When a disgraced former college professor has a romance with a mysterious younger woman haunted by her dark twisted past, he is forced to confront a shocking secret about his own life that he has kept secret for 50 years.
A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits town, she finds out that their support has a price. Yet her dangerous secret is never far away...
A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp. Remake of François Truffaut's 1969 film 'Mississippi Mermaid'
Anna is a young widow who is finally getting on with her life after the death of her husband, Sean. Now engaged to be married, Anna meets a ten-year-old boy who tells her he is Sean reincarnated. Though his story is both unsettling and absurd, Anna can't get the boy out of her mind. And much to the concern of her fiancée, her increased contact with him leads her to question the choices she has made in her life. Written by
Sujit R. Varma
The type of cake served at Eleanor's birthday and which Sean has a left-over piece of is a Red Velvet Cake which is also known as a Waldorf Astoria Cake. See more »
In the second bath scene near the end of the movie, the amount of mud on Sean's face changes between shots. See more »
Voice of Sean:
Ok, let me say this.
Voice of Sean:
Let me say this. If I lost my wife and, and uh, the next day a little bird landed on my windowsill, looked me right in the eye, and in plain English said, 'Sean, it's me, Anna. I'm back' What could I say? I guess I'd believe her. Or I'd want to. I'd be stuck with a bird. But other than that, no. I'm a man of science. I just don't believe that mumbo-jumbo. Now, that's gonna have to be the last question. I need to go running before I head home.
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If you see Birth, go in realizing it is an art-house film, not a mainstream thriller. If it didn't have Nicole Kidman in it, this film would be playing in less than 10 theaters in the country. But because of Kidman, it is playing in your local cineplex but this is not a film for the cineplex crowd. If you are looking for something like The Others, The Sixth Sense, or Ghost; do not see this film.
Birth is a film where atmosphere means more that dialog. This is not a fun film. The people in the film are very deadpan and do not smile; especially the child. Much has been made of the bath scene but that is actually one of the least radical parts of this film. The thing that will upset most people are the long close-ups without any dialog. Also, the conclusion does not tie up as many loose ends as a mainstream film. This film wants the viewer to think about it afterwards.
Nicole Kidman and Lauren Bacall are great but for me, Anne Heche almost stole the film with her small part. Also, the music is atmospheric and a real treat if you like symphonic music.
This is a beautiful film to look at and listen to. The story will keep you guessing which direction it is going to go. Whether you are happy with the outcome or not will probably depend on your expectations. Go into this film with an open mind. 9/10
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