A French boarding school run by priests seems to be a haven from World War II until a new student arrives. He becomes the roommate of top student in his class. Rivals at first, the roommates form a bond and share a secret.
A German stage actor finds unexpected success and mixed blessings in the popularity of his performance in a Faustian play as the Nazis take power in pre-WWII Germany. As his associates and ... See full summary »
Klaus Maria Brandauer,
The location: Nazi occupied Rome. As Rome is classified an open city, most Romans can wander the streets without fear of the city being bombed or them being killed in the process. But life ... See full summary »
France, 1942, during the occupation. Philippe Gerbier, a civil engineer, is one of the French Resistance's chiefs. Given away by a traitor, he is interned in a camp. He manages to escape, ... See full summary »
During the First World War, two French soldiers are captured and imprisoned in a German POW camp. Several escape attempts follow until they are sent to a seemingly impenetrable fortress which seems impossible to escape from.
During World War II, 12-year old Ivan works as a spy on the eastern front. The small Ivan can cross the German lines unnoticed to collect information. Three Soviet officers try to take care... See full summary »
During the German occupation noble, bourgeois and worker's partisan groups lived in peace with another. On the first day of freedom they start to fight each other. In these fights is weaved a most tender love story.
The power and fortune of the Von Essenbeck family remained intact even when Germany lost the great war and during the depression that followed. Now it's 1934 and the baron has summoned his family to a dinner that also brings a cousin rising in the Nazi party to the great house accompanied by a rising manager at the baron's company. Two little girls recite poetry in the parlor and then play hide-and-seek with their cousin Martin. Suddenly there is a scream. The baron has been shot with their father's gun and the father flees the country. Written by
Dale O'Connor <email@example.com>
Finnish censorship visa register # 78047 delivered on 3-11-1969. See more »
Throughout the film, SS-Captain Aschenbach is referred to as a "Hauptsturmfuhrer". However, prior to 1934 (when the film is set) the SS referred to the rank of Captain as "Sturmhauptfuhrer". See more »
All right. My resignation has been ready for some time, Joachim. If this is what you're asking.
Joachim Von Essenbeck:
I'm forced to do it, Herbert. Against my will, and without strong conviction, but... the steel works!
Yes, right or wrong, they must always come first. That has always been your creed. You even sent your son to the slaughter so you could say "You see, the Essenbecks put children and cannons into the world with the same sentiment, and with the same sentiment they'll be buried!"
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Most of the previous reviews noted the link in this sumptuous piece of high camp with Hamlet, but only one noted the secondary English title was a direct reference to Wagner's Twilight of the Gods. Presenting the rise of Nazism as a camp Wagnerian Soap Opera was what Visconti was after, I think. He succeeds brilliantly. Yes, it is distasteful in it's perversions, but Nazism was pretty distasteful in it's reality, and perverted too. I am not gay, but the Night of the Long Knives is one of the most memorable bits of cinematography I have seen- a cross dressing SA thug by the Wannansee having a premonition of doom at the hands of the SS- go figure! Thulin and Rampling are superb, Bogarde believable (in an utterly unbelievable role), and Berger chews the carpet in a way that gives overacting a good name. Not to be missed.
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