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Andrew Haigh (I)


Andrew Haigh is a producer and director, known for 45 Years (2015), Weekend (2011) and Looking (2014). See full bio »

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How Much Have You Seen?

How much of Andrew Haigh's work have you seen?

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19 wins & 23 nominations. See more awards »

Known For

45 Years
45 Years Director
(2015)
Weekend
Weekend Director
(2011)
Looking
Looking Producer
(2014-2015)

Filmography

Hide Hide Show Show Producer (4 credits)
 2016 Looking: The Movie (TV Movie) (executive producer)
 2014-2015 Looking (TV Series) (executive producer - 18 episodes)
- Looking for Home (2015) ... (executive producer)
- Looking for Sanctuary (2015) ... (executive producer)
- Looking for Glory (2015) ... (executive producer)
- Looking for a Plot (2015) ... (executive producer)
- Looking for Gordon Freeman (2015) ... (executive producer)
 2009 Greek Pete (producer)
 2004/I Fragments (Short) (producer)
Show Show Director (11 credits)
Show Show Writer (10 credits)
Show Show Editorial department (14 credits)
Show Show Editor (5 credits)
Show Show Second Unit Director or Assistant Director (2 credits)
Show Show Cinematographer (1 credit)
Show Show Production manager (1 credit)
Show Show Miscellaneous Crew (1 credit)
Show Show Thanks (3 credits)
Show Show Self (3 credits)

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Personal Details

Publicity Listings:

1 Article | See more »

Official Sites:

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Did You Know?

Personal Quote:

[on editing Weekend (2011)] I don't like showing edits to people. I think I'm quite delicate when it comes to criticism. And you yourself know the things that work as well as the other bits. You know that. So I don't really need someone to tell me that, 'cause I know that already. And so it's like, "Okay, I'm just gonna get through it, do it, and try to make it the best I can." (...) I mean, he [... See more »

Trivia:

Shot his first feature Greek Pete (2009) himself on an inexpensive HD camera for a micro budget of about £ 5000. His second feature Weekend (2011) had a low budget of £ 100000 to £ 120000 and was shot primarily using a Canon 5D Mark II, with outdoor scenes shot on a Sony PMW-EX3, because of its zoom lens. Both films were completed in a fully digital workflow. See more »

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