will be announced on January 16 2014 and the Academy Awards ceremony is scheduled to take place on March 2 2014 at the Dolby Theatre in Hollywood.
The 2013 submissions are:
Afghanistan, Wajma: An Afghan Love Story, Barmak Akram
Albania, Agon, Robert Budina
Argentina, Wakolda, Lucía Puenzo
Australia, The Rocket, Kim Mordaunt
Austria, The Wall, Julian Pölsler
Azerbaijan, Steppe Man, Shamil Aliyev
Bangladesh, Television, Mostofa Sarwar Farooki
Belgium, The Broken Circle Breakdown, Felix van Groeningen
Bosnia and Herzegovina, An Episode in the Life of an Iron Picker, Danis Tanović
Brazil, Neighbouring Sounds, Kleber Mendonça Filho
Bulgaria, The Colour of the Chameleon, Emil Hristov
Cambodia...
Moldova and Saudi Arabia are first-time entrants while Montenegro is submitting for the first time as an independent country.
Earlier this year the Academy changed its rule allowing all voting members to vote on the shortlist.
The nominations will be announced on January 16 2014 and the Academy Awards ceremony is scheduled to take place on March 2 2014 at the Dolby Theatre in Hollywood.
The 2013 submissions are:
Afghanistan, Wajma: An Afghan Love Story, Barmak Akram
Albania, Agon, Robert Budina
Argentina, Wakolda, Lucía Puenzo
Australia, The Rocket, Kim Mordaunt
Austria, The Wall, Julian Pölsler
Azerbaijan, Steppe Man, Shamil Aliyev
Bangladesh, Television, Mostofa Sarwar Farooki
Belgium, The Broken Circle Breakdown, Felix van Groeningen
Bosnia and Herzegovina, An Episode in the Life of an Iron Picker, Danis Tanović
Brazil, Neighbouring Sounds, Kleber Mendonça Filho
Bulgaria, The Colour of the Chameleon, Emil Hristov
Cambodia...
- 10/7/2013
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The Academy of Motion Pictures Arts and Sciences has released the list of the 76 countries and their submissions officially competing for the 2014 Foreign Language Film Oscar.
Amongst the high profile entries this year are Australia's "The Rocket," Denmark's "The Hunt," France's "Renoir," Wong Kar-wai's "The Grandmaster," Iran's "The Past," and Saudi Arabia's "Wadjda".
The nominations will be announced on January 16th 2014 ahead of the ceremony on March 2nd. Here is the complete list:
Afghanistan, "Wajma – An Afghan Love Story," Barmak Akram
Albania, "Agon," Robert Budina
Argentina, "The German Doctor," Lucía Puenzo
Australia, "The Rocket," Kim Mordaunt
Austria, "The Wall," Julian Pölsler
Azerbaijan, "Steppe Man," Shamil Aliyev
Bangladesh, "Television," Mostofa Sarwar Farooki
Belgium, "The Broken Circle Breakdown," Felix van Groeningen
Bosnia and Herzegovina, "An Episode in the Life of an Iron Picker," Danis Tanovic
Brazil, "Neighboring Sounds," Kleber Mendonça Filho
Bulgaria, "The Color of the Chameleon," Emil Hristov
Cambodia, "The Missing Picture,...
Amongst the high profile entries this year are Australia's "The Rocket," Denmark's "The Hunt," France's "Renoir," Wong Kar-wai's "The Grandmaster," Iran's "The Past," and Saudi Arabia's "Wadjda".
The nominations will be announced on January 16th 2014 ahead of the ceremony on March 2nd. Here is the complete list:
Afghanistan, "Wajma – An Afghan Love Story," Barmak Akram
Albania, "Agon," Robert Budina
Argentina, "The German Doctor," Lucía Puenzo
Australia, "The Rocket," Kim Mordaunt
Austria, "The Wall," Julian Pölsler
Azerbaijan, "Steppe Man," Shamil Aliyev
Bangladesh, "Television," Mostofa Sarwar Farooki
Belgium, "The Broken Circle Breakdown," Felix van Groeningen
Bosnia and Herzegovina, "An Episode in the Life of an Iron Picker," Danis Tanovic
Brazil, "Neighboring Sounds," Kleber Mendonça Filho
Bulgaria, "The Color of the Chameleon," Emil Hristov
Cambodia, "The Missing Picture,...
- 10/7/2013
- by Garth Franklin
- Dark Horizons
A record 76 countries have submitted films for consideration in the Foreign Language Film category for the 86th Academy Awards®.
Moldova and Saudi Arabia are first-time entrants; Montenegro is submitting for the first time as an independent country.
The 2013 submissions are:
Afghanistan, “Wajma – An Afghan Love Story,” Barmak Akram, director;
Albania, “Agon,” Robert Budina, director;
Argentina, “The German Doctor,” Lucía Puenzo, director;
Australia, “The Rocket,” Kim Mordaunt, director;
Austria, “The Wall,” Julian Pölsler, director;
Azerbaijan, “Steppe Man,” Shamil Aliyev, director;
Bangladesh, “Television,” Mostofa Sarwar Farooki, director;
Belgium, “The Broken Circle Breakdown,” Felix van Groeningen, director;
Bosnia and Herzegovina, “An Episode in the Life of an Iron Picker,” Danis Tanovic, director;
Brazil, “Neighboring Sounds,” Kleber Mendonça Filho, director;
Bulgaria, “The Color of the Chameleon,” Emil Hristov, director;
Cambodia, “The Missing Picture,” Rithy Panh, director;
Canada, “Gabrielle,” Louise Archambault, director;
Chad, “GriGris,” Mahamat-Saleh Haroun, director;
Chile, “Gloria,” Sebastián Lelio, director;
China, “Back to 1942,” Feng Xiaogang,...
Moldova and Saudi Arabia are first-time entrants; Montenegro is submitting for the first time as an independent country.
The 2013 submissions are:
Afghanistan, “Wajma – An Afghan Love Story,” Barmak Akram, director;
Albania, “Agon,” Robert Budina, director;
Argentina, “The German Doctor,” Lucía Puenzo, director;
Australia, “The Rocket,” Kim Mordaunt, director;
Austria, “The Wall,” Julian Pölsler, director;
Azerbaijan, “Steppe Man,” Shamil Aliyev, director;
Bangladesh, “Television,” Mostofa Sarwar Farooki, director;
Belgium, “The Broken Circle Breakdown,” Felix van Groeningen, director;
Bosnia and Herzegovina, “An Episode in the Life of an Iron Picker,” Danis Tanovic, director;
Brazil, “Neighboring Sounds,” Kleber Mendonça Filho, director;
Bulgaria, “The Color of the Chameleon,” Emil Hristov, director;
Cambodia, “The Missing Picture,” Rithy Panh, director;
Canada, “Gabrielle,” Louise Archambault, director;
Chad, “GriGris,” Mahamat-Saleh Haroun, director;
Chile, “Gloria,” Sebastián Lelio, director;
China, “Back to 1942,” Feng Xiaogang,...
- 10/7/2013
- by Michelle McCue
- WeAreMovieGeeks.com
All entries for the Best Foreign-Language Film at the Academy Awards 2014.
Submissions for the Best Foreign-Language Film at the 86th Academy Awards are coming in and will continue until October, when the full list of eligible submissions will be revealed.
Last year, a record 71 countries submitted features and the eventual winner was Austrian entry Amour, directed by Michael Haneke.
An initial nine finalists will be shortlisted, which will be whittled down to five nominees that will be announced on Jan 16, 2014.
Submissions
Afghanistan, Wajma: An Afghan Love Story, Barmak Akram
Albania, Agon, Robert Budina
Argentina, Wakolda, Lucía Puenzo
Australia, The Rocket, Kim Mordaunt
Austria, The Wall, Julian Pölsler
Azerbaijan, Steppe Man, Shamil Aliyev
Bangladesh, Television, Mostofa Sarwar Farooki
Belgium, The Broken Circle Breakdown, Felix van Groeningen
Bosnia and Herzegovina, An Episode in the Life of an Iron Picker, Danis Tanović
Brazil, Neighbouring Sounds, Kleber Mendonça Filho
Bulgaria, The Colour of the Chameleon, Emil Hristov
Cambodia...
Submissions for the Best Foreign-Language Film at the 86th Academy Awards are coming in and will continue until October, when the full list of eligible submissions will be revealed.
Last year, a record 71 countries submitted features and the eventual winner was Austrian entry Amour, directed by Michael Haneke.
An initial nine finalists will be shortlisted, which will be whittled down to five nominees that will be announced on Jan 16, 2014.
Submissions
Afghanistan, Wajma: An Afghan Love Story, Barmak Akram
Albania, Agon, Robert Budina
Argentina, Wakolda, Lucía Puenzo
Australia, The Rocket, Kim Mordaunt
Austria, The Wall, Julian Pölsler
Azerbaijan, Steppe Man, Shamil Aliyev
Bangladesh, Television, Mostofa Sarwar Farooki
Belgium, The Broken Circle Breakdown, Felix van Groeningen
Bosnia and Herzegovina, An Episode in the Life of an Iron Picker, Danis Tanović
Brazil, Neighbouring Sounds, Kleber Mendonça Filho
Bulgaria, The Colour of the Chameleon, Emil Hristov
Cambodia...
- 10/7/2013
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
In line with SydneysBuzz’s focus on the international film business we have put together the most complete list on the 67 national submissions to compete for the Academy Award for Best Foreign Language Film. This list showcases films that have been the centerpieces of the most renowned festivals and that represent the best in the cinematic landscape from across the globe. Last year, at this point in the race the clear favorite was Palm d'Or winner Amour, which went on to win the award with no significant competition and scoring 4 other nominations including Best Picture, an outstanding feat for a foreign film about love at the end of life, by Michael Haneke.
This time around the story could have repeated almost identically with the most recent winner of Cannes’ biggest prize Blue is the Warmest Color. However, the film became one more victim of the Academy's rules, which rendered it unqualified to compete because of the late release date in France. With Blue out of the race the award is fair game for virtually anyone on the list, although there are certainly some favorites.
Saudi Arabia's first ever submission, the charming Wadjda might turn into beginners luck and score the Kingdom, in which movie theaters are banned, a nomination or even a win. Iran's audacious decision to submit the French-language The Past caused uproar among conservatives, but might certainly score the nation another nomination after their win in 2012 with the masterful A Separation. Other strong contenders are Denmark's The Hunt starring Mads Mikkelsen, and which would continue the countries streak of 3 consecutive nominations winning in 2011 with In A Better World, as well as Canada's Gabrielle about the romantic relationship of a handicapped couple, and Hong Kong’s The Grandmaster by famous director Wong Kar-wai.
Italy’s The Great Beauty, Australia’s The Rocket, Romania’s Child’s Pose, and Chile’s Gloria are among other titles that might score a nomination given their success and prominence during their festivals rounds. Some countries decided to take a chance and send audacious choices as their representation to the Academy, so is the case Mexico, a country that chose the more violent and artistically daring Cannes winner Heli, over the hit comedy Instructions Not Included, or Greece’s Boy Eating The Bird’s Food, which includes grotesque imagery that might not sit well with academy members.
The African continent is minimally represented with only 3 entries, South Africa’s Four Corners, and the Arabic-language works God’s Horses from Morocco, and Winter of Discontent from Egypt. Algeria, which has submitted regularly and even scored several nominations, is absent in this occasion. Another big omission is China who did not submit an entry but whose language is represented by Taiwan and the above-mentioned Hong Kong; equally strange is France’s decision to enter Renoir over tons of other films that could have substituted Abdellatif Kechiche.
Less surprising is Russia’s decision to submit a blockbuster-style production with a very nationalistic message in lieu of a more intimate film. On the other hand, Cambodia, Lithuania, and Switzerland decided to go with a documentary, a choice that has never been very fruitful in this category. Lastly, Israel and Palestine both entered strong candidate with Bethlehem and Omar respectively, adding with that to the great year the region has seen in the cinematic realm.
The rest of the films are a mixture of obscure titles with not much exposure outside their homelands, and a others with great premise but equally unknown quality. Thankfully for SydneysBuzz readers, the list below compiles all 67 Foreign Submissions and includes links to more information and a link to the trailer of every single one of them. For the most part the clips are subtitled; the ones that are not will at least give the reader a sense of what the film is about. As the Awards Season develops, we will have updates on predicted nominees and other developments in the race for the Best Foreign Language Film.
Argentina
The German Doctor (Wakolda)
Dir: Lucia Puenzo
Language: Spanish, German, Hebrew
U.S Release: Acquired by Samuel Goldwyn Films
Festivals: Cannes 2013 Un Certain Regard
Trailer
Australia
The Rocket
Dir: Kim Mordaunt
Language: Lao
U.S Release: Tba
Festivals: Berlin 2013: Best First Feature Film ,Tribeca 2013: World Narrative Competition
Trailer
Austria
The Wall
Dir: Julian Polsler
Language: German
U.S Release: Released by Music Box Films on May 31st, 2013
Festivals: Sitges Ff 2012 Oficial Fantastic, Mumbai Ff 2012 Int'l Competition
Trailer
Bangladesh
Television
Dir: Mostofa Sarwar Farooki
Language: Bengali
U.S Release: Tba
Festivals: Dubai Diff 2012 (Muhr AsiaAfrica Feature Special Mention)
Trailer
Belgium
The Broken Circle Breakdown
Dir: Felix van Groeningen
Language: Flemish
U.S Release: Tribeca Film Will Release the Film on November 1st, 2013
Festivals: Berlinale - Efm 2013 - Panorama
Trailer
Bosnia And Herzegovina
An Episode in the Life of an Iron Picker
Dir: Danis Tanović
Language: Bosnian, Romani
U.S Release: Tba
Festivals: Berlinale - Efm 2013 Competition, Tiff 2013 Contemporary World Cinema
Trailer
Brazil
Neighboring Sounds
Dir: Kleber Mendonça Filho
Language: Portuguese, Mandarin
U.S Release: Released by Cinema Guild, Now Available on Netflix streaming
Festivals:Mar Del Plata Ff 2012 Competencia Int'l, Bafici (Buenos Aires) 2013 Panorama
Trailer
Bulgaria
The Color of the Chameleon
Dir: Emil Hristov
Language: Bulgarian
U.S Release: Tba
Festivals: Toronto - Tiff 2012 Discovery, Thessaloniki Iff 2012 Int'l Competition
Trailer
Cambodia
The Missing Picture
Dir: Rithy Panh
Language: French
U.S Release: Acquired by Strand Releasing for U.S Distribution
Festivals: Cannes 2013 - Un Certain Regard Prix, San Sebastian 2013 Pearls
Trailer
Canada
Gabrielle
Dir: Louise Archambault
Language: French
U.S Release: Tba
Festivals: Cannes 2013, Toronto- Tiff 2013, Locarno International Film Festival 2013
Trailer
Chile
Gloria
Dir: Sebastian Lelio
Language: Spanish
U.S Release: Acquired by Roadside Attractions for U.S Distribution
Festivals: Berlin Efm 2013, Cannes 2013, Toronto - Tiff 2013
Trailer
Colombia
La Playa DC
Dir: Juan Andrés Arango
Language: Spanish
U.S Release: Released by Artmattan Productions on July 19th, 2013
Festivals:Official Selection Cannes 2012 Un Certain Regard, Chicago Iff 2012 New Directors Competition
Trailer
Croatia
Halima's Path
Dir: Arsen Anton Ostojić
Language: Bosnian
U.S Release: Tba
Festivals: Berlin Efm 2013, Tallinn Black Nights Iff 2012 - EurAsia (Special Jury Prize)
Trailer
Czech Republic
Burning Bush
Dir: Agnieszka Holland
Language: Czech
U.S Release: Tba
Festivals: Toronto - Tiff 2013
Trailer
Denmark
The Hunt
Dir: Thomas Vinterberg
Language: Danish
U.S Release: Released by Magnolia Pictures on July 12th
Festivals: Cannes 2012 Competition, Toronto - Tiff 2012, AFI Fest
Trailer
Dominican Republic
Who's the Boss?
Dir: Ronni Castillo
Language: Spanish
U.S Release: Tba
Festivals: N/A
Trailer
Egypt
Winter of Discontent
Dir: Ibrahim el-Batout
Language: Arabic
U.S Release: Tba
Festivals: Cannes 2013
Trailer
Estonia
Free Range
Dir: Veiko Õunpuu
Language: Estonian
U.S Release: Tba
Festivals: Berlin Efm 2012
Trailer
Finland
The Disciple
Dir: Ulrika Bengts
Language: Finnish
U.S Release: Tba
Festivals:Helsinki International Film Festival, Montréal World Film Festival
Trailer
France
Renoir
Dir: Gilles Bourdos
Language: French
U.S Release: Released by Samuel Goldwyn Films on March 29th, 2013
Festivals: Cannes 2012 Un Certain Regard
Trailer
Georgia
In Bloom
Dir: Nana Ekvtimishvili and Simon Groß
Language: Georgian
U.S Release: Acquired by Big World Pictures for U.S Distribution
Festivals: Cannes 2013, Cicae award Berlinale Forum 2013
Trailer
Germany
Two Lives
Dir: Georg Maas
Language: German
U.S Release: Tba
Festivals: Berlin Efm 2013, Cannes 2013, Toronto-tiff 2013, Busan 2013
Trailer
Greece
Boy Eating The Bird's Food
Dir: Ektoras Lygizos
Language: Greek
U.S Release: Tba
Festivals: Toronto - Tiff 2012 Discovery
Trailer
Hong Kong
The Grandmaster
Dir: Wong Kar-wai
Language: Cantonese, Mandarin
U.S Release: Released by The Weinstein Company on August 23rd, 2013
Festivals: Berlinale - Efm 2013, Cannes 2013
Trailer
Hungary
The Notebook
Dir: Janosz Szasz
Language: Hungarian
U.S Release: Tba
Festivals: Toronto - Tiff 2013 Contemporary World Cinema
Trailer
Iceland
Of Horses and Men
Dir: Benedikt Erlingsson
Language: Icelandic
U.S Release: Tba
Festivals: Berlin Efm 2013, Sundance 2013
Trailer
India
The Good Road
Dir: Gyan Correa
Language: Gujarati
U.S Release: Tba
Festivals: London Indian Film Festival in 2013
Trailer
Iran
The Past
Dir: Asghar Farhadi
Language: French, Persian
U.S Release: Sony Pictures Classics will release the film on December 20th, 2013
Festivals:Cannes 2013 Competition-Won Best Actress, Toronto - Tiff 2013
Trailer
Israel
Bethlehem
Dir: Yuval Adler
Language: Hebrew
U.S Release: Tba
Festivals: Toronto - Tiff 2013 Discovery, Cannes 2013 , Berlin Efm 2013
Trailer
Italy
The Great Beauty
Dir: Paolo Sorrentino
Language: Italian
U.S Release: Acquired by Janus Films for U.S Distribution
Festivals: Cannes 2013 Competition, Berlin Efm 2013,
Trailer
Japan
The Great Passage
Dir: Yuya Ishii
Language: Japanese
U.S Release: Tba
Festivals: Fantasia Ff 2013 Official Selection, Cannes 2013
Trailer
Kazakhstan
The Old Man
Dir: Ermek Tursunov
Language: Russian, Kazakh
U.S Release: Tba
Festivals: N/A
Trailer
Latvia
Mother, I Love You
Dir: Janis Nords
Language: Latvian
U.S Release: Tba
Festivals: Cannes 2013, Los Angeles Film Festival 2013
Trailer
Lebanon
Ghadi
Dir: Amin Dora
Language: Arabic
U.S Release: Tba
Festivals: N/A
Trailer
Lithuania
Conversations on Serious Topics
Dir: Giedrė Beinoriūtė
Language: Lithuanian
U.S Release: Tba
Festivals: Berlin Efm 2013
Trailer
Luxembourg
Blind Spot
Dir: Christophe Wagner
Language: Luxembourgish, French
U.S Release: Tba
Festivals: Cannes 2012
Trailer
Mexico
Heli
Dir: Amat Escalante
Language: Spanish
U.S Release: Tba
Festivals: Cannes 2013 Competition-Won Best Director, San Sebastian 2013 Horizontes Latinos,
Trailer
Montenegro
Bad Destiny
Dir: Draško Đurović
Language: Serbo-Croatian
U.S Release: Acquired by Princ Films for U.S Distribution
Festivals: Toronto- Tiff 2013, Busan 2013
Trailer
Morocco
God's Horses
Dir: Nabil Ayouch
Language: Arabic
U.S Release: Tba
Festivals: Cannes 2012, Bif London Film Festival 2012
Trailer
Nepal
Soongava: Dance of the Orchids
Dir: Subarna Thapa
Language: Nepalese
U.S Release: Tba
Festivals: Cannes 2012, Berlin Efm 2013
Trailer
The Netherlands
Borgman
Dir: Alex van Warmerdam
Language: Dutch
U.S Release: Acquired by Drafthouse Films for U.S Distribution
Festivals: Cannes 2013 Competition, Busan 2013, Toronto-tiff 2013
Trailer
New Zealand
White Lies
Dir: Dana Rotberg
Language: Maori
U.S Release: Tba
Festivals: N/A
Trailer
Norway
I Am Yours
Dir: Iram Haq
Language: Norwegian, Urdu
U.S Release: Tba
Festivals: Toronto-tiff 2013
Trailer
Pakistan
Zinda Bhaag
Dir: Meenu Gaur and Farjad Nabi
Language: Udu, Punjabi
U.S Release: Tba
Festivals: N/A
Trailer
Palestine
Omar
Dir: Hany Abu-Assad
Language: Arabic
U.S Release: Tba
Festivals: Cannes 2013 Un Certain Regard, Toronto-tiff 2013
Trailer
Peru
The Cleaner
Dir: Adrian Saba
Language: Spanish
U.S Release: Tba
Festivals: Palm Springs Film Festival, Seattle International Film Festival
Trailer
Philippines
Transit
Dir: Hannah Espia
Language: Filipino, Tagalog, Hebrew
U.S Release: Tba
Festivals: Cinemalaya Film Festival 2013
Trailer
Poland
Walesa
Dir: Andrzej Wajda
Language: Polish
U.S Release: Tba
Festivals: Toronto - Tiff 2013, Venice- Biennale 2013
Trailer
Portugal
Lines of Wellington
Dir: Valeria Sarmiento
Language: Portuguese, English, French
U.S Release: Tba
Festivals: Venice - Biennale 2012 Competition, Toronto - Tiff 2012
Trailer
Romania
Child's Pose
Dir: Calin Peter Netzer
Language: Romanian
U.S Release: Tba
Festivals: Berlinale - Efm 2013 - Competition (Golden Bear for the Best Film), Toronto - Tiff 2013 Contemporary World Cinema
Trailer
Russia
Stalingrad
Dir: Fedor Bondarchuk
Language: Russian
U.S Release: Tba
Festivals: N/A
Trailer
Saudi Arabia
Wadjda
Dir: Haifaa al-Mansour
Language: Arabic
U.S Release: Released by Sony Pictures Classics on September 13th, 2013
Festivals: Cannes 2012, Venice International Film Festival 2012, Los Angeles Film Festival, Toronto-tiff 2013
Trailer
Serbia
Circles
Dir: Srdan Golubovic
Language: Serbian
U.S Release: Tba
Festivals: Sundance 2013 World Dramatic, Berlinale - Efm 2013 Forum, Cannes 2013
Trailer
Singapore
Ilo Ilo
Dir: Anthony Chen
Language: Mandarin, Hokkien, English, Tagalog
U.S Release: Tba
Festivals: Cannes 2013 Directors Fortnight, Toronto - Tiff 2013 Discovery
Trailer
Slovakia
My Dog Killer
Dir: Mira Fornay
Language: Slovak
U.S Release: Tba
Festivals: Berlin Efm 2013, Cannes 2013, Busan 2013
Trailer
Slovenia
Class Enemy
Dir: Rok Biček
Language: Slovene
U.S Release: Tba
Festivals: Cannes 2013, Toronto-tiff 2013
Trailer
Spain
15 Years and One Day
Dir: Gracia Querejeta
Language: Spanish
U.S Release: Tba
Festivals: San Sebastian 2013 Made in Spain, Berlin Efm 2013
Trailer
South Africa
Four Corners
Dir: Ian Gabriel
Language: Afrikaans, Tsotsitaal
U.S Release: Tba
Festivals:N/A
Trailer
South Korea
Juvenile Offender
Dir: Kang Yi-kwan
Language: Korean
U.S Release: Tba
Festivals: Toronto - Tiff 2012 Contemporary World Cinema,
Trailer
Sweden
Eat Sleep Die
Dir: Gabriela Pichler
Language: Swedish, Croatian
U.S Release: Tba
Festivals: Venice International Film Festival 2012, Toronto - Tiff 2012
Trailer
Switzerland
More Than Honey
Dir: Markus Imhoof
Language: German, Mandarin
U.S Release: Tba
Festivals: Toronto - Tiff 2012 Tiff Docs, Cannes 2013, Berlin Efm 2013
Trailer
Taiwan
Soul
Dir: Mong-Hong Chung
Language: Mandarin
U.S Release: Tba
Festivals: Cannes 2013, Toronto - Tiff 2013 Vanguard
Trailer
Thailand
Countdown
Dir: Nattawut Poonpiriya
Language: Thai
U.S Release: Acquired by Birch Tree Entertainment for U.S Distribution
Festivals: Cannes 2013, Far East Film Festival 2013
Trailer
Turkey
The Butterfly's Dream
Dir: Yılmaz Erdoğan
Language: Turkish
U.S Release: Tba
Festivals: Istanbul Film Festival, Los Angeles Turkish Film Festival
Trailer
Ukraine
Paradjanov
Dir: Serge Avedikian and Olena Fetisova
Language: Russian
U.S Release: Tba
Festivals: Toronto 2013
Trailer
United Kingdom
Metro Manila
Dir: Sean Elllis
Language: Filipino, Tagalog
U.S Release: Acquired by Paladin/108 Media for U.S Distribution
Festivals: Sundance 2013 World Dramatic, Berlin Efm 2012, Cannes 2012, Afm 2012, Berlin Efm 2013
Trailer
Venezuela
Breach in the Silence
Dir: Luis and Andrés Rodríguez
Language: Spanish
U.S Release: Tba
Festivals: Ventana Sur 2012, Festival de Mar del Plata "Panorama Latinomaericano"
Trailer...
This time around the story could have repeated almost identically with the most recent winner of Cannes’ biggest prize Blue is the Warmest Color. However, the film became one more victim of the Academy's rules, which rendered it unqualified to compete because of the late release date in France. With Blue out of the race the award is fair game for virtually anyone on the list, although there are certainly some favorites.
Saudi Arabia's first ever submission, the charming Wadjda might turn into beginners luck and score the Kingdom, in which movie theaters are banned, a nomination or even a win. Iran's audacious decision to submit the French-language The Past caused uproar among conservatives, but might certainly score the nation another nomination after their win in 2012 with the masterful A Separation. Other strong contenders are Denmark's The Hunt starring Mads Mikkelsen, and which would continue the countries streak of 3 consecutive nominations winning in 2011 with In A Better World, as well as Canada's Gabrielle about the romantic relationship of a handicapped couple, and Hong Kong’s The Grandmaster by famous director Wong Kar-wai.
Italy’s The Great Beauty, Australia’s The Rocket, Romania’s Child’s Pose, and Chile’s Gloria are among other titles that might score a nomination given their success and prominence during their festivals rounds. Some countries decided to take a chance and send audacious choices as their representation to the Academy, so is the case Mexico, a country that chose the more violent and artistically daring Cannes winner Heli, over the hit comedy Instructions Not Included, or Greece’s Boy Eating The Bird’s Food, which includes grotesque imagery that might not sit well with academy members.
The African continent is minimally represented with only 3 entries, South Africa’s Four Corners, and the Arabic-language works God’s Horses from Morocco, and Winter of Discontent from Egypt. Algeria, which has submitted regularly and even scored several nominations, is absent in this occasion. Another big omission is China who did not submit an entry but whose language is represented by Taiwan and the above-mentioned Hong Kong; equally strange is France’s decision to enter Renoir over tons of other films that could have substituted Abdellatif Kechiche.
Less surprising is Russia’s decision to submit a blockbuster-style production with a very nationalistic message in lieu of a more intimate film. On the other hand, Cambodia, Lithuania, and Switzerland decided to go with a documentary, a choice that has never been very fruitful in this category. Lastly, Israel and Palestine both entered strong candidate with Bethlehem and Omar respectively, adding with that to the great year the region has seen in the cinematic realm.
The rest of the films are a mixture of obscure titles with not much exposure outside their homelands, and a others with great premise but equally unknown quality. Thankfully for SydneysBuzz readers, the list below compiles all 67 Foreign Submissions and includes links to more information and a link to the trailer of every single one of them. For the most part the clips are subtitled; the ones that are not will at least give the reader a sense of what the film is about. As the Awards Season develops, we will have updates on predicted nominees and other developments in the race for the Best Foreign Language Film.
Argentina
The German Doctor (Wakolda)
Dir: Lucia Puenzo
Language: Spanish, German, Hebrew
U.S Release: Acquired by Samuel Goldwyn Films
Festivals: Cannes 2013 Un Certain Regard
Trailer
Australia
The Rocket
Dir: Kim Mordaunt
Language: Lao
U.S Release: Tba
Festivals: Berlin 2013: Best First Feature Film ,Tribeca 2013: World Narrative Competition
Trailer
Austria
The Wall
Dir: Julian Polsler
Language: German
U.S Release: Released by Music Box Films on May 31st, 2013
Festivals: Sitges Ff 2012 Oficial Fantastic, Mumbai Ff 2012 Int'l Competition
Trailer
Bangladesh
Television
Dir: Mostofa Sarwar Farooki
Language: Bengali
U.S Release: Tba
Festivals: Dubai Diff 2012 (Muhr AsiaAfrica Feature Special Mention)
Trailer
Belgium
The Broken Circle Breakdown
Dir: Felix van Groeningen
Language: Flemish
U.S Release: Tribeca Film Will Release the Film on November 1st, 2013
Festivals: Berlinale - Efm 2013 - Panorama
Trailer
Bosnia And Herzegovina
An Episode in the Life of an Iron Picker
Dir: Danis Tanović
Language: Bosnian, Romani
U.S Release: Tba
Festivals: Berlinale - Efm 2013 Competition, Tiff 2013 Contemporary World Cinema
Trailer
Brazil
Neighboring Sounds
Dir: Kleber Mendonça Filho
Language: Portuguese, Mandarin
U.S Release: Released by Cinema Guild, Now Available on Netflix streaming
Festivals:Mar Del Plata Ff 2012 Competencia Int'l, Bafici (Buenos Aires) 2013 Panorama
Trailer
Bulgaria
The Color of the Chameleon
Dir: Emil Hristov
Language: Bulgarian
U.S Release: Tba
Festivals: Toronto - Tiff 2012 Discovery, Thessaloniki Iff 2012 Int'l Competition
Trailer
Cambodia
The Missing Picture
Dir: Rithy Panh
Language: French
U.S Release: Acquired by Strand Releasing for U.S Distribution
Festivals: Cannes 2013 - Un Certain Regard Prix, San Sebastian 2013 Pearls
Trailer
Canada
Gabrielle
Dir: Louise Archambault
Language: French
U.S Release: Tba
Festivals: Cannes 2013, Toronto- Tiff 2013, Locarno International Film Festival 2013
Trailer
Chile
Gloria
Dir: Sebastian Lelio
Language: Spanish
U.S Release: Acquired by Roadside Attractions for U.S Distribution
Festivals: Berlin Efm 2013, Cannes 2013, Toronto - Tiff 2013
Trailer
Colombia
La Playa DC
Dir: Juan Andrés Arango
Language: Spanish
U.S Release: Released by Artmattan Productions on July 19th, 2013
Festivals:Official Selection Cannes 2012 Un Certain Regard, Chicago Iff 2012 New Directors Competition
Trailer
Croatia
Halima's Path
Dir: Arsen Anton Ostojić
Language: Bosnian
U.S Release: Tba
Festivals: Berlin Efm 2013, Tallinn Black Nights Iff 2012 - EurAsia (Special Jury Prize)
Trailer
Czech Republic
Burning Bush
Dir: Agnieszka Holland
Language: Czech
U.S Release: Tba
Festivals: Toronto - Tiff 2013
Trailer
Denmark
The Hunt
Dir: Thomas Vinterberg
Language: Danish
U.S Release: Released by Magnolia Pictures on July 12th
Festivals: Cannes 2012 Competition, Toronto - Tiff 2012, AFI Fest
Trailer
Dominican Republic
Who's the Boss?
Dir: Ronni Castillo
Language: Spanish
U.S Release: Tba
Festivals: N/A
Trailer
Egypt
Winter of Discontent
Dir: Ibrahim el-Batout
Language: Arabic
U.S Release: Tba
Festivals: Cannes 2013
Trailer
Estonia
Free Range
Dir: Veiko Õunpuu
Language: Estonian
U.S Release: Tba
Festivals: Berlin Efm 2012
Trailer
Finland
The Disciple
Dir: Ulrika Bengts
Language: Finnish
U.S Release: Tba
Festivals:Helsinki International Film Festival, Montréal World Film Festival
Trailer
France
Renoir
Dir: Gilles Bourdos
Language: French
U.S Release: Released by Samuel Goldwyn Films on March 29th, 2013
Festivals: Cannes 2012 Un Certain Regard
Trailer
Georgia
In Bloom
Dir: Nana Ekvtimishvili and Simon Groß
Language: Georgian
U.S Release: Acquired by Big World Pictures for U.S Distribution
Festivals: Cannes 2013, Cicae award Berlinale Forum 2013
Trailer
Germany
Two Lives
Dir: Georg Maas
Language: German
U.S Release: Tba
Festivals: Berlin Efm 2013, Cannes 2013, Toronto-tiff 2013, Busan 2013
Trailer
Greece
Boy Eating The Bird's Food
Dir: Ektoras Lygizos
Language: Greek
U.S Release: Tba
Festivals: Toronto - Tiff 2012 Discovery
Trailer
Hong Kong
The Grandmaster
Dir: Wong Kar-wai
Language: Cantonese, Mandarin
U.S Release: Released by The Weinstein Company on August 23rd, 2013
Festivals: Berlinale - Efm 2013, Cannes 2013
Trailer
Hungary
The Notebook
Dir: Janosz Szasz
Language: Hungarian
U.S Release: Tba
Festivals: Toronto - Tiff 2013 Contemporary World Cinema
Trailer
Iceland
Of Horses and Men
Dir: Benedikt Erlingsson
Language: Icelandic
U.S Release: Tba
Festivals: Berlin Efm 2013, Sundance 2013
Trailer
India
The Good Road
Dir: Gyan Correa
Language: Gujarati
U.S Release: Tba
Festivals: London Indian Film Festival in 2013
Trailer
Iran
The Past
Dir: Asghar Farhadi
Language: French, Persian
U.S Release: Sony Pictures Classics will release the film on December 20th, 2013
Festivals:Cannes 2013 Competition-Won Best Actress, Toronto - Tiff 2013
Trailer
Israel
Bethlehem
Dir: Yuval Adler
Language: Hebrew
U.S Release: Tba
Festivals: Toronto - Tiff 2013 Discovery, Cannes 2013 , Berlin Efm 2013
Trailer
Italy
The Great Beauty
Dir: Paolo Sorrentino
Language: Italian
U.S Release: Acquired by Janus Films for U.S Distribution
Festivals: Cannes 2013 Competition, Berlin Efm 2013,
Trailer
Japan
The Great Passage
Dir: Yuya Ishii
Language: Japanese
U.S Release: Tba
Festivals: Fantasia Ff 2013 Official Selection, Cannes 2013
Trailer
Kazakhstan
The Old Man
Dir: Ermek Tursunov
Language: Russian, Kazakh
U.S Release: Tba
Festivals: N/A
Trailer
Latvia
Mother, I Love You
Dir: Janis Nords
Language: Latvian
U.S Release: Tba
Festivals: Cannes 2013, Los Angeles Film Festival 2013
Trailer
Lebanon
Ghadi
Dir: Amin Dora
Language: Arabic
U.S Release: Tba
Festivals: N/A
Trailer
Lithuania
Conversations on Serious Topics
Dir: Giedrė Beinoriūtė
Language: Lithuanian
U.S Release: Tba
Festivals: Berlin Efm 2013
Trailer
Luxembourg
Blind Spot
Dir: Christophe Wagner
Language: Luxembourgish, French
U.S Release: Tba
Festivals: Cannes 2012
Trailer
Mexico
Heli
Dir: Amat Escalante
Language: Spanish
U.S Release: Tba
Festivals: Cannes 2013 Competition-Won Best Director, San Sebastian 2013 Horizontes Latinos,
Trailer
Montenegro
Bad Destiny
Dir: Draško Đurović
Language: Serbo-Croatian
U.S Release: Acquired by Princ Films for U.S Distribution
Festivals: Toronto- Tiff 2013, Busan 2013
Trailer
Morocco
God's Horses
Dir: Nabil Ayouch
Language: Arabic
U.S Release: Tba
Festivals: Cannes 2012, Bif London Film Festival 2012
Trailer
Nepal
Soongava: Dance of the Orchids
Dir: Subarna Thapa
Language: Nepalese
U.S Release: Tba
Festivals: Cannes 2012, Berlin Efm 2013
Trailer
The Netherlands
Borgman
Dir: Alex van Warmerdam
Language: Dutch
U.S Release: Acquired by Drafthouse Films for U.S Distribution
Festivals: Cannes 2013 Competition, Busan 2013, Toronto-tiff 2013
Trailer
New Zealand
White Lies
Dir: Dana Rotberg
Language: Maori
U.S Release: Tba
Festivals: N/A
Trailer
Norway
I Am Yours
Dir: Iram Haq
Language: Norwegian, Urdu
U.S Release: Tba
Festivals: Toronto-tiff 2013
Trailer
Pakistan
Zinda Bhaag
Dir: Meenu Gaur and Farjad Nabi
Language: Udu, Punjabi
U.S Release: Tba
Festivals: N/A
Trailer
Palestine
Omar
Dir: Hany Abu-Assad
Language: Arabic
U.S Release: Tba
Festivals: Cannes 2013 Un Certain Regard, Toronto-tiff 2013
Trailer
Peru
The Cleaner
Dir: Adrian Saba
Language: Spanish
U.S Release: Tba
Festivals: Palm Springs Film Festival, Seattle International Film Festival
Trailer
Philippines
Transit
Dir: Hannah Espia
Language: Filipino, Tagalog, Hebrew
U.S Release: Tba
Festivals: Cinemalaya Film Festival 2013
Trailer
Poland
Walesa
Dir: Andrzej Wajda
Language: Polish
U.S Release: Tba
Festivals: Toronto - Tiff 2013, Venice- Biennale 2013
Trailer
Portugal
Lines of Wellington
Dir: Valeria Sarmiento
Language: Portuguese, English, French
U.S Release: Tba
Festivals: Venice - Biennale 2012 Competition, Toronto - Tiff 2012
Trailer
Romania
Child's Pose
Dir: Calin Peter Netzer
Language: Romanian
U.S Release: Tba
Festivals: Berlinale - Efm 2013 - Competition (Golden Bear for the Best Film), Toronto - Tiff 2013 Contemporary World Cinema
Trailer
Russia
Stalingrad
Dir: Fedor Bondarchuk
Language: Russian
U.S Release: Tba
Festivals: N/A
Trailer
Saudi Arabia
Wadjda
Dir: Haifaa al-Mansour
Language: Arabic
U.S Release: Released by Sony Pictures Classics on September 13th, 2013
Festivals: Cannes 2012, Venice International Film Festival 2012, Los Angeles Film Festival, Toronto-tiff 2013
Trailer
Serbia
Circles
Dir: Srdan Golubovic
Language: Serbian
U.S Release: Tba
Festivals: Sundance 2013 World Dramatic, Berlinale - Efm 2013 Forum, Cannes 2013
Trailer
Singapore
Ilo Ilo
Dir: Anthony Chen
Language: Mandarin, Hokkien, English, Tagalog
U.S Release: Tba
Festivals: Cannes 2013 Directors Fortnight, Toronto - Tiff 2013 Discovery
Trailer
Slovakia
My Dog Killer
Dir: Mira Fornay
Language: Slovak
U.S Release: Tba
Festivals: Berlin Efm 2013, Cannes 2013, Busan 2013
Trailer
Slovenia
Class Enemy
Dir: Rok Biček
Language: Slovene
U.S Release: Tba
Festivals: Cannes 2013, Toronto-tiff 2013
Trailer
Spain
15 Years and One Day
Dir: Gracia Querejeta
Language: Spanish
U.S Release: Tba
Festivals: San Sebastian 2013 Made in Spain, Berlin Efm 2013
Trailer
South Africa
Four Corners
Dir: Ian Gabriel
Language: Afrikaans, Tsotsitaal
U.S Release: Tba
Festivals:N/A
Trailer
South Korea
Juvenile Offender
Dir: Kang Yi-kwan
Language: Korean
U.S Release: Tba
Festivals: Toronto - Tiff 2012 Contemporary World Cinema,
Trailer
Sweden
Eat Sleep Die
Dir: Gabriela Pichler
Language: Swedish, Croatian
U.S Release: Tba
Festivals: Venice International Film Festival 2012, Toronto - Tiff 2012
Trailer
Switzerland
More Than Honey
Dir: Markus Imhoof
Language: German, Mandarin
U.S Release: Tba
Festivals: Toronto - Tiff 2012 Tiff Docs, Cannes 2013, Berlin Efm 2013
Trailer
Taiwan
Soul
Dir: Mong-Hong Chung
Language: Mandarin
U.S Release: Tba
Festivals: Cannes 2013, Toronto - Tiff 2013 Vanguard
Trailer
Thailand
Countdown
Dir: Nattawut Poonpiriya
Language: Thai
U.S Release: Acquired by Birch Tree Entertainment for U.S Distribution
Festivals: Cannes 2013, Far East Film Festival 2013
Trailer
Turkey
The Butterfly's Dream
Dir: Yılmaz Erdoğan
Language: Turkish
U.S Release: Tba
Festivals: Istanbul Film Festival, Los Angeles Turkish Film Festival
Trailer
Ukraine
Paradjanov
Dir: Serge Avedikian and Olena Fetisova
Language: Russian
U.S Release: Tba
Festivals: Toronto 2013
Trailer
United Kingdom
Metro Manila
Dir: Sean Elllis
Language: Filipino, Tagalog
U.S Release: Acquired by Paladin/108 Media for U.S Distribution
Festivals: Sundance 2013 World Dramatic, Berlin Efm 2012, Cannes 2012, Afm 2012, Berlin Efm 2013
Trailer
Venezuela
Breach in the Silence
Dir: Luis and Andrés Rodríguez
Language: Spanish
U.S Release: Tba
Festivals: Ventana Sur 2012, Festival de Mar del Plata "Panorama Latinomaericano"
Trailer...
- 10/3/2013
- by Carlos Aguilar
- Sydney's Buzz
New entries from Argentina, Denmark, Lebanon, Lithuania and Peru.
Submissions for the Best Foreign-Language Film at the 86th Academy Awards are coming in and will continue until October, when the full list of eligible submissions will be revealed.
Last year, a record 71 countries submitted features and the eventual winner was Austrian entry Amour, directed by Michael Haneke.
An initial nine finalists will be shortlisted, which will be whittled down to five nominees that will be announced on Jan 16, 2014.
Submissions
* = new additions
* Argentina, Wakolda, Lucía Puenzo
Australia, The Rocket, Kim Mordaunt
Austria, The Wall, Julian Pölsler
Bangladesh, Television, Mostofa Sarwar Farooki
Belgium, The Broken Circle Breakdown, Felix van Groeningen
Bosnia and Herzegovina, An Episode in the Life of an Iron Picker, Danis Tanović
Brazil, Neighbouring Sounds, Kleber Mendonça Filho
Bulgaria, The Colour of the Chameleon, Emil Hristov
Canada, Gabrielle, Louise Archambault
Chile, Gloria, Sebastián Lelio
Colombia, La Playa DC, Juan Andrés Arango
Croatia, Halima’s Path...
Submissions for the Best Foreign-Language Film at the 86th Academy Awards are coming in and will continue until October, when the full list of eligible submissions will be revealed.
Last year, a record 71 countries submitted features and the eventual winner was Austrian entry Amour, directed by Michael Haneke.
An initial nine finalists will be shortlisted, which will be whittled down to five nominees that will be announced on Jan 16, 2014.
Submissions
* = new additions
* Argentina, Wakolda, Lucía Puenzo
Australia, The Rocket, Kim Mordaunt
Austria, The Wall, Julian Pölsler
Bangladesh, Television, Mostofa Sarwar Farooki
Belgium, The Broken Circle Breakdown, Felix van Groeningen
Bosnia and Herzegovina, An Episode in the Life of an Iron Picker, Danis Tanović
Brazil, Neighbouring Sounds, Kleber Mendonça Filho
Bulgaria, The Colour of the Chameleon, Emil Hristov
Canada, Gabrielle, Louise Archambault
Chile, Gloria, Sebastián Lelio
Colombia, La Playa DC, Juan Andrés Arango
Croatia, Halima’s Path...
- 9/27/2013
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Denmark Selects 'The Hunt' & Hong Kong 'Grandmaster' as Foreign List for the 2014 Oscars Grows to 57
It had been a while since I last updated the list of films submitted for the 2014 Oscar race for Best Foreign Language Feature, but today I bring you 21 new titles as the list has now grown to 57 total films. Perhaps the most notable of the films added today is Thomas Vinterberg's The Hunt starring Mads Mikkelsen. The film played the 2012 Cannes Film Festival but it wasn't released in the Netherlands until late October last year, which means it missed the eligibility date by about a month. The Hunt won Mikkelsen the award for Best Actor in Cannes last year and I finally saw it earlier this year, calling it "one of the best films of the year" with a "masterclass performance from Mikkelsen." You can read my full review here. Additional titles worth of note include Hong Kong's submission of Wong Kar-wai's The Grandmaster and Italy's submission of...
- 9/26/2013
- by Brad Brevet
- Rope of Silicon
More weekend options for New York City readers, courtesy of the African Diaspora International Film Festival (Adiff). A weekend screening series, called The Double Bill Film Series (2 films on one ticket), of recent and not-so recent, some you might recognize (like A Man's Story, La Pirogue, La Playa DC, and The Next Day) taking place at Teachers College, Columbia University, 525 W 120th St. – 263 Macy. Tonight's 6pm screening is Free. For the rest of the weekend, it's $10 per screening ($8 for students and seniors). Or you can buy a pass to see all the films for $30. And if you have a valid Teachers College ID, all screenings Free. Buy tickets online...
- 7/26/2013
- by Tambay A. Obenson
- ShadowAndAct
The Bradford International Film Festival is typically an underground-friendly fest. This year appears to be no exception with two very special experimental film retrospectives, as well as a few modern underground-type flicks.
The 19th annual Biff will roll on April 11-21 at several locations around Bradford and Leeds in England, including the National Media Museum, Hebden Bridge Picture House, Hyde Park Picture House and other venues.
Biff is hosting a tribute to Stan Brakhage this year by screening the prolific filmmaker’s magnum opus, Dog Star Man, as well as a selection of his short films, from 1963′s legendary Mothlight to 1994′s Black Ice. There’s also going to be an epic-sized tribute/retrospective of experimental films from Austria, a country with a proud avant-garde filmmaking tradition that’s typically overlooked.
From Austria, Biff is, of course, screening two works from one of the experimental film world’s biggest masters,...
The 19th annual Biff will roll on April 11-21 at several locations around Bradford and Leeds in England, including the National Media Museum, Hebden Bridge Picture House, Hyde Park Picture House and other venues.
Biff is hosting a tribute to Stan Brakhage this year by screening the prolific filmmaker’s magnum opus, Dog Star Man, as well as a selection of his short films, from 1963′s legendary Mothlight to 1994′s Black Ice. There’s also going to be an epic-sized tribute/retrospective of experimental films from Austria, a country with a proud avant-garde filmmaking tradition that’s typically overlooked.
From Austria, Biff is, of course, screening two works from one of the experimental film world’s biggest masters,...
- 3/11/2013
- by Mike Everleth
- Underground Film Journal
Arvind Iyer’s Drapchi will be screened under the ‘The World Today’ section of the 28th Warsaw Film Festival. The 80 minute musical was earlier screened at the Osian’s Cinefan Film Festival 2012.
The Warsaw Film Festival will run from 12th – 21st October, 2012.
The synopsis of the film on the festival website reads: “Modern Tibet: a systematic war is being waged with the traditional past. Punishment awaits those who raise their voices in protest. This is the case with Yiga Gyalnang, a traditional Tibetan opera singer. She is abducted one morning and finds herself in near complete isolation in an underground prison cell in Drapchi, the biggest jail in Lhasa, Tibet. After two years, she breaks free and escapes to Nepal and from there, to the West. With her, she takes her strength, her spirituality, her Tibetan song.
Namgyal Lhamo, Lobsang Yonten, Chris Constantinou, Tashi Choephel and Gen Tenzin la are...
The Warsaw Film Festival will run from 12th – 21st October, 2012.
The synopsis of the film on the festival website reads: “Modern Tibet: a systematic war is being waged with the traditional past. Punishment awaits those who raise their voices in protest. This is the case with Yiga Gyalnang, a traditional Tibetan opera singer. She is abducted one morning and finds herself in near complete isolation in an underground prison cell in Drapchi, the biggest jail in Lhasa, Tibet. After two years, she breaks free and escapes to Nepal and from there, to the West. With her, she takes her strength, her spirituality, her Tibetan song.
Namgyal Lhamo, Lobsang Yonten, Chris Constantinou, Tashi Choephel and Gen Tenzin la are...
- 10/5/2012
- by NewsDesk
- DearCinema.com
I'll return to highlight specific titles; some we've already profiled and are tracking, like the Colombian coming-of-age drama La Playa DC, from director Juan Andres Arango. But, in the meantime, feel free to dig through the lineup yourselves... from the press release (the 48th Chicago International Film Festival will take place October 11-25, 2012.): One Hemisphere, Many Stories The 48th Chicago International Film Festival’s Cinema of the Americas Program Showcases One of the Most Exciting Filmmaking Regions of the World Chicago (October 1, 2012) - Dystopian futures. Idyllic love stories. Rites of passage. Sweeping epics. The 48th Chicago...
- 10/2/2012
- by Tambay A. Obenson
- ShadowAndAct
I posted an item a few days ago about films being screened at this year's Chicago International Film Festival (Oct. 11-25) that would definitely be of interest to S & A followers. However there are also two more films, which I confessed I had overlooked (sorry about that), that would be be interest as well, Both films we have covered here before. One is Adam Leon's Gimme the Loot about two teens who spend a crazy and frustrating day trying to rasie $500 so they can tag an iconic NYC landmark for revenge. But what's even more interesting is that the festival will also be screening Juan Andres Arango's La Playa DC which competed in this...
- 9/25/2012
- by Sergio
- ShadowAndAct
14th Mumbai Film Festival (Mff) announced its complete lineup today in a press conference. Mff will be held from October 18th to 25th at the National Centre for the Performing Arts (Ncpa) and Inox, Nariman Point, Liberty Cinemas, Marine Lines as the main festival venues and Cinemax, Andheri and Cinemax Sion as the satellite venues. Click here to watch trailers and highlights from the festival.
Here is the complete list of films to be screened during the festival (October 18-25)
International Competition for the First Feature Films of Directors
1. From Tuesday To Tuesday (De Martes A Martes)
Dir.: Gustavo Fernandez Triviño (Argentina / 2012 / Col. / 111′)
2. The Last Elvis (El Último Elvis)
Dir.: Armando Bo (Argentina / 2012 / Col. / 91′)
3. The Sapphires
Dir.: Wayne Blair (Australia / 2012 / Col. / 103′)
4. The Wall (Die Wand)
Dir.: Julian Pölsler (Austria-Germany / 2012 / Col. / 108′)
5. Teddy Bear (10 timer til Paradis)
Dir.: Mads Matthiesen (Denmark / 2012 / Col. / 93′)
6. Augustine
Dir.: Alice Winccour (France / 2012 / Col.
Here is the complete list of films to be screened during the festival (October 18-25)
International Competition for the First Feature Films of Directors
1. From Tuesday To Tuesday (De Martes A Martes)
Dir.: Gustavo Fernandez Triviño (Argentina / 2012 / Col. / 111′)
2. The Last Elvis (El Último Elvis)
Dir.: Armando Bo (Argentina / 2012 / Col. / 91′)
3. The Sapphires
Dir.: Wayne Blair (Australia / 2012 / Col. / 103′)
4. The Wall (Die Wand)
Dir.: Julian Pölsler (Austria-Germany / 2012 / Col. / 108′)
5. Teddy Bear (10 timer til Paradis)
Dir.: Mads Matthiesen (Denmark / 2012 / Col. / 93′)
6. Augustine
Dir.: Alice Winccour (France / 2012 / Col.
- 9/24/2012
- by NewsDesk
- DearCinema.com
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