Henry Frankenstein is a doctor who is trying to discover a way to make the dead walk. He succeeds and creates a monster that has to deal with living again. Written by
Josh Pasnak <firstname.lastname@example.org>
A 20-minute test reel, starring Bela Lugosi as the monster and directed by Robert Florey, was filmed on the Dracula (1931) sets. This footage has not been seen since 1931 and is now considered lost. Only a poster, featuring the vague likeness of Bela Lugosi as a 30 feet colossus, remains. See more »
Huge streaks are visible across the clouded sky during the chase at the end of the film, making the presence of a backdrop very obvious. See more »
A brilliant young scientist creates life from the dead but lives to regret it when his creation goes on the rampage.
Though inevitably dated and primitive by modern standards, Frankenstein remains a tremendously impressive film and a tribute to its still somewhat under-rated director, the eccentric Englishman James Whale.
Where so many early talkies were static and wordy, Frankenstein skips unnecessary dialogue and exposition and drives through its plot at a speed that seems almost indecent nowadays. Compared to overblown remakes like Kenneth Branagh's 1994 version, Whale's work now seems like a masterpiece of brevity and minimalism. His constantly moving camera, incisive editing and dramatic use of close-ups are a mile ahead of anything far more prestigious directors were doing at the time. Expressionist photography and eccentric set designs lend atmosphere, menace and help augment some rather ripe performances; a foretaste of the paths Whale would tread in the sequel Bride of Frankenstein four years later.
And then of course there's Karloff. With comparatively few scenes and no dialogue he nonetheless manages to create a complex, intimidating, yet sympathetic creature - one of the great mimes in talking cinema and thanks in no small degree to the freedom given to him under Jack Pierce's iconic make-up.
A historic piece of cinema, and one that still stands the test of time as both art and entertainment.
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