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One of the sons of Frankenstein finds his father's monster in a coma and revives him, only to find out he is controlled by Ygor who is bent on revenge.
We watch Baron Frankenstein escaping from the guillotine and going to Germany. There, he names himself Dr. Stein and plans to restart his experiments by using parts of dead bodies.
Director:
Terence Fisher
Stars:
Peter Cushing,
Francis Matthews,
Eunice Gayson
A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.
Baron Frankenstein is once again working with illegal medical experiments. Together with a young doctor, Karl and his fiancée Anna, they kidnap the mentally sick Dr. Brandt, to perform the ... See full summary »
Director:
Terence Fisher
Stars:
Peter Cushing,
Veronica Carlson,
Freddie Jones
Henry Frankenstein is a doctor who is trying to discover a way to make the dead walk. He succeeds and creates a monster that has to deal with living again. Written by
Josh Pasnak <chainsaw@intouch.bc.ca>
John Carradine turned down the part of the Monster because he considered himself too highly trained to be reduced to playing monsters. See more »
Goofs
Right before Fritz climbs the gibbet to cut down the hanged man, a beam of light from his lantern hits and travels across the "sky" behind him, which is obviously a backdrop. See more »
James Whale's original FRANKENSTEIN is a short but memorable horror classic that has influenced so many other fright flicks, it should be considered the Godfather of Horror Movies. This was the first of Universal Studios' moody screen adaptations of literary Gothic horror (the other being Dracula). Put all thoughts regarding Mary Shelly's novel aside and see this original work of art, with Boris Karloff bringing the ultimate monster to life.
The sets are a pure spin off of German Expressionism. The good Doctor Frankenstein's castle is twisted and distorted and seems to be not of this world. He is played by Colin Clive in a delightfully freakish performance. And, of course, the well-proportioned Fritz is there to help. Notice the signposts of evil in the opening grave robbing scenes. It is a prop-master's dream and the black and white photography displays a theatrical sense of spookiness. "It's Alive!" will live forever as one of the cinema's most familiar lines and the picture begins to sparkle as Karloff is brought to life. The influence of Fritz Lang's METROPOLIS is evident during the dazzling scene of the Monster's birth.
Boris Karloff is and always will be the prototypical Monster. The closeups of his face are truly frightening after all these years. He is walking death, however, Karloff gives him a hint of sadness, of a creature who was not meant to be. The flower-toss scene with the little girl was so controversial at the time of the film's release, it was cut from many versions. The new, restored print available on video has it.
I know FRANKENSTEIN has been spoofed many times and is wide-open to criticism regarding its dated look. Mel Brooks went so far as to use the actual props from Dr. Frankenstein's laboratory in his hilarious send-up, YOUNG FRANKENSTEIN. Be sure to keep an open mind and watch it in the dark. Boris Karloff and James Whale have created a monstrously fun film.
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James Whale's original FRANKENSTEIN is a short but memorable horror classic that has influenced so many other fright flicks, it should be considered the Godfather of Horror Movies. This was the first of Universal Studios' moody screen adaptations of literary Gothic horror (the other being Dracula). Put all thoughts regarding Mary Shelly's novel aside and see this original work of art, with Boris Karloff bringing the ultimate monster to life.
The sets are a pure spin off of German Expressionism. The good Doctor Frankenstein's castle is twisted and distorted and seems to be not of this world. He is played by Colin Clive in a delightfully freakish performance. And, of course, the well-proportioned Fritz is there to help. Notice the signposts of evil in the opening grave robbing scenes. It is a prop-master's dream and the black and white photography displays a theatrical sense of spookiness. "It's Alive!" will live forever as one of the cinema's most familiar lines and the picture begins to sparkle as Karloff is brought to life. The influence of Fritz Lang's METROPOLIS is evident during the dazzling scene of the Monster's birth.
Boris Karloff is and always will be the prototypical Monster. The closeups of his face are truly frightening after all these years. He is walking death, however, Karloff gives him a hint of sadness, of a creature who was not meant to be. The flower-toss scene with the little girl was so controversial at the time of the film's release, it was cut from many versions. The new, restored print available on video has it.
I know FRANKENSTEIN has been spoofed many times and is wide-open to criticism regarding its dated look. Mel Brooks went so far as to use the actual props from Dr. Frankenstein's laboratory in his hilarious send-up, YOUNG FRANKENSTEIN. Be sure to keep an open mind and watch it in the dark. Boris Karloff and James Whale have created a monstrously fun film.