A fake Fabergé egg and a fellow agent's death lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
James Bond descends into mystery as he tries to stop a mysterious organization from eliminating a country's most valuable resource. All the while, he still tries to seek revenge over the death of his love.
Armed with a licence to kill, Secret Agent James Bond sets out on his first mission as 007 and must defeat a weapons dealer in a high stakes game of poker at Casino Royale, but things are not what they seem.
When a deadly satellite weapon system falls into the wrong hands, only Agent 007 can save the world from certain disaster. Armed with his license to kill, Bond races to Russia in search of the stolen access codes for "Goldeneye," an awesome space weapon that can fire a devastating electromagnetic pulse toward Earth. But 007 is up against an enemy who anticipates his every move: a mastermind motivated by years of simmering hatred. Bond also squares off against Xenia Onatopp, an assassin who uses pleasure as her ultimate weapon. Written by
Robert Lynch <firstname.lastname@example.org>
After Licence to Kill (1989), Michael G. Wilson and Alfonse Ruggiero wrote a script treatment for a Bond film intended to be released in 1991, starring Timothy Dalton, using the title "The Property of a Lady," the title taken from the Ian Fleming short story. According to what little evidence is available about this script (and is printed in the book The Bond Files by Andy Lane and Paul Simpson), the film would have taken place in Hong Kong. Legal squabbles over the ownership of James Bond, disappointing box office results on Licence to Kill (1989), and the death of longtime screenwriter Richard Maibaum, delayed the start of production for several years. Although he was contracted to play Bond a third time (and possibly fourth time), after several years elapsed with no new film, Timothy Dalton announced he didn't want to play the role again. This opened the door for Pierce Brosnan. Several title and concept changes changed The Property of a Lady into this film. See more »
The terrain around Arkangelsk where the pre-title sequence took place is flat. Certainly not enough altitude to allow a small plane at the foot of a dam to fly vertically down for almost a minute. See more »
[Russian in toilet cubicle looks around his newspaper to see Bond hanging from the ceiling]
Beg your pardon, forgot to knock.
See more »
Amidst Controversy, Bond Re-Invented with Brosnan...
GOLDENEYE, the long-delayed debut of Pierce Brosnan as James Bond, was a film mired in MGM's convoluted legal problems for six years, problems which had nothing to do with the 007 franchise, but which happened to fall at the worst possible time; after Timothy Dalton's 'Serious Bond' experiment, LICENCE TO KILL, failed to break even in U.S. markets. Despite international grosses that made the film a profitable venture, many American critics, long grumbling that the Bond series had outlasted it's welcome, heaped abuse on the newer, leaner direction for 'Bond', and it's taciturn, less light-hearted star...and, with MGM's decision to put the expensive series 'on hold' until their own legal and financial issues could be resolved, LICENCE TO KILL became the unfair 'scapegoat' for the delay.
Much happened during the six-year hiatus; with the collapse of the Soviet Union, the Communist undercurrent of many Bond films (and the subject of most of Ian Fleming's novels) was lost; Richard Maibaum, the series' most prolific screenwriter, passed away, and ill health forced legendary producer Albert ('Cubby') Broccoli to turn over his duties to his daughter Barbara, and stepson, Michael G. Wilson (thus ending the other 'prime' 007 screenwriter's script contributions); many other key production figures would retire, die, or move on; and finally, as the delay continued, Timothy Dalton, nearing 50, announced that he was no longer interested in playing James Bond (sparking rumors that Eon Productions, no longer honor-bound by the senior Broccoli's choices, had given him 'the boot').
While all this opened the door for Pierce Brosnan's long-awaited debut as 007 (after his aborted first attempt, in THE LIVING DAYLIGHTS), with a new 'look' and style for the franchise, whether audiences would even accept a new 'James Bond' adventure was in doubt.
Fortunately, everything 'worked'. Brosnan, now 42, was more ruggedly believable as 007 than he would have been, at 34, and Dame Judi Dench, as the first woman 'M' (referring to Bond as a "sexist, misogynist dinosaur"), proved a perfect successor to the late Bernard Lee. While the plot of the film, involving the master plan of a renegade Russian General (Gottfried John) and an assumed dead 006 (Sean Bean) to use an electronic warfare system (GoldenEye) against England was nothing new, Brosnan's daring-do and one-liners (with humor restored to the franchise), as he proved his value in the new world 'order', found an audience 'primed' for James Bond's return...and the welcome cameo of the series' last original 'regular', "Q" (Desmond Llewelyn, 81, and as cranky as ever), cemented 007's links to both the past and the future.
James Bond's greatest crisis, whether he still had 'Box Office', had been overcome, and with audience favorite Pierce Brosnan in place, his emergence into the 21st century was assured.
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