A man travels around a city with a camera slung over his shoulder, documenting urban life with dazzling invention.
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Title: Man with a Movie Camera (1929)
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1 win & 1 nomination.
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Plot Summary
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Storyline
This playful film is at once a documentary of a day in the life of the Soviet Union, a documentary of the filming of said documentary, and a depiction of an audience watching the film. Even the editing of the film is documented. We often see the cameraman who is purportedly making the film, but we rarely, if ever, see any of the footage he seems to be in the act of shooting! Written by George S. Davis
Taglines:
The Greatest Documentary Ever Made.Parents Guide:
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Details
Country:
Soviet UnionRelease Date:
12 May 1929 (USA) See more »Also Known As:
Living Russia, or The Man with a Camera See more »Edit
Box Office
Cumulative Worldwide Gross:
$3,959Company Credits
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Technical Specs
Runtime:
Sound Mix:
SilentColor:
Black and WhiteAspect Ratio:
1.33 : 1
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Did You Know?
Crazy Credits
At the beginning there is a long explanation of what this film is about and that it is of experimental origin. See more »Alternate Versions
Kino International, by arrangement with the George Eastman House International Museum of Photography, released a version in 1996 produced by David Shepard and copyrighted by Film Preservation Associates. It runs 68 minutes and has new original music composed and performed by the Alloy Orchestra following the written instructions from the director, Dziga Vertov. The music has been copyrighted by Junk Metal Music in 1996. See more »Frequently Asked Questions
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While I thoroughly enjoyed this film (for several reasons previously mentioned), I think it is important to clear up a one thing that has been repeatedly mistaken in these user comments.
This was NOT produced under Lenin's Soviet Regime, but rather shortly after Stalin took over in 1928. The government, then, disapproved of Vertov's film style, not seeing the proletariat message but rather only the formalistic errors that they saw as inherent. After passing directives to forbid formalist methods of production (most likely specifically for Eisenstein and Vertov), Vertov moved to Kiev to produce this film, where I apparently the government was less strict.