Historical evocation of Ludwig, king of Bavaria, from his crowning in 1864 until his death in 1886, as a romantic hero. Fan of Richard Wagner, betrayed by him, in love with his cousin ... See full summary »
In this adaptation of the Thomas Mann novel, avant-garde composer Gustave Aschenbach (loosely based on Gustav Mahler) travels to a Venetian seaside resort in search of repose after a period... See full summary »
In an atmosphere of political tension when the French still control Algiers, an Algerian is killed on the beach and a French man who has lived in Algiers all his life is arrested for the ... See full summary »
The power and fortune of the Von Essenbeck family remained intact even when Germany lost the great war and during the depression that followed. Now it's 1934 and the baron has summoned his family to a dinner that also brings a cousin rising in the Nazi party to the great house accompanied by a rising manager at the baron's company. Two little girls recite poetry in the parlor and then play hide-and-seek with their cousin Martin. Suddenly there is a scream. The baron has been shot with their father's gun and the father flees the country. Written by
Dale O'Connor <email@example.com>
This was the first X-rated film to be shown on American network television, although heavily edited and in a late-night time slot. See more »
The film is set between 1933-1934, yet most of the insignia and badges, shown worn on the German military and Nazi Party uniforms, were not invented until after 1938. See more »
Martin Von Essenbeck:
You give him everything, everything that belongs to me - my factory, my money, my house, brick-by-brick! Even my name and your love! You're the worst, so it's you I hate! You can't imagine the evil I wish you!
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The great Luchino Visconti concocts a stunning banquet of horrors with some of his favorite gourmet dishes: the corruption and decadence of the upper classes, incest, mamma's boys and monstrous/fascinating mothers. The setting this time is National Socialist Germany where the perversions find their perfect home. There is, however, a slight but disturbing enjoyment of the whole putrid thing. Visconti's extraordinary attention to detail requires more than a couple of viewings. Ingrid Thulin's hairstyles are a masterpiece on their own. After Ingman Bergman, Visconti gives her her most showy role. She's a pervert's mother if I ever saw one. Magnificent in her over the top understatement. Creepy Helmut Berger is perfect here. Even his real voice adds to the luridness of his character. In "Ludwig" he was dubbed by Giancarlo Giannini transforming his third rate talent into something,seemingly, transcendental. Dirk Bogarde, Charlotte Rampling, Umberto Orsini plus the gorgeous Renaud Verley and Florinda Bolkan contribute considerably to the rigid and humorless vision of one of the greatest aesthetes the movies have ever known.
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