Birth (2004)

A young boy attempts to convince a woman that he is her dead husband reborn.

Director:

Jonathan Glazer

Writers:

Jean-Claude Carrière, Milo Addica,

Stars:

Nicole Kidman, Cameron Bright, Danny Huston

Nominated for 1 Golden Globe. Another 2 wins & 9 nominations.

Cast

Cast overview, first billed only:
Nicole Kidman	...	Anna
Cameron Bright	...	Young Sean
Danny Huston	...	Joseph
Lauren Bacall	...	Eleanor
Alison Elliott	...	Laura
Arliss Howard	...	Bob
Michael Desautels	...	Sean
Anne Heche	...	Clara
Peter Stormare	...	Clifford
Ted Levine	...	Mr. Conte
Cara Seymour	...	Mrs. Conte
Joe M. Chalmers	...	Sinclair
Novella Nelson	...	Lee
Zoe Caldwell	...	Mrs. Hill
Charles Goff	...	Mr. Drummond

Storyline

Anna is a young widow who is finally getting on with her life after the death of her husband, Sean. Now engaged to be married, Anna meets a ten-year-old boy who tells her he is Sean reincarnated. Though his story is both unsettling and absurd, Anna can't get the boy out of her mind. And much to the concern of her fiancée, her increased contact with him leads her to question the choices she has made in her life.

---

Plot Keywords:

boy | death | widow | reincarnation | dead husband | 

---

Taglines:

A haunting thriller that will keep you guessing until the very end.

---

Genres:

Drama | Mystery | Romance | Thriller

---

Motion Picture Rating (MPAA)

Rated R for sexuality

Details

Official Sites:

Metropolitan Filmexport [fr] New Line Cinema

Country:

USA Germany

Language:

English

Release Date:

23 December 2004 (Germany)

Also Known As:

Reencarnación

Filming Locations:

1136 Fifth Avenue, Manhattan, New York, New York, USA

Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend:

$520,842 (Brazil) (25 March 2005)

Gross:

$1,283,033 (Brazil) (15 April 2005)

Company Credits

Production Co:

New Line Cinema, Fine Line Features, Lou Yi Inc.

Technical Specs

Runtime:

100 min

Sound Mix:

DTS Dolby Digital SDDS

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

The type of cake served at Eleanor's birthday and which Sean has a left-over piece of is a Red Velvet Cake which is also known as a Waldorf Astoria Cake.

---

Goofs

In the second bath scene near the end of the movie, the amount of mud on Sean's face changes between shots.

---

Quotes

[first lines]
Voice of Sean: Ok, let me say this... If I lost my wife and, uh, the next day, a little bird landed on my windowsill, looked me right in the eye, and in plain English said, 'Sean, it's me, Anna. I'm back' What could I say? I guess I'd believe her. Or I'd want to. I'd be stuck with a bird. But other than that, no. I'm a man of science. I just don't believe that mumbo-jumbo. Now, that's gonna have to be the last question. I need to go running before I head home.

---

Connections

References Rosemary's Baby (1968)

---

Soundtracks

"Bridal March from 'Lohengrin'"
(1850)
Written by Richard Wagner
Arranged by Peter Raeburn & Christopher Austin

User Reviews

The Main Problem Was....

The premise of the death of a prominent scientist coinciding with the birth of a child and the two "souls" merging ten years later was an intriguing one. But despite the effective cinematography, especially the exterior scenes in New York City, there was a central problem to this film.

The major problem was in the characterization of the child. The main character Anna (Nicole Kidman) becomes attached to the 10-year-old boy who claims to be her deceased husband. Anna then develops an obsession with the child, throwing her engagement to Joseph (Danny Huston) into confusion.

If only the child had some personality and had been able to convey some of the charm of the deceased husband, it might have been possible to become engaged in this film as a supernatural thriller. (When Anna and the boy meet privately in Central Park, the site is Sean's death scene. A more appropriate spot would have been a special part of the park where the couple met in life--not the place where Sean died.) Throughout the film, the boy only asserted ad nauseum that he was the husband "Sean" without giving Anna any hint of the "soul" of her former husband. If only the screenwriters could have developed sensitively and insightfully the characterization of the child, this film could have been stunning.

The credibility gap was too wide for us to believe that Anna would actually begin to love the child as the reincarnation of her husband. It was also too difficult to believe that Joseph, Anna's family, and the child's parents would permit him to literally move into Anna's apartment.

The most effective scene in the film was the moment when Anna's sister-in-law Clara (Anne Heche) confronts the child with her own secrets pertaining to Anna and Sean. The entire film might have resonated this level of energy if only the little boy had been given a personality!

It is unfortunate that this little kid could not have been paired with Linda Blair's character in "The Exorcist." Now that would have been a perfect match!