A mistaken delivery in Mumbai's famously efficient lunchbox delivery system connects a young housewife to an older man in the dusk of his life as they build a fantasy world together through notes in the lunchbox.
A married couple are faced with a difficult decision - to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.
The film, set in Mumbai, revolves around a mistaken delivery by the Dabbawalas (lunchbox service) of Mumbai, which leads to a relationship between Saajan, a lonely widower close to retirement, and Ila, an unhappy housewife, as they start exchanging notes through the daily lunchbox. Written by
When Saajan received lunch box for the first time there were four compartments of the lunch box. He opens only three compartments of the lunch box. but when camera changes it can be seen whole lunch box open. See more »
When my wife died, she got a horizontal burial cot... I tried to buy a burial cot for myself the other day, and what they offered me was a vertical one... I've spent my whole life standing in trains and buses... now I'll even have to stand when I'm dead!
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Great story line, effortless performances, definitely worth a watch!
To be able to write an involving story on something considered impossible is the hallmark of a good writer. 'The Lunchbox' is based on such a story surrounding the dabbawalas of Mumbai.
One mistake that brews a terrific relationship between two strangers, so delicately portrayed through the exchange of letters. There are only three actors in this film and each has delivered a stellar performance. None of them have many dialogues, but their expressions and motions depict their character in such an excellent manner, you wished there were even fewer lines! Irrfan proves with every new film that he in fact is the best 'Khan' of Bollywood and Nawazuddin can just not disappoint. He's used his GoW success to break into films such as this one and done justice to each role. Nimrat Kaur's simplicity throughout the film looks so effortless and yet so unbelievable for the Bollywood of today, which is ever so increasingly synonymous of excessive glamour and fashion.
Cinematography is average, but again, this isn't a 'visual' movie, it's more of a story. Direction looks great as Ritesh has been able to get the best out of his cast. Well, you'd have to try real hard to have Irrfan and Nawaz amidst your cast and yet churn a flop, but the director does deserve some credit.
In my opinion, this is the second best film of the year after Madras Cafe. I haven't seen Bhaag Milkha Bhaag though, so that might change things for me. Either way, this is in no way a bore or a drag as the film keeps you hooked onto the amazing story line and individual performances.
21 of 26 people found this review helpful.
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