A film crew goes to a tropical island for an exotic location shoot and discovers a colossal ape who takes a shine to their female blonde star. He is then captured and brought back to New York City for public exhibition.
Henry Frankenstein is a doctor who is trying to discover a way to make the dead walk. He succeeds and creates a monster that has to deal with living again. Written by
Josh Pasnak <email@example.com>
Included among the American Film Institute's 1998 list of the Top 100 Greatest American Movies. See more »
When Dr Waldman reveals that Fritz stole a criminal brain, Frankenstein is unpleasantly surprised. However, his first attempt to acquire a brain was from a corpse on a gallows, which presumably would also have been that of a criminal. See more »
The closing credits start with "A GOOD CAST IS WORTH REPEATING...". The first four actors' names are listed in all caps-sans serif font with the "S" in John Boles & Boris Karloff plus in CAST & IS tilted to the right 45 degrees. The remaining 5 cast members have their names listed in Serif font with both Caps & lower case letters. See more »
Even though in 1931 this movie was already a remake, this is an age-old classic. Done in 1931, fully black and white, this amazingly creepy tale still bears the marks of a genuine masterpiece. Having withstood the tests of time, I find this brilliantly directed portrayal just as darkly enchanting as I did 30 years ago. It is hard to believe that it has been over 70 years since this wonderful production was first released, but that not withstanding, it is a hauntingly beautiful, disturbingly tragic work of pure genius which is still just as compelling today as it was when it was made.
In my opinion, this is also Karloff's best work. In this desensitized society, I feel honored and humbled to be able to view a movie of this caliber. When it was released, it was the scariest thing to be put on film. Today, there are gore effects, CGI, and a plethora of other mediums with which to shock and amaze us.
Soon, the makeup artists of old will be wholly lost to the industry. If for no other reason, we should cherish these classics. Witness the industry when true artisans plied their crafts.
The casting of Karloff in this part was the epitome of ideal casting. There was no other actor at that time, who could have contributed to this role, the darkling charm which Karloff demonstrated through this character. Of all the remakes done of this classic, I still favor the original work. The only remake which contains even the smallest degree of the magic of this original was the 1974 Mel Brooks parody, "Young Frankenstein."
I love this movie, and even by today's standards, it still rates a 9.1/10 from...
the Fiend :.
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