When a disgraced former college professor has a romance with a mysterious younger woman haunted by her dark twisted past, he is forced to confront a shocking secret about his own life that he has kept secret for 50 years.
A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits town, she finds out that their support has a price. Yet her dangerous secret is never far away...
A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp. Remake of François Truffaut's 1969 film 'Mississippi Mermaid'
Anna is a young widow who is finally getting on with her life after the death of her husband, Sean. Now engaged to be married, Anna meets a ten-year-old boy who tells her he is Sean reincarnated. Though his story is both unsettling and absurd, Anna can't get the boy out of her mind. And much to the concern of her fiancée, her increased contact with him leads her to question the choices she has made in her life. Written by
Sujit R. Varma
At the symphony, when Anna is reacting to her encounter with the Young Sean, the zoom-in on her face lasts a full 2 minutes. See more »
In the second bath scene near the end of the movie, the amount of mud on Sean's face changes between shots. See more »
Voice of Sean:
Ok, let me say this.
Voice of Sean:
Let me say this. If I lost my wife and, and uh, the next day a little bird landed on my windowsill, looked me right in the eye, and in plain English said, 'Sean, it's me, Anna. I'm back' What could I say? I guess I'd believe her. Or I'd want to. I'd be stuck with a bird. But other than that, no. I'm a man of science. I just don't believe that mumbo-jumbo. Now, that's gonna have to be the last question. I need to go running before I head home.
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From the haunting opening to the heartbreaking ending... this film is an absolute masterpiece. Everything from the acting to the cinematography is stunning. It is extremely unfortunate that more attention was focused on the now infamous bath scene between Kidman and Cameron Bright. The scene is uncomfortable, no-doubt, but it is supposed to be. At no point is Anna (Nicole Kidman) completely relaxed in the company of this child who claims to be the reincarnation of her dead husband. The inclusion of this scene and the later 'kiss' scene simply add to this feeling of confusion and raw emotion that Anna is experiencing. What better way to tap into viewer emotions than to have a 10-year-old tenderly kiss a grown woman - it's an idea that is guaranteed to evoke strong feelings! The fact that we do not dismiss the reincarnation idea as completely ludicrous owes much to the fantastic acting - not just by Kidman but by the supporting cast also. Lauren Bacall is truly wonderful as Kidman's sarcastic mother. Kidman & Bacall are a fantastic double act, with their performances bouncing off each others perfectly. Both Kidman and Bacall have said that they feel like mother and daughter off-screen, which is evident in this movie. At times, you feel like a fly-on-the-wall watching a supporting but disbelieving mother trying to help her heartbroken daughter. This adds yet more to the personal, emotional tone of the picture. Anne Heche gives her best performance in years as the friend-with-a-secret. Cameron Bright is a real talent and is even more impressive when you realize how little dialogue he actually has. Through facial expressions and actions he acts jealousy, pain, hatred and love wonderfully well for such a youngster. However, it is Kidman who yet again shows that she is one of the best actors of our generation. She is along side Meryl Streep as someone who astounds us time and time again... If ever one scene could represent her astonishing talent, it is the 'Opera-scene'. The camera stays on Kidman's face for nearly a minute - in this minute, every emotion Anna is feeling is expressed through Kidman's face. It is stunning and, if any scene should have overshadowed this incredible movie, it should have been this one! Kidman is astoundingly good - the final scene is truly one of the most heartbreaking scenes I have ever sat through. The ending I mentioned doesn't explain everything to us - how Anna ends up is left to our own imagination. This is by far the most moving, though-provoking, superbly acted movie of the year. Anyone who gets the chance should see it and if the Academy (Oscars) ignore this - they really are as arrogant, small-minded and stupid as they seem!
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