MOVIEmeter
SEE RANK
Down 1,198 this week

Come and See (1985)
"Idi i smotri" (original title)

Not Rated  |   |  Drama, War  |  17 October 1985 (Hungary)
8.3
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 8.3/10 from 22,962 users  
Reviews: 396 user | 63 critic

After finding an old rifle, a young boy joins the Soviet Army and experiences the horrors of World War II.

Director:

(as E. Klimov)

Writers:

(screenplay) (as A. Adamovich) , (story) (as A. Adamovich) , 1 more credit »
Watch Trailer
0Check in
0Share...

Watch Now

From $2.00 on Amazon Instant Video

ON DISC

10 Best Back-to-School TV Shows

Dust off your varsity jacket and get excited for fall with our list of the 10 best back-to-school TV shows.

Visit our Family Entertainment Guide

User Lists

Related lists from IMDb users

War
a list of 21 titles
created 07 Jul 2011
 
a list of 23 titles
created 18 May 2013
 
a list of 35 titles
created 28 Dec 2013
 
a list of 30 titles
created 7 months ago
 
a list of 43 titles
created 2 months ago
 

Related Items

Search for "Come and See" on Amazon.com

Connect with IMDb


Share this Rating

Title: Come and See (1985)

Come and See (1985) on IMDb 8.3/10

Want to share IMDb's rating on your own site? Use the HTML below.

Take The Quiz!

Test your knowledge of Come and See.

User Polls

2 wins. See more awards »

Videos

Photos

Learn more

People who liked this also liked... 

Andrei Rublev (1966)
Biography | Drama | History
    1 2 3 4 5 6 7 8 9 10 8.4/10 X  

The life, times and afflictions of the fifteenth-century Russian iconographer.

Director: Andrei Tarkovsky
Stars: Anatoliy Solonitsyn, Ivan Lapikov, Nikolay Grinko
The Mirror (1975)
Biography | Drama
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  

A dying man in his forties remembers his past. His childhood, his mother, the war, personal moments and things that tell of the recent history of all the Russian nation.

Director: Andrei Tarkovsky
Stars: Margarita Terekhova, Filipp Yankovskiy, Ignat Daniltsev
Drama | War
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

During World War II, 12-year old Ivan works as a spy on the eastern front. The small Ivan can cross the German lines unnoticed to collect information. Three Soviet officers try to take care... See full summary »

Directors: Andrei Tarkovsky, Eduard Abalov
Stars: Nikolay Burlyaev, Valentin Zubkov, Evgeniy Zharikov
Stalker (1979)
Drama | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  

A guide leads two men through an area known as the Zone to find a room that grants wishes.

Director: Andrei Tarkovsky
Stars: Alisa Freyndlikh, Aleksandr Kaydanovskiy, Anatoliy Solonitsyn
Drama | Romance | War
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  

Veronica plans a rendezvous with her lover, Boris, at the bank of river, only for him to be drafted into World War II shortly thereafter.

Director: Mikhail Kalatozov
Stars: Tatyana Samoylova, Aleksey Batalov, Vasiliy Merkurev
Stalingrad (1993)
Drama | War
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

A depiction of the brutal battle of Stalingrad, the Third Reich's 'high water mark', as seen through the eyes of German officer Hans von Witzland and his battalion.

Director: Joseph Vilsmaier
Stars: Dominique Horwitz, Thomas Kretschmann, Sebastian Rudolph
A Man Escaped (1956)
Drama | Thriller | War
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

French Resistance activist Andre Devigny is imprisoned by the Nazis, and devotes his waking hours to planning an elaborate escape. Then, on the same day, he is condemned to death, and given... See full summary »

Director: Robert Bresson
Stars: François Leterrier, Charles Le Clainche, Maurice Beerblock
Solaris (1972)
Drama | Mystery | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

A psychologist is sent to a station orbiting a distant planet in order to discover what has caused the crew to go insane.

Director: Andrei Tarkovsky
Stars: Natalya Bondarchuk, Donatas Banionis, Jüri Järvet
Harakiri (1962)
Action | Drama | History
    1 2 3 4 5 6 7 8 9 10 8.7/10 X  

An elder ronin samurai arrives at a feudal lord's home and requests an honorable place to commit suicide. But when the ronin inquires about a younger samurai who arrived before him things take an unexpected turn.

Director: Masaki Kobayashi
Stars: Tatsuya Nakadai, Akira Ishihama, Shima Iwashita
The Ascent (1977)
Drama | War
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  

Two Soviet partisans depart their starving band on a short march to a nearby farm to get supplies. The Germans have reached the farm first, so the pair must go on a journey deep into ... See full summary »

Director: Larisa Shepitko
Stars: Boris Plotnikov, Vladimir Gostyukhin, Sergey Yakovlev
Adventure | Drama | History
    1 2 3 4 5 6 7 8 9 10 8/10 X  

In the 16th century, the ruthless and insane Don Lope de Aguirre leads a Spanish expedition in search of El Dorado.

Director: Werner Herzog
Stars: Klaus Kinski, Ruy Guerra, Helena Rojo
Le Samouraï (1967)
Crime | Drama | Mystery
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

After killing a night-club owner, professional hitman Jef Costello is seen by witnesses. His efforts to provide himself with an alibi fail and more and more he gets driven into a corner.

Director: Jean-Pierre Melville
Stars: Alain Delon, Nathalie Delon, François Périer
Edit

Cast

Cast overview, first billed only:
Aleksey Kravchenko ...
Florya Gaishun (as A. Kravchenko)
Olga Mironova ...
Glasha (as O. Mironova)
Liubomiras Laucevicius ...
Kosach (as L. Lautsyavichius)
Vladas Bagdonas ...
(as V. Bagdonas)
Jüri Lumiste ...
German officer, a nazi fanatic
Viktor Lorents ...
(as V. Lorents)
Kazimir Rabetsky ...
(as K. Rabetsky)
Evgeniy Tilicheev ...
Gezhel, German translator (as Ye. Tilicheyev)
Aleksandr Berda ...
(as A. Berda)
G. Velts ...
German
V. Vasilyev
Igor Gnevashev ...
(as I. Gnevashev)
Vasiliy Domrachyov ...
(as V. Domrachyov)
G. Yelkin
Yevgeni Krzhizhanovsky ...
(as Ye. Kryzhanovsky)
Edit

Storyline

During WWII, a Belarusian boy is thrust into the atrocities of war, fighting with a hopelessly unequipped Soviet resistance movement against ruthless German forces. Witnessing scenes of abject terror and surviving horrifying situations, he loses his innocence and then his mind. Written by TheDistantPanic

Plot Summary | Add Synopsis

Genres:

Drama | War

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

Language:

| |

Release Date:

17 October 1985 (Hungary)  »

Also Known As:

Come and See  »

Filming Locations:


Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

| (heavily cut)

Sound Mix:

Color:

(archive footage)|

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

Locking undesirable civilian populations in barns and setting them afire, as shown in the movie, is a well-documented type of atrocity carried out by the Nazis on the Eastern Front. It is most strongly identified with Waffen-SS units commanded by the notorious war criminals Oskar Dirlewanger and Bronislav Kaminski. See more »

Goofs

The belted machine gun used by one of the Partisans to shoot the captured German soldiers does not eject any empty shell cases when it is fired. See more »

Connections

Referenced in The 100 Greatest War Films (2005) See more »

Soundtracks

Die Walküre
Written by Richard Wagner
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
One of the greatest wars films ever made
29 December 2004 | by (London) – See all my reviews

One of the greatest of all war films, Klimov's stunning work stands amongst such works in which the horror and sorrow of conflict are made fresh over again for the viewer, left to stumble numb from the cinema thereafter. Produced for the 40th anniversary of Russia's triumph over the German invaders in WW2, based upon a novella by a writer who was a teenage partisan during the war, the propagandist use to which it was later put - when the GDR was still in the Eastern Bloc, citizens were forced to watch this to warn them of another rise of fascism - does not impair its effect today at all. It echoes intensity found in another masterpiece by the director. Klimov's shorter Larissa (1980) is a remorseful elegy to his late wife. Poetic and very personal, its sense of shock anticipates the heightened anguish that ultimately reverberates through Come And See. Through his images, the director stares uncomprehendingly at a world where lives are removed cruelly and without reason, if on this occasion not just one, but thousands.

At the heart of the narrative is Floyra, both viewer and victim of the appalling events making up the film's narrative, his history a horrendous coming-of-age story. It begins with him laboriously digging out a weapon to use and much changed at the end, he finally uses one. As he travels from initial innocence, through devastating experience, on to stunned hatred, in a remarkable process he ages before our eyes, both inside and out. His fresh face grows perceptibly more haggard as the film progresses, frequently staring straight back at the camera, as if challenging the viewer to keep watching; or while holding his numbed head, apparently close to mental collapse. Often shot directly at the boy or from his point of view, the formal quality of Klimov's film owes something to Tarkovsky's use of the camera in Ivan's Childhood, although the context is entirely different.

The film's title is from the Book of Revelations, referring to the summoning of witnesses to the devastation brought by the Four Horsemen of the Apocalypse. 'Come and See' is an invitation for its youthful protagonist to arm up and investigate the war, but also one for the audience to tread a similarly terrible path, witnessing with vivid immediacy the Belorussion holocaust at close hand. Here, the intensity of what is on offer justifies amplification by the use of a travelling camera, point-of-view shots, and some startlingly surreal effects pointing up unnatural events: the small animal clinging nervously to the German commander's arm for instance, soundtrack distortions, or the mock Hitler sculpted out of clay and skull.

Main character Floyra is the director's witness to events, a horrified visitor forced, like us to 'see' - even if full comprehension understandably follows more slowly. For instance during their return to the village, there is some doubt as to if Floyra is yet, or will be ever, able to fully acknowledge the nature of surrounding events. In one of the most disturbing scenes out of a film full of them, Glasha's reaction to off-screen smells and sights is profoundly blithe and unsettling. So much so, we wonder for a brief while if the youngsters really know what is going on. Its a watershed of innocence: one look back as the two leave and the reality of the situation would surely overwhelm Floyra - just as later, more explicit horrors do the viewer.

Come And See was not an easy shoot. It lasted over nine months and during the course of the action the young cast were called upon to perform some unpleasant tasks including, at one point, wading up to their necks through a freezing swamp. Kravchenko's face is unforgettable during this and other experiences, and there are claims that he was hypnotised in order to simulate the proper degree of shell shock during one of the major early sequences. The sonic distortion created on the soundtrack at this point later appeared to a lesser extent in Spielberg's Saving Private Ryan, as did elements of a much-commented scene where a cow is caught in murderous crossfire. Klimov's camera ranges through and around the atrocities, although one doubts that a steady cam was available. By the end Florya is isolated from humanity, technically as well as mentally, by a striking shot that excludes the middle foreground. Disturbingly expressionistic though these scenes are, others such as the scene where Florya and the partisan girl Rose visit the forest after the bombing, achieve an eerie lyricism that are however entirely missing from the Hollywood production. And whereas Spielberg's work concludes with a dramatic irony that's perhaps a little too neat, contrived for different audience tastes, Klimov's less accommodating epic finishes on a unique, cathartic moment - no doubt partly chosen to avoid any bathos after events just witnessed, but one which sends real blame back generations.

Hallucinatory, heartrending, traumatic and uncompromising, such a movie will not to be all tastes. It certainly does not make for relaxing viewing, although those who see it often say it remains with them for years after. This was Klimov's last film for, as he said afterwards "I lost interest in making films. Everything that was possible I felt had already been done," no doubt referring to the emotional intensity of his masterpiece, which would be hard to top. By the end of their own viewing, any audience ought to be shocked enough to pick up a rifle themselves and vengefully join the home army setting out to fight the Great Patriotic War - a necessarily stalwart response without limit of participation, symbolised by the director who tracks a camera through the dense forest before finally rejoining a column of soldiers heading to the front. If you feel, like I do, that any real war film should succeed in conveying the power and pity of it all, then Come And See is an absolute go and watch.


266 of 298 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
Why does everyone instantly call this propaganda? snook_ocreed
Why were Belarusians known as White Russians? emmaclarke781
Can you help me with recommendations? ravikant21490
8.2 ? Marco8891
Watched this in University and people laughed. watersmells_likesky
Couple of questions aarone2884
Discuss Come and See (1985) on the IMDb message boards »

Contribute to This Page

Create a character page for:
?