BLINDSPOT is a sexy, psychological film-noir which features the story of a man who is sucked into the psychological web of two women on the run. On the run from themselves and from their ... See full summary »
Blind Spot is a documentary film that illustrates the current oil and energy crisis that our world is facing. Whatever measures of ignorance, greed, wishful thinking, we have put ourselves ... See full summary »
Among the rich in New Orleans, it's the lush life for Lionel Exley, a golf hustler and heavy drinker. Released from an Arkansas jail, "Ex" returns to the Big Easy and starts a friendship ... See full summary »
Three West Point 1861 generation cadets and friends go on opposite sides after the breakout of The Civil War, with tragic consequences. A subplot involves Lucius, a Shelby Peyton's slave, who kills a slave trader and goes on the run.
Five days in the life of an American couple immediately following the accidental death of their child. An every day story of tragedy, loss, acceptance, hope and renewal. 'Morning' follows ... See full summary »
An ambitious U.S. Senator reflects back on his life after the death of a woman whom he loved and kept in contact with only through correspondence. The movie is told in flashbacks as the two... See full summary »
Attila is struggling to restart his life after a car accident forcing his sister in wheelchair. Meeting Zsolt could bring the opportunity, but Attila slowly realizes he is used to carry out... See full summary »
This TVM directed by Michael Toshiyuki Uno is notable for how Laura Linney steals the tube, as the daughter of Joanne Woodward as Washington congressman faced with the issue of drug addiction. The use of real life pictures of Woodward with her own daughter ,and the fact that she co-produced, tells you that the subject has personal significance for Woodward. Unfortunately for her the teleplay by Nina Shergold, based on a story by Michael McTaggart and Ellen M Violett, presents Woodward as a harridan, evidence of the negative effects of a working mother. At one point Fritz Weaver as her husband says "Trying to reason with you is like standing in front of a bulldozer". If the idea of making the drug addict a torch singer who idolises Billie Holliday is perhaps rather overstated, the teleplay also raises a generational comparison between drug taking and alcoholism. The music score by Patrick Williams is used to lovely effect in one scene, when a baby is first held, but otherwise we get soaked in inspirational uplift. Watch for Patti D'Arbanville, and Allison Janney.
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