Set in 1960, the film centres on the young, boyishly handsome Yuddy, who learns from the drunken ex-prostitute who raised him that she is not his real mother. Hoping to hold onto him, she ... See full summary »
Yiu-Fai and Po-Wing arrive in Argentina from Hong Kong and take to the road for a holiday. Something is wrong and their relationship goes adrift. A disillusioned Yiu-Fai starts working at a... See full summary »
Tony Chiu Wai Leung,
A disillusioned killer embarks on his last hit but first he has to overcome his affections for his cool, detached partner. Thinking it's dangerous and improper to become involved with a ... See full summary »
Ip Man's peaceful life in Foshan changes after Gong Yutian seeks an heir for his family in Southern China. Ip Man then meets Gong Er who challenges him for the sake of regaining her family's honor. After the Second Sino-Japanese War, Ip Man moves to Hong Kong and struggles to provide for his family. In the mean time, Gong Er chooses the path of vengeance after her father was killed by Ma San. Written by
Official submission of Hong Kong to the Oscars 2014 best foreign language film category. See more »
Gong Yutian spoke to me about his last move: Old Monkey Hangs Up His Badge. He said the secret of that move was to turn back. I didn't understand his meaning at the time, I thought he was unable to keep up with changing times...
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Magnificent in its Original International Cut Version
THIS IS A REVIEW OF THE INTERNATIONAL CUT, NOT THE 'HARVEY WEINSTEIN' American VERSION:
It was finally time for the great iconoclastic Hong Kong director to turn to martial arts in his intense and atmospheric telling of the great grandmaster teacher, Ip man, and he doesn't disappoint.
Wong Kar-wai brings the poetic beauty of his "In the Mood for Love" to this Chinese action genre and executes it with a precise rhythmic heightening reminiscent of Sam Peckinpah at his best, while bringing out the experience of living through the Japanese invasion of China during WWII.
The cast is magnificent, especially Tony Leung as the Ip man and Ziyi Zhang as Gong Er who perfectly embodies a kung-fu mistress trying to avenge her father.
A Wong masterpiece to put on a level with his finest work!
PS: One particular reviewer earlier criticized the editing of this film which, to me, smacks of putting down the film for not being more conventional. Sometimes it is difficult to put aside expectations of what one wants a film to be in favor of what the actual film on the screen is. "The Grandmaster" is, in fact, brilliantly edited. Wong is, if nothing else, a perfectionist in taking years to mold his assembled footage into his own personal rhythmic poem, idiosyncratically emphasizing downbeats and rests as precise as a great composer. What you see here is Wong Kar-wai's personal vision, take it or leave it. I wouldn't change a frame, or a single edit. It strikes me as a perfect diamond by this exceptional, if eccentric, cinema artist.
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