The French computer programmer Laura inherits the task of making a computer game of the Battle of Okinawa during World War II. She searches the internet for information on the battle, and ... See full summary »
A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.
A lonely widowed housewife does her daily chores, takes care of her apartment where she lives with her teenage son, and turns the occasional trick to make ends meet. However, something happens that changes her safe routine.
"He wrote me...." A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.Written by
George S. Davis <email@example.com>
The scenes from Iceland were filmed by Haroun Tazieff in 1965, on the island Vestmannaeyjar. It shows 3 sisters, Kristbjörg Sigríður Kristmundsdóttir, born 1954, Halldóra Kristmundsdóttir, born 1957, and Áshildur Kristmundsdóttir, born 1959. They first found out about being in this film in June 2015. See more »
I will have spent my life trying to understand the function of remembering, which is not the opposite of forgetting, but rather its lining. We do not remember. We rewrite memory much as history is rewritten. How can one remember thirst?
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This is one of these self-indulgent movies where the main objective is for the artist to draw the audience into his world under the assumption that there's a mutual agreement that what we observe may appear too distant and unreachable to us. It's kind of like if your mother-in-law came back from visiting Europe and she starts showing you all of her pictures for 2 hours. Chris Marker isn't so crude, however, I always felt that when one is experiencing the culture of a distant land the medium of film was never the choice way to experience it. Rather, the exploration of different cultures when traveling must be experienced within the moment, rather than taking the moment with a camera and experiencing it at home. This is where Sans Soleil becomes a success or a failure in the eyes of the audience: do we live in the moment close to the same way the filmmaker does? This is something only you can answer when watching it. Personally, It was all over the map for me (no pun intended), I think the traveler has the gift of reading people and of showing how their culture has become a mirror for their lives.
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