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Years after a plague kills most of humanity and transforms the rest into monsters, the sole survivor in New York City struggles valiantly to find a cure.
A pair of shuttle astronauts leave their spacecraft to repair a satellite. There's an explosion. NASA loses contact for two minutes, but the both are rescued and safely returned to Earth. ... See full summary »
Genetic engineers Clive Nicoli and Elsa Kast hope to achieve fame by successfully splicing together the DNA of different animals to create new hybrid animals for medical use.
Director:
Vincenzo Natali
Stars:
Adrien Brody,
Sarah Polley,
Delphine Chanéac
Six years after Earth has suffered an alien invasion a cynical journalist agrees to escort a shaken American tourist through an infected zone in Mexico to the safety of the US border.
Director:
Gareth Edwards
Stars:
Scoot McNairy,
Whitney Able,
Mario Zuniga Benavides
Survivors of a nuclear attack are grouped together for days in the basement of their apartment building, where fear and dwindling supplies wear away at their dynamic.
Director:
Xavier Gens
Stars:
Lauren German,
Michael Biehn,
Milo Ventimiglia
Four friends/fledgling entrepreneurs, knowing that there's something bigger and more innovative than the different error-checking devices they've built, wrestle over their new invention.
Director:
Shane Carruth
Stars:
Shane Carruth,
David Sullivan,
Casey Gooden
While returning to Earth, the space shuttle explodes and the fragments bring an alien virus that recodes the human DNA. In Washington, the psychiatrist Carol Bennell observes the modification of the behavior of one of her clients first, then in her former husband and finally in the population in general. Together with her friend Dr. Ben Driscoll the researcher Dr. Stephen Galeano, they discover that the extraterrestrial epidemic affects human beings while sleeping and that her son Ollie, who had chickenpox when he was a baby, is immune to the disease and may save mankind from the outbreak. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Nicole Kidman was involved in an accident while riding with others in a picture car mounted on trailer being towed by a camera truck rig. While filming a stunt in downtown Los Angeles, the truck took a turn too wide, slid on wet pavement, and collided with a light standard. Several stunt artists on the picture car were injured in the accident. Ms. Kidman was brought to the hospital as a precaution, but was able to return to the set the next day. See more »
Goofs
When Carol runs from the subway train she is seen removing and discarding her shoes, but when she goes through the door and runs up the stairs she has her shoes back on. See more »
Quotes
[first lines]
News Announcer:
[off-screen]
Tragic news tonight as the space shuttle "Patriot" explodes during an unscheduled landing attempt.
See more »
I honestly don't think the movie is worth an 8, not in its released form. But since the cuts and additions from the suits are so painfully obvious, I'm willing to give a higher rating to the movie that could have been... and for now, only the original director Oliver something has seen.
So the original movie (which is still discernible somehow) was supposed to be a dark, slow take on isolation, pill overuse and boring modern life. With a twist: a mom so desperate to protect her child, she would silently watch other people being killed as long as she can find her kid. That's actually moving and seldom seen in a macho-dominated Hollywood. I won't say that ice cold Kidman is the right choice to depict a desperate mom, but given that her role is to often look emotionless (so she can pass as another "pod people") she doesn't do too badly.
Now, the suits didn't like that and called those soft-brained Wachowski bros to make it -supposedly- more mainstream. And what they did was to add car chases, crashes, helicopters, fires and senseless violence in general. Inserted into the original movie at close intervals to keep people amused (or so they thought). Now, there are a few good directors who can pull out a combination of slow burn and crazy action. But a patchwork movie made of two different directors' bits, guys with widely opposed instincts and goals, no wonder the result is a flop.
If anything is to be learned from this, it's how little do Hollywood executives know about what makes a good movie. Granted, a non-stop mishmash of violence and fifth-drink bar philosophy like The Matrix can earn the big bucks, but you can't expect Matrix-like bits to improve what was intended to be a slow paced, moody film. Which was probably condemned to be a box office failure, but also could have been pretty good.
118 of 192 people found this review helpful.
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I honestly don't think the movie is worth an 8, not in its released form. But since the cuts and additions from the suits are so painfully obvious, I'm willing to give a higher rating to the movie that could have been... and for now, only the original director Oliver something has seen.
So the original movie (which is still discernible somehow) was supposed to be a dark, slow take on isolation, pill overuse and boring modern life. With a twist: a mom so desperate to protect her child, she would silently watch other people being killed as long as she can find her kid. That's actually moving and seldom seen in a macho-dominated Hollywood. I won't say that ice cold Kidman is the right choice to depict a desperate mom, but given that her role is to often look emotionless (so she can pass as another "pod people") she doesn't do too badly.
Now, the suits didn't like that and called those soft-brained Wachowski bros to make it -supposedly- more mainstream. And what they did was to add car chases, crashes, helicopters, fires and senseless violence in general. Inserted into the original movie at close intervals to keep people amused (or so they thought). Now, there are a few good directors who can pull out a combination of slow burn and crazy action. But a patchwork movie made of two different directors' bits, guys with widely opposed instincts and goals, no wonder the result is a flop.
If anything is to be learned from this, it's how little do Hollywood executives know about what makes a good movie. Granted, a non-stop mishmash of violence and fifth-drink bar philosophy like The Matrix can earn the big bucks, but you can't expect Matrix-like bits to improve what was intended to be a slow paced, moody film. Which was probably condemned to be a box office failure, but also could have been pretty good.