When a disgraced former college professor has a romance with a mysterious younger woman haunted by her dark twisted past, he is forced to confront a shocking secret about his own life that he has kept secret for 50 years.
A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits town, she finds out that their support has a price. Yet her dangerous secret is never far away...
A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp. Remake of François Truffaut's 1969 film 'Mississippi Mermaid'
Anna is a young widow who is finally getting on with her life after the death of her husband, Sean. Now engaged to be married, Anna meets a ten-year-old boy who tells her he is Sean reincarnated. Though his story is both unsettling and absurd, Anna can't get the boy out of her mind. And much to the concern of her fiancée, her increased contact with him leads her to question the choices she has made in her life. Written by
Sujit R. Varma
The type of cake served at Eleanor's birthday and which Sean has a left-over piece of is a Red Velvet Cake which is also known as a Waldorf Astoria Cake. See more »
In the second bath scene near the end of the movie, the amount of mud on Sean's face changes between shots. See more »
Voice of Sean:
Ok, let me say this... If I lost my wife and, uh, the next day, a little bird landed on my windowsill, looked me right in the eye, and in plain English said, 'Sean, it's me, Anna. I'm back' What could I say? I guess I'd believe her. Or I'd want to. I'd be stuck with a bird. But other than that, no. I'm a man of science. I just don't believe that mumbo-jumbo. Now, that's gonna have to be the last question. I need to go running before I head home.
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Fantastically beautiful film about the trauma of love.
This movie is very much in the tradition of Kubrick. It's quiet, it's dramatic, sophisticated and beautifully shot. The ending is ambiguous; open to interpretation. Cameron Bright is convincingly haunted as the possible re-incarnation of Anna's (Nicole Kidman) deceased husband. Birth reveals the ways in which love and the removal of that love can traumatize us. I did not realize who the director of this film was until after I finished it. I was pleased to see that Mr. Glazer has also directed Sexy Beast which is another excellent film and one of my personal favorites of the past 10 years or so. I strongly recommend this to anyone who enjoyed Sexy Beast or the work of Kubrick.
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