Cannes awards have become hugely influential in subsequent awards races, especially the Oscars. The top honor, the Palme d’Or, confers prestige and a stamp of approval — this year from the Competition jury led by multi hyphenate Greta Gerwig — that awards voters take seriously.
Palme winners “Parasite,” “Triangle of Sadness,” and “Anatomy of a Fall” were all Best Picture Oscar contenders and won Oscars. And they were all picked up by specialty distributor Neon before they won their Cannes prize. Neon did not break its streak. It acquired two eventual prize-winners before the closing ceremony: Sean Baker’s Palme d’Or winner “Anora,” the first American film to win the prize since Terence Malick’s “Tree of Life” in 2011, and Iranian dissident filmmaker Mohammad Rasoulof’s “The Seed of the Sacred Fig,” which took home a special award.
Thus “Anora,” from veteran indie filmmaker Baker (Cannes entry “The Florida Project...
Palme winners “Parasite,” “Triangle of Sadness,” and “Anatomy of a Fall” were all Best Picture Oscar contenders and won Oscars. And they were all picked up by specialty distributor Neon before they won their Cannes prize. Neon did not break its streak. It acquired two eventual prize-winners before the closing ceremony: Sean Baker’s Palme d’Or winner “Anora,” the first American film to win the prize since Terence Malick’s “Tree of Life” in 2011, and Iranian dissident filmmaker Mohammad Rasoulof’s “The Seed of the Sacred Fig,” which took home a special award.
Thus “Anora,” from veteran indie filmmaker Baker (Cannes entry “The Florida Project...
- 5/26/2024
- by Anne Thompson
- Indiewire
The 2024 Cannes Film Festival was officially closed yesterday, on May 25, 2024, as the prizes for the movies and the actors were awarded at the closing ceremony. It was a very exciting and content-filled event, and we have also reported on numerous movies that had their premiere at Cannes, some of which were received well, while others… not so much. But, naturally, everyone wants to know who won and who lost at Cannes, and that is what we are going to report about in this article.
The article will be divided into two main sections. The first one will list all the juries at Cannes, since they are the ones who chose the winners at the film festival, so we think that it is only fair that you know who picked the winners. After that, we are going to list all the winners in each of the categories.
As we have said,...
The article will be divided into two main sections. The first one will list all the juries at Cannes, since they are the ones who chose the winners at the film festival, so we think that it is only fair that you know who picked the winners. After that, we are going to list all the winners in each of the categories.
As we have said,...
- 5/26/2024
- by Arthur S. Poe
- Fiction Horizon
The 77th Cannes Film Festival has come to a close. As with every year, the festival was host to its share of standing ovations, divisive screenings and debates over just which films and performances would take home awards at the end of the 12-day event, widely considered the most prestigious in the entire world. This year, Sean Baker’s Anora took the Palme d’Or while India’s All We Imagine as Light won the Grand Prix, generally considered the runner-up.
So, who else won out at this year’s Cannes Film Festival? While below is only a partial list of winners, you can check out the complete and extensive list here.
Palme d’Or: Anora, Sean Baker
Grand Prix: All We Imagine as Light, Payal Kapadia
Best Director: Miguel Gomes, Grand Tour
Best Actor: Jesse Plemons, Kinds of Kindness
Best Actress: Karla Sofía Gascón, Selena Gomez, and Zoe Saldaña,...
So, who else won out at this year’s Cannes Film Festival? While below is only a partial list of winners, you can check out the complete and extensive list here.
Palme d’Or: Anora, Sean Baker
Grand Prix: All We Imagine as Light, Payal Kapadia
Best Director: Miguel Gomes, Grand Tour
Best Actor: Jesse Plemons, Kinds of Kindness
Best Actress: Karla Sofía Gascón, Selena Gomez, and Zoe Saldaña,...
- 5/25/2024
- by Mathew Plale
- JoBlo.com
The hype out of the 2024 Cannes Film Festival, for those far-flung and on the ground, tells one story: This was among the weaker lineups in recent memory.
Sure, huge stories broke out of the festival, from Francis Ford Coppola’s distribution push for his self-funded, decades-in-the-making passion project “Megalopolis” to Iranian filmmaker Mohammad Rasoulof fleeing his home country after being sentenced to eight years in prison, finally making it to Cannes with his new film “The Seed of the Sacred Fig.” This journey inspired the jury to award him and his film a Special Prize (Prix Spécial).
Elsewhere in the official selection, Un Certain Regard already handed out its prizes on Friday from a jury led by Xavier Dolan and including Maïmouna Doucouré, Asmae El Moudir, Vicky Krieps, and Todd McCarthy. Among the top winners were Roberto Minervini (“The Damned”) and Rungano Nyoni (“On Becoming a Guinea Fowl”) tying for Best Director,...
Sure, huge stories broke out of the festival, from Francis Ford Coppola’s distribution push for his self-funded, decades-in-the-making passion project “Megalopolis” to Iranian filmmaker Mohammad Rasoulof fleeing his home country after being sentenced to eight years in prison, finally making it to Cannes with his new film “The Seed of the Sacred Fig.” This journey inspired the jury to award him and his film a Special Prize (Prix Spécial).
Elsewhere in the official selection, Un Certain Regard already handed out its prizes on Friday from a jury led by Xavier Dolan and including Maïmouna Doucouré, Asmae El Moudir, Vicky Krieps, and Todd McCarthy. Among the top winners were Roberto Minervini (“The Damned”) and Rungano Nyoni (“On Becoming a Guinea Fowl”) tying for Best Director,...
- 5/25/2024
- by Harrison Richlin
- Indiewire
Gestern Abend wurden die Preise der Cannes-Nebenreihe „Un Certain Regard“ verliehen.
Gewinnerinnen und Gewinner der Cannes-Nebenreihe „Un Certain Regard“ (Credit: Jean-Louis Hupé / Fdc)
Guan Hus Drama „Black Dog” ist mit dem Hauptpreis der Cannes-Nebenreihe Un Certain Regardausgezeichnet worden. Erzählt wird die Geschichte eines Mannes, der nach seiner Haftentlassung in seiner Heimatstadt am Rande der Wüste Gobi einen Job in einer Truppe findet, die im Vorfeld der Olympischen Spiele streunende Hunde von den Straßen entfernen soll. Dabei freundet er sich mit einem schwarzen Streuner an.
Der Jurypreis ging an Boris Lojkines L’Histoire de Souleymane“, dessen Hauptdarsteller Abou Sangaré von der Jury unter dem Vorsitz von Xavier Dolan ebenfalls ausgezeichnet wurde. Den Preis für die beste Hauptdarstellerin erhielt Anasuya Sengupta für ihre Rolle in Konstantin Bojanovs „The Shameless“. Den Preis für die beste Regie hat die Un-Certain-Regard-Jury zweimal vergeben: an Roberto Minervini für „The Damned“ und Rungano Nyoni für „On Becoming a Guinea Fowl...
Gewinnerinnen und Gewinner der Cannes-Nebenreihe „Un Certain Regard“ (Credit: Jean-Louis Hupé / Fdc)
Guan Hus Drama „Black Dog” ist mit dem Hauptpreis der Cannes-Nebenreihe Un Certain Regardausgezeichnet worden. Erzählt wird die Geschichte eines Mannes, der nach seiner Haftentlassung in seiner Heimatstadt am Rande der Wüste Gobi einen Job in einer Truppe findet, die im Vorfeld der Olympischen Spiele streunende Hunde von den Straßen entfernen soll. Dabei freundet er sich mit einem schwarzen Streuner an.
Der Jurypreis ging an Boris Lojkines L’Histoire de Souleymane“, dessen Hauptdarsteller Abou Sangaré von der Jury unter dem Vorsitz von Xavier Dolan ebenfalls ausgezeichnet wurde. Den Preis für die beste Hauptdarstellerin erhielt Anasuya Sengupta für ihre Rolle in Konstantin Bojanovs „The Shameless“. Den Preis für die beste Regie hat die Un-Certain-Regard-Jury zweimal vergeben: an Roberto Minervini für „The Damned“ und Rungano Nyoni für „On Becoming a Guinea Fowl...
- 5/25/2024
- by Jochen Müller
- Spot - Media & Film
Guan Hu’s Black Dog has won the top prize in the Un Certain Regard section of this year’s Cannes Film Festival (May 14-25).
It is the Cannes debut for Mr. Six director Guan and follows a former convict who forms an unlikely connection with the titular animal, as he clears stray dogs in his remote hometown on the edge of the Gobi desert before the 2008 Olympic Games. Playtime are handling international sales.
The jury prize went to The Story Of Souleymane from Boris Lojkine, back at the festival 10 years after his 2014 feature Hope, with the story of a...
It is the Cannes debut for Mr. Six director Guan and follows a former convict who forms an unlikely connection with the titular animal, as he clears stray dogs in his remote hometown on the edge of the Gobi desert before the 2008 Olympic Games. Playtime are handling international sales.
The jury prize went to The Story Of Souleymane from Boris Lojkine, back at the festival 10 years after his 2014 feature Hope, with the story of a...
- 5/24/2024
- ScreenDaily
Chinese director Hu Guan’s drama Black Dog snagged the top prize in Cannes’ Un Certain Regard sidebar on Friday night.
The drama, set on the edge of the Gobi desert in Northwest China, follows a man who returns home after a stint in jail and gets a job clearing a town of stray dogs before the Olympic Games. But he forms an unexpected bond with a black dog, and together, they embark on a new journey.
The film’s canine star won a pooch prize earlier in the day, scooping up the Grand Jury award at the Palm Dog.
For Un Certain Regard, the Jury Prize went to The Story Of Souleymane, Boris Lojkine’s Paris-set story of an African immigrant struggling to make a living and get legalized in the city of lights. Lead Abou Sangare also clinched one of the Un Certain Regard performance awards. The other...
The drama, set on the edge of the Gobi desert in Northwest China, follows a man who returns home after a stint in jail and gets a job clearing a town of stray dogs before the Olympic Games. But he forms an unexpected bond with a black dog, and together, they embark on a new journey.
The film’s canine star won a pooch prize earlier in the day, scooping up the Grand Jury award at the Palm Dog.
For Un Certain Regard, the Jury Prize went to The Story Of Souleymane, Boris Lojkine’s Paris-set story of an African immigrant struggling to make a living and get legalized in the city of lights. Lead Abou Sangare also clinched one of the Un Certain Regard performance awards. The other...
- 5/24/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Chinese director Hu Guan’s drama Black Dog won the top prize in Cannes Un Certain Regard on Friday evening.
The Jury Prize went to Boris Lojkine’s Paris-set asylum-seeker tale The Story Of Souleymane.
Best Director went to in ex aequo to Roberto Minervini for U.S. civil war drama The Damned and Rungano Nyoni for On Becoming a Guinea Fowl.
The Performance award went to Anasuya Sengupta for her performance as a young sex worker on the run in Bulgarian director Konstantin Bojanov’s India-set drama The Shameless, and Abou Sangare for his performance in Boris Lojkine’s The Story Of Souleymane as a young asylum seeker.
In other prizes, French director Louise Courvoisier won the Youth Prize for Holy Cow, while Saudi director Tawfik Alzaidi was feted with a Special Mention for Nora.
This year’s jury was presided over by Canadian actor, director, screenwriter and producer Xavier Dolan,...
The Jury Prize went to Boris Lojkine’s Paris-set asylum-seeker tale The Story Of Souleymane.
Best Director went to in ex aequo to Roberto Minervini for U.S. civil war drama The Damned and Rungano Nyoni for On Becoming a Guinea Fowl.
The Performance award went to Anasuya Sengupta for her performance as a young sex worker on the run in Bulgarian director Konstantin Bojanov’s India-set drama The Shameless, and Abou Sangare for his performance in Boris Lojkine’s The Story Of Souleymane as a young asylum seeker.
In other prizes, French director Louise Courvoisier won the Youth Prize for Holy Cow, while Saudi director Tawfik Alzaidi was feted with a Special Mention for Nora.
This year’s jury was presided over by Canadian actor, director, screenwriter and producer Xavier Dolan,...
- 5/24/2024
- by Melanie Goodfellow
- Deadline Film + TV
Exactly ten years after the genre-mixing, canine-driven Hungarian thriller “White God” landed the Prix Un Certain Regard at the Cannes Film Festival, this year’s ceremony culminated in the same prize going to a somewhat corresponding title: Chinese director Guan Hu’s “Black Dog,” a fusion of western, film noir and offbeat comedy with a highly lovable mutt at its center. The film, about a damaged loner returning to his desert hometown after a spell in prison and finding a kindred spirit in an equally world-weary greyhound, beat 17 other titles to take the top prize in the festival’s second-most prestigious competitive section. (The festival’s Official Competition awards will be handed out tomorrow night.)
Jury president Xavier Dolan, the actor-auteur behind such films as “Mommy” and “Laurence Anyways,” commended Guan’s film for “its breathtaking poetry, its imagination, its precision [and] its masterful direction.” He echoed the enthusiasm of Variety critic Jessica Kiang,...
Jury president Xavier Dolan, the actor-auteur behind such films as “Mommy” and “Laurence Anyways,” commended Guan’s film for “its breathtaking poetry, its imagination, its precision [and] its masterful direction.” He echoed the enthusiasm of Variety critic Jessica Kiang,...
- 5/24/2024
- by Guy Lodge
- Variety Film + TV
Few periods on the calendar mean more to cinephiles than the two weekends in May occupied by the Cannes Film Festival. Since its founding in 1946, the French festival has been a launchpad for some of the most artistically significant films of all time. The Palme d’Or is one of the most coveted film awards on the planet, and the festival’s ability to balance subversive arthouse work with major Hollywood premieres has led many to view it as the world’s most significant celebration of cinema.
The 2024 lineup featured a mix of buzzy premieres from New Hollywood titans like Francis Ford Coppola and Paul Schrader alongside exciting new works from emerging directors. Between the Main Competition, Un Certain Regard, special screenings, and sidebars like the Directors’ Fortnight and Critics’ Week, the onslaught of new films can be overwhelming for anyone who isn’t able to give the festival their 24/7 attention.
The 2024 lineup featured a mix of buzzy premieres from New Hollywood titans like Francis Ford Coppola and Paul Schrader alongside exciting new works from emerging directors. Between the Main Competition, Un Certain Regard, special screenings, and sidebars like the Directors’ Fortnight and Critics’ Week, the onslaught of new films can be overwhelming for anyone who isn’t able to give the festival their 24/7 attention.
- 5/23/2024
- by Christian Zilko
- Indiewire
Iranian filmmaker Mohammad Rasoulof is set to attend the Cannes premiere of his latest feature, The Seed Of The Sacred Fig, after receiving an eight-year prison sentence from Iranian authorities and fleeing his home country.
Speculation had been rife that the dissident director would attend the festival when the film receives its world premiere in Competition on Friday (May 24), having found asylum in Germany, but Cannes’ general delegate Thierry Fremaux has now confirmed his attendance.
“We are particularly touched to welcome [Rasoulof] here as a filmmaker,” Fremaux said in a statement to Agence France-Presse (Afp).
Our joy will be that of...
Speculation had been rife that the dissident director would attend the festival when the film receives its world premiere in Competition on Friday (May 24), having found asylum in Germany, but Cannes’ general delegate Thierry Fremaux has now confirmed his attendance.
“We are particularly touched to welcome [Rasoulof] here as a filmmaker,” Fremaux said in a statement to Agence France-Presse (Afp).
Our joy will be that of...
- 5/22/2024
- ScreenDaily
International filmmakers are calling for solidarity with Mohammad Rasoulof and persecuted filmmakers in Iran in an open letter, shared with Variety.
Rasoulof – about to screen his latest film “The Seed of the Sacred Fig” in Cannes’ main competition – was sentenced to imprisonment and torture by the Islamic Republic of Iran. He fled the country.
“We condemn the inhumane treatment of Rasoulof and numerous other independent artists in Iran, who are being severely punished, criminalized and silenced for exercising their artistic freedom,” it was stated in the letter, already signed by “Holy Spider” star Zar Amir Ebrahimi, Fatih Akin, Atom Egoyan, Ildiko Enyedi, Andrew Haigh, Agnieszka Holland, Laura Poitras, Sandra Hüller, Sean Baker, Payal Kapadia and Ariane Labed.
“We stand in full solidarity with Rasoulof’s demands and call upon the international film community to raise our voices against an Islamist dictatorship that systematically oppresses every aspect of their society’s lives.
Rasoulof – about to screen his latest film “The Seed of the Sacred Fig” in Cannes’ main competition – was sentenced to imprisonment and torture by the Islamic Republic of Iran. He fled the country.
“We condemn the inhumane treatment of Rasoulof and numerous other independent artists in Iran, who are being severely punished, criminalized and silenced for exercising their artistic freedom,” it was stated in the letter, already signed by “Holy Spider” star Zar Amir Ebrahimi, Fatih Akin, Atom Egoyan, Ildiko Enyedi, Andrew Haigh, Agnieszka Holland, Laura Poitras, Sandra Hüller, Sean Baker, Payal Kapadia and Ariane Labed.
“We stand in full solidarity with Rasoulof’s demands and call upon the international film community to raise our voices against an Islamist dictatorship that systematically oppresses every aspect of their society’s lives.
- 5/22/2024
- by Marta Balaga
- Variety Film + TV
IndieWire has published its Cannes 2024 Cinematography Survey. We analyzed the data to explore (again and again) that the nine-year-old camera, Arri Alexa Mini, is the most popular camera among Cannes filmmakers. Furthermore, interestingly, in its first appearance on the Cannes Cinematography Chart and jumped straight to second place, is the Arri 35.
The main cameras of Cannes 2024 are the Arri Alexa Mini and the 35. Cannes 2024 cinematography
The 77th annual Cannes Film Festival is taking place from 14 to 25 May 2024. IndieWire has reached out to the filmmakers behind 59 films screened in various categories in the festival. The DPs elaborated on the tools they utilized to tell their stories. Read the entire survey here.
Official poster of the 77th Cannes Film Festival featuring a still image from the movie Rhapsody in August by Akira Kurosawa (1991)
As the tradition calls, we took the data and filtered it to the cameras used, to explore tendency. Based on the info,...
The main cameras of Cannes 2024 are the Arri Alexa Mini and the 35. Cannes 2024 cinematography
The 77th annual Cannes Film Festival is taking place from 14 to 25 May 2024. IndieWire has reached out to the filmmakers behind 59 films screened in various categories in the festival. The DPs elaborated on the tools they utilized to tell their stories. Read the entire survey here.
Official poster of the 77th Cannes Film Festival featuring a still image from the movie Rhapsody in August by Akira Kurosawa (1991)
As the tradition calls, we took the data and filtered it to the cameras used, to explore tendency. Based on the info,...
- 5/21/2024
- by Yossy Mendelovich
- YMCinema
Introducing The Damned at its world premiere, Roberto Minervini stated that the film began from a desire to “deconstruct the precepts in war cinema,” e.g. good versus evil, “hyper-masculinity” and heroism. In the press kit interview, Minervini goes further, stating that there’s never been a war movie “that I would call humane […] Even films that depict tragedy and self-destruction emphasize martyrdom and sacrifice.” Has there really never been a true anti-war film? The existence of Come and See seems to contradict that, and noting that “good versus evil” isn’t real isn’t a breakthrough either, which may be why The […]
The post Cannes 2024: The Damned, The Invasion first appeared on Filmmaker Magazine.
The post Cannes 2024: The Damned, The Invasion first appeared on Filmmaker Magazine.
- 5/20/2024
- by Vadim Rizov
- Filmmaker Magazine-Director Interviews
Introducing The Damned at its world premiere, Roberto Minervini stated that the film began from a desire to “deconstruct the precepts in war cinema,” e.g. good versus evil, “hyper-masculinity” and heroism. In the press kit interview, Minervini goes further, stating that there’s never been a war movie “that I would call humane […] Even films that depict tragedy and self-destruction emphasize martyrdom and sacrifice.” Has there really never been a true anti-war film? The existence of Come and See seems to contradict that, and noting that “good versus evil” isn’t real isn’t a breakthrough either, which may be why The […]
The post Cannes 2024: The Damned, The Invasion first appeared on Filmmaker Magazine.
The post Cannes 2024: The Damned, The Invasion first appeared on Filmmaker Magazine.
- 5/20/2024
- by Vadim Rizov
- Filmmaker Magazine - Blog
There’s a lot to look forward to in what has been branded a Mexican comedy-thriller musical from the Palme d’Or winner that brought us Dheepan, A Prophet, Rust and Bone, and, more recently, the underseen Western delight that marked his move toward Hollywood, The Sisters Brothers. Or so it seemed.
Writer-director Jacques Audiard is one of the few filmmakers who has been able to, more than once, tell stories from outside their world and capture narrative, character, and culture with a unique foreign perspective that adds meaningful insight without bringing into question the filmmakers’ respect or depiction of the subjects.
Thus it appeared that this cartel-centric, Mexico-set, largely Latina film––about an unsuspecting lawyer being forced to help a violent cartel boss transition into a woman in order to leave her past behind and finally feel like herself––is actually right up the septuagenarian Frenchman’s alley. Unfortunately,...
Writer-director Jacques Audiard is one of the few filmmakers who has been able to, more than once, tell stories from outside their world and capture narrative, character, and culture with a unique foreign perspective that adds meaningful insight without bringing into question the filmmakers’ respect or depiction of the subjects.
Thus it appeared that this cartel-centric, Mexico-set, largely Latina film––about an unsuspecting lawyer being forced to help a violent cartel boss transition into a woman in order to leave her past behind and finally feel like herself––is actually right up the septuagenarian Frenchman’s alley. Unfortunately,...
- 5/20/2024
- by Luke Hicks
- The Film Stage
by Elisa Giudici
The Damned © Okta Film Pulpa Film
In 2018, Italian documentarian Roberto Minervini adeptly captured the underlying tensions of American society amidst the backdrop of Trumpism and racism in What You Gonna Do When the World’s on Fire?, which premiered at Venice. Having called the United States home since 2000, Minervini demonstrates a keen understanding of the nation's profound anxieties, skillfully depicting them in his documentaries, often anticipating topics later dissected by journalists and political commentators.
The Damned by Roberto Minervini
It comes as no surprise then that Minervini, in transitioning to fiction with a historical film, chose to confront the Civil War, a pivotal moment in American identity formation...
The Damned © Okta Film Pulpa Film
In 2018, Italian documentarian Roberto Minervini adeptly captured the underlying tensions of American society amidst the backdrop of Trumpism and racism in What You Gonna Do When the World’s on Fire?, which premiered at Venice. Having called the United States home since 2000, Minervini demonstrates a keen understanding of the nation's profound anxieties, skillfully depicting them in his documentaries, often anticipating topics later dissected by journalists and political commentators.
The Damned by Roberto Minervini
It comes as no surprise then that Minervini, in transitioning to fiction with a historical film, chose to confront the Civil War, a pivotal moment in American identity formation...
- 5/19/2024
- by Elisa Giudici
- FilmExperience
In The Damned, Roberto Minervini embeds us with Union Army soldiers ranging across the Western front in 1862, far from the battlegrounds in the East but no less at risk. But when you direct a Civil War movie in 2020s America, it can be hard for audiences to view it as solely a fictional matter, especially when you’ve previously directed two of the most revealing documentary cross-sections of the United States in the last decade, The Other Side (2015) and What You Gonna Do When the World’s on Fire (2018). It’s possible to watch The Damned as a rugged journey […]
The post “We Question Together Hyper-Masculinity in Life as Well As In the War Movie Genre”: Roberto Minervini on The Damned first appeared on Filmmaker Magazine.
The post “We Question Together Hyper-Masculinity in Life as Well As In the War Movie Genre”: Roberto Minervini on The Damned first appeared on Filmmaker Magazine.
- 5/16/2024
- by Nicolas Rapold
- Filmmaker Magazine-Director Interviews
In The Damned, Roberto Minervini embeds us with Union Army soldiers ranging across the Western front in 1862, far from the battlegrounds in the East but no less at risk. But when you direct a Civil War movie in 2020s America, it can be hard for audiences to view it as solely a fictional matter, especially when you’ve previously directed two of the most revealing documentary cross-sections of the United States in the last decade, The Other Side (2015) and What You Gonna Do When the World’s on Fire (2018). It’s possible to watch The Damned as a rugged journey […]
The post “We Question Together Hyper-Masculinity in Life as Well As In the War Movie Genre”: Roberto Minervini on The Damned first appeared on Filmmaker Magazine.
The post “We Question Together Hyper-Masculinity in Life as Well As In the War Movie Genre”: Roberto Minervini on The Damned first appeared on Filmmaker Magazine.
- 5/16/2024
- by Nicolas Rapold
- Filmmaker Magazine - Blog
The Damned Do Cry: Minervini Details a Doomed Mission
For his first narrative feature, Roberto Minervini tackles another aspect of the evolving American identity with The Damned. A period piece depicting a company of volunteer soldiers charged with patrolling and protecting uncharted regions of the western territories in 1862 whilst the Civil War rages, Minervini crafts an intimate existential journey with a handful of non-professional actors. After spending a decade examining racial and economic disparities in the American South, it seems a logical narrative move for Minervini to return to one of the galvanizing historical events which assisted in forging these cultural dichotomies.…...
For his first narrative feature, Roberto Minervini tackles another aspect of the evolving American identity with The Damned. A period piece depicting a company of volunteer soldiers charged with patrolling and protecting uncharted regions of the western territories in 1862 whilst the Civil War rages, Minervini crafts an intimate existential journey with a handful of non-professional actors. After spending a decade examining racial and economic disparities in the American South, it seems a logical narrative move for Minervini to return to one of the galvanizing historical events which assisted in forging these cultural dichotomies.…...
- 5/16/2024
- by Nicholas Bell
- IONCINEMA.com
A war can only go on for so long before its causes start to fray at the seams and the people who enlisted to fight on their behalf are forced to reckon with the basic fact of what they’re actually doing out there. Few movies this side of “The Thin Red Line” have been more attuned to that awful but clarifying process of self-recognition than Roberto Minervini’s “The Damned,” a thinly sketched piece of Civil War reenactment about a volunteer unit dispatched to patrol the uncharted borderlands along the western territories during the winter of 1862.
They set off as a noble — even heroic — group of peacekeepers in the proud service of a more perfect union, but after the veil of purpose started to slip loose they were reduced to a bunch of scraggly Union cosplayers fumbling their way through the wilds of Montana in search of anything that might resemble a purpose.
They set off as a noble — even heroic — group of peacekeepers in the proud service of a more perfect union, but after the veil of purpose started to slip loose they were reduced to a bunch of scraggly Union cosplayers fumbling their way through the wilds of Montana in search of anything that might resemble a purpose.
- 5/16/2024
- by David Ehrlich
- Indiewire
Italian filmmaker Roberto Minervini’s artfully crafted movies, which include such works as Stop the Pounding Heart, The Other Side and What You Gonna Do When the World’s on Fire?, have always sat in a murky gray zone separating fiction from documentary.
Nonprofessional actors play themselves, or versions of themselves, in narratives that seem to have been crafted out of their own lives. And while the locations are always real places, with an emphasis on swaths of the American South — as his name suggests, Minervini is Italian, but he’s lived in the U.S. since 2000 — the director transforms them into sublime backdrops for his gritty tales of poverty and abandon.
His latest film, The Damned, is not technically a documentary: It’s set in 1862 at the height of the Civil War and follows a pack of Union soldiers treacherously exploring unmapped territories in the West. And yet, if...
Nonprofessional actors play themselves, or versions of themselves, in narratives that seem to have been crafted out of their own lives. And while the locations are always real places, with an emphasis on swaths of the American South — as his name suggests, Minervini is Italian, but he’s lived in the U.S. since 2000 — the director transforms them into sublime backdrops for his gritty tales of poverty and abandon.
His latest film, The Damned, is not technically a documentary: It’s set in 1862 at the height of the Civil War and follows a pack of Union soldiers treacherously exploring unmapped territories in the West. And yet, if...
- 5/16/2024
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
"This land has it all." Time for a look at even more footage. Les Films du Losange has debuted the first full-length official trailer for The Damned, a French production made by an Italian filmmaker about America's Civil War in the 1860s. The film just premiered at the 2024 Cannes Film Festival, playing in the "Un Certain Regard" section. It's the latest narrative feature made by Italian filmmaker Roberto Minervini, whose last film was a doc also set in America called What You Gonna Do When the World's on Fire?. The Damned is set in the winter of 1862, during the Civil War. The U.S. Army (meaning the Union army) sends a volunteer company to patrol the uncharted Western territories. As their mission changes course, the meaning behind their engagement begins to elude them. The film stars Jeremiah Knupp, René W. Solomon, Cuyler Ballenger, Noah Carlson, Judah Carlson, and Tim Carlson. We...
- 5/15/2024
- by Alex Billington
- firstshowing.net
"You shot one before?" French distributor Les Films du Losange has revealed a first look teaser trailer for a film titled The Damned, a French production made by an Italian filmmaker about America's Civil War in the 1860s. The film is premiering at the 2024 Cannes Film Festival this month, playing in the "Un Certain Regard" section. It's the latest narrative feature made by Italian filmmaker Roberto Minervini, whose last film was a doc also set in America called Roberto Minervini. The Damned is set in the winter of 1862, during the Civil War. The U.S. Army (I guess they're referring to the Union?) sends a volunteer company to patrol the uncharted Western territories. As their mission changes course, the meaning behind their engagement begins to elude them. The film stars Jeremiah Knupp, René W. Solomon, Cuyler Ballenger, Noah Carlson, Judah Carlson, and Tim Carlson. There's barely 30 secs of footage, but it...
- 5/13/2024
- by Alex Billington
- firstshowing.net
It’s the most exciting time of the year for a cinephile: the Cannes Film Festival is set to kick off next week, running May 14-25. Ahead of festivities we’ve rounded up what we’re most looking forward to, and while we’re sure many surprises await, per every year, one will find 20 films that should be on your radar. Check out our picks below and be sure to subscribe to our daily newsletter for the latest updates from the festival.
All We Imagine as Light (Payal Kapadia)
After one film, Payal Kapadia is a name you should know––a fresh, intrepid voice in cinema. And in the wake of student protests turning the world upside-down, she’s an essential up-and-comer. Her lone feature to date, 2021’s A Night of Knowing Nothing, is an experimental immersion into India’s own student revolutions––a brutal awakening into the shockingly violent...
All We Imagine as Light (Payal Kapadia)
After one film, Payal Kapadia is a name you should know––a fresh, intrepid voice in cinema. And in the wake of student protests turning the world upside-down, she’s an essential up-and-comer. Her lone feature to date, 2021’s A Night of Knowing Nothing, is an experimental immersion into India’s own student revolutions––a brutal awakening into the shockingly violent...
- 5/9/2024
- by The Film Stage
- The Film Stage
Italian-born Texas-based director Roberto Minervini is known for a distinguished career making documentaries including his so-called Texas trilogy comprising “The Passage,” “Low Tide” and “Stop the Pounding Heart.”
His most recent doc “What You Gonna Do When the World’s On Fire?” about a community of Black people in New Orleans during the summer of 2017, when a string of brutal killings of Black men sent shockwaves throughout the country, launched from the Venice competition in 2018.
“The Damned,” which is Minervini’s first feature film, is set during the American Civil War in the winter of 1862. The naturalistic war drama follows a troop of volunteer soldiers tasked with patrolling unchartered borderlands in western territories. “As their mission ultimately changes course, the meaning behind their engagement begins to elude them,” reads the film’s provided synopsis.
This film, which will premiere at Cannes in Un Certain Regard, is heavily informed by Minervini...
His most recent doc “What You Gonna Do When the World’s On Fire?” about a community of Black people in New Orleans during the summer of 2017, when a string of brutal killings of Black men sent shockwaves throughout the country, launched from the Venice competition in 2018.
“The Damned,” which is Minervini’s first feature film, is set during the American Civil War in the winter of 1862. The naturalistic war drama follows a troop of volunteer soldiers tasked with patrolling unchartered borderlands in western territories. “As their mission ultimately changes course, the meaning behind their engagement begins to elude them,” reads the film’s provided synopsis.
This film, which will premiere at Cannes in Un Certain Regard, is heavily informed by Minervini...
- 5/9/2024
- by Nick Vivarelli
- Variety Film + TV
Zagreb-based doc specialist Splitscreen has boarded Argentinian gaucho tale “Where the Trees Bear Meat” by Alexis Franco ahead of its world premiere at Swiss documentary film festival Visions du Réel. It is one of 15 films vying for the top prize in the main international competition.
Set in the Argentine Pampas, the film follows Omar, a farmer, whose cows are dying as a result of a prolonged drought. Other prominent characters include Omar’s ageing mother, who has started planning her own departure, and his four-year-old granddaughter, whom he takes care of in her father’s absence.
Omar is Franco’s uncle, and the world he portrays in every lovingly crafted shot is the one he grew up in. This intimacy gives the film an authenticity that transcends the stereotypes and clichés often associated with gaucho culture. The story it tells is one of a family’s resilience in the face of adversity.
Set in the Argentine Pampas, the film follows Omar, a farmer, whose cows are dying as a result of a prolonged drought. Other prominent characters include Omar’s ageing mother, who has started planning her own departure, and his four-year-old granddaughter, whom he takes care of in her father’s absence.
Omar is Franco’s uncle, and the world he portrays in every lovingly crafted shot is the one he grew up in. This intimacy gives the film an authenticity that transcends the stereotypes and clichés often associated with gaucho culture. The story it tells is one of a family’s resilience in the face of adversity.
- 4/12/2024
- by Lise Pedersen
- Variety Film + TV
Actresses Ariane Labed and Laetitia Dosch, Halfdan Ullman Tondel, Mo Harawe, Louise Courvoisier and Julien Colonna are part of the half dozen selected filmmakers that have been selected for the 2024 edition of the Un Certain Regard section. Fifteen selections were made this morning with some alluring new works from the likes of Konstantin Bojanov, Rungano Nyoni and Italian (US-based) filmmaker Roberto Minervini added to the mix. Since the 2021 edition the Cannes Premiere section have grabbed a number of premiere screening slots out of the Debussy theatre meaning the Un Certain Regard section hovers firmly around the twenty film range – so we can expect at least five more titles to be added to the section.…...
- 4/11/2024
- by Eric Lavallée
- IONCINEMA.com
As expected, the Cannes Film Festival line-up is pretty spectacular with new films from Yorgos Lanthimos, Andrea Arnold and David Cronenberg heading to the fest.
As the days are getting longer and there’s a tiny bit more sunshine in between the showers of rain, that can only mean one thing. The Cannes Film Festival is almost upon us.
Of course, us peasants rarely get to go, but it is fun to read the reactions from the glitzy world premieres as the stars gather in the picturesque town of Cannes.
And this year’s festival line-up is a doozy. We already knew George Miller was heading to the Croisette with Furiosa, Francis Ford Coppola is bringing Megalopolis and Kevin Costner will be premiering his new film, too, but there’s a whole heap of great filmmakers heading out to the beach with their films.
The highlights include Yorgos Lanthimos’ Kinds Of Kindness,...
As the days are getting longer and there’s a tiny bit more sunshine in between the showers of rain, that can only mean one thing. The Cannes Film Festival is almost upon us.
Of course, us peasants rarely get to go, but it is fun to read the reactions from the glitzy world premieres as the stars gather in the picturesque town of Cannes.
And this year’s festival line-up is a doozy. We already knew George Miller was heading to the Croisette with Furiosa, Francis Ford Coppola is bringing Megalopolis and Kevin Costner will be premiering his new film, too, but there’s a whole heap of great filmmakers heading out to the beach with their films.
The highlights include Yorgos Lanthimos’ Kinds Of Kindness,...
- 4/11/2024
- by Maria Lattila
- Film Stories
Descubre las películas que estarán en Cannes 2024: una lista completa de todas las secciones.
Esta mañana, Thierry Frémaux ha anunciado la programación oficial de la 77ª edición del Festival de Cannes. La pasada edición del festival fue testigo de los estrenos mundiales de las aclamadas películas “Anatomía de una Caída”, “Killers of the Flower Moon” y “The Zone of Interest”. Unas películas que posteriormente fueron nominadas al Oscar a la mejor película, de modo que este año el listón está muy alto.
Desde su primera edición en 1946, el Festival de Cannes se ha consolidado como uno de los acontecimientos cinematográficos más importantes de la industria del cine y la edición de este año ofrece una gran variedad de películas de todo el mundo; desde directores consagrados hasta nuevas voces de la industria. Aunque, por desgracia, España no tendrá representación en el festival este año.
La presidenta del jurado de...
Esta mañana, Thierry Frémaux ha anunciado la programación oficial de la 77ª edición del Festival de Cannes. La pasada edición del festival fue testigo de los estrenos mundiales de las aclamadas películas “Anatomía de una Caída”, “Killers of the Flower Moon” y “The Zone of Interest”. Unas películas que posteriormente fueron nominadas al Oscar a la mejor película, de modo que este año el listón está muy alto.
Desde su primera edición en 1946, el Festival de Cannes se ha consolidado como uno de los acontecimientos cinematográficos más importantes de la industria del cine y la edición de este año ofrece una gran variedad de películas de todo el mundo; desde directores consagrados hasta nuevas voces de la industria. Aunque, por desgracia, España no tendrá representación en el festival este año.
La presidenta del jurado de...
- 4/11/2024
- by Marta Medina
- mundoCine
Les Films du Losange has boarded Italian director Roberto Minervini’s The Damned ahead of the film’s world premiere in Cannes’ Un Certain Regard.
Minervini is known for a long career in documentary and The Damned is his first fiction feature. Set during the American Civil War in the winter of 1862, it follows a troop of volunteer soldiers tasked with patrolling unchartered borderlands in western territories. As their mission ultimately changes course, the meaning behind their engagement begins to elude them.
The Damned is an Italian-American-Belgian co-production from Okta Film, Pulpa Film, Rai Cinema and Michigan Films. The cast includes rising talents Jeremiah Knupp,...
Minervini is known for a long career in documentary and The Damned is his first fiction feature. Set during the American Civil War in the winter of 1862, it follows a troop of volunteer soldiers tasked with patrolling unchartered borderlands in western territories. As their mission ultimately changes course, the meaning behind their engagement begins to elude them.
The Damned is an Italian-American-Belgian co-production from Okta Film, Pulpa Film, Rai Cinema and Michigan Films. The cast includes rising talents Jeremiah Knupp,...
- 4/11/2024
- ScreenDaily
The Official Selection for the 77th Cannes Film Festival was revealed Thursday, with 19 movies in Competition (see full lists below).
Familiar names who will launch new works in the Competition include Ali Abbasi, who brings The Apprentice, a feature pic about the early life of Donald Trump. Andrea Arnold returns with Bird, starring Barry Keoghan, and Jacques Audiard’s latest, Emilia Perez, a musical with Selena Gomez will also debut in competition.
Elsewhere, American filmmaker Sean Baker brings Anora to the Croisette. Poor Things filmmaker Yorgos Lanthimos will launch Kinds of Kindness, his latest collab with Emma Stone. David Cronenberg returns with The Shrouds, and Paul Schrader will debut Oh Canada starring Jacob Elordi, Uma Thurman and Richard Gere.
Related: ‘The Apprentice’: First Look At Sebastian Stan As Donald Trump & Jeremy Strong As Roy Cohn In Cannes Competition Film
There’s a strong English-language and American presence in the...
Familiar names who will launch new works in the Competition include Ali Abbasi, who brings The Apprentice, a feature pic about the early life of Donald Trump. Andrea Arnold returns with Bird, starring Barry Keoghan, and Jacques Audiard’s latest, Emilia Perez, a musical with Selena Gomez will also debut in competition.
Elsewhere, American filmmaker Sean Baker brings Anora to the Croisette. Poor Things filmmaker Yorgos Lanthimos will launch Kinds of Kindness, his latest collab with Emma Stone. David Cronenberg returns with The Shrouds, and Paul Schrader will debut Oh Canada starring Jacob Elordi, Uma Thurman and Richard Gere.
Related: ‘The Apprentice’: First Look At Sebastian Stan As Donald Trump & Jeremy Strong As Roy Cohn In Cannes Competition Film
There’s a strong English-language and American presence in the...
- 4/11/2024
- by Zac Ntim
- Deadline Film + TV
Ahead of a festival kicking off in just about a month, Iris Knobloch, President of the Festival de Cannes, and Thierry Frémaux, General Delegate, have unveiled the selection of the 77th edition of the Cannes Film Festival.
Led by the previously announced major highlight, Francis Ford Coppola’s Megalopolis, the competition lineup features the latest films from Jia Zhangke, David Cronenberg, Paul Schrader, Andrea Arnold, Sean Baker, Miguel Gomes, Yorgos Lanthimos, Jacques Audiard, Ali Abbasi, Payal Kapadia, and more.
Other sections include the previously new films from George Miller and Kevin Costner, alongside Leos Carax’s personal short C’est Pas Moi, Guy Maddin, Evan Johnson, and Galen Johnson’s Rumors, Alain Guiraudie’s Miséricorde, and more.
Check out the lineup below.
Competition
All We Imagine As Light – Payal Kapadia
L’amour Ouf – Gilles Lellouche
Anora – Sean Baker
The Apprentice – Ali Abbasi
Bird – Andrea Arnold
Caught by the Tides – Jia Zhang-ke...
Led by the previously announced major highlight, Francis Ford Coppola’s Megalopolis, the competition lineup features the latest films from Jia Zhangke, David Cronenberg, Paul Schrader, Andrea Arnold, Sean Baker, Miguel Gomes, Yorgos Lanthimos, Jacques Audiard, Ali Abbasi, Payal Kapadia, and more.
Other sections include the previously new films from George Miller and Kevin Costner, alongside Leos Carax’s personal short C’est Pas Moi, Guy Maddin, Evan Johnson, and Galen Johnson’s Rumors, Alain Guiraudie’s Miséricorde, and more.
Check out the lineup below.
Competition
All We Imagine As Light – Payal Kapadia
L’amour Ouf – Gilles Lellouche
Anora – Sean Baker
The Apprentice – Ali Abbasi
Bird – Andrea Arnold
Caught by the Tides – Jia Zhang-ke...
- 4/11/2024
- by Jordan Raup
- The Film Stage
The Cannes Film Festival has unveiled the line-up for its 77th edition (May 14-25)
The competition includes films by Andrea Arnold, David Cronenberg, Yórgos Lánthimos, Paul Schrader and Paolo Sorrentino.
Festival director Thierry Frémaux revealed the Official Selection at a press conference at the Ugc Normandie theatre in Paris alongside festival president Iris Knobloch.
Previously announced titles include Quentin Dupieux’s The Second Act, which will open the festival on May 14 out of competition, George Miller’s Furiosa: A Mad Max Saga, Kevin Costner’s Horizon, An American Saga and Francis Ford Coppola’s Megalopolis.
Barbie director Greta Gerwig will preside over the jury.
The competition includes films by Andrea Arnold, David Cronenberg, Yórgos Lánthimos, Paul Schrader and Paolo Sorrentino.
Festival director Thierry Frémaux revealed the Official Selection at a press conference at the Ugc Normandie theatre in Paris alongside festival president Iris Knobloch.
Previously announced titles include Quentin Dupieux’s The Second Act, which will open the festival on May 14 out of competition, George Miller’s Furiosa: A Mad Max Saga, Kevin Costner’s Horizon, An American Saga and Francis Ford Coppola’s Megalopolis.
Barbie director Greta Gerwig will preside over the jury.
- 4/11/2024
- ScreenDaily
More than 200 international filmmakers have rallied in support of ousted Berlinale artistic director Carlo Chatrian, pledging their names to an open letter imploring the cultural organization to keep the artist director in place. Among the first signatories were Martin Scorsese, Paul Schrader, Joanna Hogg, “Corsage” director Marie Kreutzer, Andrew Ross Perry, and Olivier Assayas. Over the course of the day on Wednesday, another 130 directors joined them, the list swelling to include M. Night Shyamalan, Ryusuke Hamaguchi, Tilda Swinton, and Claire Denis. 260 filmmakers have now signed the open letter.
“We, a diverse group of filmmakers from all over the world, who have deep respect for Berlin International Film Festival as a place for great cinema of all kinds, protest the harmful, unprofessional, and immoral behavior of state minister Claudia Roth in forcing the esteemed Artistic Director Carlo Chatrian to step down despite promises to prolong his contract,” says the letter.
Chatrian...
“We, a diverse group of filmmakers from all over the world, who have deep respect for Berlin International Film Festival as a place for great cinema of all kinds, protest the harmful, unprofessional, and immoral behavior of state minister Claudia Roth in forcing the esteemed Artistic Director Carlo Chatrian to step down despite promises to prolong his contract,” says the letter.
Chatrian...
- 9/6/2023
- by Ben Croll
- The Wrap
Martin Scorsese, Radu Jude, Joanna Hogg, Claire Denis, Bertrand Bonello, M. Night Shyamalan, Kristen Stewart, Hamaguchi Ryusuke and Margarethe von Trotta are among the international filmmakers and talents who have signed an open letter in support of Carlo Chatrian whose mandate as artistic director of the Berlinale will come to an end next year. The number of signatories has now exceeded 400 names and keeps growing.
As we reported last week, Chatrian had been expected to stay on beyond 2024, and was surprised to learn that the German body which oversees the festival, Kulturveranstaltungen des Bundes in Berlin (Kbb), announced that it would no extend his contract. The org had previously said it would abandon the model of having an executive director and an artistic director and return instead to having a single director, following the next edition. The festival’s executive director Mariëtte Rissenbeek will also be leaving her post after the next edition.
As we reported last week, Chatrian had been expected to stay on beyond 2024, and was surprised to learn that the German body which oversees the festival, Kulturveranstaltungen des Bundes in Berlin (Kbb), announced that it would no extend his contract. The org had previously said it would abandon the model of having an executive director and an artistic director and return instead to having a single director, following the next edition. The festival’s executive director Mariëtte Rissenbeek will also be leaving her post after the next edition.
- 9/6/2023
- by Elsa Keslassy and Naman Ramachandran
- Variety Film + TV
The Venice Gap-Financing Market (September 1-3), part of the Venice Production Bridge, will present 34 fiction and documentary projects.
The Venice Gap-Financing Market (September 1-3), part of the Venice Production Bridge, will present 34 fiction and documentary projects at the 80th Venice International Film Festival (August 30-Septmber 9), including a new project from Palestinian director Annemarie Jacir, All Before You.
All Before You offers a retelling of the 1963 farner-led revolt against British colonial rule in Palestine. Jacir’s previous director credits include The Oblivion Theory, which won the top prize at the Berlinale co-production market in 2021, Salt Of This Sea, Wajib and When I Saw You,...
The Venice Gap-Financing Market (September 1-3), part of the Venice Production Bridge, will present 34 fiction and documentary projects at the 80th Venice International Film Festival (August 30-Septmber 9), including a new project from Palestinian director Annemarie Jacir, All Before You.
All Before You offers a retelling of the 1963 farner-led revolt against British colonial rule in Palestine. Jacir’s previous director credits include The Oblivion Theory, which won the top prize at the Berlinale co-production market in 2021, Salt Of This Sea, Wajib and When I Saw You,...
- 7/3/2023
- by Mona Tabbara
- ScreenDaily
The 10th edition of the Venice Gap-Financing Market, organized as part of the Venice Film Festival’s industry program Venice Production Bridge, has selected 62 projects in the final stages of development and funding.
Filmmakers taking projects to Venice include Jim Sheridan, an Oscar nominee with “In America,” “In the Name of the Father” and “My Left Foot”; Annemarie Jacir, whose credits include Cannes’ “Salt of This Sea,” Berlin’s “When I Saw You” and Locarno’s “Wajib”; Aisling Walsh, who directed “Maudie” with Sally Hawkins and Ethan Hawke, and “Elizabeth Is Missing” with Glenda Jackson; and Kim Mordaunt, who won best debut at Berlin with “The Rocket.”
Also selected are Roberto Minervini, who directed Cannes’ “The Other Side” and Venice’s “What You Gonna Do When the World’s on Fire?”; Laurynas Bareisa, who won the Venice Horizons Award for “Pilgrims”; Måns Månsson, who was in Berlin competition with “The Real Estate”; György Pálfi,...
Filmmakers taking projects to Venice include Jim Sheridan, an Oscar nominee with “In America,” “In the Name of the Father” and “My Left Foot”; Annemarie Jacir, whose credits include Cannes’ “Salt of This Sea,” Berlin’s “When I Saw You” and Locarno’s “Wajib”; Aisling Walsh, who directed “Maudie” with Sally Hawkins and Ethan Hawke, and “Elizabeth Is Missing” with Glenda Jackson; and Kim Mordaunt, who won best debut at Berlin with “The Rocket.”
Also selected are Roberto Minervini, who directed Cannes’ “The Other Side” and Venice’s “What You Gonna Do When the World’s on Fire?”; Laurynas Bareisa, who won the Venice Horizons Award for “Pilgrims”; Måns Månsson, who was in Berlin competition with “The Real Estate”; György Pálfi,...
- 7/3/2023
- by Leo Barraclough
- Variety Film + TV
Palestinian filmmaker Annemarie Jacir, Canadian filmmaker Geneviève Dulude-De Celles, Brazilian filmmaker Ricardo Alves Jr., veteran Hungarian filmmaker György Palfi and Italian filmmaker Roberto Minervini are five filmmakers among the 62 projects selected for the 2023 edition of the Venice Gap-Financing Market (September 1st to the 3rd).
The filmmaker behind Wajib in Annemarie Jacir (who also has the book to screen project The Oblivion Theory in the works), will present All Before You at the market. Docu-fiction blending helmer Roberto Minervini (who is among the producers on Payal Kapadia’s All We Imagine as Light) is going full fiction with The Damned.…...
The filmmaker behind Wajib in Annemarie Jacir (who also has the book to screen project The Oblivion Theory in the works), will present All Before You at the market. Docu-fiction blending helmer Roberto Minervini (who is among the producers on Payal Kapadia’s All We Imagine as Light) is going full fiction with The Damned.…...
- 7/3/2023
- by Eric Lavallée
- IONCINEMA.com
New Feature projects by Palestinian director Annemarie Jacir, Ireland’s Aisling Walsh and Jim Sheridan as well as Romanian filmmaker Anca Damian have been selected for the upcoming edition of the Venice Gap-Financing Market.
The 10th edition of the co-financing meeting will run from Sept. 1 to 3 as part as of the Venice Production Bridge, which is the industry component of the Venice Film Festival (Aug 30 to Sept. 9)
The market will present 62 projects in the final stages of development and funding, selected from 280 submissions.
The selection spans 34 feature-length fiction Film and documentary projects, 14 Immersive projects, 11 Biennale College Cinema – Virtual Reality projects and three Biennale College Cinema projects.
To be eligible for inclusion, the fiction films must have at least 70% of funding in place and be looking for minority partners only.
Full List of Feature Film Projects:
After The Evil (doc) by Tamara Erde, Gloria Films Production All Before You (fiction), by Annemarie Jacir,...
The 10th edition of the co-financing meeting will run from Sept. 1 to 3 as part as of the Venice Production Bridge, which is the industry component of the Venice Film Festival (Aug 30 to Sept. 9)
The market will present 62 projects in the final stages of development and funding, selected from 280 submissions.
The selection spans 34 feature-length fiction Film and documentary projects, 14 Immersive projects, 11 Biennale College Cinema – Virtual Reality projects and three Biennale College Cinema projects.
To be eligible for inclusion, the fiction films must have at least 70% of funding in place and be looking for minority partners only.
Full List of Feature Film Projects:
After The Evil (doc) by Tamara Erde, Gloria Films Production All Before You (fiction), by Annemarie Jacir,...
- 7/3/2023
- by Melanie Goodfellow
- Deadline Film + TV
La bella estate
Following her critically acclaimed sophomore feature Twin Flower (world preem at 2018’s TIFF), Laura Luchetti went on to shoot ten episodes of an Italian TV Series called “Nudes.” Next up is another portrait of youth but this time it’s based on a book to film adaptation of the 1950’s novel. The Beautiful Summer stars Deva Cassel in her debut role and the film went into production in September in Italy. Cinematographer Diego Romero Suarez Llanos (Roberto Minervini’s usual dp) joined the project. Giovanni Pompili (Sole) produced the project.
Gist: Set during a “beautiful summer” in Turin in 1938, against the backdrop of Fascist-era Italy’s subsequent entry into World War II.…...
Following her critically acclaimed sophomore feature Twin Flower (world preem at 2018’s TIFF), Laura Luchetti went on to shoot ten episodes of an Italian TV Series called “Nudes.” Next up is another portrait of youth but this time it’s based on a book to film adaptation of the 1950’s novel. The Beautiful Summer stars Deva Cassel in her debut role and the film went into production in September in Italy. Cinematographer Diego Romero Suarez Llanos (Roberto Minervini’s usual dp) joined the project. Giovanni Pompili (Sole) produced the project.
Gist: Set during a “beautiful summer” in Turin in 1938, against the backdrop of Fascist-era Italy’s subsequent entry into World War II.…...
- 1/13/2023
- by Eric Lavallée
- IONCINEMA.com
Protest
Oscar and Venice-winning filmmaker Laura Poitras and fellow filmmakers Georgia Oakley (“Blue Jean”), Roberto Minervini (“What You Gonna Do When the World’s on Fire?”) and Ondi Timoner (“Last Flight Home”) were among those who protested against the imprisonment of Iranian filmmakers and other incarcerated artists around the world, and to demonstrate support for the tenacious women of Iran who are challenging for their freedom at the BFI London Film Festival on Monday.
They joined festival director Tricia Tuttle, producer Madeleine Molyneaux (“Gospel Hill”); actors Aurélia Petit (“Saint Omer”) and Taki Mumladze (“A Room of My Own”); actor and writer Mariam Khundadze (“To Batumi and every single memory”); writer Morgan M. Page (“Framing Agnes”); industry leaders Tabitha Jackson, Clare Binns and Jason Wood; and other festival delegates in a moment of solidarity and reflection.
They stood together holding the names of imprisoned Iranian filmmakers Mohammad Rasoulof, Mostafa Al-Ahmad and Jafar Panahi,...
Oscar and Venice-winning filmmaker Laura Poitras and fellow filmmakers Georgia Oakley (“Blue Jean”), Roberto Minervini (“What You Gonna Do When the World’s on Fire?”) and Ondi Timoner (“Last Flight Home”) were among those who protested against the imprisonment of Iranian filmmakers and other incarcerated artists around the world, and to demonstrate support for the tenacious women of Iran who are challenging for their freedom at the BFI London Film Festival on Monday.
They joined festival director Tricia Tuttle, producer Madeleine Molyneaux (“Gospel Hill”); actors Aurélia Petit (“Saint Omer”) and Taki Mumladze (“A Room of My Own”); actor and writer Mariam Khundadze (“To Batumi and every single memory”); writer Morgan M. Page (“Framing Agnes”); industry leaders Tabitha Jackson, Clare Binns and Jason Wood; and other festival delegates in a moment of solidarity and reflection.
They stood together holding the names of imprisoned Iranian filmmakers Mohammad Rasoulof, Mostafa Al-Ahmad and Jafar Panahi,...
- 10/11/2022
- by Naman Ramachandran
- Variety Film + TV
Members of the UK film community came together at the BFI Southbank.
Around 40 members of the UK filmmaking community came together at the BFI Southbank yesterday (October 10) to stand in solidarity with jailed Iranian filmmaker Jafar Panahi, the women leading the protest movement in Iran and all those demonstrating for freedom in the country.
BFI London Film Festival director Tricia Tuttle led the event, which was attended by filmmakers and executives including: Picturehouse’s managing director Clare Binns; former Sundance director Tabitha Jackson; All The Beauty And The Bloodshed filmmaker Laura Poitras; Blue Jean director Georgia Oakley; No Kings director...
Around 40 members of the UK filmmaking community came together at the BFI Southbank yesterday (October 10) to stand in solidarity with jailed Iranian filmmaker Jafar Panahi, the women leading the protest movement in Iran and all those demonstrating for freedom in the country.
BFI London Film Festival director Tricia Tuttle led the event, which was attended by filmmakers and executives including: Picturehouse’s managing director Clare Binns; former Sundance director Tabitha Jackson; All The Beauty And The Bloodshed filmmaker Laura Poitras; Blue Jean director Georgia Oakley; No Kings director...
- 10/11/2022
- by Mona Tabbara
- ScreenDaily
The London Film Festival has revealed its jury line-up for this year’s awards.
The Official Competition jury is led by “Power of the Dog” and “Cold War” producer Tanya Seghatchian (pictured), while the First Feature Competition (Sutherland Award) jury will be headed up by director and actor Nana Mensah whose directorial debut “Queen of Glory” won the Best New Narrative Director prize at the 2021 Tribeca Film Festival.
Elsewhere, Italian filmmaker Roberto Minervini will lead the jury selecting the winner of the Grierson Award for Best Documentary after winning the award in 2018 for his film “What You Gonna Do When the World’s On Fire.”
Finally, the Immersive Art and Xr Competition will be led by photographer Misan Harriman, while producer and director Joy Gharoro-Akpojotor will lead the jury selecting the best short film.
See below for the full jury lists:
Official Competition
Seghatchian is joined this year by: actor...
The Official Competition jury is led by “Power of the Dog” and “Cold War” producer Tanya Seghatchian (pictured), while the First Feature Competition (Sutherland Award) jury will be headed up by director and actor Nana Mensah whose directorial debut “Queen of Glory” won the Best New Narrative Director prize at the 2021 Tribeca Film Festival.
Elsewhere, Italian filmmaker Roberto Minervini will lead the jury selecting the winner of the Grierson Award for Best Documentary after winning the award in 2018 for his film “What You Gonna Do When the World’s On Fire.”
Finally, the Immersive Art and Xr Competition will be led by photographer Misan Harriman, while producer and director Joy Gharoro-Akpojotor will lead the jury selecting the best short film.
See below for the full jury lists:
Official Competition
Seghatchian is joined this year by: actor...
- 10/4/2022
- by Manori Ravindran
- Variety Film + TV
Festival unveils 2022 competition juries.
The BFI London Film Festival has announced its jury line-up for this year’s event.
The official competition jury is led by The Power Of The Dog and Cold War producer Tanya Seghatchian, while the first feature competition jury, which grants the Sutherland Award, will be headed up by Queen Of Glory director and actor Nana Mensah.
Italian filmmaker Roberto Minervini will lead the jury selecting the winner of the Grierson Award for best documentary after winning the award in 2018 for his film What You Gonna Do When The World’s On Fire.
The immersive art...
The BFI London Film Festival has announced its jury line-up for this year’s event.
The official competition jury is led by The Power Of The Dog and Cold War producer Tanya Seghatchian, while the first feature competition jury, which grants the Sutherland Award, will be headed up by Queen Of Glory director and actor Nana Mensah.
Italian filmmaker Roberto Minervini will lead the jury selecting the winner of the Grierson Award for best documentary after winning the award in 2018 for his film What You Gonna Do When The World’s On Fire.
The immersive art...
- 10/4/2022
- by Tim Dams
- ScreenDaily
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Tanya Seghatchian, who produced Jane Campion’s 2021 awards darling The Power of the Dog, has been named head of the official competition jury for the 2022 BFI London Film Festival, which kicks of on Wednesday, Oct. 5 with the world premiere of Roald Dahl’s Matilda the Musical.
Seghatchian, who earned a BAFTA last year when The Power of the Dog claimed the best film honor, will lead the jury that also includes Game of Thrones and Star Wars star Gwendoline Christie, One Night in Miami writer and Soul co-director Kemp Powers, Chaitanya Tamhane, the Indian director behind Court and The Disciple, and journalist Charles Gant.
The lineup of films in Lff’s main competition includes Santiago Mitre’s Argentina, 1985, Clement Virgo’s Brother, Marie Kreutzer’s Corsage, The Damned Don’t Cry from Fyzal Boulifa, Mark Jenkin’s Enys Men, Hlynur Pámason’s Godland,...
Tanya Seghatchian, who produced Jane Campion’s 2021 awards darling The Power of the Dog, has been named head of the official competition jury for the 2022 BFI London Film Festival, which kicks of on Wednesday, Oct. 5 with the world premiere of Roald Dahl’s Matilda the Musical.
Seghatchian, who earned a BAFTA last year when The Power of the Dog claimed the best film honor, will lead the jury that also includes Game of Thrones and Star Wars star Gwendoline Christie, One Night in Miami writer and Soul co-director Kemp Powers, Chaitanya Tamhane, the Indian director behind Court and The Disciple, and journalist Charles Gant.
The lineup of films in Lff’s main competition includes Santiago Mitre’s Argentina, 1985, Clement Virgo’s Brother, Marie Kreutzer’s Corsage, The Damned Don’t Cry from Fyzal Boulifa, Mark Jenkin’s Enys Men, Hlynur Pámason’s Godland,...
- 10/4/2022
- by Alex Ritman
- The Hollywood Reporter - Movie News
At the height of his career, Czech-born composer Josef Mysliveček was the most prolific and sought-after figure in Italian opera, bound for immortal celebrity. Nearly three centuries later, his name isn’t forgotten to classical music scholars, but neither does it have anything approaching household status; the facts and records of his personal life, meanwhile, have largely been lost to history. Via a blend of free narrative speculation and exacting musical presentation, Petr Vaclav’s stately, sumptuous biopic “Il Boemo” seeks to restore a degree of iconic status to a talent latterly overshadowed by relative 18th-century contemporaries, albeit not with much swagger or modernity of its own: This is costume drama of a traditional, ornately brocaded stripe, a classical music lesson for classicists.
That’s not likely to do “Il Boemo” any harm as it further travels the festival circuit following its world premiere in San Sebastian’s main competition,...
That’s not likely to do “Il Boemo” any harm as it further travels the festival circuit following its world premiere in San Sebastian’s main competition,...
- 9/21/2022
- by Guy Lodge
- Variety Film + TV
Cannes Best Doc Laureate Payal Kapadia Next Racks Up Production Partners for Petit Chaos (Exclusive)
One year after she dazzled at the Cannes Festival, winning its Golden Eye for best documentary for “A Night of Knowing Nothing,” Payal Kapadia’s fiction debut “All We Imagine as Light,” has attracted the most potent production partner support of any project introduced at this year’s Locarno Match Me!
“Night’s” producers. Petit Chaos’ Thomas Hakim, Julien Graff in France and Ranabir Das (also Dp and editor on “Night”) at India’s Another Birth will produce “Light.”
Also on board, confirmed early July, is Oliver Pere at Arte France Cinéma. Further co-producers take in Zico Maitra and Aastha Singh, Frank Hoeve, Gilles Chanial.
A potential sign of a project positively courted by producers, the multilateral backing is hardly surprising. “All We Imagine as Light” is highly awaited after “A Night of Knowing Nothing,” a film in which “a palimpsest of dusky imagery, reflective narration and evocative score create...
“Night’s” producers. Petit Chaos’ Thomas Hakim, Julien Graff in France and Ranabir Das (also Dp and editor on “Night”) at India’s Another Birth will produce “Light.”
Also on board, confirmed early July, is Oliver Pere at Arte France Cinéma. Further co-producers take in Zico Maitra and Aastha Singh, Frank Hoeve, Gilles Chanial.
A potential sign of a project positively courted by producers, the multilateral backing is hardly surprising. “All We Imagine as Light” is highly awaited after “A Night of Knowing Nothing,” a film in which “a palimpsest of dusky imagery, reflective narration and evocative score create...
- 8/7/2022
- by John Hopewell
- Variety Film + TV
The Middle East premiere of caustic Spanish comedy “Official Competition” will open the Cairo Film Festival, which has assembled a rich roster of international titles for its upcoming 43rd edition, to be held in person Nov. 26-Dec. 5.
Mariano Cohn and Gastón Duprat, who are co-directors of the colorful pic starring Penélope Cruz and Antonio Banderas — which turns on a billionaire businessman determined to bankroll a memorable movie — are expected, barring complications, to attend the regional launch of their Venice-premiering comedy.
Cairo, which is the grande dame of the Arab world’s cinema shindigs — and the only festival in the Middle East and North Africa region to be accorded category “A” status by the International Federation of Film Producers Associations in Paris (Fiapf) — has been subjected to some disruption lately caused by Saudi Arabia’s deep-pocketed Red Sea Festival.
The Red Sea Festival in May decided to move the dates for...
Mariano Cohn and Gastón Duprat, who are co-directors of the colorful pic starring Penélope Cruz and Antonio Banderas — which turns on a billionaire businessman determined to bankroll a memorable movie — are expected, barring complications, to attend the regional launch of their Venice-premiering comedy.
Cairo, which is the grande dame of the Arab world’s cinema shindigs — and the only festival in the Middle East and North Africa region to be accorded category “A” status by the International Federation of Film Producers Associations in Paris (Fiapf) — has been subjected to some disruption lately caused by Saudi Arabia’s deep-pocketed Red Sea Festival.
The Red Sea Festival in May decided to move the dates for...
- 11/8/2021
- by Nick Vivarelli
- Variety Film + TV
Beijing-based distributor Hugoeast Media has acquired Chinese distribution rights to Cannes Directors’ Fortnight film “The Tale of King Crab,” the first feature venture into narrative fiction of Italian filmmakers Alessio Rigo de Righi and Matteo Zoppis.
Hugoeast Media plans a limited theatrical release in Chinese theaters in the course of 2022.
The deal with Hugoeast Media was closed by the international sales arm of France’s Shellac. It adds to a North American pick-up by Oscilloscope Laboratories, negotiated by Shellac’s Thomas Ordonneau and Egle Cepaite and announced a week after “Crab King” world premiered at the Cannes Festival.
An out-there tale of tragedy and redemption, “The Tale of King Crab” is based on vague local legend picked up by the filmmakers of a man, Luciano, living in a benighted Italian village in the late 1800s or early twentieth century decried as a “madman, an aristocrat, a saint and a drunkard.
Hugoeast Media plans a limited theatrical release in Chinese theaters in the course of 2022.
The deal with Hugoeast Media was closed by the international sales arm of France’s Shellac. It adds to a North American pick-up by Oscilloscope Laboratories, negotiated by Shellac’s Thomas Ordonneau and Egle Cepaite and announced a week after “Crab King” world premiered at the Cannes Festival.
An out-there tale of tragedy and redemption, “The Tale of King Crab” is based on vague local legend picked up by the filmmakers of a man, Luciano, living in a benighted Italian village in the late 1800s or early twentieth century decried as a “madman, an aristocrat, a saint and a drunkard.
- 9/21/2021
- by John Hopewell
- Variety Film + TV
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