Night and Fog (1956)

The history of Nazi Germany's death camps of the Final Solution and the hellish world of dehumanization and death contained inside.

Director:

Alain Resnais

Writer:

Jean Cayrol (commentary)

Stars:

Michel Bouquet, Reinhard Heydrich, Heinrich Himmler

2 wins & 1 nomination.

Cast

Uncredited cast:
Michel Bouquet	...	Narrator (voice) (uncredited)
Reinhard Heydrich	...	Himself (archive footage) (uncredited)
Heinrich Himmler	...	Himself (archive footage) (uncredited)
Adolf Hitler	...	Himself (archive footage) (uncredited)
Julius Streicher	...	Himself (archive footage) (uncredited)

Storyline

One of the most vivid depictions of the horrors of Nazi Concentration Camps. Filmed in 1955 at several concentration camps in Poland, the film combines new color and black and white footage with black and white newsreels, footage shot by the victorious allies, and stills, to tell the story not only of the camps, but to portray the horror of man's brutal inhumanity.

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Plot Keywords:

nazi | concentration camp | jew | europe | death camp | 

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Genres:

Documentary | Short | History | War

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Certificate:

Not Rated

Details

Country:

France

Language:

French

Release Date:

January 1956 (France)

Also Known As:

Night and Fog

Filming Locations:

Auschwitz-Birkenau Concentration Camp, Oswiecim, Malopolskie, Poland

Company Credits

Production Co:

Argos Films

Technical Specs

Runtime:

32 min

Sound Mix:

Mono

Color:

Black and White Color

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Jean Cayrol found the project immensely distressing to work on, given the fact that he had been a concentration camp inmate. How he got round it was not to provide text, segment by segment, to Alain Resnais who would normally have edited the images around it. Instead, Cayrol wrote an initial text based on his recollections of Resnais' first cut. Resnais' assistant Chris Marker then reordered the script to match the sequence of shots and returned the restructured script to Cayrol who then rewrote the script.

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Goofs

In the film a popular myth about the Third Reich is presented as fact: The claim that the body fat of prisoners in extermination camps was used to produce soap. Though evidence does exist of small-scale soap production, possibly experimental, in the camp at Stutthof concentration camp near Danzig/Gdansk, mainstream scholars of the Holocaust consider the idea that the Nazis manufactured soap on an industrial scale to be part of World War II folklore.

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Quotes

Récitant/Narrator: "I am not responsible", says the kapo. "I am not responsible", says the officer. "I am not responsible". Who is responsible then?

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Alternate Versions

Before its original release, there was a still of a French gendarme (policeman) watching a roundup at Pithiviers. He is easily recognizable by the characteristic French "kepi." Wanting to deny complicity, French censors insisted this shot not be allowed, so for its original release, the image was altered so that a wooden beam covered the gendarme and his kepi. In 1997 or 98, the original version of the film was re-released in France, finally revealing the gendarme. The original American release of the film did not translate all the dialogue for the subtitles, in particular leaving out one of the two references to Jews: "Annette, from Bordeaux." Subsequent releases restored the original text: "Annette, a Jew from Bordeaux."

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Connections

Featured in Die innere Sicherheit (2000)

User Reviews

Insanity

Alain Resnais, a distinguished cinema director, working with Jean Cayrol, produced a document for all humanity to see and reflect. The director visited some of the concentration camps in Europe, where he filmed the abandoned sites in which millions lost their lives in one of the most shameful times in the history of mankind. European Jews paid a great price for no reason at all. Hitler and his followers decided to eliminate them because they saw in them a threat and their money and their labor would fuel the war machinery they needed to win the war.

The director uses color photography to show how the camps looked in 1955, then switches to the black and white of the material from an earlier time. Mr. Resnais juxtaposes the same camps during the 1940s at the height of the WWII conflict and how the lonely and forgotten places of what the director found in 1955. Even looking at these places ten years after the end of the war, these silent witnesses of the horrors the victims experienced, acquire a surreal look.

It's impossible to fathom what went on. We look in disbelief as bulldozers dump the inert bodies of the dead into common burial places. It's hard to imagine the ordeal these innocent victims went through, even for a moment. They didn't deserve the indignity of dying the way they did at the hands of people that should have known better. No excuses will ever justify what Hitler, and his fanatics, did to eliminate a race that didn't merit their hatred.

"Night and Fog" has powerful images and it packs such power, it's hard to make sense of what one sees in this important documentary that should be seen by everyone.