Two young men meet at Oxford. Charles Ryder, though of no family or money, becomes friends with Sebastian Flyte when Sebastian throws up in his college room through an open window. He then ...
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In the spring of 1944, Capt. Charles Ryder finds that he and his men are relocated to the grounds of Brideshead Castle. Charles knows the place well and he recalls a time 20 years before when he met ...
Sebastian's decline continues and there is little anyone seems able to do about it. He is terribly unhappy about his family situation and seems bent on destroying any relationships he may still have ...
Charles and Sebastian return to Oxford but feel old and out of place. Sebastian feels that his mother is constantly watching him through her friends. In particular, both young men have to put up with...
The extended Forsyte family live a more than pleasant upper middle class life in Victorian and later Edwardian England. The two central characters are Soames Forsyte and his cousin Jolyon ... See full summary »
Nyree Dawn Porter
The British Raj: though their position seems secure, thoughtful English men and women know that "their" time in India is coming to an end. The story begins with an unjust arrest for rape, ... See full summary »
Two young men meet at Oxford. Charles Ryder, though of no family or money, becomes friends with Sebastian Flyte when Sebastian throws up in his college room through an open window. He then invites Charles to lunch after his teddy bear Aloysius 'refuses to talk to him' unless he is forgiven. Charles becomes involved with Sebastian's family, Catholic peers of the realm in Protestant England. The story is told in flashback as Charles, now an officer in the British Army, is moved with his company to an English country house that he discovers to be Brideshead, Sebastian's family home where Charles has a series of memories of his youth and young manhood, his loves, life, and a journey of faith and anguish. Written by
John Vogel <firstname.lastname@example.org>
A dream cast with a magnificent script (John Mortimer) brings to life Evelyn Waugh's elegiac upon the between-wars years. Golden years and golden people are lost, and the sense of loss is captured in the changes inflicted on the buildings, and in Geoffrey Burgon's heart-wrenching score. Brideshead captures the clash of humanistic values with those of old-time Catholicism, while tracing the decline of an aristocratic (somewhat precious) family, in a series that is part comedy, part romance, part tragedy. It is an enriching experience that no-one should miss.
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