The Thin Blue Line (1988)

A film that successfully argued that a man was wrongly convicted for murder by a corrupt justice system in Dallas County, Texas.

Director:

Errol Morris

Writer:

Errol Morris

Stars:

Randall Adams, David Harris, Gus Rose

12 wins & 5 nominations.

Cast

Cast overview, first billed only:
Randall Adams	...	Himself
David Harris	...	Himself
Gus Rose	...	Himself (Homicide Detective in Dallas)
Jackie Johnson	...	Herself (Homicide Detective in Dallas)
Marshall Touchton	...	Himself (Homicide Detective in Dallas)
Dale Holt	...	Himself (Internal Affairs Investigator in Dallas)
Sam Kittrell	...	Himself (Police Detective in Vidor)
Hootie Nelson	...	Himself (Friend of David Harris in Vidor)
Dennis Johnson	...	Himself (Friend of David Harris in Vidor)
Floyd Jackson	...	Himself (Friend of David Harris in Vidor)
Edith James	...	Herself (Defense Attorney)
Dennis White	...	Himself (Defense Attorney)
Don Metcalfe	...	Himself (The Judge)
Emily Miller	...	Herself (Surprise Eyewitness)
R.L. Miller	...	Himself (Surprise Eyewitness)

Storyline

Errol Morris's unique documentary dramatically re-enacts the crime scene and investigation of a police officer's murder in Dallas, Texas. Briefly, a drifter (Randall Adams) ran out of gas and was picked up by a 16-year-old runaway (David Harris). Later that night, they drank some beer, smoked some marijuana, and went to the movies. Then, their stories diverged. Adams claimed that he left for his motel, where he was staying with his brother, and went to sleep. Harris, however, said that they were stopped by police late that night, and Adams suddenly shot the officer approaching their car. The film shows the audience the evidence gathered by the police, who were under extreme pressure to clear the case. It strongly makes a point that the circumstantial evidence was very flimsy. In fact, it becomes apparent that Harris was a much more likely suspect and was in the middle of a crime spree, eventually ending up on Death Row himself for the later commission of other crimes. Morris implies ...

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Plot Keywords:

murder of a police officer | color in title | hitchhiker | reenactment | wrongful conviction | 

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Taglines:

A softcore movie, Dr. Death, a chocolate milkshake, a nosey blonde and "The Carol Burnett Show." Solving this mystery is going to be murder.

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Genres:

Documentary | Crime | Drama | Mystery

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Certificate:

Not Rated

Details

Country:

USA

Language:

English

Release Date:

25 August 1988 (USA)

Also Known As:

På en skör tråd

Filming Locations:

Dallas, Texas, USA

Box Office

Gross USA:

$1,209,846

Company Credits

Production Co:

American Playhouse,Channel 4 Television Corporation,Third Floor Productions

Technical Specs

Runtime:

101 min

Sound Mix:

Dolby Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

As explained in the movie, the film title refers to the symbolic "thin blue line" of police officers which separate the public from anarchy, which is described as a state of complete lawlessness.

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Quotes

Sam Kittrell: In talking to David you don't ever feel hostile feelings coming from him. I have never seen David any way other than cordial, friendly to me as he could be, "Yes, sir," "No, sir," never disrespectful. So I've never seen the bad side. I've seen the results of it, and I've talked to him about it, and he's aware of the results of it - he remembers the bad side. But I've never seen him committing a crime or in a violent or volatile state.

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Crazy Credits

Drawings from the Bender Visual Motor Gestalt Test © 1946, American Orthopsychiatric Association Inc. and Lauretta Bender, M.D.

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Connections

Referenced in The Graham Norton Show: David Tennant/Olivia Colman/Harvey Weinstein/Jessie J (2015)

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Soundtracks

Metamorphosis
Written by Philip Glass

User Reviews

An astonishing look at the criminal justice system.

Along with 1996's Paradise Lost, The Thin Blue Line should be mandatory viewing for those who believe that the criminal justice system eventually convicts only the guilty. It is a stark and shocking look at one man behind bars and the truckloads of evidence that point toward his innocence. Documentarian Errol Morris indirectly argues that, at the very least, this evidence should have presented a "reasonable doubt" to the jury, and near the end of the movie, the audience has little choice but to accept his unbelievable findings. And the film ends with a single scene of just a tape recorder and voices that should be recognized as one of the most powerful endings to a movie, ever. A documentary masterpiece.