“We stand at the summit of Mont Blanc, the White Mountain. Highest peak of the Alpine arch and inspiration for the first Montblanc fountain pen, designed over 100 years ago for the adventurous traveler who wants to leave his mark.”
Say what you want of Wes Anderson’s oeuvre, but his gift for ad copy speaks for itself. With a commercial track record that includes collaborations with American Express, SoftBank, Stella Artois, Prada, and H&m, Anderson’s touch seems to translate as well to sales as it does to cinematic ennui. His most recent commission, an advertisement campaign for Montblanc’s 100th Anniversary of its Meisterstück pen, features Anderson himself, sporting a whispy walrus mustache, as well as frequent collaborators Jason Schwartzman and Rupert Friend, all posing as a group of mountain-climbers with a particular affection for the freedom and inspiration offered by Montblanc’s products.
Shot by renowned cinematographer Linus Sandgren...
Say what you want of Wes Anderson’s oeuvre, but his gift for ad copy speaks for itself. With a commercial track record that includes collaborations with American Express, SoftBank, Stella Artois, Prada, and H&m, Anderson’s touch seems to translate as well to sales as it does to cinematic ennui. His most recent commission, an advertisement campaign for Montblanc’s 100th Anniversary of its Meisterstück pen, features Anderson himself, sporting a whispy walrus mustache, as well as frequent collaborators Jason Schwartzman and Rupert Friend, all posing as a group of mountain-climbers with a particular affection for the freedom and inspiration offered by Montblanc’s products.
Shot by renowned cinematographer Linus Sandgren...
- 5/2/2024
- by Harrison Richlin
- Indiewire
While Wes Anderson continues production in Germany on his new film The Phoenician Scheme, starring Benicio Del Toro, Michael Cera, Bill Murray, Riz Ahmed, and Mia Threapleton (Kate Winslet’s daughter), we have another treat from the filmmaker today. After teaming with cinematographer Bruno Delbonnel on his latest feature, he’s now collaborated with Linus Sandgren for a new short film / ad for a company that certainly fits his brand.
To mark a century since the pen Meisterstück was first introduced in 1924, Montblanc has partnered with Anderson to create a campaign that journeys into the Maison’s extraordinary world as seen through the filmmaker’s eyes. Directed by and starring Anderson, who co-directed with Roman Coppola and co-stars with Rupert Friend and Jason Schwartzman, the humorous three-minute feature was shot over two days in Berlin.
Anderson also shot alternate versions for other countries, featuring Maude Apatow and Waris Ahluwalia as...
To mark a century since the pen Meisterstück was first introduced in 1924, Montblanc has partnered with Anderson to create a campaign that journeys into the Maison’s extraordinary world as seen through the filmmaker’s eyes. Directed by and starring Anderson, who co-directed with Roman Coppola and co-stars with Rupert Friend and Jason Schwartzman, the humorous three-minute feature was shot over two days in Berlin.
Anderson also shot alternate versions for other countries, featuring Maude Apatow and Waris Ahluwalia as...
- 5/2/2024
- by Jordan Raup
- The Film Stage
The BAFTAs red carpet is well underway here in London, the UK, and the rain, this year, has thankfully stayed away. Taking place at the Royal Festival Hall on Waterloo’s Southbank, film fans have gathered at the erected fences surrounding red carpets, with excited teens clamoring for sights of Zendaya and Margot Robbie.
A few yards on the other side of the fence, movie stars sashayed their way into interviews, with the radiant Da’Vine Joy Randolph, who is nominated for Best Supporting Actress for “The Holdovers,” speaking to red carpet host Alex Zane. Randolph, who is at her first ever BAFTAs, said: “Everything is so lovely and excited. There’s a buzz. It’s wonderful, it’s so great to be here.”
She continued: “It’s a different experience when it’s not just your category. It’s special. We can enjoy the whole process together. We had amazing chemistry,...
A few yards on the other side of the fence, movie stars sashayed their way into interviews, with the radiant Da’Vine Joy Randolph, who is nominated for Best Supporting Actress for “The Holdovers,” speaking to red carpet host Alex Zane. Randolph, who is at her first ever BAFTAs, said: “Everything is so lovely and excited. There’s a buzz. It’s wonderful, it’s so great to be here.”
She continued: “It’s a different experience when it’s not just your category. It’s special. We can enjoy the whole process together. We had amazing chemistry,...
- 2/18/2024
- by Jacob Sarkisian
- Gold Derby
With awards season now fully in swing, this past weekend saw the Critics Choice Awards take place giving us our second glimpse of what we can expect the big winners to be come Oscar night.
‘Oppenheimer’ emerged as the biggest winner at the 2024 Critics Choice Awards, bagging eight trophies that included Best Picture, Best Director (Christopher Nolan), and Best Supporting Actor (Robert Downey Jr.). ‘Barbie’ followed closely with six wins, including Best Comedy and Best Song (“I’m Just Ken”).
On the TV side, ‘The Bear,’ ‘Succession’ and ‘Beef’ won big, each taking multiple acting awards and winning best comedy series, drama series and limited series, respectively.
Here’s the full list of winners.
Best Picture
Winner: Oppenheimer
American Fiction
Barbie
The Color Purple
The Holdovers
Killers of the Flower Moon
Maestro
Past Lives
Poor Things
Saltburn
Best Actor
Winner: Paul Giamatti – The Holdovers
Bradley Cooper – Maestro
Leonardo DiCaprio – Killers of the Flower Moon...
‘Oppenheimer’ emerged as the biggest winner at the 2024 Critics Choice Awards, bagging eight trophies that included Best Picture, Best Director (Christopher Nolan), and Best Supporting Actor (Robert Downey Jr.). ‘Barbie’ followed closely with six wins, including Best Comedy and Best Song (“I’m Just Ken”).
On the TV side, ‘The Bear,’ ‘Succession’ and ‘Beef’ won big, each taking multiple acting awards and winning best comedy series, drama series and limited series, respectively.
Here’s the full list of winners.
Best Picture
Winner: Oppenheimer
American Fiction
Barbie
The Color Purple
The Holdovers
Killers of the Flower Moon
Maestro
Past Lives
Poor Things
Saltburn
Best Actor
Winner: Paul Giamatti – The Holdovers
Bradley Cooper – Maestro
Leonardo DiCaprio – Killers of the Flower Moon...
- 1/15/2024
- by Zehra Phelan
- HeyUGuys.co.uk
‘Oppenheimer’ cast, producer Emma Thomas, and director Christopher Nolan accept the Best Picture Award (Photo by Kevin Winter / Getty Images for Critics Choice Association)
Take that, Golden Globes. Chelsea Handler did a masterful job hosting the 29th Annual Critics Choice Awards, nailing the jokes and showing she completely understood the assignment. Hosting for the second consecutive year, Handler kept the show on track and even called an audible late into the broadcast, bringing Barbie‘s Greta Gerwig and Margot Robbie to the stage to accept the Best Comedy Movie award – one of a dozen not scheduled to be handed out on stage.
The acceptance speeches were heartfelt, lively, and memorable, and America Ferrera’s SeeHer acceptance speech will go down as one of the better speeches in Critics Choice Awards‘ history. Harrison Ford kept his Career Achievement Award acceptance speech short, recognizing the positive changes in the industry over his decades as an actor.
Take that, Golden Globes. Chelsea Handler did a masterful job hosting the 29th Annual Critics Choice Awards, nailing the jokes and showing she completely understood the assignment. Hosting for the second consecutive year, Handler kept the show on track and even called an audible late into the broadcast, bringing Barbie‘s Greta Gerwig and Margot Robbie to the stage to accept the Best Comedy Movie award – one of a dozen not scheduled to be handed out on stage.
The acceptance speeches were heartfelt, lively, and memorable, and America Ferrera’s SeeHer acceptance speech will go down as one of the better speeches in Critics Choice Awards‘ history. Harrison Ford kept his Career Achievement Award acceptance speech short, recognizing the positive changes in the industry over his decades as an actor.
- 1/15/2024
- by Rebecca Murray
- Showbiz Junkies
The great Paul Giamatti seems well on his way towards winning an Oscar for The Holdovers, with the actor taking home another prestigious award at the 2024 Critics Choice Awards. Emma Stone also took home a trophy for Poor Things. At the same time, Christopher Nolan and Oppenheimer dominated the rest of the big awards, making it seem like the giant iceberg a lot of other awards season hopefuls are bound to crash into. The other half of the Barbenheimer equation, Barbie, was no slouch either, taking home a Best Screenplay award and Best Comedy. Still, it was shut out of the acting awards, with Robert Downey Jr. on his way to a potential Oscar win, nabbing best-supporting actor for Oppenheimer. Da’Vine Joy Randolph won a much-deserved Best Supporting Actress award for The Holdovers. Poor Bradley Cooper and Maestro were entirely shut out, with that film’s chances of winning major...
- 1/15/2024
- by Chris Bumbray
- JoBlo.com
Oppenheimer was named best picture at the 2024 Critics Choice Awards, which were handed out Sunday night.
The film’s haul — a leading eight total wins — also included wins for best acting ensemble and Robert Downey Jr. as best supporting actor in a film. Barbie scored best comedy, best song for “I’m Just Ken” and best original screenplay, among its wins, while American Fiction won best adapted screenplay. Paul Giamatti and Da’Vine Joy Randolph won acting awards for The Holdovers, and Emma Stone won for Poor Things.
Succession won best drama series, while Sarah Snook and Kieran Culkin took acting awards for their work on the show. The Bear was named best comedy series, with the show’s Jeremy Allen White, Ayo Edebiri and Ebon Moss-Bachrach taking home acting awards. Beef won for best limited series as well as three acting awards, for Ali Wong, Steven Yeun and Maria Bello.
The film’s haul — a leading eight total wins — also included wins for best acting ensemble and Robert Downey Jr. as best supporting actor in a film. Barbie scored best comedy, best song for “I’m Just Ken” and best original screenplay, among its wins, while American Fiction won best adapted screenplay. Paul Giamatti and Da’Vine Joy Randolph won acting awards for The Holdovers, and Emma Stone won for Poor Things.
Succession won best drama series, while Sarah Snook and Kieran Culkin took acting awards for their work on the show. The Bear was named best comedy series, with the show’s Jeremy Allen White, Ayo Edebiri and Ebon Moss-Bachrach taking home acting awards. Beef won for best limited series as well as three acting awards, for Ali Wong, Steven Yeun and Maria Bello.
- 1/15/2024
- by Kimberly Nordyke
- The Hollywood Reporter - Movie News
The 2024 Critics Choice Awards just wrapped up!
The show took place on Sunday (January 14) at the Barker Hangar in Santa Monica, Calif.
The Critics Choice Awards are bestowed annually by the Critics Choice Association to honor the finest in cinematic and television achievement. Barbie led the film contenders with 18 nominations and The Morning Show led the TV contenders with six nominations. Historically, they are the most accurate predictor of Academy Award nominations.
Keep scrolling to see the full list of winners from the Critics Choice Awards…
Movie Nominations
Best Picture
“American Fiction” (MGM)
“Barbie” (Warner Bros.)
“The Color Purple” (Warner Bros.)
“The Holdovers” (Focus Features)
“Killers of the Flower Moon” (Apple Original Films/Paramount Pictures)
“Maestro” (Netflix)
“Oppenheimer” (Universal Pictures) - Winner
“Past Lives” (A24)
“Poor Things” (Searchlight Pictures)
“Saltburn” (Amazon MGM Studios)
Best Actor
Bradley Cooper — “Maestro”
Leonardo DiCaprio — “Killers of the Flower Moon”
Colman Domingo — “Rustin”
Paul Giamatti...
The show took place on Sunday (January 14) at the Barker Hangar in Santa Monica, Calif.
The Critics Choice Awards are bestowed annually by the Critics Choice Association to honor the finest in cinematic and television achievement. Barbie led the film contenders with 18 nominations and The Morning Show led the TV contenders with six nominations. Historically, they are the most accurate predictor of Academy Award nominations.
Keep scrolling to see the full list of winners from the Critics Choice Awards…
Movie Nominations
Best Picture
“American Fiction” (MGM)
“Barbie” (Warner Bros.)
“The Color Purple” (Warner Bros.)
“The Holdovers” (Focus Features)
“Killers of the Flower Moon” (Apple Original Films/Paramount Pictures)
“Maestro” (Netflix)
“Oppenheimer” (Universal Pictures) - Winner
“Past Lives” (A24)
“Poor Things” (Searchlight Pictures)
“Saltburn” (Amazon MGM Studios)
Best Actor
Bradley Cooper — “Maestro”
Leonardo DiCaprio — “Killers of the Flower Moon”
Colman Domingo — “Rustin”
Paul Giamatti...
- 1/15/2024
- by Just Jared
- Just Jared
“Oppenheimer” was the big winner at the 2024 Critics Choice Awards, taking home eight trophies including best picture, director (Christopher Nolan) and supporting actor (Robert Downey Jr.).
“Barbie” followed behind with six wins, including best comedy and best song (“I’m Just Ken”).
The ceremony shook up the awards race, handing best actress to Emma Stone (“Poor Things”) and best actor to Paul Giamatti (“The Holdovers”).
There were fewer surprises on the television side, as “The Bear,” “Succession” and “Beef” won big, each taking multiple acting awards and winning best comedy series, drama series and limited series, respectively.
“The Bear” and “Beef” each took home four awards, and “Succession” landed three.
Chelsea Handler hosted the Sunday night ceremony, broadcast live on the CW and held at Santa Monica’s Barker Hangar. Harrison Ford accepted the career achievement award, and America Ferrera was honored with the SeeHer Award.
View the full list...
“Barbie” followed behind with six wins, including best comedy and best song (“I’m Just Ken”).
The ceremony shook up the awards race, handing best actress to Emma Stone (“Poor Things”) and best actor to Paul Giamatti (“The Holdovers”).
There were fewer surprises on the television side, as “The Bear,” “Succession” and “Beef” won big, each taking multiple acting awards and winning best comedy series, drama series and limited series, respectively.
“The Bear” and “Beef” each took home four awards, and “Succession” landed three.
Chelsea Handler hosted the Sunday night ceremony, broadcast live on the CW and held at Santa Monica’s Barker Hangar. Harrison Ford accepted the career achievement award, and America Ferrera was honored with the SeeHer Award.
View the full list...
- 1/15/2024
- by Ethan Shanfeld
- Variety Film + TV
The 29th annual Critics Choice Awards ceremony on January 14 aired on the CW and was hosted by Chelsea Handler. These kudos honor the best films and TV series of 2023 as voted on by the Critics Choice Association, who define themselves as “broadcast, radio and online critics as well as entertainment journalists who review films and documentaries as well as scripted and unscripted television.”
This year’s respective movie and TV nominations leaders are “Barbie” with a record-smashing 18 bids and “The Morning Show” with six. Other top feature films in the mix include “Oppenheimer” (13), “Poor Things” (13) and “Killers of the Flower Moon” (12), with “Succession” (five) ranking as the second most-recognized TV program. When it comes to small screen comedies, voters showed the most love toward “Abbott Elementary,” “The Bear” and “Reservation Dogs.”
Historically, Critics Choice Award triumphs translate to Oscar victories 60.8% of the time. Last year, the more than 600 members in...
This year’s respective movie and TV nominations leaders are “Barbie” with a record-smashing 18 bids and “The Morning Show” with six. Other top feature films in the mix include “Oppenheimer” (13), “Poor Things” (13) and “Killers of the Flower Moon” (12), with “Succession” (five) ranking as the second most-recognized TV program. When it comes to small screen comedies, voters showed the most love toward “Abbott Elementary,” “The Bear” and “Reservation Dogs.”
Historically, Critics Choice Award triumphs translate to Oscar victories 60.8% of the time. Last year, the more than 600 members in...
- 1/14/2024
- by Matthew Stewart and David Buchanan
- Gold Derby
Emma Stone, Paul Giamatti, Da’Vine Joy Randolph, Robert Downey Jr. win acting prizes.
Oppenheimer dominated the 29th Critics Choice Awards in Santa Monica on Sunday evening with eight wins including best picture, director for Christopher Nolan, supporting actor for Robert Downey Jr., and acting ensemble.
The ‘Barbenheimer’ effect kicked in as Barbie, which began the night with a record 18 nominations, came second in the victory parade and walked off with a creditable six prizes.
Emma Stone earned best actress for Poor Things in something of a shock albeit a well-deserved one in the eyes of industry sources. She won the...
Oppenheimer dominated the 29th Critics Choice Awards in Santa Monica on Sunday evening with eight wins including best picture, director for Christopher Nolan, supporting actor for Robert Downey Jr., and acting ensemble.
The ‘Barbenheimer’ effect kicked in as Barbie, which began the night with a record 18 nominations, came second in the victory parade and walked off with a creditable six prizes.
Emma Stone earned best actress for Poor Things in something of a shock albeit a well-deserved one in the eyes of industry sources. She won the...
- 1/14/2024
- by Jeremy Kay
- ScreenDaily
Killers Of The Flower Moon, Oppenheimer, The Holdovers, Past Lives also in contention for top prizes.
Warner Bros’ Barbie heads into the 29th Critics Choice Awards ceremony on Sunday evening with a record-breaking 18 nominations.
A raft of high-profile nominees from Margot Robbie, Leonardo DiCaprio, Emma Stone, Ryan Gosling, Da’Vine Joy Randolph and Emily Blunt indicates a potentially starry red carpet.
The Critics Choice Association tends to champion more commercial titles and has tried to position itself as the leading mainstream awards show and Oscar prognosticator.
It must compete with the Golden Globes for that accolade after the latter staged a...
Warner Bros’ Barbie heads into the 29th Critics Choice Awards ceremony on Sunday evening with a record-breaking 18 nominations.
A raft of high-profile nominees from Margot Robbie, Leonardo DiCaprio, Emma Stone, Ryan Gosling, Da’Vine Joy Randolph and Emily Blunt indicates a potentially starry red carpet.
The Critics Choice Association tends to champion more commercial titles and has tried to position itself as the leading mainstream awards show and Oscar prognosticator.
It must compete with the Golden Globes for that accolade after the latter staged a...
- 1/14/2024
- by Jeremy Kay
- ScreenDaily
Third-ever nomination for Rodrigo Prieto, for ‘Killers Of The Flower Moon’.
The British Society of Cinematographers (Bsc) has selected the nominees for its Cinematography in a Feature Film award for 2024.
The five nominees are: Rodrigo Prieto for Killers Of The Flower Moon; Matthew Libatique for Maestro; Hoyte van Hoytema for Oppenheimer; Robbie Ryan for Poor Things; and Linus Sandgren for Saltburn.
First presented in 1953 and handed out every year since except for 1957 and 2004 (due to ceremony changeovers), the Bsc states that its Feature Film award is the industry’s second-oldest cinematography prize, behind the Academy Award for best cinematography.
The...
The British Society of Cinematographers (Bsc) has selected the nominees for its Cinematography in a Feature Film award for 2024.
The five nominees are: Rodrigo Prieto for Killers Of The Flower Moon; Matthew Libatique for Maestro; Hoyte van Hoytema for Oppenheimer; Robbie Ryan for Poor Things; and Linus Sandgren for Saltburn.
First presented in 1953 and handed out every year since except for 1957 and 2004 (due to ceremony changeovers), the Bsc states that its Feature Film award is the industry’s second-oldest cinematography prize, behind the Academy Award for best cinematography.
The...
- 1/13/2024
- by Ben Dalton
- ScreenDaily
The 2024 Critics Choice Awards show is happening this weekend and we’re here to remind you about the nominees!
The show will honor the best in both film and television.
Chelsea Handler is returning as host for the ceremony, which will take place on Sunday (January 14) at the Barker Hangar in Santa Monica, Calif. The show will air on The CW at 4pm Pt/7pm Et, airing live for both coasts.
Greta Gerwig‘s smash-hit Barbie received the most nominations of any film this year with 18. In fact, 18 nominations is the most of any movie in Critics Choice history! Last year’s Everything Everywhere All At Once received 14, which was the most at the time.
Apple TV+’s The Morning Show garnered the most TV nominations this year with a total of six, including Jennifer Aniston and Reese Witherspoon earning nods in the Best Actress category.
Keep reading to see the full list of nominees…...
The show will honor the best in both film and television.
Chelsea Handler is returning as host for the ceremony, which will take place on Sunday (January 14) at the Barker Hangar in Santa Monica, Calif. The show will air on The CW at 4pm Pt/7pm Et, airing live for both coasts.
Greta Gerwig‘s smash-hit Barbie received the most nominations of any film this year with 18. In fact, 18 nominations is the most of any movie in Critics Choice history! Last year’s Everything Everywhere All At Once received 14, which was the most at the time.
Apple TV+’s The Morning Show garnered the most TV nominations this year with a total of six, including Jennifer Aniston and Reese Witherspoon earning nods in the Best Actress category.
Keep reading to see the full list of nominees…...
- 1/12/2024
- by Just Jared
- Just Jared
The American Society of Cinematographers revealed the nominees for the 2024 ASC Awards, a precursor to the Oscar for Cinematography, and the results were somewhat as expected. Emphasis on “somewhat.” In the Theatrical Feature Film category, Matthew Libatique (“Maestro”), Robbie Ryan (“Poor Things”), Hoyte van Hoytema (“Oppeneheimer”), and Rodrigo Prieto (“Killers of the Flower Moon”) all earned nominations. They were joined by Edward Lachman who was honored for his work on Pablo Larrain‘s “El Conde.”
Read More: Christopher Nolan, Greta Gerwig and Yorgos Lanthimos earn 2024 DGA Awards nominations
Surprising omissions in the category that might make the Oscars cut include Linus Sandgren (“Saltburn”), Lukasz Zal (“The Zone of Interest”), and Prieto, again, for “Barbie.”
In the television categories, a slew of intriguing nominees include Cathal Watters (“Foundation”), Glen Keenan (“Star Trek: Strange New Worlds”) Jon Joffin (“Schmigadoon!”), and Andrew Wehde (“The Bear”), among others.
Continue reading ‘Oppenheimer,’ ‘Poor Things’ & ‘Foundation...
Read More: Christopher Nolan, Greta Gerwig and Yorgos Lanthimos earn 2024 DGA Awards nominations
Surprising omissions in the category that might make the Oscars cut include Linus Sandgren (“Saltburn”), Lukasz Zal (“The Zone of Interest”), and Prieto, again, for “Barbie.”
In the television categories, a slew of intriguing nominees include Cathal Watters (“Foundation”), Glen Keenan (“Star Trek: Strange New Worlds”) Jon Joffin (“Schmigadoon!”), and Andrew Wehde (“The Bear”), among others.
Continue reading ‘Oppenheimer,’ ‘Poor Things’ & ‘Foundation...
- 1/11/2024
- by Gregory Ellwood
- The Playlist
Since it debuted at the Telluride Film Festival last August, few films have generated more discussion on social media than “Saltburn.” The new project from Oscar-winning writer and director Emerald Fennell has captured the fascination of TikTok users, as videos adjacent to the film have consistently gone viral on the platform to the tune of more than 4 billion views, Deadline reported. On Amazon Prime Video, where “Saltburn” premiered in late December after its theatrical run, Fennell’s follow-up to “Promising Young Woman” has dominated the charts over the last few weeks to become one of Amazon’s biggest streaming debuts ever. Even the “Saltburn” soundtrack has hit: the 2002 song “Murder on the Dancefloor” reached the top of the Spotify viral U.S. singles chart thanks to its prominent placement in the final moments of the film, when star Barry Keoghan dances in the nude to the Sophie Ellis-Bextor track.
SEEBarry Keoghan interview: ‘Saltburn’
For Fennell,...
SEEBarry Keoghan interview: ‘Saltburn’
For Fennell,...
- 1/11/2024
- by Christopher Rosen
- Gold Derby
(Warning: Big “Saltburn” spoilers ahead.)
“Well, it was mostly based on the family I murdered.”
So said Emerald Fennell during a discussion of the film she wrote and directed, “Saltburn,” that was part of TheWrap Screening Series. She was, of course, joking about what inspired her latest movie, but her deadpan delivery fit right into the tonal razor’s edge that “Saltburn” assuredly walks, straddling horror, melodrama and pitch-black comedy. It’s the story of Oliver Quick (Barry Keoghan), an Oxford student of modest means with a tragic backstory who befriends and becomes infatuated with an aristocratic classmate named Theo Catton, played by Jacob Elordi. When Oliver joins Theo at Saltburn, his family’s dazzlingly posh estate, Oliver’s true motivations become evident.
“I wanted to make a Gothic romance and something that would make people do the things it’s done, which is make people feel something: laugh and...
“Well, it was mostly based on the family I murdered.”
So said Emerald Fennell during a discussion of the film she wrote and directed, “Saltburn,” that was part of TheWrap Screening Series. She was, of course, joking about what inspired her latest movie, but her deadpan delivery fit right into the tonal razor’s edge that “Saltburn” assuredly walks, straddling horror, melodrama and pitch-black comedy. It’s the story of Oliver Quick (Barry Keoghan), an Oxford student of modest means with a tragic backstory who befriends and becomes infatuated with an aristocratic classmate named Theo Catton, played by Jacob Elordi. When Oliver joins Theo at Saltburn, his family’s dazzlingly posh estate, Oliver’s true motivations become evident.
“I wanted to make a Gothic romance and something that would make people do the things it’s done, which is make people feel something: laugh and...
- 1/9/2024
- by Missy Schwartz
- The Wrap
Amazon Prime MGM’s Emerald Fennell gothic romance Saltburn has become a new obsession for Prime Video subscribers, for following its Dec. 22 drop, the movie has easily become one of the streamer’s top 10 worldwide film debuts.
Similar to how the Barry Keoghan-Rosamund Pike-Jacob Elordi-Richard E. Grant and Carey Mulligan ensemble saw an unprecedented hold at the weekend box office post-Thanksgiving, Salburn‘s run on the service reps the highest week-over-week growth for any Prime Video film last year.
Additionally, since its first weekend, Saltburn’s total viewership has grown nearly 4x, fueled by a strong viral marketing campaign and word-of-mouth.
That heat for Saltburn can be witnessed online, one example being SNL’s Chloe Fineman showing off her family’s real-time shock and awe to the movie while watching Keoghan’s Oliver bathtub slurp and graveyard love (viewed by 5.2M) or the Jacob...
Similar to how the Barry Keoghan-Rosamund Pike-Jacob Elordi-Richard E. Grant and Carey Mulligan ensemble saw an unprecedented hold at the weekend box office post-Thanksgiving, Salburn‘s run on the service reps the highest week-over-week growth for any Prime Video film last year.
Additionally, since its first weekend, Saltburn’s total viewership has grown nearly 4x, fueled by a strong viral marketing campaign and word-of-mouth.
That heat for Saltburn can be witnessed online, one example being SNL’s Chloe Fineman showing off her family’s real-time shock and awe to the movie while watching Keoghan’s Oliver bathtub slurp and graveyard love (viewed by 5.2M) or the Jacob...
- 1/9/2024
- by Anthony D'Alessandro
- Deadline Film + TV
This article contains spoilers for "Saltburn."
Outside of Luca Guadagnino, nobody is making "vibes" movies like "Saltburn." Writer and director Emerald Fennell's follow-up to "Promising Young Woman" is just as provocative as her Oscar-winning feature directorial debut. The film is ostensibly a cross between "Brideshead Revisited" and "The Talented Mr. Ripley" ("Brideshead" author Evelyn Waugh is even named-dropped at one point), following a student at the University of Oxford -- one who goes by the Dickensian moniker of Oliver Quick, as played by Barry Keoghan -- as he latches onto a rich, popular peer named Felix (Jacob Elordi). However, for all its high-art influences, "Saltburn" is much less interested in themes about wealth and Britain's crumbling aristocracy than it is in luxuriant close-ups of its characters' body hair or montages of people glistening with sweat as they gyrate, party, or merely lounge about half (or fully) naked.
"Saltburn," in other words,...
Outside of Luca Guadagnino, nobody is making "vibes" movies like "Saltburn." Writer and director Emerald Fennell's follow-up to "Promising Young Woman" is just as provocative as her Oscar-winning feature directorial debut. The film is ostensibly a cross between "Brideshead Revisited" and "The Talented Mr. Ripley" ("Brideshead" author Evelyn Waugh is even named-dropped at one point), following a student at the University of Oxford -- one who goes by the Dickensian moniker of Oliver Quick, as played by Barry Keoghan -- as he latches onto a rich, popular peer named Felix (Jacob Elordi). However, for all its high-art influences, "Saltburn" is much less interested in themes about wealth and Britain's crumbling aristocracy than it is in luxuriant close-ups of its characters' body hair or montages of people glistening with sweat as they gyrate, party, or merely lounge about half (or fully) naked.
"Saltburn," in other words,...
- 1/6/2024
- by Sandy Schaefer
- Slash Film
When Oscar-winning cinematographer Linus Sandgren first sat down with director Emerald Fennell to discuss the look of her latest film, “Saltburn,” a lot of things immediately came to mind, primarily Gothic literature and silent film.
“Saltburn,” the follow-up to Fennell’s 202 debut feature “Promising Young Woman,” follows a young man (played by Barry Keoghan) who spends a holiday with a wealthy friend from school. His desperate obsession to fit in with the family leads him down dangerous and, ultimately, deadly roads.
“I asked Emerald for words to describe the film and she said ‘vampire,'” Sandgren told TheWrap. “She [also] said, ‘hair,’ ‘sweat,’ details like that. There were all kinds of words that got us into quickly thinking it’ll be interesting if we thought of it like a vampire movie, even though it’s not real vampires, but it’s in a similar vein.”
Sandgren is no stranger to movies...
“Saltburn,” the follow-up to Fennell’s 202 debut feature “Promising Young Woman,” follows a young man (played by Barry Keoghan) who spends a holiday with a wealthy friend from school. His desperate obsession to fit in with the family leads him down dangerous and, ultimately, deadly roads.
“I asked Emerald for words to describe the film and she said ‘vampire,'” Sandgren told TheWrap. “She [also] said, ‘hair,’ ‘sweat,’ details like that. There were all kinds of words that got us into quickly thinking it’ll be interesting if we thought of it like a vampire movie, even though it’s not real vampires, but it’s in a similar vein.”
Sandgren is no stranger to movies...
- 12/25/2023
- by Kristen Lopez
- The Wrap
Anyone who has encountered Garth Marenghi’s oeuvre knows that there’s a joy and a certain playful energy that comes when no one has to pretend a story isn’t a story. “Saltburn” is a prime example of those benefits, which only makes the well-heeled vanity of the Catton family funnier and the inchoate longing of Oxford student Oliver Quick (Barry Keoghan) to become a fixture in the life of uni mate Felix Catton (Jacob Elordi) more twisted. The film achieves a certain paradoxical honesty by putting a heightened gloss on very fake people who are trying to appear completely normal.
It’s not that the film breaks the fourth wall. But nothing is too much for “Saltburn.” And that approach to storytelling is what gives writer and director Emerald Fennell the freedom to use her frames to heighten the tension in relationships, twist the knives of betrayal, and...
It’s not that the film breaks the fourth wall. But nothing is too much for “Saltburn.” And that approach to storytelling is what gives writer and director Emerald Fennell the freedom to use her frames to heighten the tension in relationships, twist the knives of betrayal, and...
- 12/25/2023
- by Sarah Shachat
- Indiewire
‘Poor Things’ and ‘Oppenheimer’ followed with 13 nods each.
Greta Gerwig’s Barbie leads this year’s Critics Choice Award nominations with 18, breaking the record for most nominations ever for a single film.
The blockbuster is up for best picture, best director, best original screenplay and acting nods for Margot Robbie and Ryan Gosling.
Next in line is Christopher Nolan’s Oppenheimer and Yorgos Lanthimos’ Poor Things, which have 13 nominations each including best picture. American Fiction, The Color Purple, Killers Of The Flower Moon, Maestro, Past Lives and Saltburn round off the best picture cohort.
The nominations follow a similar pattern...
Greta Gerwig’s Barbie leads this year’s Critics Choice Award nominations with 18, breaking the record for most nominations ever for a single film.
The blockbuster is up for best picture, best director, best original screenplay and acting nods for Margot Robbie and Ryan Gosling.
Next in line is Christopher Nolan’s Oppenheimer and Yorgos Lanthimos’ Poor Things, which have 13 nominations each including best picture. American Fiction, The Color Purple, Killers Of The Flower Moon, Maestro, Past Lives and Saltburn round off the best picture cohort.
The nominations follow a similar pattern...
- 12/13/2023
- by Ellie Calnan
- ScreenDaily
Margot Robbie as Barbie (Photo Courtesy Warner Bros. Pictures)
It’s a Barbie world, and members of the Critics Choice Association (of which I’m one) are living in it. The record-breaking blockbuster earned 18 Critics Choice Awards nominations, followed by Oppenheimer and Poor Things with 13 each. Martin Scorsese’s Killers of the Flower Moon picked up 12 nominations.
The Holdovers and Maestro each scored eight nominations.
Barbie‘s 18 nominations came in the Best Picture, Best Comedy, Best Actress (Margot Robbie), Best Supporting Actor (Ryan Gosling), Best Supporting Actress (America Ferrera), Best Young Actor/Actress (Ariana Greenblatt), and Best Acting Ensemble categories. Additional nominations included Best Director (Greta Gerwig), Best Original Screenplay (Gerwig and Noah Baumbach), Best Cinematography (Rodrigo Prieto), Best Production Design (Sarah Greenwood and Katie Spencer), Best Editing (Nick Houy), Best Costume Design (Jacqueline Durran), and Best Hair and Makeup.
“Dance the Night,” “I’m Just Ken,” and “What Was...
It’s a Barbie world, and members of the Critics Choice Association (of which I’m one) are living in it. The record-breaking blockbuster earned 18 Critics Choice Awards nominations, followed by Oppenheimer and Poor Things with 13 each. Martin Scorsese’s Killers of the Flower Moon picked up 12 nominations.
The Holdovers and Maestro each scored eight nominations.
Barbie‘s 18 nominations came in the Best Picture, Best Comedy, Best Actress (Margot Robbie), Best Supporting Actor (Ryan Gosling), Best Supporting Actress (America Ferrera), Best Young Actor/Actress (Ariana Greenblatt), and Best Acting Ensemble categories. Additional nominations included Best Director (Greta Gerwig), Best Original Screenplay (Gerwig and Noah Baumbach), Best Cinematography (Rodrigo Prieto), Best Production Design (Sarah Greenwood and Katie Spencer), Best Editing (Nick Houy), Best Costume Design (Jacqueline Durran), and Best Hair and Makeup.
“Dance the Night,” “I’m Just Ken,” and “What Was...
- 12/13/2023
- by Rebecca Murray
- Showbiz Junkies
The Critics Choice Association (Cca) announced the nominations for its annual movie awards on December 13. Hot off its establishment as this year’s Golden Globe bids leader, “Barbie” now reigns supreme over every other Cca contender with a record-shattering 18 notices across 16 categories. With this astonishing total, the comedic fantasy film sails past the previous movie mentions record of 14, which was shared by “The Shape of Water” (2018), “The Favourite” (2019), “The Irishman” (2020), and “Everything Everywhere All at Once” (2023). See the full list of this year’s nominations below.
Tied for second place with a lucky 13 bids apiece are “Oppenheimer” and “Poor Things,” followed by “Killers of the Flower Moon” with an even dozen. Those three films and “Barbie” are joined in the Best Picture lineup by “The Holdovers” (eight nominations), “Maestro” (eight”), “American Fiction” (five), “The Color Purple” (five), “Past Lives” (three), and “Saltburn” (three).
SEECritics Choice TV Awards nominations: Complete list...
Tied for second place with a lucky 13 bids apiece are “Oppenheimer” and “Poor Things,” followed by “Killers of the Flower Moon” with an even dozen. Those three films and “Barbie” are joined in the Best Picture lineup by “The Holdovers” (eight nominations), “Maestro” (eight”), “American Fiction” (five), “The Color Purple” (five), “Past Lives” (three), and “Saltburn” (three).
SEECritics Choice TV Awards nominations: Complete list...
- 12/13/2023
- by Matthew Stewart
- Gold Derby
Barbie leads the 2024 Critics Choice film nominations, with 18 nods, it was announced today.
Oppenheimer and Poor Things scored the second most nominations with 13 nods each, followed by Killers of the Flower Moon, which landed 12 nominations.
Barbie, Oppenheimer, Poor Things and Killers of the Flower Moon are all up for best picture, alongside American Fiction, Maestro, Past Lives, Saltburn, The Color Purple and The Holdovers.
Barbie also landed nods for best comedy, hair and makeup, best director (Greta Gerwig), best original screenplay (Gerwig and Noah Baumbach), best actress (Margot Robbie), supporting actor (Ryan Gosling), supporting actress (America Ferrara), best young actor/actress (Ariana Greenblatt), best acting ensemble, best cinematography (Rodrigo Prieto), best production design (Sarah Greenwood and Katie Spencer), best editing (Nick Houy), best costume design (Jacqueline Durran) and best score (Mark Ronson and Andrew Wyatt). Several of the movie’s hit songs were also nominated, including “Dance the Night,...
Oppenheimer and Poor Things scored the second most nominations with 13 nods each, followed by Killers of the Flower Moon, which landed 12 nominations.
Barbie, Oppenheimer, Poor Things and Killers of the Flower Moon are all up for best picture, alongside American Fiction, Maestro, Past Lives, Saltburn, The Color Purple and The Holdovers.
Barbie also landed nods for best comedy, hair and makeup, best director (Greta Gerwig), best original screenplay (Gerwig and Noah Baumbach), best actress (Margot Robbie), supporting actor (Ryan Gosling), supporting actress (America Ferrara), best young actor/actress (Ariana Greenblatt), best acting ensemble, best cinematography (Rodrigo Prieto), best production design (Sarah Greenwood and Katie Spencer), best editing (Nick Houy), best costume design (Jacqueline Durran) and best score (Mark Ronson and Andrew Wyatt). Several of the movie’s hit songs were also nominated, including “Dance the Night,...
- 12/13/2023
- by Hilary Lewis
- The Hollywood Reporter - Movie News
This “Barbie” is ready for awards season.
The blockbuster film received a whopping 18 nominations for the 29th annual Critics Choice Awards, taking place January 14 in Los Angeles. Comedian Chelsea Handler will host the awards ceremony, which will air live on The CW.
In addition to Best Picture, “Barbie” is nominated for Best Comedy, Best Actress for Margot Robbie, Best Supporting Actor for Ryan Gosling, and Best Supporting Actress for America Ferrera. The film is additionally recognized in the Best Hair and Makeup and Best Acting Ensemble categories, with Ariana Greenblatt up for Best Young Actor/Actress.
Greta Gerwig is in the running for Best Director, with both Gerwig and Noah Baumbach as contenders for Best Original Screenplay. Rodrigo Prieto was nominated for Best Cinematography while Sarah Greenwood and Katie Spencer are up for Best Production Design, along with Nick Houy for Best Editing and Jacqueline Durran for Best Costume Design.
The blockbuster film received a whopping 18 nominations for the 29th annual Critics Choice Awards, taking place January 14 in Los Angeles. Comedian Chelsea Handler will host the awards ceremony, which will air live on The CW.
In addition to Best Picture, “Barbie” is nominated for Best Comedy, Best Actress for Margot Robbie, Best Supporting Actor for Ryan Gosling, and Best Supporting Actress for America Ferrera. The film is additionally recognized in the Best Hair and Makeup and Best Acting Ensemble categories, with Ariana Greenblatt up for Best Young Actor/Actress.
Greta Gerwig is in the running for Best Director, with both Gerwig and Noah Baumbach as contenders for Best Original Screenplay. Rodrigo Prieto was nominated for Best Cinematography while Sarah Greenwood and Katie Spencer are up for Best Production Design, along with Nick Houy for Best Editing and Jacqueline Durran for Best Costume Design.
- 12/13/2023
- by Samantha Bergeson
- Indiewire
The nominations for the 2024 Critics Choice Awards have been unveiled!
Last week, we learned the nominations for the television categories and today, we learned the nominations for the film categories.
Greta Gerwig‘s smash-hit Barbie received the most nominations of any film this year with 18. In fact, 18 nominations is the most of any movie in Critics Choice history! Last year’s Everything Everywhere All At Once received 14, which was the most at the time.
The Critics Choice Awards will air on Sunday (January 14) on The CW with Chelsea Handler returning as host.
Keep reading to see the full list of nominees…
Critics’ Choice Film Award nominations List
Best Picture
“American Fiction” (MGM)
“Barbie” (Warner Bros.)
“The Color Purple” (Warner Bros.)
“The Holdovers” (Focus Features)
“Killers of the Flower Moon” (Apple Original Films/Paramount Pictures)
“Maestro” (Netflix)
“Oppenheimer” (Universal Pictures)
“Past Lives” (A24)
“Poor Things” (Searchlight Pictures)
“Saltburn” (Amazon MGM Studios...
Last week, we learned the nominations for the television categories and today, we learned the nominations for the film categories.
Greta Gerwig‘s smash-hit Barbie received the most nominations of any film this year with 18. In fact, 18 nominations is the most of any movie in Critics Choice history! Last year’s Everything Everywhere All At Once received 14, which was the most at the time.
The Critics Choice Awards will air on Sunday (January 14) on The CW with Chelsea Handler returning as host.
Keep reading to see the full list of nominees…
Critics’ Choice Film Award nominations List
Best Picture
“American Fiction” (MGM)
“Barbie” (Warner Bros.)
“The Color Purple” (Warner Bros.)
“The Holdovers” (Focus Features)
“Killers of the Flower Moon” (Apple Original Films/Paramount Pictures)
“Maestro” (Netflix)
“Oppenheimer” (Universal Pictures)
“Past Lives” (A24)
“Poor Things” (Searchlight Pictures)
“Saltburn” (Amazon MGM Studios...
- 12/13/2023
- by Just Jared
- Just Jared
It’s a “Barbie” awards world.
Greta Gerwig’s billion-dollar sensation leads the Critics Choice Awards nominations for film with a record-breaking 18, the most of any film in the organization’s 29 years, surpassing “Everything Everywhere All at Once” and “The Shape of Water” which landed 14 during their respective years. Among its mentions were for best picture, director, actress (Margot Robbie), supporting actor (Ryan Gosling (supporting actor), supporting actress (America Ferrera (supporting actress) and three for original song: “Dance the Night,” “I’m Just Ken” and “What Was I Made For?”
Christopher Nolan’s “Oppenheimer” and Yorgos Lanthimos’ “Poor Things” garnered 13 nominations each including best picture, tied for the second most for movies. Rounding out the best picture category are Cord Jefferson’s “American Fiction,” Blitz Bazawule’s “The Color Purple,” Alexander Payne’s “The Holdovers,” Bradley Cooper’s “Maestro,” Celine Song’s “Past Lives” and a surprising nom for Emerald Fennell’s “Saltburn.
Greta Gerwig’s billion-dollar sensation leads the Critics Choice Awards nominations for film with a record-breaking 18, the most of any film in the organization’s 29 years, surpassing “Everything Everywhere All at Once” and “The Shape of Water” which landed 14 during their respective years. Among its mentions were for best picture, director, actress (Margot Robbie), supporting actor (Ryan Gosling (supporting actor), supporting actress (America Ferrera (supporting actress) and three for original song: “Dance the Night,” “I’m Just Ken” and “What Was I Made For?”
Christopher Nolan’s “Oppenheimer” and Yorgos Lanthimos’ “Poor Things” garnered 13 nominations each including best picture, tied for the second most for movies. Rounding out the best picture category are Cord Jefferson’s “American Fiction,” Blitz Bazawule’s “The Color Purple,” Alexander Payne’s “The Holdovers,” Bradley Cooper’s “Maestro,” Celine Song’s “Past Lives” and a surprising nom for Emerald Fennell’s “Saltburn.
- 12/13/2023
- by Clayton Davis
- Variety Film + TV
Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender. As other formal (and informal) polls suggest, competitions are fluid and subject to change based on buzz and events. Predictions are updated every Thursday.
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2024 Oscars Predictions:
Best Achievement in Cinematography
Weekly Commentary: The National Board of Review, New York Film Critics and Los Angeles Film Critics Association chose three different cinematographers for their picks as the best of the year.
Rodrigo Prieto won a combination prize from NBR for his work on “Barbie...
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2024 Oscars Predictions:
Best Achievement in Cinematography
Weekly Commentary: The National Board of Review, New York Film Critics and Los Angeles Film Critics Association chose three different cinematographers for their picks as the best of the year.
Rodrigo Prieto won a combination prize from NBR for his work on “Barbie...
- 12/10/2023
- by Clayton Davis
- Variety Film + TV
From production designers to composers, the creatives behind the biggest films of this year sat down to chat with Variety’s senior artisans editor Jazz Tangcay during Variety’s A Night With Artisans. The creatives who helped build the Los Alamos set for “Oppenheimer” or acquired 1,000 blankets for “Killers of the Flower Moon” shared their creative processes and stories from set.
In six separate conversations, Tangcay spoke with the teams behind “Oppenheimer,” “Saltburn,” “Killers of the Flower Moon,” “Maestro,” “American Fiction” and “The Color Purple.”
See the full Variety A Night With Artisans recap below.
“Oppenheimer”
For production designer Ruth De Jong, creating the town of Los Alamos was a “daunting task.” Because they had a lean budget, she said they had to be creative about their approach. The existing Los Alamos in New Mexico is modernized and did not reflect the version Nolan wanted to portray in the movie,...
In six separate conversations, Tangcay spoke with the teams behind “Oppenheimer,” “Saltburn,” “Killers of the Flower Moon,” “Maestro,” “American Fiction” and “The Color Purple.”
See the full Variety A Night With Artisans recap below.
“Oppenheimer”
For production designer Ruth De Jong, creating the town of Los Alamos was a “daunting task.” Because they had a lean budget, she said they had to be creative about their approach. The existing Los Alamos in New Mexico is modernized and did not reflect the version Nolan wanted to portray in the movie,...
- 12/6/2023
- by Caroline Brew and Jaden Thompson
- Variety Film + TV
Anyone who missed "Promising Young Woman" director Emerald Fennell's latest film, "Saltburn," in theaters will soon be able to watch it at home. Amazon has announced, via a short trailer, that the movie will be available to stream globally on its Prime Video service as of December 22, 2023. That means those signed up to the streaming platform can watch the movie at no extra charge from that date. You can even add it to your Prime Video watchlist ahead of time and line up the most awkward Christmas day family movie session you'll ever have.
Since it hit theaters in November, "Saltburn" has caused a significant buzz, and not just because, as many a LetterBoxd review has celebrated, it finally gifted us with a fully nude Barry Keoghan. The Irish star, who'll soon appear in Ridley Scott's "Gladiator" sequel, plays Oliver Quick, an Oxford University student who finds himself...
Since it hit theaters in November, "Saltburn" has caused a significant buzz, and not just because, as many a LetterBoxd review has celebrated, it finally gifted us with a fully nude Barry Keoghan. The Irish star, who'll soon appear in Ridley Scott's "Gladiator" sequel, plays Oliver Quick, an Oxford University student who finds himself...
- 12/4/2023
- by Joe Roberts
- Slash Film
Plot: Struggling to find his place at Oxford University, student Oliver Quick (Barry Keoghan) finds himself drawn into the world of the charming and aristocratic Felix Catton, who invites him to Saltburn, his eccentric family’s sprawling estate, for a summer never to be forgotten.
Review: We all have a fascination with the rich. The sordid lives of the aristocratic have always made for brilliant fodder in novels, television, and film. For her second directorial effort, Emerald Fennell has looked into the lives of a clan of rich Brits through the eyes of an outsider. Like Promising Young Woman, Saltburn begins as a dark comedy and an indictment of old money becomes a psychological thriller. With her trademark wit and a stellar cast led by Barry Keoghan in one of his best performances to date, Saltburn is a movie made to be recognized during awards season. The problem is that...
Review: We all have a fascination with the rich. The sordid lives of the aristocratic have always made for brilliant fodder in novels, television, and film. For her second directorial effort, Emerald Fennell has looked into the lives of a clan of rich Brits through the eyes of an outsider. Like Promising Young Woman, Saltburn begins as a dark comedy and an indictment of old money becomes a psychological thriller. With her trademark wit and a stellar cast led by Barry Keoghan in one of his best performances to date, Saltburn is a movie made to be recognized during awards season. The problem is that...
- 11/24/2023
- by Alex Maidy
- JoBlo.com
Spoiler Alert: This story discusses major plot points, including the ending for “Saltburn.”
Singer-songwriter Sophie Ellis-Bextor was already a fan of Emerald Fennell when she was approached about the use of her 2001 hit “Murder on the Dancefloor” in “Saltburn.” “I loved ‘Promising Young Woman,’” Ellis-Bextor says. But what really sold it to her was the pitch: “A naked man dancing through the rooms of a stately home…I’ve got a quirky sense of humor, and my main thing was, ‘I’ve got to see that.’”
Set in 2006, Oliver is a student at Oxford University who becomes dangerously obsessed with the suave and good-looking aristocratic classmate Felix, played by Jacob Elordi. When Felix invites him to spend the summer at his family’s estate Saltburn, things slowly take a turn as it is revealed that Oliver has been lying the entire time about his background and family. When Felix threatens to expose him,...
Singer-songwriter Sophie Ellis-Bextor was already a fan of Emerald Fennell when she was approached about the use of her 2001 hit “Murder on the Dancefloor” in “Saltburn.” “I loved ‘Promising Young Woman,’” Ellis-Bextor says. But what really sold it to her was the pitch: “A naked man dancing through the rooms of a stately home…I’ve got a quirky sense of humor, and my main thing was, ‘I’ve got to see that.’”
Set in 2006, Oliver is a student at Oxford University who becomes dangerously obsessed with the suave and good-looking aristocratic classmate Felix, played by Jacob Elordi. When Felix invites him to spend the summer at his family’s estate Saltburn, things slowly take a turn as it is revealed that Oliver has been lying the entire time about his background and family. When Felix threatens to expose him,...
- 11/22/2023
- by Jazz Tangcay
- Variety Film + TV
Early in Saltburn, a college student defends a critique of his essay’s florid style by saying that any criticisms should be directed at the substance of the piece. It feels like a preemptive strike by writer-director Emerald Fennell, perhaps anticipating the film’s detractors will single out her in-your-face aesthetic and ignore her critique of extreme wealth. If so, her instincts are misguided; Saltburn is a gorgeous, ravishing and sensual bit of filmmaking. But it’s the script that feels empty and muddled.
Barry Keoghan stars as Oliver Quick, a first-year student at Oxford in the mid-2000s. Oliver comes from a lower-income household and has trouble fitting in with the more popular students, relegated to a table with a math nerd. Circumstances put him in the orbit of Felix (Jacob Elordi), a charismatic, handsome and rich student who takes a shine to Oliver. When family tragedy strikes, Oliver...
Barry Keoghan stars as Oliver Quick, a first-year student at Oxford in the mid-2000s. Oliver comes from a lower-income household and has trouble fitting in with the more popular students, relegated to a table with a math nerd. Circumstances put him in the orbit of Felix (Jacob Elordi), a charismatic, handsome and rich student who takes a shine to Oliver. When family tragedy strikes, Oliver...
- 11/22/2023
- by Chris Williams
- CinemaNerdz
by Cláudio Alves
There's been much ado about Saltburn, Emerald Fennell's sophomore feature and follow-up to Promising Young Woman. However, most coverage tends to focus on the narrative's sudsy details, the picture's eagerness to shock and provoke. There's also a lot to lust over, of course, from Barry Keoghan's middle-class interloper to Jacob Elordi's aristocratic wet dream. And then there’s Rosamund Pike, exuding ice queen glamour on the side. Yet, judging by trailers and stills, one aspect of Saltburn's spell seems underreported – it looks gorgeous, crisp and colorful, all shiny and new, images so ripe you want to sink your teeth into them.
Though one shouldn't dismiss Fennell's contribution to this aesthetic – some would argue the poppy aesthetic of her debut was its best element – much credit must go to Linus Sandgren, cinematographer mirabilis…...
There's been much ado about Saltburn, Emerald Fennell's sophomore feature and follow-up to Promising Young Woman. However, most coverage tends to focus on the narrative's sudsy details, the picture's eagerness to shock and provoke. There's also a lot to lust over, of course, from Barry Keoghan's middle-class interloper to Jacob Elordi's aristocratic wet dream. And then there’s Rosamund Pike, exuding ice queen glamour on the side. Yet, judging by trailers and stills, one aspect of Saltburn's spell seems underreported – it looks gorgeous, crisp and colorful, all shiny and new, images so ripe you want to sink your teeth into them.
Though one shouldn't dismiss Fennell's contribution to this aesthetic – some would argue the poppy aesthetic of her debut was its best element – much credit must go to Linus Sandgren, cinematographer mirabilis…...
- 11/21/2023
- by Cláudio Alves
- FilmExperience
Cinematographer Linus Sandgren says he and director Emerald Fennell relied on their emotions and instincts to conjure the “gothic” look of “Saltburn,” the hybrid psychological horror and dark comedy just screened at the Camerimage cinematography festival in Torun, Poland.
The film’s tight Academy aspect ratio, for one thing, was an idea that arose only after meeting with Fennell, who wrote the over-the-top story of a strange, middle-class Oxford student, Oliver Quick (Barry Keoghan), infiltrating the world of the filthy rich one sunny summer.
Meanwhile, the shooting location, a properly gloomy and stodgy estate, seemed to call out for the boxy cinematic frame they chose, says Sandgren, who spoke at Camerimage’s main screening hall. The mansion’s beveled ceilings, arches, ancient walls and blood-red floors indeed seem to close in on all sides as the family of Felix Catton (Jacob Elordi) reluctantly admits the novel interloper into their midst.
The film’s tight Academy aspect ratio, for one thing, was an idea that arose only after meeting with Fennell, who wrote the over-the-top story of a strange, middle-class Oxford student, Oliver Quick (Barry Keoghan), infiltrating the world of the filthy rich one sunny summer.
Meanwhile, the shooting location, a properly gloomy and stodgy estate, seemed to call out for the boxy cinematic frame they chose, says Sandgren, who spoke at Camerimage’s main screening hall. The mansion’s beveled ceilings, arches, ancient walls and blood-red floors indeed seem to close in on all sides as the family of Felix Catton (Jacob Elordi) reluctantly admits the novel interloper into their midst.
- 11/19/2023
- by Will Tizard
- Variety Film + TV
Spoiler Alert: This story discusses major plot points, including the ending for “Saltburn.”
In the final moments of Emerald Fennell’s “Saltburn,” Sophie Ellis-Bextor’s 2001 song, “Murder on the Dancefloor” pumps out over the speakers, while Barry Keoghan’s Oliver dances stark naked through a grand estate house in the British countryside. “Everything is diabolical, but it’s exhilarating,” Fennell explained. “It’s post-coital, euphoric, solitary and it’s mad.”
Cinematographer Linus Sandgren said the scene is about Oliver feeling as if he owns the place. In capturing it, Fennell used 11 takes before she got the right take from Keoghan. “They were all very beautiful,” she said. “It’s quite a complicated and technical camera. A lot of the time, he was immensely patient because there was a lot of naked dancing. Take #7 was technically perfect. You could hear everyone’s overjoyed response, but I had to say ‘sorry’ because...
In the final moments of Emerald Fennell’s “Saltburn,” Sophie Ellis-Bextor’s 2001 song, “Murder on the Dancefloor” pumps out over the speakers, while Barry Keoghan’s Oliver dances stark naked through a grand estate house in the British countryside. “Everything is diabolical, but it’s exhilarating,” Fennell explained. “It’s post-coital, euphoric, solitary and it’s mad.”
Cinematographer Linus Sandgren said the scene is about Oliver feeling as if he owns the place. In capturing it, Fennell used 11 takes before she got the right take from Keoghan. “They were all very beautiful,” she said. “It’s quite a complicated and technical camera. A lot of the time, he was immensely patient because there was a lot of naked dancing. Take #7 was technically perfect. You could hear everyone’s overjoyed response, but I had to say ‘sorry’ because...
- 11/18/2023
- by Jazz Tangcay and Marc Malkin
- Variety Film + TV
[Editor’s note: The following interview contains spoilers.]
“Saltburn,” Emerald Fennell’s savage depiction of the British upper class in the mid-2000s, is a cross between “Brideshead Revisited” and “The Talented Mr. Ripley,” only told as a vampire black comedy. It revels in voyeuristic repulsion and the fetishization of beauty through the Pov of cunning Oxford student Oliver (Barry Keoghan), who becomes infatuated with his aristocratic schoolmate, Felix (Jacob Elordi), who invites him to stay the summer with his eccentric Catton family at their titular estate.
Fennell had bold visual plans that began with shooting in 35mm to capitalize on the rich color and contrast, and using the 1.33 aspect ratio to enhance the voyeurism. She wanted to convey the hot summer and foggy night, influenced by the legendary landscape painter Gainsborough, as well as more dramatic lighting inspired by Hitchcock, “Nosferatu,” and baroque painters Caravaggio and Gentileschi.
Fortunately, the director was introduced to Oscar-winning cinematographer Linus Sandgren...
“Saltburn,” Emerald Fennell’s savage depiction of the British upper class in the mid-2000s, is a cross between “Brideshead Revisited” and “The Talented Mr. Ripley,” only told as a vampire black comedy. It revels in voyeuristic repulsion and the fetishization of beauty through the Pov of cunning Oxford student Oliver (Barry Keoghan), who becomes infatuated with his aristocratic schoolmate, Felix (Jacob Elordi), who invites him to stay the summer with his eccentric Catton family at their titular estate.
Fennell had bold visual plans that began with shooting in 35mm to capitalize on the rich color and contrast, and using the 1.33 aspect ratio to enhance the voyeurism. She wanted to convey the hot summer and foggy night, influenced by the legendary landscape painter Gainsborough, as well as more dramatic lighting inspired by Hitchcock, “Nosferatu,” and baroque painters Caravaggio and Gentileschi.
Fortunately, the director was introduced to Oscar-winning cinematographer Linus Sandgren...
- 11/18/2023
- by Bill Desowitz
- Indiewire
How do cinematographers begin their process? Are they already envisioning potential shots when they read the script, or does that come later? And what are some of the misconceptions audiences have about directors of photography? These are just some of the topics discussed by three top cinematographers when they join Gold Derby’s special “Meet the Experts” Q&a event with 2023 / 2024 awards contenders: Cristina Dunlap (“American Fiction”), Matthew Libatique (“Maestro”) and Linus Sandgren (“Saltburn”).
Watch our fascinating group roundtable panel above, and click on each name to view the contender’s individual interview.
Dunlap says that each process “really depends on the director’s style.” She elaborates, “I tried to work in every department on the film set before I actually made it to being a Dp, which was always the goal. But when I worked as an editor, it’s really crafted how I tell stories. And so, I...
Watch our fascinating group roundtable panel above, and click on each name to view the contender’s individual interview.
Dunlap says that each process “really depends on the director’s style.” She elaborates, “I tried to work in every department on the film set before I actually made it to being a Dp, which was always the goal. But when I worked as an editor, it’s really crafted how I tell stories. And so, I...
- 11/18/2023
- by Marcus James Dixon
- Gold Derby
Barry Keoghan as Oliver and Archie Madekwe as Farleigh in SaltburnPhoto: MGM/Amazon Studios
The darkly comedic and corrupt whims of the wealthy are on full display in filmmaker Emerald Fennell’s racy thriller Saltburn. The cheeky provocateur’s follow-up to her Oscar-winning directorial debut, Promising Young Woman, Saltburn wages...
The darkly comedic and corrupt whims of the wealthy are on full display in filmmaker Emerald Fennell’s racy thriller Saltburn. The cheeky provocateur’s follow-up to her Oscar-winning directorial debut, Promising Young Woman, Saltburn wages...
- 11/15/2023
- by Courtney Howard
- avclub.com
Three film cinematographers will reveal secrets behind their projects when they join Gold Derby’s special “Meet the Experts” Q&a event with 2024 awards contenders. They will participate in two video discussions to premiere on Wednesday, November 15, at 6:00 p.m. Pt; 9:00 p.m. Et. We’ll have a one-on-one with our senior editor Marcus Dixon and a roundtable chat with all of the group together.
RSVP today to our entire ongoing contenders panel series by clicking here to book your free reservation. We’ll send you a reminder a few minutes before the start of the show.
American Fiction (MGM)
Synopsis: A novelist who is fed up with the establishment profiting from “Black” entertainment uses a pen name to write a book that propels him to the heart of hypocrisy and the madness he claims to disdain.
Bio: Cristina Dunlap’s career has included “Am I Ok?,” “Blackalachia” and “Cha Cha Real Smooth.
RSVP today to our entire ongoing contenders panel series by clicking here to book your free reservation. We’ll send you a reminder a few minutes before the start of the show.
American Fiction (MGM)
Synopsis: A novelist who is fed up with the establishment profiting from “Black” entertainment uses a pen name to write a book that propels him to the heart of hypocrisy and the madness he claims to disdain.
Bio: Cristina Dunlap’s career has included “Am I Ok?,” “Blackalachia” and “Cha Cha Real Smooth.
- 11/8/2023
- by Chris Beachum and Marcus James Dixon
- Gold Derby
The 31st edition of the Camerimage Film Festival, Europe’s top cinematography event, will welcome a host of stellar guests to the Gothic Polish town of Torun, including Adam Driver, Sean Penn and Academy of Motion Picture Arts and Sciences CEO Bill Kramer.
Driver and Penn will screen their latest films, respectively, the high-octane biopic “Ferrari” and the portrait of Eastern Europe’s most remarkable wartime president, Volodymyr Zelensky, “Superpower.”
As regular fest guests have learned, the calendar of film screenings is just as important to study as the schedule for panels, seminars and masterclasses. That’s because Camerimage, with limited event space for now, strategically holds filmmaker talks following film projections, often in the same hall of the Jordanki cinema space.
Which means opening-night audiences who linger after Camerimage screens Robbie Ryan-shot “Poor Things,” the Frankenstein-esque fairytale by Yorgos Lanthimos, starring Emma Stone, will be able to...
Driver and Penn will screen their latest films, respectively, the high-octane biopic “Ferrari” and the portrait of Eastern Europe’s most remarkable wartime president, Volodymyr Zelensky, “Superpower.”
As regular fest guests have learned, the calendar of film screenings is just as important to study as the schedule for panels, seminars and masterclasses. That’s because Camerimage, with limited event space for now, strategically holds filmmaker talks following film projections, often in the same hall of the Jordanki cinema space.
Which means opening-night audiences who linger after Camerimage screens Robbie Ryan-shot “Poor Things,” the Frankenstein-esque fairytale by Yorgos Lanthimos, starring Emma Stone, will be able to...
- 11/6/2023
- by Will Tizard
- Variety Film + TV
Film cameras strike big time as it seems that Dp chose celluloid to shoot the Oscar 2024 (96th Academy Awards) contenders. The most used camera is the Arricam (Lt and St) which, you have to admit, is an amazing fact. Additionally, there are new cameras on that list. Explore the camera charts below based on the IndieWire Cinematography Survey.
Oscar 2024: Camera Manufacturers Chart Oscar 2024 contenders: Cameras and lenses
IndieWire reached out to the directors of photography whose films are among the most critically acclaimed of the year, in order to explore which cameras and lenses they used (Make sure to read the IndieWire’s article where you can find Dp’s explanation of how they used their gear). As the tradition calls, we took the data to build friendly charts, trying to find a significant tendency and segmentation. Surprisingly, the most used camera is the Arricam. First,...
Oscar 2024: Camera Manufacturers Chart Oscar 2024 contenders: Cameras and lenses
IndieWire reached out to the directors of photography whose films are among the most critically acclaimed of the year, in order to explore which cameras and lenses they used (Make sure to read the IndieWire’s article where you can find Dp’s explanation of how they used their gear). As the tradition calls, we took the data to build friendly charts, trying to find a significant tendency and segmentation. Surprisingly, the most used camera is the Arricam. First,...
- 10/20/2023
- by Yossy Mendelovich
- YMCinema
Watching the trailer for “Saltburn” is enough to fall in love with the titular estate in writer/director Emerald Fennell’s upcoming film; even no less than Evelyn Waugh was obsessed, as one of the characters casually drops into conversation. And the bucolic, elegant home and grounds are even more seductive in the actual film, even as the behavior in which her characters engage is anything but aristocratic.
As Fennell told Vanity Fair, she was determined that whatever location used in the film had to be somewhere unfamiliar to audiences and — to further complicate matters — it had to work as the main location, so there would be no need for interior scenes shot on a soundstage. “It was important to me that we were all in there together, that the making of the film in some way had that feeling of a summer where everyone loses their mind together,” she said.
As Fennell told Vanity Fair, she was determined that whatever location used in the film had to be somewhere unfamiliar to audiences and — to further complicate matters — it had to work as the main location, so there would be no need for interior scenes shot on a soundstage. “It was important to me that we were all in there together, that the making of the film in some way had that feeling of a summer where everyone loses their mind together,” she said.
- 9/25/2023
- by Mark Peikert
- Indiewire
“This could easily have been set in Hollywood,” Emerald Fennell said of her new film Saltburn, during a post-screening Q&a at the Academy Museum in Los Angeles on Tuesday night.
The actual setting is, in fact, a long way from Hollywood. Fennell’s sophomore follow-up to her Oscar Best Picture-nominated, Best Screenplay-winner Promising Young Woman, Saltburn follows Oliver (Barry Keoghan), an Oxford University student who befriends Felix (Jacob Elordi), an aristocratic, manor-born adonis.
Plunged into the eccentric world of the über-posh British upper classes on a visit to Felix’s family estate, Oliver is both awkward outsider and furtive observer. We meet Felix’s parents (Rosamund Pike and Richard E. Grant), his ascerbic cousin (Archie Madekwe), and wayward sister (Alison Oliver). Fennell also reunites with her Promising Young Woman star Carey Mulligan, who has an all-too-short stint as an unhinged houseguest.
Fennell’s Hollywood comparison, she said, is that “Oliver...
The actual setting is, in fact, a long way from Hollywood. Fennell’s sophomore follow-up to her Oscar Best Picture-nominated, Best Screenplay-winner Promising Young Woman, Saltburn follows Oliver (Barry Keoghan), an Oxford University student who befriends Felix (Jacob Elordi), an aristocratic, manor-born adonis.
Plunged into the eccentric world of the über-posh British upper classes on a visit to Felix’s family estate, Oliver is both awkward outsider and furtive observer. We meet Felix’s parents (Rosamund Pike and Richard E. Grant), his ascerbic cousin (Archie Madekwe), and wayward sister (Alison Oliver). Fennell also reunites with her Promising Young Woman star Carey Mulligan, who has an all-too-short stint as an unhinged houseguest.
Fennell’s Hollywood comparison, she said, is that “Oliver...
- 9/20/2023
- by Antonia Blyth
- Deadline Film + TV
At five of the last 10 Oscars, Best Cinematography has gone hand-in-hand with Best Director: Emmanuel Lubezki and Alfonso Cuaron for “Gravity” (2014); Lubezki and Alejandro G. Inarritu for both “Birdman” (2015) and “The Revenant” (2016); Linus Sandgren and Damien Chazelle for “La La Land” (2017); and Cuaron doing double duty on “Roma” (2019). Will that trend hold true this year? (Scroll down for the most up-to-date 2024 Oscar predictions for Best Cinematography.)
The academy usually regards award-winning cinematography as pretty pictures within an epic technical feat of filmmaking. While great lighting and framing are laudable on their own, having a movie that looks like it was difficult to shoot goes a long way to snagging an Oscar. Recent lensing winners “Avatar” (2009), “Inception” (2010), “Hugo” (2011), “Life of Pi” (2012), “Gravity” (2013), “Blade Runner 2049” (2018) and “1917” (2020) also took home the Oscar for Best Visual Effects.
While the lensers of “Inception” and “Gravity” first prevailed at the American Society of Cinematographers Awards,...
The academy usually regards award-winning cinematography as pretty pictures within an epic technical feat of filmmaking. While great lighting and framing are laudable on their own, having a movie that looks like it was difficult to shoot goes a long way to snagging an Oscar. Recent lensing winners “Avatar” (2009), “Inception” (2010), “Hugo” (2011), “Life of Pi” (2012), “Gravity” (2013), “Blade Runner 2049” (2018) and “1917” (2020) also took home the Oscar for Best Visual Effects.
While the lensers of “Inception” and “Gravity” first prevailed at the American Society of Cinematographers Awards,...
- 9/12/2023
- by Paul Sheehan and Jacob Sarkisian
- Gold Derby
It’s 2023 and the early 2000s are having a moment: blog rock is being celebrated, nü metal is back, and Emerald Fennell––perhaps recognizing this vibe shift––sets her latest film Saltburn in 2006. The period setting is a wise move on a few fronts: it affords the film a killer soundtrack of early cuts from Mgmt, Arcade Fire, and Bloc Party. It also lets these teenagers party and have sex without doing the verbal dance that accompanies such topics on campus these days.
Its setup is familiar: first-year Oxford student Oliver Quick (Barry Keoghan) is an outsider, his one “friend” a mental math savant who is more realistic about their dire social prospects. Oliver, refusing to accept this, eventually falls in with the cool kids, led by Felix. Felix is everything Oliver is not: tall, rich, effortlessly handsome, confident enough to rock an eyebrow piercing. He prioritizes partying over studying.
Its setup is familiar: first-year Oxford student Oliver Quick (Barry Keoghan) is an outsider, his one “friend” a mental math savant who is more realistic about their dire social prospects. Oliver, refusing to accept this, eventually falls in with the cool kids, led by Felix. Felix is everything Oliver is not: tall, rich, effortlessly handsome, confident enough to rock an eyebrow piercing. He prioritizes partying over studying.
- 9/7/2023
- by Caleb Hammond
- The Film Stage
Although “Saltburn” and “Rustin” are both inherently queer period pieces with highly committed lead actors at the forefront, their respective stars Barry Keoghan and Colman Domingo give two performances that are working toward a Best Oscar nomination from opposite ends.
If one were to have fallen in love with Keoghan last year based on his role in “The Banshees of Inisherin,” which earned him a Best Supporting Actor nod, they might be thrown off by his arch turn in Emerald Fennell’s sophomore effort depicting an Oxford student that fighting to stay in the good graces of his aristocratic classmate. After watching the film, “The Talented Mr. Ripley” may be an apt comparison, but that does not do justice to just how willing Keoghan is to reach new depths in “Saltburn.” He is much more in “The Killing of Sacred Deer” mode here, which coincidentally is the film Fennell has...
If one were to have fallen in love with Keoghan last year based on his role in “The Banshees of Inisherin,” which earned him a Best Supporting Actor nod, they might be thrown off by his arch turn in Emerald Fennell’s sophomore effort depicting an Oxford student that fighting to stay in the good graces of his aristocratic classmate. After watching the film, “The Talented Mr. Ripley” may be an apt comparison, but that does not do justice to just how willing Keoghan is to reach new depths in “Saltburn.” He is much more in “The Killing of Sacred Deer” mode here, which coincidentally is the film Fennell has...
- 9/1/2023
- by Marcus Jones
- Indiewire
Emerald Fennell’s “Saltburn” brings style, swag and a whole lot of Barry Keoghan’s manhood to the award race. After having its world premiere at the Telluride Film Festival on Thursday night, festivalgoers were in for a wild bonanza of colors, lights and one of the sexiest films to grace the big screen so far this year.
Fennell’s previous film as a director, 2020’s “Promising Young Woman,” was a hit with Oscar voters, scoring five nominations, including one for best picture. But “Saltburn” looks to be much more divisive with critics and audiences.
“Saltburn” follows a college student named Oliver (Keoghan), as he finds himself drawn into the world of a charming and aristocratic classmate (Jacob Elordi) after he is invited to his eccentric family’s sprawling estate for a summer.
“Saltburn” feels like Fennell’s version of “The Talented Mr. Ripley.” Early reviews include some passionate admirers...
Fennell’s previous film as a director, 2020’s “Promising Young Woman,” was a hit with Oscar voters, scoring five nominations, including one for best picture. But “Saltburn” looks to be much more divisive with critics and audiences.
“Saltburn” follows a college student named Oliver (Keoghan), as he finds himself drawn into the world of a charming and aristocratic classmate (Jacob Elordi) after he is invited to his eccentric family’s sprawling estate for a summer.
“Saltburn” feels like Fennell’s version of “The Talented Mr. Ripley.” Early reviews include some passionate admirers...
- 9/1/2023
- by Clayton Davis
- Variety Film + TV
The 2023 Telluride Film Festival launched on Thursday with numerous world premieres – including the first public screenings of Jeff Nichols’ “The Bikeriders,” George C. Wolfe’s “Rustin,” Andrew Haigh’s “All of Us Strangers,” and Alexander Payne’s “The Holdovers” – but few had attendees buzzing like “Saltburn.” At least based on anecdotal evidence, the new film from “Promising Young Woman” filmmaker and Oscar winner Emerald Fennell was the evening’s hottest event, with a capacity crowd at the Palm theater all but vibrating before the film’s world premiere – and then left stunned in its aftermath.
Set primarily in 2006, “Saltburn” focuses on the unexpected friendship that forms between Oliver (Oscar nominee Barry Keoghan), a young Oxford student on scholarship, and Felix (“Euphoria” star Jacob Elordi), the wealthy big man on campus with whom Oliver takes an intense interest. The film draws its title from Felix’s family estate, where he spends the summer with Oliver.
Set primarily in 2006, “Saltburn” focuses on the unexpected friendship that forms between Oliver (Oscar nominee Barry Keoghan), a young Oxford student on scholarship, and Felix (“Euphoria” star Jacob Elordi), the wealthy big man on campus with whom Oliver takes an intense interest. The film draws its title from Felix’s family estate, where he spends the summer with Oliver.
- 9/1/2023
- by Christopher Rosen
- Gold Derby
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