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When a disgraced former college professor has a romance with a mysterious younger woman haunted by her dark twisted past, he is forced to confront a shocking secret about his own life that he has kept secret for 50 years.
Political intrigue and deception unfold inside the United Nations, where a US Secret Service agent is assigned to investigate an interpreter who overhears an assassination plot.
A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
A young Chicago advertising executive believes a woman he sees in a café is his long-lost love. His conviction leads to obsession, as he puts his life on hold to trail her.
A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp. Remake of François Truffaut's 1969 film 'Mississippi Mermaid'
Director:
Michael Cristofer
Stars:
Antonio Banderas,
Angelina Jolie,
Thomas Jane
A woman faces deadly consequences for abandoning her loving relationship with her boyfriend to pursue exciting sexual scenarios with a mysterious celebrity mountaineer.
Director:
Kaige Chen
Stars:
Heather Graham,
Joseph Fiennes,
Natascha McElhone
A frustrated war correspondent, unable to find the war he's been asked to cover, takes the risky path of co-opting the I.D. of a dead arms dealer acquaintance.
Director:
Michelangelo Antonioni
Stars:
Jack Nicholson,
Maria Schneider,
Jenny Runacre
Anna is a young widow who is finally getting on with her life after the death of her husband, Sean. Now engaged to be married, Anna meets a ten-year-old boy who tells her he is Sean reincarnated. Though his story is both unsettling and absurd, Anna can't get the boy out of her mind. And much to the concern of her fiancée, her increased contact with him leads her to question the choices she has made in her life. Written by
Sujit R. Varma
The type of cake served at Eleanor's birthday and which Sean has a left-over piece of is a Red Velvet Cake which is also known as a Waldorf Astoria Cake. See more »
Goofs
In the second bath scene near the end of the movie, the amount of mud on Sean's face changes between shots. See more »
Quotes
[first lines]
Voice of Sean:
Ok, let me say this... If I lost my wife and, uh, the next day, a little bird landed on my windowsill, looked me right in the eye, and in plain English said, 'Sean, it's me, Anna. I'm back' What could I say? I guess I'd believe her. Or I'd want to. I'd be stuck with a bird. But other than that, no. I'm a man of science. I just don't believe that mumbo-jumbo. Now, that's gonna have to be the last question. I need to go running before I head home.
See more »
There is much to admire in this frustrating classy, pretty film. Nicole Kidman's performance for starters, an intriguing premise and a beautiful score. But this is a partial birth. Nothing is taking to completion. Scenes seem to start and then we're left with nothing. Important plot points are merely hinted while unnecessary repetitions are inflicted upon us with infuriating monotony. I'm not going to enter into details but just let me say that I was worked up to a frenzy without allowing me a climax of any kind. Nicole Kidman however is sublime. She is a fearless, sensational actress. She has one of the longest close ups in recent history and that is one of the greatest moments in a film full of almost great moments. There is something about Sean that doesn't make any sense. I'm not talking about young Sean but about the dead one. The Anne Heche's character is as absurd as Camilla Parker Bowles, with the difference that we know Prince Charles and the absurdity becomes him. We can't make head or tail of the dead Sean and as a consequence his life was merely a writer's excuse. Utterly unconvincing. In spite of all that I may see the film again and I've actually recommended it for Nicole Kidman's performance and a score that I've already bought and I've been playing incessantly.
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There is much to admire in this frustrating classy, pretty film. Nicole Kidman's performance for starters, an intriguing premise and a beautiful score. But this is a partial birth. Nothing is taking to completion. Scenes seem to start and then we're left with nothing. Important plot points are merely hinted while unnecessary repetitions are inflicted upon us with infuriating monotony. I'm not going to enter into details but just let me say that I was worked up to a frenzy without allowing me a climax of any kind. Nicole Kidman however is sublime. She is a fearless, sensational actress. She has one of the longest close ups in recent history and that is one of the greatest moments in a film full of almost great moments. There is something about Sean that doesn't make any sense. I'm not talking about young Sean but about the dead one. The Anne Heche's character is as absurd as Camilla Parker Bowles, with the difference that we know Prince Charles and the absurdity becomes him. We can't make head or tail of the dead Sean and as a consequence his life was merely a writer's excuse. Utterly unconvincing. In spite of all that I may see the film again and I've actually recommended it for Nicole Kidman's performance and a score that I've already bought and I've been playing incessantly.