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Q & A (1990)

 -  Crime | Drama  -  27 April 1990 (USA)
6.5
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Ratings: 6.5/10 from 3,393 users  
Reviews: 36 user | 30 critic

A young district attorney seeking to prove a case against a corrupt police detective encounters a former lover and her new protector, a crime boss who refuse to help him in this gritty ... See full summary »

Director:

(as Alan Smithee: television prints)

Writers:

(book), (screenplay), 1 more credit »
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Title: Q & A (1990)

Q & A (1990) on IMDb 6.5/10

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Nominated for 1 Golden Globe. See more awards »

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Cast

Cast overview, first billed only:
...
Captain Michael Brennan
...
Asst. Dist. Atty. Aloysius 'Al' Francis Reilly
...
Roberto 'Bobby Tex' Texador
...
Kevin Quinn (Chief of Homicide)
Lee Richardson ...
Leo Bloomenfeld
...
Det. Luis Valentin (as Luis Guzman)
...
Det. Sam 'Chappie' Chapman (Homicide) (as Charles Dutton)
...
Nancy Bosch / Mrs. Bobby Texador
...
Roger Montalvo
International Chrysis ...
José Malpica
...
Larry Pesch / Vito / Lorenzo Franconi (as Dominick Chianese)
...
Nick Petrone (mob boss)
...
Preston Pearlstein
Gustavo Brens ...
Alfonse Segal
Martin E. Brens ...
Armand Segal
Edit

Storyline

A young district attorney seeking to prove a case against a corrupt police detective encounters a former lover and her new protector, a crime boss who refuse to help him in this gritty crime film. Written by Keith Loh <loh@sfu.ca>

Plot Summary | Plot Synopsis

Taglines:

When the questions are dangerous, the answers can be deadly.

Genres:

Crime | Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

27 April 1990 (USA)  »

Also Known As:

Tödliche Fragen  »

Filming Locations:

 »

Box Office

Gross:

$11,207,891 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Sidney Lumet:  the director was unhappy with the way this movie was edited for television so he had his name removed and replaced with the pseudonym "Alan Smithee" for the television broadcast version. See more »

Goofs

Chief Quinn asks ADA Reilly why he did not attend St. John's Law School. Hutton says his father didn't like the Jesuits. St. John's University is not a Jesuit institution. It is conducted by the Vincentians. See more »

Quotes

Leo Bloomenfeld: [telling Al Reilly about Kevin Quinn] He's a prick. He's a racist and an anti-Semite and a prick. He wants to be Tom Dewey, and he will be. He married for politics and all he can see is way clear to God knows how high up. Years ago, when we still had executions in the state, he used to volunteer as a witness. Yeah, his first murder case, uhh he was a young A.D.A. then and I'm talking years ago... The case was shaky, circumstantial and he wanted a recommended death penalty from the jury. Before ...
See more »

Connections

Featured in Siskel & Ebert: Oscar Nomination Surprises (1991) See more »

Soundtracks

TIP-TOE THRU' THE TULIPS WITH ME
Written by Al Dubin and Joseph A. Burke
Performed by Tiny Tim
Courtesy of Reprise Records
Warner Bros. Music
A division of Warner Bros. Inc.
By Arrangement with Warner Special Products
See more »

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User Reviews

This is one &!(## X&^@+**#-ing tough movie.
30 March 2002 | by (Deming, New Mexico, USA) – See all my reviews

The last and least of Sidney Lumet's three stories of (more or less) innocents trying to uncover police corruption and blow the whistle on the guilty, and the only fictional story. There's nothing wrong with the acting of the principals. Nolte is brutish and tall in an over-the-top performance. (He always looks larger on screen than in person.) His New York accent, however, is clearly superimposed on an unregional Omaha set of phonemes. Jenny Lumet looks splendid but has the same problem with her accent, and her scenes are too long as part of a mixed-up romantic subplot that doesn't hold together well. Timothy Hutton has less of a notable problem with his speech, and he is really quite good as the innocent-looking but by no means weak investigating attorney. He even looks pretty Irish. O'Neal is the smoothly villainous and murderous head of the investigation, and a very good villain he is, as usual. Guzman and Dutton provide excellent supporting roles. And Armand Assante seems built for the part of the iron-eating PR drug dealer who has made the decision, a thoroughly rational one, to get out and live in the Caribbean sunshine. His body movements provide a language unto themselves, his smallest gestures are magnetic. They draw so much attention to themselves that they are almost the self-parody that they were in his hilarious spoof of detective movies. He's an exceptional actor.

The movie's plot, however, leaves a good deal to be desired. Its fictional skeleton shows through. You've never seen so much ethnicity on the screen before, and it's misplaced. It's easy enough to believe that racial insults are offhandedly traded among in-group members but difficult to believe that every conversational exchange, no matter how casual or intense, must include one. And at the very time when some of these barriers are beginning to weaken, judging from the rising rates of intermarriage. Serpico's story was relatively simple. Prince of the City far more complex and realistically tragic. This one is simply hard to follow as well as hard to believe. Boats turn into fireballs in unlikely ways, as they do in quickie action movies. Characters fly back and forth from San Juan to New York and some are killed and it's difficult to keep track of what's what and who's who. It isn't that Lumet has lost his touch.

When a character is shot in the neck, man does he bleed out. But the director is working with less compelling material here and in any case this kind of narrative is running out of steam. All of that notwithstanding, this is still a notch above most of the junk polluting the multiplex screens today.


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