A young district attorney seeking to prove a case against a corrupt police detective encounters a former lover and her new protector, a crime boss who refuse to help him in this gritty ... See full summary »
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A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.
Director:
Sergio Leone
Stars:
Robert De Niro,
James Woods,
Elizabeth McGovern
A young and impatient stockbroker is willing to do anything to get to the top, including trading on illegal inside information taken through a ruthless and greedy corporate raider who takes the youth under his wing.
Director:
Oliver Stone
Stars:
Charlie Sheen,
Tamara Tunie,
Franklin Cover
A young district attorney seeking to prove a case against a corrupt police detective encounters a former lover and her new protector, a crime boss who refuse to help him in this gritty crime film. Written by
Keith Loh <loh@sfu.ca>
Sidney Lumet:
the director was unhappy with the way this movie was edited for television so he had his name removed and replaced with the pseudonym "Alan Smithee" for the television broadcast version. See more »
Goofs
Chief Quinn asks ADA Reilly why he did not attend St. John's Law School. Hutton says his father didn't like the Jesuits. St. John's University is not a Jesuit institution. It is conducted by the Vincentians. See more »
Quotes
Captain Lt. Michael 'Mike' Brennan, NYPD:
[Brennan is telling other Cops about an arrest]
l don't know what this guy's on, but he just sits there with a shit-eating grin on his face! So, fuck it. l figure l've got to straighten him out a little bit. So l say, ''You've got a right to remain silent as long as you can stand the pain.'' There's nothing. Not a fucking dent. Not a fucking dent! l decide to fingerprint him in the back room, He pulls away from me, He's a big motherfucker, He's 6'-3" or 6'-4", He starts yelling, ''You fucking ...
[...] See more »
"Yeah, what?" - "Who are we getting to chew up the scenery as Mike Brennan?"
"You kiddin' me? You specialising in bustin' my b**ls? Send for Nick
Nolte!" - "Nick (choke) Nolte? Are you talking to me? I've just been on the phone to the mayor and the D.A. is crawlin' up my ass. You're a dinosaur, Lumet. Your ideas don't fit today. I want your director's guild ID on this desk now. People have a nasty habit of gettin' DEAD around you!"
This is one of Lumet's three hour and always worthy examinations of police corruption and compromised idealism. This is similiar to his 'Prince of the city' although it's not let down by an actor like Treat Williams who was not up to the job. Q&A suffers from some over-ripe, stagey and over played performances that are allowed to run on longer than the scene's necessity. It also has such ugliness and perversion that you wonder whether the film really needed to be made as we have been down this road before. Hutton has the best scene whereby his heart is broken by a loyal old mentor who always warned him that it was inevitable.
The main problem I have with this film is the susposed racism of the Reilly character. I'm not sure about the point of the subplot and why would a man who has a coloured girlfriend be shocked that her father is black? Surely it was on the cards.
3 of 5 people found this review helpful.
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"Yeah, what?" - "Who are we getting to chew up the scenery as Mike Brennan?"
- "You kiddin' me? You specialising in bustin' my b**ls? Send for Nick
Nolte!" - "Nick (choke) Nolte? Are you talking to me? I've just been on the phone to the mayor and the D.A. is crawlin' up my ass. You're a dinosaur, Lumet. Your ideas don't fit today. I want your director's guild ID on this desk now. People have a nasty habit of gettin' DEAD around you!"This is one of Lumet's three hour and always worthy examinations of police corruption and compromised idealism. This is similiar to his 'Prince of the city' although it's not let down by an actor like Treat Williams who was not up to the job. Q&A suffers from some over-ripe, stagey and over played performances that are allowed to run on longer than the scene's necessity. It also has such ugliness and perversion that you wonder whether the film really needed to be made as we have been down this road before. Hutton has the best scene whereby his heart is broken by a loyal old mentor who always warned him that it was inevitable.
The main problem I have with this film is the susposed racism of the Reilly character. I'm not sure about the point of the subplot and why would a man who has a coloured girlfriend be shocked that her father is black? Surely it was on the cards.