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In the Name of the Father (1993)

R  |   |  Biography, Drama, History  |  25 February 1994 (USA)
8.1
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Ratings: 8.1/10 from 92,470 users   Metascore: 84/100
Reviews: 147 user | 43 critic | 16 from Metacritic.com

A man's coerced confession to an IRA bombing he did not commit results in the imprisonment of his father as well. An English lawyer fights to free them.

Director:

Writers:

(autobiographical book "Proved Innocent"), (screenplay), 1 more credit »
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Top 250 #188 | Nominated for 7 Oscars. Another 10 wins & 15 nominations. See more awards »

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Cast

Cast overview, first billed only:
Alison Crosbie ...
Girl in Pub
...
Philip King ...
Guildford Soldier
...
Nye Heron ...
IRA Man 1
...
Danny
Frankie McCafferty ...
Tommo
Paul Warriner ...
Soldier
Julian Walsh ...
Soldier
Stuart Wolfenden ...
Soldier (as Stuart Wolvenden)
Jo Connor ...
Bin Lady
Karen Carlisle ...
Female Rioter
Seamus Moran ...
IRA Man 2
Billy Byrne ...
IRA Man 3
Maureen McBride ...
Mother
Edit

Storyline

A small time thief from Belfast, Gerry Conlon, is falsely implicated in the IRA bombing of a pub that kills several people while he is in London. Bullied by the British police, he and four of his friends are coerced into confessing their guilt. Gerry's father and other relatives in London are also implicated in the crime. He spends 15 years in prison with his father trying to prove his innocence with the help of a British attorney, Gareth Peirce. Based on a true story. Written by Liza Esser <essereli@student.msu.edu>

Plot Summary | Plot Synopsis

Plot Keywords:

pub | police | lawyer | justice | thief | See All (150) »

Taglines:

Falsely accused. Wrongly imprisoned. He fought for justice to clear his father's name. See more »


Motion Picture Rating (MPAA)

Rated R for language and politically-geneRated violence | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

Release Date:

25 February 1994 (USA)  »

Also Known As:

En el nombre del padre  »

Box Office

Budget:

$13,000,000 (estimated)

Gross:

$25,010,410 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Despite his executive producer credit, Gabriel Byrne distanced himself from the project, chiefly due to the "artistic" liberties that were taken with the details of the story. See more »

Goofs

When Gerry is arriving in London in 1974 we see an early-'80s Ford Transit van and a similarly dated Ford Fiesta. See more »

Quotes

Gerry Conlon: I'll be older than you when I get out of this place. If I get out. Are you listening to me?
Giuseppe Conlon: I'm not talking to you.
Gerry Conlon: Now who's being childish?
Giuseppe Conlon: I've not heard a sensible word out of you in two weeks. That stuff will kill you.
[talking about drugs]
Gerry Conlon: Sure I'm dead anyway. Look I'm sorry. I'll not take it again as long as you live. Are you happy now?
Giuseppe Conlon: No.
Gerry Conlon: Why not?
Giuseppe Conlon: I don't want you to take it whether I live or die.
Gerry Conlon: Oh, give me strength. Ok, I'll do nothing to annoy you in your grave. Now are you happy?
[...]
See more »

Connections

Features The Godfather (1972) See more »

Soundtracks

(You Made Me the) Thief of Your Heart
Performed by Sinéad O'Connor
Written by Bono / Gavin Friday (as Friday) / Maurice Seezer (as Seezer)
Published by Blue Mountain Music (UK)
Mother Music/Blue Mountain Music (Eire)
Taiyo Music/Blue Mountain Music (Japan)
Polygram Music/Blue Mountain Music (ROW)
(P) 1993 Island Records Limited
Sinéad O'Connor's performance by courtesy of Ensign Records Limited
See more »

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User Reviews

 
Perhaps a bit too black and white but still very impressive.
1 January 2005 | by (Tessenderlo, Belgium) – See all my reviews

Even though this movie seems a bit too black and white from time to time I must say that it still is an impressive piece of cinema. Too black and white because I sometimes had the feeling that they had left out some parts to make it all a lot easier for the viewer. I can't help believing that Conlon and Hill weren't the nicest guys either, but the movie shows them almost as saints (except for the fact that they steal some lead from the roofs, they never really do anything wrong). Does that mean that this movie isn't any good? Certainly not! It still remains very impressive and the idea that injustice in the name of protecting the country should be allowed is awful and so it is good that at least some movie makers aren't afraid to protest against it.

The movie tells the story about Gerry Conlon and his old school friend Paul Hill. They both are small time criminals and because of their own safety they have to live in London for a while. Otherwise they might get shot by the IRA. In London they stay in a community of hippies, but aren't welcomed by everybody. As a bomb explodes in a pub, one of the members from the community goes to the police and accuses them of the crime. They are immediately apprehended, together with Conlon's father, his aunt and her family. What follows is a process full of corruption and false accusations, putting them in jail for many years even though they haven't done anything wrong.

The film is very good. It's well acted, well paced and well directed. The story is touching and I never got bored when watching it. Therefor I give it an 8/10.


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