When a disgraced former college professor has a romance with a mysterious younger woman haunted by her dark twisted past, he is forced to confront a shocking secret about his own life that he has kept secret for 50 years.
A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits town, she finds out that their support has a price. Yet her dangerous secret is never far away...
A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp. Remake of François Truffaut's 1969 film 'Mississippi Mermaid'
Anna is a young widow who is finally getting on with her life after the death of her husband, Sean. Now engaged to be married, Anna meets a ten-year-old boy who tells her he is Sean reincarnated. Though his story is both unsettling and absurd, Anna can't get the boy out of her mind. And much to the concern of her fiancée, her increased contact with him leads her to question the choices she has made in her life. Written by
Sujit R. Varma
The type of cake served at Eleanor's birthday and which Sean has a left-over piece of is a Red Velvet Cake which is also known as a Waldorf Astoria Cake. See more »
In the second bath scene near the end of the movie, the amount of mud on Sean's face changes between shots. See more »
Voice of Sean:
Ok, let me say this... If I lost my wife and, uh, the next day, a little bird landed on my windowsill, looked me right in the eye, and in plain English said, 'Sean, it's me, Anna. I'm back' What could I say? I guess I'd believe her. Or I'd want to. I'd be stuck with a bird. But other than that, no. I'm a man of science. I just don't believe that mumbo-jumbo. Now, that's gonna have to be the last question. I need to go running before I head home.
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This movie was a masterpiece in every way. I initially left with a sour taste in my mouth after viewing the ending. I then watched the movie again and caught some of the more subtle cues, words and actions happening in this movie.
The Kubrickian opening scene was beautifully shot and evoked this powerful sense of a journey about to unfold. There are several scenes where Nicole Kidman delivers quite possibly the most powerful performance she has ever delivered and without the use of her voice. She pulls this off so well and it gives a good sense of what the rest of her performance has in store. An unsung hero in this film is the young child actor Cameron Bright. His performance was equally as astonishing. He was able to convey the adult mind intermixed with the mental faculties of a child. This Mr. Reincarnation was accurate down to the smallest details of how his actions should be as an adult while also displaying how his vehicle was still that of a child's. He was conflicted and equally abound with thought as Anna, Nicole Kidman's character. The duality was shown towards the end specifically when they were both shown taking portraits.
The musical score by Alexandre Desplat blends so extremely well with this movie and conveys even more powerfully those scenes where voice is not available to convey each of the actor's unheard emotions. The opening shot is one of the best examples of how well it completes the movie.
I believe you'll have to have an observant eye and an open mind to fully appreciate this film. The ending may seem unfulfilling or open ended but in a sense it is quite conclusive. The ending does leave enough room to view it in different ways however.
In short, I recommend this film to those who can fully appreciate films that make you think and which offer a beautiful composition of both music, images and story.
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