In World War II, the outcome of the battle of Guadalcanal will strongly influence the Japanese advance into the Pacific theater. A group of young soldiers is brought in as a relief for the battle-weary Marines. The exhausting fight for a strategically-positioned airfield that allows control over a 1000-mile radius puts the men of the Army rifle company C-for-Charlie through hell. The horrors of war form the soldiers into a tight-knit group; their emotions develop into bonds of love and even family. The reasons for this war get further away as the world for the men gets smaller and smaller until their fighting is for mere survival and the life of the other men with them. Written by
Julian Reischl <firstname.lastname@example.org>
Nick Nolte, as Lt. Col. Tall, says to Capt. Staros on the dawn of the day of the attack, "Eos rhododactylos . . . rosy-fingered dawn." He uses the second part of that line, "Rosy-fingered dawn" again in a later movie, The Good Thief (2002). See more »
Brig. Gen. Quintard says to (Lt.) Colonel Tall: "We've got good sergeants and good lieutenant colonels. But once a man gets those eagles he can't wait to get that star." Since he says that in respect to Talls own behavior and since the eagle is the Insignia of colonels, Tall must be one (unlike how it is written in the credits and also in the book.) See more »
Private Edward P. Train:
What's this war in the heart of nature? Why does nature vie with itself? The land contend with the sea? Is there an avenging power in nature? Not one power, but two?
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Composer Wrangler. . . Moanike'ala Nakamoto See more »
I'm very sorry I didn't get to see this film in the theatre. It is a beautifully filmed masterpiece with a superb story, excellent acting (esp. Nick Nolte), and a great script. It takes things way deeper than Saving Private Ryan or most other modern war movies dare to go. Very introspective and dreamy at times, with the camera constantly dwelling on faces, animals, and the landscape. Merrick is never in a hurry, and this pace suits the film well.
The Thin Red Line asks a lot of good questions about death, war, and the ultimate meaning of life. Now that I have seen it, I'm very surprised that this film did not win picture of the year. Spielberg's film was a gritty, realistic portrayal of war. But it was also highly commercial and had a very contrived plot. In comparison, this film sort of wanders through itself and in the process helps to put you in the boots of the soldiers it portrays.
My only criticism is perhaps the film was a bit long, but I never noticed that the second time through. I can't praise this film enough. Excellent work.
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