Man with a Movie Camera (1929)

A man travels around a city with a camera slung over his shoulder, documenting urban life with dazzling invention.

Director:

Dziga Vertov

Writer:

Dziga Vertov (scenario)

Star:

Mikhail Kaufman

1 win & 1 nomination.

Cast

Credited cast:
Mikhail Kaufman	...	The Cameraman

Storyline

This playful film is at once a documentary of a day in the life of the Soviet Union, a documentary of the filming of said documentary, and a depiction of an audience watching the film. Even the editing of the film is documented. We often see the cameraman who is purportedly making the film, but we rarely, if ever, see any of the footage he seems to be in the act of shooting!

---

Plot Keywords:

eye | russia | exercise bicycle | urban setting | slow motion scene | 

---

Taglines:

The Greatest Documentary Ever Made.

---

Genres:

Documentary | Music

---

Certificate:

Not Rated

Details

Country:

Soviet Union

Release Date:

12 May 1929 (USA)

Also Known As:

Living Russia, or The Man with a Camera

Filming Locations:

Kharkov, Ukraine

Company Credits

Production Co:

Vseukrainske Foto Kino Upravlinnia (VUFKU)

Technical Specs

Runtime:

68 min

Sound Mix:

Silent

Color:

Black and White

Aspect Ratio:

1.33 : 1

Did You Know?

Trivia

In 1996 Norwegian composer Geir Jenssen (aka "Biosphere") was commissioned by the Tromsø International Film Festival to write a new soundtrack for the movie, using the director's written instructions for the original accompanying piano player. Jenssen wrote half of the soundtrack, turning the other half to Per Martinsen (aka Mental Overdrive). It was used for the Norwegian version, "Mannen med filmkameraet", at the 1996 TIFF. The scored movie was not available after the festival. Soundtrack released in 2001 on CD.

---

Crazy Credits

At the beginning there is a long explanation of what this film is about and that it is of experimental origin.

---

Alternate Versions

In honor of the ninetieth anniversary of the founding of VUFKU (The All-Ukrainian Photo-Cinema Administration), the Oleksandr Dovzhenko National Film Centre implemented a 2K restoration of Man with a Movie Camera (Ukrainian title: "Liudyna z Kinoaparatom"). It which was released on DVD in 2011, as part of the collection "Ukrainian Re-Vision" ("Ukrainske Nime"), and as a standalone DVD in the Kolo Dzigi Collection series. This version has a running time of 66 minutes and features three scores, by the following artists: DJ Derbastler (Ivan Moskalenko; UA, 2011), Vitalii Tkachuk's Quartet (UA, 2010), and In the Nursery (UK, 1999).

---

Connections

Featured in The Cutting Edge: The Magic of Movie Editing (2004)

User Reviews

An Interesting, Unusual Experiment That Has Held Up Very Well

When "Man With a Movie Camera" had just been made, it must have been one of the most distinctive movies of its time, and it is at least as interesting now. In itself, it was a highly successful experiment: the variety of creative camera techniques and the fast-paced progression of images create an effective portrait of the city of Moscow as a typical day goes by. Now, several decades later, it remains distinctive in its style and content, and is even more interesting in that it also allows us a glimpse of daily life in an unfamiliar place and time.

Starting with a look around the city in the morning before things start to happen, it then moves through the day, often coming back to the same site or individual at different times. The incidents shown range from routine daily activities to recreation to emergencies, with everything in between. The sense of realism is such that, despite the rather short clips of specific individuals, you can sometimes feel almost a part of what the persons on-screen are experiencing. At other times, it's just intriguing to have this kind of look at a different era.

The thorough-going experimentation, especially with the unusual camera methods, could easily have led to an unwatchable mess if not done with care. Even experienced film-makers, especially at the present time, too often over-indulge in such techniques to the point where the substance of their films becomes secondary to mere artifice. But here, Dziga Vertov achieved a skillful fit between technique and material, creating a film that has held up very well over the years.