In the midst of the Russian Revolution of 1905, the crew of the battleship Potemkin mutiny against the brutal, tyrannical regime of the vessel's officers. The resulting street demonstration in Odessa brings on a police massacre.
Sergei M. Eisenstein
This playful film is at once a documentary of a day in the life of the Soviet Union, a documentary of the filming of said documentary, and a depiction of an audience watching the film. Even the editing of the film is documented. We often see the cameraman who is purportedly making the film, but we rarely, if ever, see any of the footage he seems to be in the act of shooting!Written by
George S. Davis
The British electronic/jazz outfit The Cinematic Orchestra created a soundtrack for this movie, released in 2003 as the "Man With a Movie Camera" album and played live at film festivals over the world. See more »
At the beginning there is a long explanation of what this film is about and that it is of experimental origin. See more »
In honor of the ninetieth anniversary of the founding of VUFKU (The All-Ukrainian Photo-Cinema Administration), the Oleksandr Dovzhenko National Film Centre implemented a 2K restoration of Man with a Movie Camera (Ukrainian title: "Liudyna z Kinoaparatom"). It which was released on DVD in 2011, as part of the collection "Ukrainian Re-Vision" ("Ukrainske Nime"), and as a standalone DVD in the Kolo Dzigi Collection series. This version has a running time of 66 minutes and features three scores, by the following artists: DJ Derbastler (Ivan Moskalenko; UA, 2011), Vitalii Tkachuk's Quartet (UA, 2010), and In the Nursery (UK, 1999). See more »
While I thoroughly enjoyed this film (for several reasons previously mentioned), I think it is important to clear up a one thing that has been repeatedly mistaken in these user comments.
This was NOT produced under Lenin's Soviet Regime, but rather shortly after Stalin took over in 1928. The government, then, disapproved of Vertov's film style, not seeing the proletariat message but rather only the formalistic errors that they saw as inherent. After passing directives to forbid formalist methods of production (most likely specifically for Eisenstein and Vertov), Vertov moved to Kiev to produce this film, where I apparently the government was less strict.
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