During the final weekend of March there will a career restrospective of the works of Abigail Child at New York's Anthology Film Archives. We last spoke of the filmmaker when sharing a clip from her most recent documentary Origin of the Species. She would go on to win the Best Documentary Award at the Philip K. Dick Science Fiction Film Festival the following year. All the details you need to know about the program are in the extensive programme notes that follow. At times playful and at others intensely provocative, the cinema of Abigail Child has been a cornerstone of the American avant-garde film movement since the late 1970s. Poet, visual artist and filmmaker Abigail Child has absorbed the best of mentors like...
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- 2/20/2023
- Screen Anarchy
Abigail Child's new documentary Origin of the Species is set to have its world premiere during the online edition of Doc NYC international documentary film festival. Maverick American artist Abigail Child explores the complex and provocative intersections of humanity, gender, sexuality and robotics in the dynamic documentary, Origin Of The Species We have an exclusive clip to share with you today. It's something a little more comfortable than jumping right into gender and sexuality off the hop. War. We always thought that the reality of a Daniel H. Wilson novel was still a ways off but robotics already have a place in the global military installtion. Check it out below. The world premiere of Origin of the Species is set for the...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 10/29/2020
- Screen Anarchy
Doc NYC, America’s largest documentary festival and staple of the New York film community, announced the lineup for its 11th edition, running online November 11-19 and available to viewers across the US. The program includes new films about John Belushi, Pope Francis, Bill T. Jones, Jamal Khashoggi, Martin Luther King, Jr., Frank Zappa, and many more. The 2020 festival lineup includes 107 feature-length documentaries among over 200 films and dozens of events. Included are 23 World Premieres, 12 international or North American premieres, and 7 US premieres. Fifty-seven features (53% of the lineup) are directed or co-directed by women and 36 by Bipoc directors (34% of the feature program).
World Premieres at the festival include Nelson G. Navarrete and Maxx Caicedo’s “A La Calle,” Petra Epperlein and Michael Tucker’s “The Meaning of Hitler,” Gong Cheng and Yung Chang’s “Wuhan Wuhan,” Sian-Pierre Regis’s “Duty Free,” Noah Hutton’s “In Silico,” Nancy Buirski’s “A Crime on the Bayou,...
World Premieres at the festival include Nelson G. Navarrete and Maxx Caicedo’s “A La Calle,” Petra Epperlein and Michael Tucker’s “The Meaning of Hitler,” Gong Cheng and Yung Chang’s “Wuhan Wuhan,” Sian-Pierre Regis’s “Duty Free,” Noah Hutton’s “In Silico,” Nancy Buirski’s “A Crime on the Bayou,...
- 10/15/2020
- by Jude Dry
- Indiewire
‘The Eyeslicer’: Cult Variety Streaming Series Shifts Offline With New Festival and More — Exclusive
Cult variety TV show “The Eyeslicer” is gearing up for its second season, one that will move the streaming series into the terrestrial world with a brand new mini film festival, taking place in Brooklyn from September 14 to 17. The brainchild of creators Dan Schoenbrun and Vanessa McDonnell, the episodic series invites some of independent film’s most exciting directors to embrace their weird and experimental side in making a variety of short content, which is then weaved into thematic episodes.
The 13-episode Season 2 of “The Eyeslicer” will feature work from over 70 filmmakers, offerings that the co-creators describe as “a deep-dive into the strange, dark heart of our contemporary American hellscape, while also being an optimistic celebration of independent art-making within said hellscape.”
Starting with this new season, the internet will no longer be the series’ principal platform, but it will instead use a unique, zine-inspired mini-festival in Brooklyn and the...
The 13-episode Season 2 of “The Eyeslicer” will feature work from over 70 filmmakers, offerings that the co-creators describe as “a deep-dive into the strange, dark heart of our contemporary American hellscape, while also being an optimistic celebration of independent art-making within said hellscape.”
Starting with this new season, the internet will no longer be the series’ principal platform, but it will instead use a unique, zine-inspired mini-festival in Brooklyn and the...
- 8/1/2019
- by Chris O'Falt
- Indiewire
Atomic Garden“What’s good,” as you probably know, is urban slang. It means “what’s up?” Like a lot of slang, however, it can have very different meanings. One must be aware of the subtleties of context. But in the context of a festival report, it could have an entirely different meaning. It could be a way of asking for recommendations. “Hey, you saw those films? Well, what’s good?” In that respect, the films I discuss below might be taken (erroneously) as my picks for the absolute best films screened at the 2018 Media City Film Festival in Windsor, Ontario. This would imply that I saw all the films screened (I didn’t), or that any film not mentioned below somehow didn’t merit a mention.This is simply not true. For one thing, several of the best films screened at Media City this year are films I have...
- 12/10/2018
- MUBI
Her Silent SeamingPerhaps more than most other forms of cinema, experimental film and video is an auteur’s medium through and through. Since the production model for avant-garde work is almost exclusively artisanal, with a single individual (or possibly a duo or an artists’ collective) making the work from a studio context similar to that or a sculptor or photographer, it only makes sense to consider these works are expressions of an artist’s point of view. As such, those of us who regularly engage with experimental work will inevitably use the artist as the primary mode of categorization—who to keep track of, who seems promising, etc.But there’s a bit more to it. One of the greatest joys of avant-garde filmgoing, as any fan will tell you, is seeing an expertly curated program of films, be they new short works, recontextualized classics, or some combination thereof. A...
- 1/22/2016
- by Michael Sicinski
- MUBI
The New STYLEThis is the second year that the New York Film Festival has presented Projections, its extensive showcase of experimental film and video that for years had been called Views From the Avant-Garde. The name change (or "rebranding," in the parlance of our ugly times) corresponded, of course, to the departure of longtime programmer Mark McElhatten. Under his stewardship, Views became one of the premiere experimental film festivals in the world, a long weekend of high caliber dispatches from established masters, alongside bracing discoveries by up-and-coming makers whose work somehow caught Mark's eye. His programming partner, Film Comment's Gavin Smith, often brought along selections that complemented Mark's, even as they were out of his usual bailiwick.The Views era was not without its dissenters. Some complained that McElhatten rounded up the usual suspects year after year, sometimes without regard to the relative quality of their latest offerings. Others, most prominently Su Friedrich,...
- 10/2/2015
- by Michael Sicinski
- MUBI
What follows is a highly selective, unavoidably partial guide to the Wavelengths section of the 2014 Toronto International Film Festival, which kicks off today. Perhaps it seems that “selective” and “partial” are synonymous enough to produce redundancy when placed within the same sentence, and in most instances I would agree with this objection. In the first case, "selective," I will note that, of the 28 shorts and features that I was able to preview from the Wavelengths section (impeccably curated, as always, by the perspicacious Andréa Picard), I have chosen to highlight the fifteen that I personally found most aesthetically and intellectually bold, invigo(u)rating, troubling, critical-verbiage-thwarting, or otherwise worthy of hearty recommendation. This in no way implies that the other works were somehow lacking, only that I could not see my way through to them at this particular time and place. A different set of viewing circumstances (the ones you’re about to embark upon,...
- 9/10/2014
- by Michael Sicinski
- MUBI
Dziga Vertov's Man with a Movie Camera (1929), Claude Lanzmann's Shoah (1985), Chris Marker's Sans soleil (1982), Alain Resnais's Night and Fog (1955) and Errol Morris's The Thin Blue Line (1989) are among the high-scorers in Sight & Sound's new poll of critics and filmmakers, The Greatest Documentaries of All Time." Meantime, Canyon Cinema's posted a free book chapter by Peter Tscherkassky, a manifesto from Abigail Child and notes on Stan Brakhage by Phil Solomon. Plus, the legacy of Wwi and more in today's roundup of news and views. » - David Hudson...
- 8/1/2014
- Keyframe
Dziga Vertov's Man with a Movie Camera (1929), Claude Lanzmann's Shoah (1985), Chris Marker's Sans soleil (1982), Alain Resnais's Night and Fog (1955) and Errol Morris's The Thin Blue Line (1989) are among the high-scorers in Sight & Sound's new poll of critics and filmmakers, The Greatest Documentaries of All Time." Meantime, Canyon Cinema's posted a free book chapter by Peter Tscherkassky, a manifesto from Abigail Child and notes on Stan Brakhage by Phil Solomon. Plus, the legacy of Wwi and more in today's roundup of news and views. » - David Hudson...
- 8/1/2014
- Fandor: Keyframe
The 52nd annual Ann Arbor Film Festival will be a jam-packed experimental feature and short film screening event running for six days and nights, this time on March 25-30.
Opening Night will feature a reception and an after-party, and stuffed between those will be a block of nine short films, including new ones by Bryan Boyce, Michael Robinson, Jennifer Reeder and Martha Colburn, as well as a never-before-released work by the legendary Bruce Baillie called Little Girl in which Baillie captured scenes of natural beauty.
Special Events scattered throughout the festival include a retrospective of indie filmmaker Penelope Spheeris that will feature her rock ‘n’ roll-based work, including the original The Decline of Western Civilization, plus The Decline of Western Civilization Part III, her influential punk film Suburbia (screening twice) and a collection of short films.
There will also be several films and presentations by filmmaking scholar Thom Andersen, such...
Opening Night will feature a reception and an after-party, and stuffed between those will be a block of nine short films, including new ones by Bryan Boyce, Michael Robinson, Jennifer Reeder and Martha Colburn, as well as a never-before-released work by the legendary Bruce Baillie called Little Girl in which Baillie captured scenes of natural beauty.
Special Events scattered throughout the festival include a retrospective of indie filmmaker Penelope Spheeris that will feature her rock ‘n’ roll-based work, including the original The Decline of Western Civilization, plus The Decline of Western Civilization Part III, her influential punk film Suburbia (screening twice) and a collection of short films.
There will also be several films and presentations by filmmaking scholar Thom Andersen, such...
- 3/18/2014
- by Mike Everleth
- Underground Film Journal
Browse all the sections of the 57th London Film Festival (Oct 9-20) including the galas, competition titles and individual sections.
Alphabetical list of titles by section including feature premiere status
Wp = Wp
Ep = European Premiere
IP = International Premiere
UK = UK Premiere
Gala’s
Opening Night
Captain Phillips, Paul Greengrass (Us) Ep
Closing Night
Saving Mr Banks, John Lee Hancock (Us/UK) Ep
Philomena, Stephen Frears (UK) UK12 Years A Slave, Steve Mcqueen (UK) EPGravity, Alfonso Cuaron (Us) UKInside Llewyn Davis, Ethan Coen, Joel Coen (Us) UKLabor Day, Jason Reitman (Us) EPThe Invisible Woman, Ralph Fiennes (UK), EPThe Epic Of Everest, John Noel (UK) WPBlue Is The Warmest Colour, Abdellatif Kechiche (France) UKNight Moves, Kelly Reichardt (Us) UKStranger By The Lake, Alain Guiraudie (France) UKDon Jon, Joseph Gordon-Levitt (Us) UKMystery Road, Ivan Sen (Australia) UKOnly Lovers Left Alive, Jim Jarmusch (Us) UKNebraska, Alexander Payne (Us) UKWe Are The Best!, Lukas Moodysson (Sweden) EPFoosball 3D, Juan Jose Campanella (Argentina...
Alphabetical list of titles by section including feature premiere status
Wp = Wp
Ep = European Premiere
IP = International Premiere
UK = UK Premiere
Gala’s
Opening Night
Captain Phillips, Paul Greengrass (Us) Ep
Closing Night
Saving Mr Banks, John Lee Hancock (Us/UK) Ep
Philomena, Stephen Frears (UK) UK12 Years A Slave, Steve Mcqueen (UK) EPGravity, Alfonso Cuaron (Us) UKInside Llewyn Davis, Ethan Coen, Joel Coen (Us) UKLabor Day, Jason Reitman (Us) EPThe Invisible Woman, Ralph Fiennes (UK), EPThe Epic Of Everest, John Noel (UK) WPBlue Is The Warmest Colour, Abdellatif Kechiche (France) UKNight Moves, Kelly Reichardt (Us) UKStranger By The Lake, Alain Guiraudie (France) UKDon Jon, Joseph Gordon-Levitt (Us) UKMystery Road, Ivan Sen (Australia) UKOnly Lovers Left Alive, Jim Jarmusch (Us) UKNebraska, Alexander Payne (Us) UKWe Are The Best!, Lukas Moodysson (Sweden) EPFoosball 3D, Juan Jose Campanella (Argentina...
- 9/4/2013
- ScreenDaily
This week’s Must Read is a rarity: Underground icon Damon Packard being interviewed in a major newspaper, the San Francisco Bay Guardian, on the occasion of his genius new film Foxfur screening at Craig Baldwin’s Other Cinema last night.And, you know it, it’s also not every day an underground film is profiled in the New York Times, so super congrats to director Adam Rehmeier and particularly Rodleen Getsic for this Nyt piece about the controversial nature of their The Bunny Game.Here’s a new “Must Bookmark” blog: A movie journal site by Melanie Wilmink, formerly of the $100 Film Festival, where she now hopes to open up discussion generated by indie films — and she’s doing a fantastic job so far!Also to bookmark: Eric Krasner has a blog regarding his in-progress documentary on legendary Yiddish comedian Mickey Katz.The Huffington Post reports on the totally...
- 9/16/2012
- by Mike Everleth
- Underground Film Journal
Cannes is now over which means it’s time to move to Britain as the Edinburgh Film Festival kicks off!
We’ve just been sent the full line-up for the 2012 Edinburgh Film Festival which is now in it’s 66th year. We have our people (Jamie, Steven and Emma) on the ground at the event right now ready to catch as many films as they possible can throughout the next wee or two as we get to see 121 new features and 19 world premieres.
I’ll let the full press release below do the talking but let us know what you’re looking forward to in the comments section below.
World Premieres:
Berberian Sound Studio Borrowed Time Day Of The Flowers Exit Elena Flying Blind Fred Future My Love Guinea Pigs Here, Then Leave It On The Track The Life And Times Of Paul The Psychic Octopus Life Just Is Mnl...
We’ve just been sent the full line-up for the 2012 Edinburgh Film Festival which is now in it’s 66th year. We have our people (Jamie, Steven and Emma) on the ground at the event right now ready to catch as many films as they possible can throughout the next wee or two as we get to see 121 new features and 19 world premieres.
I’ll let the full press release below do the talking but let us know what you’re looking forward to in the comments section below.
World Premieres:
Berberian Sound Studio Borrowed Time Day Of The Flowers Exit Elena Flying Blind Fred Future My Love Guinea Pigs Here, Then Leave It On The Track The Life And Times Of Paul The Psychic Octopus Life Just Is Mnl...
- 5/30/2012
- by David Sztypuljak
- HeyUGuys.co.uk
The full programme for the 66th edition of the Edinburgh International Film Festival (Eiff), which runs from 20 June to 1 July, has been officially announced and will feature nineteen World premieres and thirteen International premieres.
The Festival will showcase one hundred and twenty-one new features from fifty-two countries, including eleven European premieres and seventy-six UK premieres in addition to the World and International premieres. Highlights include the World premieres of Richard Ledes’ Fred; Nathan Silver’s Exit Elena and Benjamin Pascoe’s Leave It On The Track and European premieres of Lu Sheng’s Here, There and Yang Jung-ho’s Mirage in the maiden New Perspectives section; and the International premiere of Benicio Del Toro, Pablo Trapero, Julio Medem, Elia Suleiman, Gaspar Noé, Juan Carlos Tabio and Laurent Cantet’s 7 Days In Havana and the European premiere of Bobcat Goldthwait’s God Bless America in the Directors’ Showcase. In addition to the new features presented,...
The Festival will showcase one hundred and twenty-one new features from fifty-two countries, including eleven European premieres and seventy-six UK premieres in addition to the World and International premieres. Highlights include the World premieres of Richard Ledes’ Fred; Nathan Silver’s Exit Elena and Benjamin Pascoe’s Leave It On The Track and European premieres of Lu Sheng’s Here, There and Yang Jung-ho’s Mirage in the maiden New Perspectives section; and the International premiere of Benicio Del Toro, Pablo Trapero, Julio Medem, Elia Suleiman, Gaspar Noé, Juan Carlos Tabio and Laurent Cantet’s 7 Days In Havana and the European premiere of Bobcat Goldthwait’s God Bless America in the Directors’ Showcase. In addition to the new features presented,...
- 5/30/2012
- by Phil
- Nerdly
The National Film Preservation Foundation and The Film Foundation have awarded their annual Avant-Garde Masters Grants for 2012. The overall grant award, which equals $50,000, will help restore and preserve an impressive selection of classic experimental and avant-garde films from the 1950s and ’60s by five legendary underground filmmakers: Mike Kuchar, Gregory Markopoulos, Ian Hugo, Aldo Tambellini and Jud Yalkut.
This year’s grant award will be split among five different archivist organizations, each one working on a different filmmaker’s work.
Three filmmakers will have one film each preserved: The Temenos will be preserving Cycle VII of Gregory J. Markopoulos’ epic 22-cycle film Eniaios; Anthology Film Archives will be preserving one of Mike Kuchar‘s more obscure works, Green Desire (1965); and the Trisha Brown Dance Company will be preserving Jud Yalkut’s Planes (1968), which features choreography by Trisha Brown.
Meanwhile, the Library of Congress has been awarded the opportunity to preserve...
This year’s grant award will be split among five different archivist organizations, each one working on a different filmmaker’s work.
Three filmmakers will have one film each preserved: The Temenos will be preserving Cycle VII of Gregory J. Markopoulos’ epic 22-cycle film Eniaios; Anthology Film Archives will be preserving one of Mike Kuchar‘s more obscure works, Green Desire (1965); and the Trisha Brown Dance Company will be preserving Jud Yalkut’s Planes (1968), which features choreography by Trisha Brown.
Meanwhile, the Library of Congress has been awarded the opportunity to preserve...
- 4/18/2012
- by Mike Everleth
- Underground Film Journal
"Where's "Trailers 1'?" you might be asking. That roundup's built right into the entry on the lineup for the Bright Future program, where I've embedded 18 trailers. This batch gathers trailers for features in the Tiger Awards Competition and the main Spectrum program.
First, this from the International Film Festival Rotterdam: "José Luis Torres Leiva made this year's leader for the Hubert Bals Fund. Copia imperfecta is a beautiful homage to Raúl Ruiz, the great Chilean filmmaker who died last summer."
Tiger Awards Competition
Orhan Eskiköy and Zeynel Dogan's Voice of my Father (Babamin sesi)
Huang Ji's Egg and Stone (Jidan he shitou)
Maja Miloš's Clip (Klip)
Óskar Thor Axelsson's Black's Game (Svartur á leik)
Anka and Wilhelm Sasnal's It Looks Pretty from a Distance (Z daleka widok jest piękny)
Park Hong-Min's A Fish (Mulgogi)
Midi Z's Return to Burma
Babis Makridis's L
Okuda Yosuke's Tokyo Playboy...
First, this from the International Film Festival Rotterdam: "José Luis Torres Leiva made this year's leader for the Hubert Bals Fund. Copia imperfecta is a beautiful homage to Raúl Ruiz, the great Chilean filmmaker who died last summer."
Tiger Awards Competition
Orhan Eskiköy and Zeynel Dogan's Voice of my Father (Babamin sesi)
Huang Ji's Egg and Stone (Jidan he shitou)
Maja Miloš's Clip (Klip)
Óskar Thor Axelsson's Black's Game (Svartur á leik)
Anka and Wilhelm Sasnal's It Looks Pretty from a Distance (Z daleka widok jest piękny)
Park Hong-Min's A Fish (Mulgogi)
Midi Z's Return to Burma
Babis Makridis's L
Okuda Yosuke's Tokyo Playboy...
- 1/18/2012
- MUBI
I’ll just fess up: Despite the fact that it’s in its 41st year, the International Film Festival Rotterdam is something I’ve kind of never heard about until today. (Let’s blame it on a slip in my geography skills.) This ignorance on my part notwithstanding, taking a look at their initial lineup for this year — when the event runs from January 25th to February 5th — has left me mightily impressed.
The biggest world premieres come from two directors on opposite ends of at least a few spectrum: Takashi Miike and James Franco. (Discounting the fact that they’ve both depicted amputations onscreen, in one way or the other.) The former is debuting his adaptation of the popular Nintendo DS game, Ace Attorney, while the latter will be exhibiting Francophrenia (Or: Don’t Kill Me, I Know Where the Baby Is). A movie based on a kid’s...
The biggest world premieres come from two directors on opposite ends of at least a few spectrum: Takashi Miike and James Franco. (Discounting the fact that they’ve both depicted amputations onscreen, in one way or the other.) The former is debuting his adaptation of the popular Nintendo DS game, Ace Attorney, while the latter will be exhibiting Francophrenia (Or: Don’t Kill Me, I Know Where the Baby Is). A movie based on a kid’s...
- 1/6/2012
- by jpraup@gmail.com (thefilmstage.com)
- The Film Stage
The International Film Festival Rotterdam has announced the lineup for its main section, Spectrum: 72 features and documentaries from 32 countries, with descriptions from the Festival, running January 25 through February 5:
World premieres
Cornelia frente al espejo (Cornelia at Her Mirror) - Daniel Rosenfeld, Argentina, Hubert Bals Fund-supported film. A "meticulous and stylish film based on the story by Silvina Ocampo (1903-1993)." Roman Diary - Michael Pilz, Austria. A "meditative film featuring images of a park in Rome." Rua Aperana 52 - Júlio Bressane, Brazil. A "musical film about a street corner in Rio, edited together from old photos and the maker’s own films from the period 1957-2005." Lacan Palestine - Mike Hoolboom, Canada. A "found-footage essay on a complex country and its love-struck inhabitants." 38 témoins (38 Witnesses) - Lucas Belvaux, France, Belgium. Opening Film Iffr 2012. Le reste du monde (The Rest of the World) - Damien Odoul, France. A "family considers issues of identity and relationships.
World premieres
Cornelia frente al espejo (Cornelia at Her Mirror) - Daniel Rosenfeld, Argentina, Hubert Bals Fund-supported film. A "meticulous and stylish film based on the story by Silvina Ocampo (1903-1993)." Roman Diary - Michael Pilz, Austria. A "meditative film featuring images of a park in Rome." Rua Aperana 52 - Júlio Bressane, Brazil. A "musical film about a street corner in Rio, edited together from old photos and the maker’s own films from the period 1957-2005." Lacan Palestine - Mike Hoolboom, Canada. A "found-footage essay on a complex country and its love-struck inhabitants." 38 témoins (38 Witnesses) - Lucas Belvaux, France, Belgium. Opening Film Iffr 2012. Le reste du monde (The Rest of the World) - Damien Odoul, France. A "family considers issues of identity and relationships.
- 1/6/2012
- MUBI
As year-end rituals go, remembering those we've lost over the past twelve months is the solemn twin of list-making, though it's often no less an act of celebration. In the new issue of the Brooklyn Rail, Charles Bernstein and Susan Bee look back on the life of George Kuchar, "one of the most creative, original, and influential filmmakers of our time, straddling two generations of North American iconoclasts, from Stan Brakhage, Ken Jacobs, Rudy Burckhardt, Kenneth Anger, and Michael Snow to Warren Sonbert, Ernie Gehr, Abigail Child, and Henry Hills. Often collaborating with his twin brother, Mike, George Kuchar started making films as a Bronx teenager, and the brothers' early films already show the ingenuity, exuberance, and do-it-yourself charm that would pervade scores of their subsequent films."
More from Clara Pais in the freely downloadable December issue of One + One, which also features Diamuid Hester on Jacques Tati, Donna K on Brent Green,...
More from Clara Pais in the freely downloadable December issue of One + One, which also features Diamuid Hester on Jacques Tati, Donna K on Brent Green,...
- 12/11/2011
- MUBI
The 49th annual Ann Arbor Film Festival is an epic celebration of experimental media that runs for six days on March 22-27. There’s so much great stuff screening this year, it makes one wonder what they’ll have left for their 50th anniversary next year!
A couple of the highlights include the highly anticipated feature-length documentary The Ballad of Genesis and Lady Jaye by Marie Losier, which chronicles the pandrogynous love story between industrial music pioneer Genesis P-Orridge and his late wife. The film already made a big splash at the Berlinale earlier in the year and looks to be a major hit on the festival circuit this year.
Also not to be missed is a special retrospective of one of this year’s festival jury members, Vanessa Renwick, a longtime favorite on Bad Lit: The Journal of Underground Film. Renwick will screen 10 of her quirky and artistic documentary portraits,...
A couple of the highlights include the highly anticipated feature-length documentary The Ballad of Genesis and Lady Jaye by Marie Losier, which chronicles the pandrogynous love story between industrial music pioneer Genesis P-Orridge and his late wife. The film already made a big splash at the Berlinale earlier in the year and looks to be a major hit on the festival circuit this year.
Also not to be missed is a special retrospective of one of this year’s festival jury members, Vanessa Renwick, a longtime favorite on Bad Lit: The Journal of Underground Film. Renwick will screen 10 of her quirky and artistic documentary portraits,...
- 3/7/2011
- by Mike Everleth
- Underground Film Journal
Tomorrow might be Valentine’s Day, but how about showing these great sites some love today?
To start things off on an inappropriately sleazy note: The Phantom of Pulp has several awesome — and one extra incredible — poster for one of my favorite horror movies, Maniac. “Underground film” means different things all over the world. In China, it just means government-repressed artists just trying to express themselves. Candlelight Stories has the full documentary Digital Underground in the People’s Republic by Rachel Tejada. Kimberly Chun as a lengthy dip into the current San Francisco experimental film scene on the site Bold Italic. Not sure what it is recently, but I keep digging up classic Chicago Underground Film Festival info. This week it’s the poster from their 4th edition designed by acclaimed graphic novelist Chris Ware. That’s from 1997 when the special guests were John Waters and Beth B. Also from...
To start things off on an inappropriately sleazy note: The Phantom of Pulp has several awesome — and one extra incredible — poster for one of my favorite horror movies, Maniac. “Underground film” means different things all over the world. In China, it just means government-repressed artists just trying to express themselves. Candlelight Stories has the full documentary Digital Underground in the People’s Republic by Rachel Tejada. Kimberly Chun as a lengthy dip into the current San Francisco experimental film scene on the site Bold Italic. Not sure what it is recently, but I keep digging up classic Chicago Underground Film Festival info. This week it’s the poster from their 4th edition designed by acclaimed graphic novelist Chris Ware. That’s from 1997 when the special guests were John Waters and Beth B. Also from...
- 2/13/2011
- by Mike Everleth
- Underground Film Journal
Feb. 12
8:00 p.m.
Millennium Film Workshop
66 East 4th St.
New York, New York 10003
Hosted by: Millennium Film Workshop
To celebrate the publication of the 53rd issue of the Millennium Film Journal, the Film Workshop will be screening a selection of films that are discussed in the journal. The full lineup of films as well as the table of contents are listed below.
Each issue of the journal is dedicated to a particular theme. Issue #53 deals with the subjects of migration and dislocation. Articles include reviews of the 2010 New York Film Festival’s Views From the Avant-Garde section and of the excellent Treasures IV: American Avant-Garde Film 1947-1986 DVD box set. Plus, there are interviews with filmmakers Peter Rose and Vincent Grenier, who each have a film screening, as well as tributes to the late Tom Chomont and Gary Beydler, who are both also represented with a film at this event.
8:00 p.m.
Millennium Film Workshop
66 East 4th St.
New York, New York 10003
Hosted by: Millennium Film Workshop
To celebrate the publication of the 53rd issue of the Millennium Film Journal, the Film Workshop will be screening a selection of films that are discussed in the journal. The full lineup of films as well as the table of contents are listed below.
Each issue of the journal is dedicated to a particular theme. Issue #53 deals with the subjects of migration and dislocation. Articles include reviews of the 2010 New York Film Festival’s Views From the Avant-Garde section and of the excellent Treasures IV: American Avant-Garde Film 1947-1986 DVD box set. Plus, there are interviews with filmmakers Peter Rose and Vincent Grenier, who each have a film screening, as well as tributes to the late Tom Chomont and Gary Beydler, who are both also represented with a film at this event.
- 2/8/2011
- by screenings
- Underground Film Journal
May 15
8:00 p.m.
Millennium Film Workshop
66 East 4th St.
New York, New York 10003
Hosted by: Millennium Film Journal
To celebrate the publication of the 52nd issue of the Millenium Film Journal, which has the theme “presence,” there will be a screening of classic and modern underground films that have been curated by Jessica Ruffin & Grahame Weinbren. The full lineup of films is below.
From the Journal’s Introduction: “Presence emphasizes the primacy of experience over analysis.” Articles in this issue are by Cathy Caplan, Roberta Friedman, Terry Flaxton, A. L. Rees, Jeremy Menzies; and a tribute to Chick Strand written by Pat O’Neill.
Suitably, there will be two films by Chick Strand, as well as Peggy Ahwesh’s classic porno-manipulation The Color of Love, Martha Colburn’s latest animated whirlwind Myth Labs; and work by Abigail Child, Phil Solomon and more:
Angel Blue Sweet Wings (1966), dir. Chick Strand
Anselmo (1967), dir.
8:00 p.m.
Millennium Film Workshop
66 East 4th St.
New York, New York 10003
Hosted by: Millennium Film Journal
To celebrate the publication of the 52nd issue of the Millenium Film Journal, which has the theme “presence,” there will be a screening of classic and modern underground films that have been curated by Jessica Ruffin & Grahame Weinbren. The full lineup of films is below.
From the Journal’s Introduction: “Presence emphasizes the primacy of experience over analysis.” Articles in this issue are by Cathy Caplan, Roberta Friedman, Terry Flaxton, A. L. Rees, Jeremy Menzies; and a tribute to Chick Strand written by Pat O’Neill.
Suitably, there will be two films by Chick Strand, as well as Peggy Ahwesh’s classic porno-manipulation The Color of Love, Martha Colburn’s latest animated whirlwind Myth Labs; and work by Abigail Child, Phil Solomon and more:
Angel Blue Sweet Wings (1966), dir. Chick Strand
Anselmo (1967), dir.
- 5/11/2010
- by screenings
- Underground Film Journal
Tim Burton invades New York, New Italian Cinema hits Los Angeles, Harold and Kumar spread holiday cheer in Austin and everywhere you look, they're celebrating All Tomorrow's Parties -- just some of the holiday film fun you can have this winter at your local repertory theater.
More Holiday Preview: [Theatrical Calendar]
[Repertory Calendar] [Anywhere But a Movie Theater]
New York
92YTribeca
In November, the 92YTribeca Screening Room will have some special guests in the house when it hosts the already sold out "A Conversation with Wes Anderson and Jason Schwartzman" on November 10th, with the two longtime collaborators discussing their latest film "Fantastic Mr. Fox." But tickets are still available for the night before (Nov. 9th), when actor Ben Foster and director Oren Moverman will screen their acclaimed new post-war drama "The Messenger". Much of the rest of the month is devoted to Cinema Tropical's Ten Years of New Argentine Cinema series with screenings of Adrián Caetano's immigration...
More Holiday Preview: [Theatrical Calendar]
[Repertory Calendar] [Anywhere But a Movie Theater]
New York
92YTribeca
In November, the 92YTribeca Screening Room will have some special guests in the house when it hosts the already sold out "A Conversation with Wes Anderson and Jason Schwartzman" on November 10th, with the two longtime collaborators discussing their latest film "Fantastic Mr. Fox." But tickets are still available for the night before (Nov. 9th), when actor Ben Foster and director Oren Moverman will screen their acclaimed new post-war drama "The Messenger". Much of the rest of the month is devoted to Cinema Tropical's Ten Years of New Argentine Cinema series with screenings of Adrián Caetano's immigration...
- 11/3/2009
- by Stephen Saito
- ifc.com
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