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Years after a plague kills most of humanity and transforms the rest into monsters, the sole survivor in New York City struggles valiantly to find a cure.
A pair of shuttle astronauts leave their spacecraft to repair a satellite. There's an explosion. NASA loses contact for two minutes, but the both are rescued and safely returned to Earth. ... See full summary »
Six years after Earth has suffered an alien invasion a cynical journalist agrees to escort a shaken American tourist through an infected zone in Mexico to the safety of the US border.
Director:
Gareth Edwards
Stars:
Scoot McNairy,
Whitney Able,
Mario Zuniga Benavides
Genetic engineers Clive Nicoli and Elsa Kast hope to achieve fame by successfully splicing together the DNA of different animals to create new hybrid animals for medical use.
Survivors of a nuclear attack are grouped together for days in the basement of their apartment building, where fear and dwindling supplies wear away at their dynamic.
Director:
Xavier Gens
Stars:
Lauren German,
Michael Biehn,
Milo Ventimiglia
Four friends/fledgling entrepreneurs, knowing that there's something bigger and more innovative than the different error-checking devices they've built, wrestle over their new invention.
Director:
Shane Carruth
Stars:
Shane Carruth,
David Sullivan,
Casey Gooden
While returning to Earth, the space shuttle explodes and the fragments bring an alien virus that recodes the human DNA. In Washington, the psychiatrist Carol Bennell observes the modification of the behavior of one of her clients first, then in her former husband and finally in the population in general. Together with her friend Dr. Ben Driscoll the researcher Dr. Stephen Galeano, they discover that the extraterrestrial epidemic affects human beings while sleeping and that her son Ollie, who had chickenpox when he was a baby, is immune to the disease and may save mankind from the outbreak. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Carol and Oliver enter the elevator, she hits the button for the 29th floor. This causes the button 29 to light up. Yet a wide shot of the elevator interior a few seconds later reveals that neither 29 nor any other floor buttons are lit. See more »
Quotes
[first lines]
News Announcer:
[off-screen]
Tragic news tonight as the space shuttle "Patriot" explodes during an unscheduled landing attempt.
See more »
"String Quartet No. 26 in D Major"
Written by Joseph Haydn (as Franz Joseph Hayden)
Performed by Kodaly Quartet (as The Kodaly Quartet)
Courtesy of Naxos
By Arrangement with Source/Q See more »
This is already the fourth large-scaled film version based on Jack Finney's legendary story "Invasion of the Body Snatchers" and I must say this is just one too many. The two oldest films (the 50's film directed by Don Siegel and the 70's version by Philip Kaufman) are righteously regarded at as genre milestones, but the "newer" films don't manage to convey the creepy basic premise in a good old-fashioned and atmospheric way. Abel Ferrara's 1993 film "Body Snatchers" still contained a few very effective moments of fright, but this latest; big-names-involved version became somewhat of a disappointment. It's is clearly noticeable that director Oliver Hirschbiegel ("Downfall", "The Experiment") wanted to make his English language debut like a genuine throwback to paranoid & claustrophobic 50's Sci-Fi, with enthralling suspense, mysteriousness and character development. Unfortunately, however, the producers wanted more spectacle and explosions, and thus hired other people for re-writes and re-shoots. The finished product evidently suffers from this, so my advice would be to try and focus as much as possible on the substantially terrific sequences and the creepily-themed ambiance. The familiar concept is still, according to me at least, the archetype of superior Science Fiction. What if some sort of extraterrestrial force caused people to metamorphose into soulless, emotionless and insensitive replicas of themselves overnight? For some reason, I always found this the most nightmarishly plausible Sci-Fi formula, and apparently many genre fanatics with me. This time, the "epidemic" is generated when a US Space Shuttle, containing the unidentified alien substance, crashes down on earth. Shortly after, the entire population is gradually getting replaced by exact copies. Psychiatrist Carol Bennell desperately tries to get to her son, who's staying with his estranged father and happened to be one of the first victims of the infection. Apart from a couple of really powerful sequences and a few isolated moments of pure shock (the tunnel-accident, for example), "The Invasion" is a rather redundant movie that adds absolutely nothing to the original masterpieces. The alien menace isn't very detectable here and the fear in the eyes of the survivors is never fully convincing. The additions to the original storyline, like for example the sub plot on immunity, are inefficient and not compelling. Nicole Kidman, of whom I'm usually not a big fan, is quite good looking in this film and her performance is more than adequate. Her male co-stars Daniel Craig, Jeremy Northam and Jeffrey Wright all give away much more intense and plausible performances, however. I hope that, one day, perhaps Hirschbiegel director's cut will be available and we get to see the film as it was initially intended: slow-brooding, uncanny and petrifying.
14 of 19 people found this review helpful.
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This is already the fourth large-scaled film version based on Jack Finney's legendary story "Invasion of the Body Snatchers" and I must say this is just one too many. The two oldest films (the 50's film directed by Don Siegel and the 70's version by Philip Kaufman) are righteously regarded at as genre milestones, but the "newer" films don't manage to convey the creepy basic premise in a good old-fashioned and atmospheric way. Abel Ferrara's 1993 film "Body Snatchers" still contained a few very effective moments of fright, but this latest; big-names-involved version became somewhat of a disappointment. It's is clearly noticeable that director Oliver Hirschbiegel ("Downfall", "The Experiment") wanted to make his English language debut like a genuine throwback to paranoid & claustrophobic 50's Sci-Fi, with enthralling suspense, mysteriousness and character development. Unfortunately, however, the producers wanted more spectacle and explosions, and thus hired other people for re-writes and re-shoots. The finished product evidently suffers from this, so my advice would be to try and focus as much as possible on the substantially terrific sequences and the creepily-themed ambiance. The familiar concept is still, according to me at least, the archetype of superior Science Fiction. What if some sort of extraterrestrial force caused people to metamorphose into soulless, emotionless and insensitive replicas of themselves overnight? For some reason, I always found this the most nightmarishly plausible Sci-Fi formula, and apparently many genre fanatics with me. This time, the "epidemic" is generated when a US Space Shuttle, containing the unidentified alien substance, crashes down on earth. Shortly after, the entire population is gradually getting replaced by exact copies. Psychiatrist Carol Bennell desperately tries to get to her son, who's staying with his estranged father and happened to be one of the first victims of the infection. Apart from a couple of really powerful sequences and a few isolated moments of pure shock (the tunnel-accident, for example), "The Invasion" is a rather redundant movie that adds absolutely nothing to the original masterpieces. The alien menace isn't very detectable here and the fear in the eyes of the survivors is never fully convincing. The additions to the original storyline, like for example the sub plot on immunity, are inefficient and not compelling. Nicole Kidman, of whom I'm usually not a big fan, is quite good looking in this film and her performance is more than adequate. Her male co-stars Daniel Craig, Jeremy Northam and Jeffrey Wright all give away much more intense and plausible performances, however. I hope that, one day, perhaps Hirschbiegel director's cut will be available and we get to see the film as it was initially intended: slow-brooding, uncanny and petrifying.