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Top Gun: Maverick, The Batman, Doctor Strange in the Multiverse of Madness and Dune are among the movies that received multiple Hpa (Hollywood Professional Association) Award nominations. The annual Hpa Awards recognizes postproduction talent in areas including color grading, editing, sound and visual effects.
The voting period runs from September to September, meaning that some of last year’s award season films will compete against this year’s contenders.
The awards will be handed out Nov. 17 at the Hollywood Legion Theater.
The complete list of nominees follow:
Outstanding Color Grading – Theatrical Feature
Top Gun: Maverick
Stefan Sonnenfeld, Adam Nazarenko / Company 3
Dune
David Cole / FotoKem
Nightmare Alley
Stefan Sonnenfeld, Adam Nazarenko / Company 3
The Batman
David Cole / FotoKem
No Time to Die
Matt Wallach / Company 3
Outstanding Color Grading – Episode or Non-Theatrical Feature
“1883 – 1883”
Mitch Paulson // Company 3
“Better Call Saul – Carrot and Stick”
Keith Shaw...
Top Gun: Maverick, The Batman, Doctor Strange in the Multiverse of Madness and Dune are among the movies that received multiple Hpa (Hollywood Professional Association) Award nominations. The annual Hpa Awards recognizes postproduction talent in areas including color grading, editing, sound and visual effects.
The voting period runs from September to September, meaning that some of last year’s award season films will compete against this year’s contenders.
The awards will be handed out Nov. 17 at the Hollywood Legion Theater.
The complete list of nominees follow:
Outstanding Color Grading – Theatrical Feature
Top Gun: Maverick
Stefan Sonnenfeld, Adam Nazarenko / Company 3
Dune
David Cole / FotoKem
Nightmare Alley
Stefan Sonnenfeld, Adam Nazarenko / Company 3
The Batman
David Cole / FotoKem
No Time to Die
Matt Wallach / Company 3
Outstanding Color Grading – Episode or Non-Theatrical Feature
“1883 – 1883”
Mitch Paulson // Company 3
“Better Call Saul – Carrot and Stick”
Keith Shaw...
- 10/4/2022
- by THR staff
- The Hollywood Reporter - Movie News
The American Cinema Editors gathered with production designers, set decorators and more as a sign of solidarity to push the Academy for inclusivity as they look ahead to the 2023 Academy Awards.
Releasing a video statement that opens with a quote from director Francis Ford Coppola, “The essence of cinema is editing,” the editors addressed the Academy’s decision to trim eight categories from the main broadcast and pre-record the winning speeches in the “Golden Hour.”
The message was direct, “We feel cheated, insulted and angry by the way our art was deemed superfluous in favor of bloated performances and spectacle.” As they pleaded with other crafts to join in the call, they asked that in the future their voice be included in the conversation, “Give us a voice in this process. Let us work together to find a solution that truly honors filmmaking and assure this never happens again.”
Leading up to the Oscars,...
Releasing a video statement that opens with a quote from director Francis Ford Coppola, “The essence of cinema is editing,” the editors addressed the Academy’s decision to trim eight categories from the main broadcast and pre-record the winning speeches in the “Golden Hour.”
The message was direct, “We feel cheated, insulted and angry by the way our art was deemed superfluous in favor of bloated performances and spectacle.” As they pleaded with other crafts to join in the call, they asked that in the future their voice be included in the conversation, “Give us a voice in this process. Let us work together to find a solution that truly honors filmmaking and assure this never happens again.”
Leading up to the Oscars,...
- 4/26/2022
- by Jazz Tangcay
- Variety Film + TV
Well… Oscar night 2022 was certainly one to remember. Many obituaries will have received their first lines last night, and there’s a few moments that will appear half way down for some of them.
But – here’s the good news: Sian Heder’s Coda won Best Picture, and genuine living legend Troy Kotsur took home the Best Supporting Actor award. It may have been a surprise for some, as Jane Campion’s The Power of the Dog was hotly favoured. In the second piece of excellent news it was Campion herself who took home the Best Director gong, many would argue it’s long overdue.
Elsewhere Encanto, Will Smith, Jessica Chastain all took to the stage to collect their awards, and it’s pleasing to see another year when the awards were well spread out. It’s a sign of an industry in fine fettle, which is just as well given,...
But – here’s the good news: Sian Heder’s Coda won Best Picture, and genuine living legend Troy Kotsur took home the Best Supporting Actor award. It may have been a surprise for some, as Jane Campion’s The Power of the Dog was hotly favoured. In the second piece of excellent news it was Campion herself who took home the Best Director gong, many would argue it’s long overdue.
Elsewhere Encanto, Will Smith, Jessica Chastain all took to the stage to collect their awards, and it’s pleasing to see another year when the awards were well spread out. It’s a sign of an industry in fine fettle, which is just as well given,...
- 3/28/2022
- by Jon Lyus
- HeyUGuys.co.uk
The 94th Annual Academy Awards were presented on Sunday, March 27, during a ceremony that took place at the Dolby Theater in Hollywood, California, and was hosted by Wanda Sykes, Regina Hall, and Amy Schumer. So who took home the gold? Scroll down for the complete list of winners in all 23 categories, updated throughout the night.
SEEWanda Sykes: Everything to know about the 2022 Oscars host
The Netflix western “The Power of the Dog” entered these awards with a leading 12 nominations, which is also the most nominations any Netflix film has ever received. But was it destined to become the first film from a streaming distributor to take top honors? To achieve that the film had to battle against Apple’s “Coda,” which only had three nominations but won crucial awards from the Screen Actors Guild, Writers Guild, and Producers Guild, the last of which uses the same kind of ranked-choice voting as the Oscars.
SEEWanda Sykes: Everything to know about the 2022 Oscars host
The Netflix western “The Power of the Dog” entered these awards with a leading 12 nominations, which is also the most nominations any Netflix film has ever received. But was it destined to become the first film from a streaming distributor to take top honors? To achieve that the film had to battle against Apple’s “Coda,” which only had three nominations but won crucial awards from the Screen Actors Guild, Writers Guild, and Producers Guild, the last of which uses the same kind of ranked-choice voting as the Oscars.
- 3/28/2022
- by Daniel Montgomery
- Gold Derby
Going to watch the 2022 Oscars and wondering who will win? Scroll down for our Oscar predictions in all 23 categories. These official odds are derived from the 2022 Oscar predictions of thousands of Gold Derby readers. Our projected winners are highlighted in gold.
Among those making their forecasts at Gold Derby are dozens of Expert journalists from major media outlets, our Editors who cover awards year-round, the Top 24 Users who did the best predicting last year’s Oscar winners and the All-Star Top 24 who had the highest scores for the last two years combined.
“The Power of the Dog” came into these awards with the most nominations (12) and looked to be a lock. The film won with the BAFTAs and Jane Campion picked up prizes both there and with the DGA for helming. But “Coda” claimed the top prize at the SAG Awards and won Best Picture at the PGA Awards, which...
Among those making their forecasts at Gold Derby are dozens of Expert journalists from major media outlets, our Editors who cover awards year-round, the Top 24 Users who did the best predicting last year’s Oscar winners and the All-Star Top 24 who had the highest scores for the last two years combined.
“The Power of the Dog” came into these awards with the most nominations (12) and looked to be a lock. The film won with the BAFTAs and Jane Campion picked up prizes both there and with the DGA for helming. But “Coda” claimed the top prize at the SAG Awards and won Best Picture at the PGA Awards, which...
- 3/27/2022
- by Paul Sheehan
- Gold Derby
Even as Oscar nominees arrived on the red carpet at the Dolby Theatre this afternoon, their ire did not cease over the Academy’s decision to push eight categories to a pre-taped portion of the show.
Slammed Oscar nominated tick, tick…Boom! film editor Myron Kerstein whose category is one of those in the pre-show, “We know the choice was not a correct one, but at the end of the day, we’re being nominated, and no one is going to rain on our parade.”
“This is our day, our party, we are so proud of what we did on tick, tick…Boom! and no one is going to change that especially the Academy,” he added.
Those categories being presented in the 4Pm pre-show in addition to Film Editing also include Documentary (Short Subject), Makeup and Hairstyling, Music (Original Score), Production Design, Short Film (Animated), Short Film (Live Action), and Sound.
Slammed Oscar nominated tick, tick…Boom! film editor Myron Kerstein whose category is one of those in the pre-show, “We know the choice was not a correct one, but at the end of the day, we’re being nominated, and no one is going to rain on our parade.”
“This is our day, our party, we are so proud of what we did on tick, tick…Boom! and no one is going to change that especially the Academy,” he added.
Those categories being presented in the 4Pm pre-show in addition to Film Editing also include Documentary (Short Subject), Makeup and Hairstyling, Music (Original Score), Production Design, Short Film (Animated), Short Film (Live Action), and Sound.
- 3/27/2022
- by Antonia Blyth and Anthony D'Alessandro
- Deadline Film + TV
The films in the running for the 2022 Best Film Editing Oscar are “Don’t Look Up,” “Dune,” “King Richard,” “The Power of the Dog,” and “tick, tick… Boom!.” Our current odds indicate that “Dune” (82/25) is the frontrunner, followed in order by “The Power of the Dog” (19/5), “Don’t Look Up” (9/2), “King Richard” (9/2), and “tick, tick… Boom!” (9/2).
Four of the six individual cutters up for the gold this year are past nominees, with both Pamela Martin (“King Richard”) and Andrew Weisblum having now received their first notices in over a decade. As the respective editors of “The Fighter” and “Black Swan,” they initially challenged each other in 2011 but were ultimately bested by Kirk Baxter and Angus Wall (“The Social Network”). Weisblum shares his current nomination with first-timer Myron Kerstein. The other newcomer in the group is Peter Sciberras (“The Power of the Dog”).
Joe Walker (“Dune”) has two previous bids to his name...
Four of the six individual cutters up for the gold this year are past nominees, with both Pamela Martin (“King Richard”) and Andrew Weisblum having now received their first notices in over a decade. As the respective editors of “The Fighter” and “Black Swan,” they initially challenged each other in 2011 but were ultimately bested by Kirk Baxter and Angus Wall (“The Social Network”). Weisblum shares his current nomination with first-timer Myron Kerstein. The other newcomer in the group is Peter Sciberras (“The Power of the Dog”).
Joe Walker (“Dune”) has two previous bids to his name...
- 3/25/2022
- by Matthew Stewart
- Gold Derby
Cinematographer Ellen Kuras became the first woman to receive the ASC Lifetime Achievement Award at the ASC Awards in Hollywood on Sunday night.
Kuras, whose credits include “Summer of Sam,” “Eternal Sunshine of the Spotless Mind” and “Blow,” called attention to long working hours on set and advocated for on-set safety during her acceptance speech. “We leave set after having worked a long day or
night. During my lifetime, I’ve lost count how many times I struggled to get home after long hours on set. How I barely managed to get into my driveway. And I know that I am definitely not alone in this struggle,” she said.
Just last year, nearly 60,000 IATSE workers almost brought the industry to a halt demanding better hours and working conditions, saying that the surge in production over the past decade has led to long hours and dangerous situations on set. Said Kuras,...
Kuras, whose credits include “Summer of Sam,” “Eternal Sunshine of the Spotless Mind” and “Blow,” called attention to long working hours on set and advocated for on-set safety during her acceptance speech. “We leave set after having worked a long day or
night. During my lifetime, I’ve lost count how many times I struggled to get home after long hours on set. How I barely managed to get into my driveway. And I know that I am definitely not alone in this struggle,” she said.
Just last year, nearly 60,000 IATSE workers almost brought the industry to a halt demanding better hours and working conditions, saying that the surge in production over the past decade has led to long hours and dangerous situations on set. Said Kuras,...
- 3/21/2022
- by Jazz Tangcay
- Variety Film + TV
The International Alliance of Theatrical Stage Employees (IATSE), the largest union representing behind-the-scenes workers in North America, has joined the growing number of critics expressing their disapproval of the Academy of Motion Picture Arts and Sciences’ decision to pre-record eight craft categories at the Oscars.
The eight categories to be aired retroactively as part of the awards broadcast on March 27 include film editing, make-up and hairstyling, production design, animated short and sound.
The statement released by IATSE President Matthew Loeb said, “By the nature of our jobs, behind the scenes, workers get little recognition as is, despite being the backbone of every production. The Academy Awards has been virtually the only venue where the very best on and off the big screen, above and below the line gather to honor each other’s incredible contributions through their crafts, inspiring millions who tune into the TV Broadcast in the process. We...
The eight categories to be aired retroactively as part of the awards broadcast on March 27 include film editing, make-up and hairstyling, production design, animated short and sound.
The statement released by IATSE President Matthew Loeb said, “By the nature of our jobs, behind the scenes, workers get little recognition as is, despite being the backbone of every production. The Academy Awards has been virtually the only venue where the very best on and off the big screen, above and below the line gather to honor each other’s incredible contributions through their crafts, inspiring millions who tune into the TV Broadcast in the process. We...
- 3/21/2022
- by Jazz Tangcay
- Variety Film + TV
None of the 13 precursor prizes announced winners before Oscar nominations were revealed on February 8. However, all but one of them — the Casting Society of America — revealed their roster of contenders before the start of Oscar nominations balloting on January 27. The CSA, which chimed in on February 1, will be the only guild to hold its ceremony after final Oscar voting ends on March 22; the Artios Awards are the next day.
Before Oscar voting kicked off on March 17, we heard from eight guilds. The makeup artists and hairstylists weighed in on Feb. 19 while the actors were heard from on Feb. 27. Two guilds — art directors and film editors — held ceremonies on March 5. The visual effects wizards handed out prizes on March 8, the costume designers on March 9, the directors on March 12 and the sound editors on March 13.
The producers and sound mixers met on March 19 while the cinematographers and writers did so on March...
Before Oscar voting kicked off on March 17, we heard from eight guilds. The makeup artists and hairstylists weighed in on Feb. 19 while the actors were heard from on Feb. 27. Two guilds — art directors and film editors — held ceremonies on March 5. The visual effects wizards handed out prizes on March 8, the costume designers on March 9, the directors on March 12 and the sound editors on March 13.
The producers and sound mixers met on March 19 while the cinematographers and writers did so on March...
- 3/21/2022
- by Paul Sheehan
- Gold Derby
Last Updated March 7: Underdog “King Richard” beat the higher profile “Dune” and “The Power of the Dog” for drama film editing honors at the 72nd Ace Eddie Awards on March 5 at the Ace Hotel. Likewise, “Tick Tick Boom” upset the favored “Don’t Look Up” in the film comedy category. In terms of the Oscar race, though, it’s still wide open for “Dune,” “The Power of the Dog,” or “Don’t Look Up” to prevail.
Last Updated February 10: The editing Oscar nominees — “Don’t Look Up” (Netflix), “Dune” (Warner Bros.), “King Richard” (Warner Bros.), “The Power of the Dog” (Netflix), and “Tick Tick Boom” (Netflix) — all employ different rhythmic styles to convey their bizarre worlds and to get inside the heads of their troubled protagonists. For those wondering about editing as a Best Picture predictor, particularly since “Belfast” is not included here, they’ve only overlapped twice since 2012 with “Argo” and “Nomadland.
Last Updated February 10: The editing Oscar nominees — “Don’t Look Up” (Netflix), “Dune” (Warner Bros.), “King Richard” (Warner Bros.), “The Power of the Dog” (Netflix), and “Tick Tick Boom” (Netflix) — all employ different rhythmic styles to convey their bizarre worlds and to get inside the heads of their troubled protagonists. For those wondering about editing as a Best Picture predictor, particularly since “Belfast” is not included here, they’ve only overlapped twice since 2012 with “Argo” and “Nomadland.
- 3/7/2022
- by Bill Desowitz
- Indiewire
King Richard editor Pamela Martin with her award Photo: Tilt Photo
This year's Eddies, the world's foremost editing awards, were presented at the weekend, with Pamela Martin winning Best Edited Feature Film: Drama for King Richard. Making sporting action work onscreen is a challenge for any editor and combining this with strong work in conversational scenes demonstrates impressive range. The Best Edited Feature Film: Comedy award went to Myron Kerstein and Andrew Weisblum for tick, tick...Boom! which combines dramatic character interactions with musically choreographed routines.
Jeremy Milton won in the Animation category for Disney hit Encanto, while the Documentary award went to Joshua L Pearson for Summer Of Soul......Or, When The Revolution Could Not Be Televised. Michelle Satter accepted the prestigious Ace Golden Eddie Award - recognising an artist or company for distinguished achievement in film - on behalf of The Sundance Institute.
Founded in 1950, American Cinema Editors (Ace), which awards the Eddies,...
This year's Eddies, the world's foremost editing awards, were presented at the weekend, with Pamela Martin winning Best Edited Feature Film: Drama for King Richard. Making sporting action work onscreen is a challenge for any editor and combining this with strong work in conversational scenes demonstrates impressive range. The Best Edited Feature Film: Comedy award went to Myron Kerstein and Andrew Weisblum for tick, tick...Boom! which combines dramatic character interactions with musically choreographed routines.
Jeremy Milton won in the Animation category for Disney hit Encanto, while the Documentary award went to Joshua L Pearson for Summer Of Soul......Or, When The Revolution Could Not Be Televised. Michelle Satter accepted the prestigious Ace Golden Eddie Award - recognising an artist or company for distinguished achievement in film - on behalf of The Sundance Institute.
Founded in 1950, American Cinema Editors (Ace), which awards the Eddies,...
- 3/7/2022
- by Jennie Kermode
- eyeforfilm.co.uk
“King Richard” got a big boost in its bid for Best Editing at the Oscars with a win at the Ace Golden Eddie Awards on March 6. It prevailed in the drama race at these awards bestowed by American Cinema Editors over two of its Oscar rivals –“Dune” and “The Power of the Dog” — as well as “Belfast” and “No Time to Die.”
Another of the Oscar nominees, “tick, tick…Boom!,” won the comedy/musical category over the fifth Oscar contender, “Don’t Look Up,” plus “Cruella,” “The French Dispatch” and “Licorice Pizza.”
Since 1990, the film that came up with one of the ACEs went on to take home the top prize at the Academy Awards 18 times, including the 2020 winner for best drama editing, “Parasite.” And in nine of the 13 years when the Ace barometer was wrong, at least one of the Eddie champs was a contender for Best Picture. Last year’s drama winner,...
Another of the Oscar nominees, “tick, tick…Boom!,” won the comedy/musical category over the fifth Oscar contender, “Don’t Look Up,” plus “Cruella,” “The French Dispatch” and “Licorice Pizza.”
Since 1990, the film that came up with one of the ACEs went on to take home the top prize at the Academy Awards 18 times, including the 2020 winner for best drama editing, “Parasite.” And in nine of the 13 years when the Ace barometer was wrong, at least one of the Eddie champs was a contender for Best Picture. Last year’s drama winner,...
- 3/6/2022
- by Paul Sheehan
- Gold Derby
The American Cinema Editors used their Ace Eddie Awards on Saturday to fire back at the Oscars. Facing declining ratings and long running times, the Academy, the Oscars ceremony producers and ABC decided to award Oscars for editing and seven other categories outside the live telecast. Ace board member Kevin Tent introduced the awards saying, “There might be some setbacks and slights at times which can sting.”
Hacks editor Susan Vaill used her speech to implore everyone from PAs to other crafts to amplify each other, in order to “make those people who don’t think we should be on the broadcast listen.” tick, tick… Boom! editor Myron Kerstein concluded his speech by saying “present all 23” categories.
Deadline spoke with other nominees prior to the show. They shared degrees of disappointment, some understanding and hope for future inclusion. Andrew Weisblum won an Eddie with Kerstein for tick, tick… Boom! and...
Hacks editor Susan Vaill used her speech to implore everyone from PAs to other crafts to amplify each other, in order to “make those people who don’t think we should be on the broadcast listen.” tick, tick… Boom! editor Myron Kerstein concluded his speech by saying “present all 23” categories.
Deadline spoke with other nominees prior to the show. They shared degrees of disappointment, some understanding and hope for future inclusion. Andrew Weisblum won an Eddie with Kerstein for tick, tick… Boom! and...
- 3/6/2022
- by Fred Topel
- Deadline Film + TV
Underdog “King Richard” (Warner Bros.) beat the higher profile “Dune” (Warner Bros.) and “The Power of the Dog” (Netflix) for drama film editing honors at the 72nd Annual Ace Eddie Awards. The live ceremony was held Saturday at the Ace Hotel. Likewise, “Tick Tick Boom” (Netflix) prevailed over the favored “Don’t Look Up” (Netflix) in the film comedy category. Other winners included Oscar favorites “Encanto” (Disney) and “Summer of Soul” (Searchlight Pictures) for animated feature and documentary, and “Oslo” (HBO Films) for non-theatrical feature.
On the TV side, “Succession” (HBO), “Mare of Easttown” (HBO), “The Beatles: Get Back” (Disney+), “Kevin Can F**k Himself” (AMC), “Hacks” (HBO Max), and “Bob’s Burgers” (Fox) were the big winners for drama, limited series, documentary non-theatrical, multi-camera and single-camera comedy series, and non-theatrical animation, respectively. Editors Lillian E. Benson (“Eyes on the Prize”), the first woman of color to join the American Cinema Editors Society,...
On the TV side, “Succession” (HBO), “Mare of Easttown” (HBO), “The Beatles: Get Back” (Disney+), “Kevin Can F**k Himself” (AMC), “Hacks” (HBO Max), and “Bob’s Burgers” (Fox) were the big winners for drama, limited series, documentary non-theatrical, multi-camera and single-camera comedy series, and non-theatrical animation, respectively. Editors Lillian E. Benson (“Eyes on the Prize”), the first woman of color to join the American Cinema Editors Society,...
- 3/6/2022
- by Bill Desowitz
- Indiewire
“King Richard” editor Pamela Martin topped the dramatic feature editing category at the American Cinema Editors 72nd Ace Eddie Awards, while “Tick, Tick … Boom!’s” Myron Kerstein and Andrew Weisblum won the category for best edited comedic feature during Saturday’s in-person ceremony at the Ace Hotel in Los Angeles.
“It’s a great honor to be recognized by my peers, most importantly,” Martin told Variety before the ceremony. “I’m over the moon and I’m so grateful to be in such wonderful, talented company from the other nominees.”
Michelle Statter accepted the prestigious Ace Golden Eddie Award — recognizing an artist or company for distinguished achievement in film — on behalf of The Sundance Institute. Film editors Lillian E. Benson, ACE and Richard Chew, ACE received Career Achievement Awards for their outstanding contributions to film editing. The event was hosted by DJ Lance Rock and presided over by ACE President Kevin Tent,...
“It’s a great honor to be recognized by my peers, most importantly,” Martin told Variety before the ceremony. “I’m over the moon and I’m so grateful to be in such wonderful, talented company from the other nominees.”
Michelle Statter accepted the prestigious Ace Golden Eddie Award — recognizing an artist or company for distinguished achievement in film — on behalf of The Sundance Institute. Film editors Lillian E. Benson, ACE and Richard Chew, ACE received Career Achievement Awards for their outstanding contributions to film editing. The event was hosted by DJ Lance Rock and presided over by ACE President Kevin Tent,...
- 3/6/2022
- by Jazz Tangcay
- Variety Film + TV
“King Richard” and “tick, tick…Boom!” have been named the best-edited feature films of 2021 by the American Cinema Editors, which held its annual Ace-Eddie Awards on Saturday at, appropriately enough, the Ace Hotel in downtown Los Angeles.
“King Richard” beat fellow Oscar nominees “Dune” (the presumed favorite) and “The Power of the Dog” to win in the drama category, while “tick, tick…Boom!” beat the Oscar-nominated “Don’t Look Up” in the comedy category.
In the 22 years since Ace split its film award into separate drama and comedy categories, one of its winners has gone on to win the Oscar for Best Film Editing 15 times. All but one of those wins have come in the drama category. Last year’s winner, “The Trial of the Chicago 7,” lost the Oscar to “Sound of Metal.”
In the documentary categories, music docs ruled, with “Summer of Soul” taking the prize for documentary feature...
“King Richard” beat fellow Oscar nominees “Dune” (the presumed favorite) and “The Power of the Dog” to win in the drama category, while “tick, tick…Boom!” beat the Oscar-nominated “Don’t Look Up” in the comedy category.
In the 22 years since Ace split its film award into separate drama and comedy categories, one of its winners has gone on to win the Oscar for Best Film Editing 15 times. All but one of those wins have come in the drama category. Last year’s winner, “The Trial of the Chicago 7,” lost the Oscar to “Sound of Metal.”
In the documentary categories, music docs ruled, with “Summer of Soul” taking the prize for documentary feature...
- 3/6/2022
- by Steve Pond
- The Wrap
Warner Bros. sports drama King Richard took the top Best Edited Feature Film (Dramatic) honor Saturday to cap the American Cinema Editors’ 72nd annual Ace Eddie Awards.
Pamela Martin edited the pic, which sees Will Smith portraying the father to tennis sensations Venus (Saniyya Sidney) and Serena Williams (Demi Singleton), who had a plan that would take the young tennis players from the streets of Compton to the global stage. The win puts Martin and the film in frontrunner status in the Best Film Editing Oscar race, where it is competing against fellow nominees Don’t Look Up, Dune, The Power of the Dog and Tick, Tick…Boom!. Twenty-two of the past 30 Ace winners for best edited dramatic film and 11 of the past 16 have gone on to score the Oscar, but Ford v. Ferrari won the Academy Award last year after Paradise took the Eddie.
King Richard is up for six Oscars this year,...
Pamela Martin edited the pic, which sees Will Smith portraying the father to tennis sensations Venus (Saniyya Sidney) and Serena Williams (Demi Singleton), who had a plan that would take the young tennis players from the streets of Compton to the global stage. The win puts Martin and the film in frontrunner status in the Best Film Editing Oscar race, where it is competing against fellow nominees Don’t Look Up, Dune, The Power of the Dog and Tick, Tick…Boom!. Twenty-two of the past 30 Ace winners for best edited dramatic film and 11 of the past 16 have gone on to score the Oscar, but Ford v. Ferrari won the Academy Award last year after Paradise took the Eddie.
King Richard is up for six Oscars this year,...
- 3/6/2022
- by Denise Petski and Fred Topel
- Deadline Film + TV
The hardest blow is the feeling that their work doesn’t matter as much as other filmmaking disciplines. That was the sentiment shared by a panel of veteran artisans who represent the craft categories that will no longer be presented live at this year’s Academy Awards ceremony on March 27.
“What offends me is that somebody in the Academy would claim to or imply that they know which crafts are more important and more deserving of respect than time than other crafts,” said Randy Thom, a two-time Oscar winner for sound. Thom was among the participants in the “Variety Artisans: Special Report” virtual panel, moderated by Jazz Tangcay, Variety‘s Senior Artisans Editor, to examine the fallout from the Academy of Motion Picture Arts and Sciences’ decision to reformat the Oscars ceremony this year.
Like the other panelists, Thom is no stranger to the Academy Awards. He’s been nominated...
“What offends me is that somebody in the Academy would claim to or imply that they know which crafts are more important and more deserving of respect than time than other crafts,” said Randy Thom, a two-time Oscar winner for sound. Thom was among the participants in the “Variety Artisans: Special Report” virtual panel, moderated by Jazz Tangcay, Variety‘s Senior Artisans Editor, to examine the fallout from the Academy of Motion Picture Arts and Sciences’ decision to reformat the Oscars ceremony this year.
Like the other panelists, Thom is no stranger to the Academy Awards. He’s been nominated...
- 3/4/2022
- by Jazz Tangcay
- Variety Film + TV
Variety will shine a spotlight on the controversy over changes to this year’s Academy Awards telecast with a virtual panel featuring Oscar winners and current nominees in the award categories that will be removed from the live telecast.
“Variety Artisans: Special Report” will be available for viewing Friday, March 4 on Variety.com. Moderated by Jazz Tangcay, Senior Artisans Editor for Variety, the lineup features past Oscar winners and current nominees in the eight craft- and technology-focused categories that will no longer be presented live as part of ABC’s March 27 telecast of the 94th Academy Awards.
“Variety pioneered deep coverage of the artisans of the entertainment world back in the 1990s. Every year we’ve increased our commitment to insightful crafts coverage and broadening readers’ understanding of its importance to the entertainment arts,” said Steven Gaydos, Variety’s executive vice president of global content. “Behind the current headlines about the 2022 Oscar telecast changes,...
“Variety Artisans: Special Report” will be available for viewing Friday, March 4 on Variety.com. Moderated by Jazz Tangcay, Senior Artisans Editor for Variety, the lineup features past Oscar winners and current nominees in the eight craft- and technology-focused categories that will no longer be presented live as part of ABC’s March 27 telecast of the 94th Academy Awards.
“Variety pioneered deep coverage of the artisans of the entertainment world back in the 1990s. Every year we’ve increased our commitment to insightful crafts coverage and broadening readers’ understanding of its importance to the entertainment arts,” said Steven Gaydos, Variety’s executive vice president of global content. “Behind the current headlines about the 2022 Oscar telecast changes,...
- 3/2/2022
- by William Earl
- Variety Film + TV
When Lin-Manuel Miranda’s “tick, tick… Boom!” didn’t appear in the Best Picture category on Oscar nominations morning, its chances of a win in Best Film Editing considerably dwindled. Many of Gold Derby’s Experts currently list the movie dead last in their film editing predictions, in fifth place behind “Dune,” “The Power of the Dog,” “Don’t Look Up” and “King Richard.” Why? The other four nominees in this category all made it in for Best Picture, and some pundits may believe it’s impossible to win the film editing Oscar without a corresponding picture nomination. Such is not necessarily the case. In fact, let me suggest a few reasons why “tick, tick… Boom!” could surprise in this category.
See 2022 Oscar nominations: Full list of nominees in all 23 categories at the 94th Academy Awards
When looking at the past two decades of Best Film Editing winners, three have gone...
See 2022 Oscar nominations: Full list of nominees in all 23 categories at the 94th Academy Awards
When looking at the past two decades of Best Film Editing winners, three have gone...
- 2/28/2022
- by Brian Rowe
- Gold Derby
There’s always a little more gray area in the Best Film Editing Oscar category about which movies deserve to be highlighted since it’s such an invisible art form where what’s in the movie and not in the movie are both important. But it’s a particularly relevant category, because only one movie in the past 40 years has won Best Picture without being nominated in this category (“Birdman”), which is a testament to how important good editing is to the success of a film.
“Dune” continues to be the front-runner in Gold Derby odds, but noticeably absent is Kenneth Branagh’s “Belfast,” which is believed to be a favorite for Best Picture, as well as Paul Thomas Anderson’s “Licorice Pizza” and Steven Spielberg’s “West Side Story.” Yet there are still five great choices here. All five nominees were also nominated by the American Cinema Editors. And...
“Dune” continues to be the front-runner in Gold Derby odds, but noticeably absent is Kenneth Branagh’s “Belfast,” which is believed to be a favorite for Best Picture, as well as Paul Thomas Anderson’s “Licorice Pizza” and Steven Spielberg’s “West Side Story.” Yet there are still five great choices here. All five nominees were also nominated by the American Cinema Editors. And...
- 2/22/2022
- by Edward Douglas
- Gold Derby
Lin-Manuel Miranda is ecstatic about the success of the animated feature “Encanto,” and for his second Oscar nomination for original song — this time, for the emotional number “Dos Oruguitas.” However, the performance of the movie’s soundtrack on the music charts has been getting all the headlines, specifically the hit song, “We Don’t Talk About Bruno.” Miranda doesn’t regret submitting “Dos Oruguitas” rather than “Bruno” for consideration for this year’s Academy Awards. The decision had to be done by Nov. 1, which the film had yet opened in theaters despite its performance on the charts.
“I’m still proud of ‘Dos Oruguitas’ as the submission,” Miranda says. “When those are the parameters, you have to pick the thing that best exemplifies the spirit of the movie, and it contains all of it inside this song – as opposed to a journey of a particular character. It’s the foundational story,...
“I’m still proud of ‘Dos Oruguitas’ as the submission,” Miranda says. “When those are the parameters, you have to pick the thing that best exemplifies the spirit of the movie, and it contains all of it inside this song – as opposed to a journey of a particular character. It’s the foundational story,...
- 2/17/2022
- by Clayton Davis
- Variety Film + TV
It’s that time again. Oscars noms!
The 2022 Oscar nominations are currently underway and we’ll be updating this post with all of the nominees as they come in. Will The Power of the Dog run riot this year, or will Denis Villenueve’s massive adaptation of Dune rule. Or will Don’t Look Up surprise us? Let’s find out.
Soctt Davis and Linda Marric are currently watching the nominations come in live – watch along with them for all the fun of the fair.
Here is the complete list of nominations for the 2022 Oscars.
Actor In A Leading Role Nominees Javier Bardem Being the Ricardos Benedict Cumberbatch The Power of the Dog Andrew Garfield tick, tick…Boom! Will Smith King Richard Denzel Washington The Tragedy of Macbeth Actor In A Supporting Role Nominees CIARÁN Hinds Belfast Troy Kotsur Coda Jesse Plemons The Power of the Dog J.K. Simmons Being...
The 2022 Oscar nominations are currently underway and we’ll be updating this post with all of the nominees as they come in. Will The Power of the Dog run riot this year, or will Denis Villenueve’s massive adaptation of Dune rule. Or will Don’t Look Up surprise us? Let’s find out.
Soctt Davis and Linda Marric are currently watching the nominations come in live – watch along with them for all the fun of the fair.
Here is the complete list of nominations for the 2022 Oscars.
Actor In A Leading Role Nominees Javier Bardem Being the Ricardos Benedict Cumberbatch The Power of the Dog Andrew Garfield tick, tick…Boom! Will Smith King Richard Denzel Washington The Tragedy of Macbeth Actor In A Supporting Role Nominees CIARÁN Hinds Belfast Troy Kotsur Coda Jesse Plemons The Power of the Dog J.K. Simmons Being...
- 2/8/2022
- by Jon Lyus
- HeyUGuys.co.uk
The 2022 Oscar nominations were announced on Tuesday, February 8 live from Los Angeles. Emmy winner Leslie Jordan and Emmy nominee Tracee Ellis Ross hosted the nomination ceremony, reading off nominees in all 23 categories. The announcement was live-streamed online via the Oscars website, accessible at both Oscar.com and Oscars.org. In addition to the academy’s main site, the nominations streamed live online via Twitter, Facebook, and YouTube. The 94th Academy Awards air live on ABC on March 27 with the ceremony set to kick off from the Dolby Theatre in Hollywood at 5:00 p.m. Pt/ 8:00 p.m. Et.
Scroll down to see the full list of nominations in all 23 competitive categories at the 94th Academy Awards.
Best Picture
“Belfast” Laura Berwick, Kenneth Branagh, Becca Kovacik and Tamar Thomas, Producers
“Coda” Philippe Rousselet, Fabrice Gianfermi and Patrick Wachsberger, Producers
“Don’t Look Up” Adam McKay and Kevin Messick, Producers
“Drive My Car” Teruhisa Yamamoto,...
Scroll down to see the full list of nominations in all 23 competitive categories at the 94th Academy Awards.
Best Picture
“Belfast” Laura Berwick, Kenneth Branagh, Becca Kovacik and Tamar Thomas, Producers
“Coda” Philippe Rousselet, Fabrice Gianfermi and Patrick Wachsberger, Producers
“Don’t Look Up” Adam McKay and Kevin Messick, Producers
“Drive My Car” Teruhisa Yamamoto,...
- 2/8/2022
- by Denton Davidson
- Gold Derby
With the announcement on Feb. 1 of the contenders for the Artios Awards, which are bestowed by the Casting Society of America, we’ve now heard from all 13 guilds. The CSA was the only group to hold off till the end of Oscar nominations voting. The actors, art directors, cinematographers, costume designers, directors, film editors, makeup artists & hairstylists, producers, sound editors, sound mixers, visual effects wizards and writers all weighed in on or before the start of balloting on Jan. 27.
“Dune” had racked up a perfect score by reaping nominations with each of the first dozen guilds but was snubbed by the CSA.”West Side Story” is next with 10, missing out for film editing and lensing. The stylish “No Time to Die” has eight.
Of the other leading Academy Awards contenders for Best Picture, only “Licorice Pizza” went four for four with the big guilds. Both “Belfast” and “The Power of the Dog...
“Dune” had racked up a perfect score by reaping nominations with each of the first dozen guilds but was snubbed by the CSA.”West Side Story” is next with 10, missing out for film editing and lensing. The stylish “No Time to Die” has eight.
Of the other leading Academy Awards contenders for Best Picture, only “Licorice Pizza” went four for four with the big guilds. Both “Belfast” and “The Power of the Dog...
- 2/1/2022
- by Paul Sheehan
- Gold Derby
In “Tick, Tick, …Boom!” the song “Therapy” is performed by Jonathan Larson, played by Andrew Garfield and Karessa played by Vanessa Hudgens. The number intercuts mid-argument between Larson and girlfriend Susan (Alexandra Shipp), as they fight over Jonathan’s reluctance to understand that he has been shutting Susan out of his life as his musical’s workshop gets closer.
Director Lin-Manuel Miranda says the song, a Fosse-style inspired moment, is a charming number that pokes fun at counselor therapy speak, and the best way to tell your partner you’re ticked off at them. Says Miranda, “The tone of that song was on a collision course with where our characters were.”
In an interview with Variety, Miranda and WGA nominated screenwriter Steven Levenson explained they had road-mapped every song in the film with a postcard or note. “We settled on a big swing — this is our cabaret moment. The directive...
Director Lin-Manuel Miranda says the song, a Fosse-style inspired moment, is a charming number that pokes fun at counselor therapy speak, and the best way to tell your partner you’re ticked off at them. Says Miranda, “The tone of that song was on a collision course with where our characters were.”
In an interview with Variety, Miranda and WGA nominated screenwriter Steven Levenson explained they had road-mapped every song in the film with a postcard or note. “We settled on a big swing — this is our cabaret moment. The directive...
- 1/31/2022
- by Jazz Tangcay
- Variety Film + TV
Movie musicals are hard. Much like the impending workshop performance that could make or break Jonathan Larson’s (Andrew Garfield) career in musical theater, the first 10 minutes of “Tick Tick Boom” could make or break its ability to do anything.
Beyond the usual musical problem of getting an audience comfortable with singing and dancing one moment and characters behaving more naturalistically the next, the film had a couple of particular challenges it needs to overcome quickly. The first was to contextualize Larson’s legacy for viewers who weren’t already read-in to “Rent.” The second challenge was that the film doesn’t just have musical numbers and dramatic scenes: It has a performance that serves as the frame story and launch-point for both kinds of scenes. The audience needs to understand how we move between each kind of environment and feel the changes as intuitive and natural, lest we get lost.
Beyond the usual musical problem of getting an audience comfortable with singing and dancing one moment and characters behaving more naturalistically the next, the film had a couple of particular challenges it needs to overcome quickly. The first was to contextualize Larson’s legacy for viewers who weren’t already read-in to “Rent.” The second challenge was that the film doesn’t just have musical numbers and dramatic scenes: It has a performance that serves as the frame story and launch-point for both kinds of scenes. The audience needs to understand how we move between each kind of environment and feel the changes as intuitive and natural, lest we get lost.
- 1/29/2022
- by Sarah Shachat
- Indiewire
The nominations for the 2022 Ace Eddie Awards announced on Thursday (Jan. 27) include our Oscar frontrunner for Best Film Editing, “Dune,” along with three of the other four films we’re predicting to reap bids in that race: “Belfast,” “Don’t Look Up” and “The Power of the Dog.” While “West Side Story” was snubbed by the American Cinema Editors we expect it to be the fifth Academy Awards contender.
The Ace Eddie Awards divide their prizes for editing between dramas and comedies/musicals.
“Belfast,” “Dune” and “The Power of the Dog” contend here in the drama race, which is rounded out by “King Richard” and“No Time to Die.”
Facing off against “Don’t Look Up” on the comedy side are “Cruella,” “The French Dispatch,” “Licorice Pizza” and “tick, tick…Boom!”
In 1992, the Eddies went from three to five nominees (matching that of the Oscars) and in 2000 it split the award in two,...
The Ace Eddie Awards divide their prizes for editing between dramas and comedies/musicals.
“Belfast,” “Dune” and “The Power of the Dog” contend here in the drama race, which is rounded out by “King Richard” and“No Time to Die.”
Facing off against “Don’t Look Up” on the comedy side are “Cruella,” “The French Dispatch,” “Licorice Pizza” and “tick, tick…Boom!”
In 1992, the Eddies went from three to five nominees (matching that of the Oscars) and in 2000 it split the award in two,...
- 1/27/2022
- by Paul Sheehan
- Gold Derby
The American Cinema Editors (Ace) has nominated “Belfast,” “Dune,” “King Richard,” “No Time to Die” and “The Power of the Dog” in the category of feature film drama at the 72nd annual Ace Eddie Awards.
In the best edited comedic feature category, “Cruella,” “Don’t Look Up,” “The French Dispatch,” “Licorice Pizza” and “Tick, Tick…Boom!” all received nominations.
Among the animated features nominated were “Encanto,” “Luca,” “The Mitchells vs. the Machines,” “Raya and the Last Dragon” and “Sing 2.” The TV nominees include “Succession” and “The White Lotus.”
The Eddies are considered a precursor for the best picture and best editing categories at the Oscars. Five of the past 11 winners for best edited drama feature went on to win the film editing Oscar.
Since 1961, only 10 women have won in the best edited drama feature category. This year, there are two women who made the cut: Pamela Martin (“King Richard”) and...
In the best edited comedic feature category, “Cruella,” “Don’t Look Up,” “The French Dispatch,” “Licorice Pizza” and “Tick, Tick…Boom!” all received nominations.
Among the animated features nominated were “Encanto,” “Luca,” “The Mitchells vs. the Machines,” “Raya and the Last Dragon” and “Sing 2.” The TV nominees include “Succession” and “The White Lotus.”
The Eddies are considered a precursor for the best picture and best editing categories at the Oscars. Five of the past 11 winners for best edited drama feature went on to win the film editing Oscar.
Since 1961, only 10 women have won in the best edited drama feature category. This year, there are two women who made the cut: Pamela Martin (“King Richard”) and...
- 1/27/2022
- by Jazz Tangcay
- Variety Film + TV
Nominees for the 72nd annual Ace Eddie Awards include feature dramas “Dune,” “Belfast,” “King Richard,” “No Time to Die,” “The Power of the Dog,” along with feature comedies “Licorice Pizza” and “Don’t Look Up.” Also getting comedy nods were “Cruella,” “The French Dispatch,” and “Tick Tick Boom.” The winners will be announced live during the Ace Eddie awards March 5 at the Ace Hotel theater.
“Dune,” “Belfast,” “King Richard,” “Don’t Look Up,” and “The Power of the Dog” have the strongest chance of getting Oscar nominations. However, “Licorice Pizza” and “No Time to Die” could also make the cut. Although “West Side Story” was overlooked by Ace, there’s still the chance that three-time Oscar winner Michael Kahn and co-editor Sarah Broshar could squeeze into the race.
Animation nominations, much like previously announced guild votes, went to Disney’s “Encanto” and “Raya and the Last Dragon,” Pixar’s “Luca,” Netflix/Sony...
“Dune,” “Belfast,” “King Richard,” “Don’t Look Up,” and “The Power of the Dog” have the strongest chance of getting Oscar nominations. However, “Licorice Pizza” and “No Time to Die” could also make the cut. Although “West Side Story” was overlooked by Ace, there’s still the chance that three-time Oscar winner Michael Kahn and co-editor Sarah Broshar could squeeze into the race.
Animation nominations, much like previously announced guild votes, went to Disney’s “Encanto” and “Raya and the Last Dragon,” Pixar’s “Luca,” Netflix/Sony...
- 1/27/2022
- by Bill Desowitz
- Indiewire
The American Cinema Editors has spliced together the nominees for its 72nd annual Ace Eddie Awards.
The editors behind Belfast, Dune, King Richard, No Time to Die and The Power of the Dog will compete for Best Edited Dramatic Feature Film. Up for Comedy Feature are Cruella, Don’t Look Up, The French Dispatch, Licorice Pizza and tick, tick…Boom! The Animated Feature race will be among Encanto, Luca, The Mitchells vs. the Machines, Raya and the Last Dragon
and Sing 2.
Vying in the Documentary Feature competition are Flee, The Rescue, Summer of Soul, Val and The Velvet Underground. See the full list of the Eddie Award nominations below.
Trophies will be presented during the guild’s awards ceremony on March 5 at the Theatre at the Ace Hotel in Los Angeles. The half-capacity show originally was set for February 26.
A highlight on the TV side is Kevin Can F**k Himself,...
The editors behind Belfast, Dune, King Richard, No Time to Die and The Power of the Dog will compete for Best Edited Dramatic Feature Film. Up for Comedy Feature are Cruella, Don’t Look Up, The French Dispatch, Licorice Pizza and tick, tick…Boom! The Animated Feature race will be among Encanto, Luca, The Mitchells vs. the Machines, Raya and the Last Dragon
and Sing 2.
Vying in the Documentary Feature competition are Flee, The Rescue, Summer of Soul, Val and The Velvet Underground. See the full list of the Eddie Award nominations below.
Trophies will be presented during the guild’s awards ceremony on March 5 at the Theatre at the Ace Hotel in Los Angeles. The half-capacity show originally was set for February 26.
A highlight on the TV side is Kevin Can F**k Himself,...
- 1/27/2022
- by Erik Pedersen
- Deadline Film + TV
“Belfast,” “Dune,” “King Richard,” “No Time to Die” and “The Power of the Dog” have been nominated as the best dramatic film editing of 2021 by the American Cinema Editors, which announced the nominees for the 72nd annual Ace Eddie Awards on Thursday.
Those five films will compete in the Best Edited Feature Film (Dramatic) category, while the field in Best Edited Feature Film (Comedy) will consist of “Cruella,” “Don’t Look Up,” “The French Dispatch,” “Licorice Pizza” and “tick, tick…Boom!”
The most surprising omission was probably “West Side Story,” while Ace Eddie voters also bypassed “Nightmare Alley,” “Coda” and “Spider-Man: No Way Home.”
Nominations for the editing of animated features went to the same five animated films that have also been nominated by the Cinema Audio Society, Motion Picture Sound Editors, Visual Effects Society and Art Directors Guild: “Encanto,” “Luca,” “The Mitchells vs. the Machines,” “Raya and the Last Dragon” and “Sing 2.
Those five films will compete in the Best Edited Feature Film (Dramatic) category, while the field in Best Edited Feature Film (Comedy) will consist of “Cruella,” “Don’t Look Up,” “The French Dispatch,” “Licorice Pizza” and “tick, tick…Boom!”
The most surprising omission was probably “West Side Story,” while Ace Eddie voters also bypassed “Nightmare Alley,” “Coda” and “Spider-Man: No Way Home.”
Nominations for the editing of animated features went to the same five animated films that have also been nominated by the Cinema Audio Society, Motion Picture Sound Editors, Visual Effects Society and Art Directors Guild: “Encanto,” “Luca,” “The Mitchells vs. the Machines,” “Raya and the Last Dragon” and “Sing 2.
- 1/27/2022
- by Steve Pond
- The Wrap
When it comes to predicting the Oscar winner for Best Film Editing, you can’t go wrong by looking for the movie with the most cuts. Past winners “The Bourne Ultimatum” (2008), “Mad Max: Fury Road” (2016) and “Ford v Ferrari” (2020) included high-octane action sequences with frenetic cutting. And a slew of other champs — including “Saving Private Ryan” in 1999, “Black Hawk Down” (2002), “The Hurt Locker” (2010), “Hacksaw Ridge” (2017) and “Dunkirk” (2018) — have been war pictures. (Scroll down for the most up-to-date 2021 Oscar predictions for Best Film Editing.)
Oscar voters also embrace film editors who skillfully juggle multiple storylines, as was the case with “Traffic” (2001) and “Crash” (2006). And they like films that expertly inter-cut music with images, such as “Cabaret” (1973), “Chicago” (2003), “Whiplash” (2015), “Bohemian Rhapsody” (2019) and last year’s winner “Sound of Metal.” Special effects extravaganzas like “The Lord of the Rings: The Return of the King” (2004) and “Gravity” (2014) won by deftly blurring the lines between the real and the fantastic.
Oscar voters also embrace film editors who skillfully juggle multiple storylines, as was the case with “Traffic” (2001) and “Crash” (2006). And they like films that expertly inter-cut music with images, such as “Cabaret” (1973), “Chicago” (2003), “Whiplash” (2015), “Bohemian Rhapsody” (2019) and last year’s winner “Sound of Metal.” Special effects extravaganzas like “The Lord of the Rings: The Return of the King” (2004) and “Gravity” (2014) won by deftly blurring the lines between the real and the fantastic.
- 1/23/2022
- by Paul Sheehan
- Gold Derby
Variety's Awards Circuit is home to the official predictions for the upcoming Oscars and Emmys ceremonies from film awards editor Clayton Davis. Following history, buzz, news, reviews and sources, the Oscar and Emmy predictions are updated regularly with the current year's list of contenders in all categories. Variety's Awards Circuit Prediction schedule consists of four phases, running all year long: Draft, Pre-Season, Regular Season and Post Season. The eligibility calendar and dates of awards will determine how long each phase lasts and is subject to change.
To see all the latest predictions, of all the categories, in one place, visit The Oscars Collective
Visit each category, per the individual awards show from The Oscars Hub
Revisit the prediction archive of the 2021 season The Archive
Link to television awards is atTHE Emmys Hub
2022 Oscars Predictions:
Best Film Editing
Updated: Dec 27, 2021
Awards Prediction Commentary: While there have been a few examples of...
To see all the latest predictions, of all the categories, in one place, visit The Oscars Collective
Visit each category, per the individual awards show from The Oscars Hub
Revisit the prediction archive of the 2021 season The Archive
Link to television awards is atTHE Emmys Hub
2022 Oscars Predictions:
Best Film Editing
Updated: Dec 27, 2021
Awards Prediction Commentary: While there have been a few examples of...
- 12/27/2021
- by Clayton Davis
- Variety Film + TV
“I don’t really treat them any differently,” editor Myron Kerstein admits about how he approaches his work on movie musicals versus other genres of television and film. This year, he worked on both Netflix’s “tick, tick… Boom!” and Warner Bros.’ “In The Heights. “I always wanted to make a musical,” Kerstein shares, describing the experience on both projects as “a dream come true.” Watch our exclusive video interview above.
Kerstein served as co-editor on “tick, tick… Boom!” with Andrew Weisblum. “It’s always different when you come into a film” whose “tone is already set,” he notes, but cites the “shorthand” he established with director Lin-Manuel Miranda on “In The Heights” as crucial in helping to finish the film. “Lin is a very competent first-time director as you can see from the film,” he says, mentioning how he served to “make sure that Lin’s ideas came to full completion.
Kerstein served as co-editor on “tick, tick… Boom!” with Andrew Weisblum. “It’s always different when you come into a film” whose “tone is already set,” he notes, but cites the “shorthand” he established with director Lin-Manuel Miranda on “In The Heights” as crucial in helping to finish the film. “Lin is a very competent first-time director as you can see from the film,” he says, mentioning how he served to “make sure that Lin’s ideas came to full completion.
- 12/17/2021
- by David Buchanan
- Gold Derby
The sublime “Sunday” diner scene with the Broadway legends in Netflix’s “Tick Tick Boom” has become even more tear-inducing and meta with the recent passing of Stephen Sondheim, whose “Sunday in the Park with George” musical about French pointillist painter Georges Seurat started it all. First, through Jonathan Larson’s (Andrew Garfield) tribute song, “Sunday,” set in The Moondance Diner in SoHo, where he toils as a waiter and dreams of becoming the next Sondheim. Second, through “Tick Tick Boom” director Lin-Manuel Miranda’s ambitious, even miraculous, staging of the scene in a replica of the ’90s diner on a New York soundstage.
Miranda’s idea was to not only pay tribute to Larson’s heroes of Broadway but also to his own legacy, since he tragically died before the opening of “Rent” and was unable to witness its impact on the theater world. Thus, through strict protocols and safe distancing,...
Miranda’s idea was to not only pay tribute to Larson’s heroes of Broadway but also to his own legacy, since he tragically died before the opening of “Rent” and was unable to witness its impact on the theater world. Thus, through strict protocols and safe distancing,...
- 12/8/2021
- by Bill Desowitz
- Indiewire
There was a point, late last week, when Cathy Repola thought there would be a strike.
By Oct. 15, Repola, the executive director of the Motion Picture Editors Guild, and other union officials had spent 10 days in marathon Zoom sessions with the studios — and were making little progress.
“There was very little movement for several days,” says Repola. “Then everything flipped and moved drastically in the last 48 hours.”
By late afternoon on Oct. 16 the two sides had a deal. IATSE announced that film and TV production would not shut down at 12:01 a.m. on Oct. 18, as many had worried. Matthew Loeb, the international president of IATSE, proclaimed it a “Hollywood ending.”
But the drama is not over. The contract must still be ratified, and many members quickly denounced it on social media. The rank and file had organized online in support of a historic strike authorization vote, sharing the pain...
By Oct. 15, Repola, the executive director of the Motion Picture Editors Guild, and other union officials had spent 10 days in marathon Zoom sessions with the studios — and were making little progress.
“There was very little movement for several days,” says Repola. “Then everything flipped and moved drastically in the last 48 hours.”
By late afternoon on Oct. 16 the two sides had a deal. IATSE announced that film and TV production would not shut down at 12:01 a.m. on Oct. 18, as many had worried. Matthew Loeb, the international president of IATSE, proclaimed it a “Hollywood ending.”
But the drama is not over. The contract must still be ratified, and many members quickly denounced it on social media. The rank and file had organized online in support of a historic strike authorization vote, sharing the pain...
- 10/20/2021
- by Gene Maddaus and Cynthia Littleton
- Variety Film + TV
As very early Oscar prospects start to emerge, a few pundits are placing bets on how many nods Jon M. Chu’s “In the Heights” could garner.
Possible contenders include the original song “Home All Summer,” written by Lin Manuel Miranda and performed by Marc Anthony. Cinematographer Alice Brooks has been garnering attention for her work on the film, highlighted by the reflection shot during the film’s opening number and editor Myron Kerstein could earn recognition for his work, if not from the Academy, then from his peers at the Ace Eddies.
Kerstein recently spoke with Variety, breaking down how the introduction number “In the Heights” was not in fact shot over consecutive days, but rather took the entire shoot to happen.
Having worked with Chu before on “Crazy Rich Asians,” the director brought in his trusted editor to be by his side from the beginning.
Cutting the “In The Heights...
Possible contenders include the original song “Home All Summer,” written by Lin Manuel Miranda and performed by Marc Anthony. Cinematographer Alice Brooks has been garnering attention for her work on the film, highlighted by the reflection shot during the film’s opening number and editor Myron Kerstein could earn recognition for his work, if not from the Academy, then from his peers at the Ace Eddies.
Kerstein recently spoke with Variety, breaking down how the introduction number “In the Heights” was not in fact shot over consecutive days, but rather took the entire shoot to happen.
Having worked with Chu before on “Crazy Rich Asians,” the director brought in his trusted editor to be by his side from the beginning.
Cutting the “In The Heights...
- 7/6/2021
- by Jazz Tangcay
- Variety Film + TV
As we enter the second half of 2021, the shortened awards period from March 1 until June 30 doesn’t necessarily suggest we have many movies that can be deemed “Oscar-worthy.” In a denser calendar year, every studio will be angling and fighting for their probable contenders to stand out from the pack. The difference is that the Academy is back to a guaranteed 10 nominees for best picture and has left the days of fluctuating numbers behind them. An Academy voter can select 10 movies on their ballot, which the last time it was the case, in the 2009 and 2010 awards seasons, offered up eclectic choices such as Neill Blomkamp’s sci-fi thriller “District 9” and John Lee Hancock’s box office smash, “The Blind Side.”
Interestingly, the first four months of the eligibility period have been dominated by animated features, a category which has not seen a nomination in best picture for its genre...
Interestingly, the first four months of the eligibility period have been dominated by animated features, a category which has not seen a nomination in best picture for its genre...
- 7/1/2021
- by Clayton Davis
- Variety Film + TV
The smash hit that launched creator and leading man Lin-Manuel Miranda into the Broadway stratosphere, In the Heights was less an overnight sensation than a constantly developing passion project. Early iterations of the musical, about a group of residents in Washington Heights who are more family than neighbors, originated at Wesleyan University and Off-Broadway before subsequently making the move to the Richard Rodgers Theatre and winning the 2008 Tony Award for Best Musical. Highlighting the intricacies, passions, and dreams of Dominican culture (as well as the inner struggles and homesickness of immigrants and first-generation New Yorkers), the show was praised […]
The post “My Cutting Process is Very Old School”: Editor Myron Kerstein on In the Heights first appeared on Filmmaker Magazine.
The post “My Cutting Process is Very Old School”: Editor Myron Kerstein on In the Heights first appeared on Filmmaker Magazine.
- 6/11/2021
- by Erik Luers
- Filmmaker Magazine-Director Interviews
The smash hit that launched creator and leading man Lin-Manuel Miranda into the Broadway stratosphere, In the Heights was less an overnight sensation than a constantly developing passion project. Early iterations of the musical, about a group of residents in Washington Heights who are more family than neighbors, originated at Wesleyan University and Off-Broadway before subsequently making the move to the Richard Rodgers Theatre and winning the 2008 Tony Award for Best Musical. Highlighting the intricacies, passions, and dreams of Dominican culture (as well as the inner struggles and homesickness of immigrants and first-generation New Yorkers), the show was praised […]
The post “My Cutting Process is Very Old School”: Editor Myron Kerstein on In the Heights first appeared on Filmmaker Magazine.
The post “My Cutting Process is Very Old School”: Editor Myron Kerstein on In the Heights first appeared on Filmmaker Magazine.
- 6/11/2021
- by Erik Luers
- Filmmaker Magazine - Blog
In the Heights‘ supervising sound editor and rerecording mixer Lewis Goldstein, production sound mixer Drew Kunin and editor Myron Kerstein are the guests on a new episode of The Hollywood Reporter‘s ‘Behind the Screen.’
John M. Chu’s anticipated motion picture based on Lin Manuel Miranda’s stage musical has arrived in theaters after a one-year delay due to the pandemic. Set in the New York neighborhood of Washington Heights, the Warner Bros. release features an ensemble cast led by Anthony Ramos (Usnavi), Leslie Grace (Nina), Corey Hawkins (Benny), Melissa Barerra (Vanessa), Olga Merediz (Abuela Claudia), Jimmy Smits Kevin Rosario) ...
John M. Chu’s anticipated motion picture based on Lin Manuel Miranda’s stage musical has arrived in theaters after a one-year delay due to the pandemic. Set in the New York neighborhood of Washington Heights, the Warner Bros. release features an ensemble cast led by Anthony Ramos (Usnavi), Leslie Grace (Nina), Corey Hawkins (Benny), Melissa Barerra (Vanessa), Olga Merediz (Abuela Claudia), Jimmy Smits Kevin Rosario) ...
- 6/10/2021
- The Hollywood Reporter - Film + TV
In the Heights‘ supervising sound editor and rerecording mixer Lewis Goldstein, production sound mixer Drew Kunin and editor Myron Kerstein are the guests on a new episode of The Hollywood Reporter‘s ‘Behind the Screen.’
John M. Chu’s anticipated motion picture based on Lin Manuel Miranda’s stage musical has arrived in theaters after a one-year delay due to the pandemic. Set in the New York neighborhood of Washington Heights, the Warner Bros. release features an ensemble cast led by Anthony Ramos (Usnavi), Leslie Grace (Nina), Corey Hawkins (Benny), Melissa Barerra (Vanessa), Olga Merediz (Abuela Claudia), Jimmy Smits Kevin Rosario) ...
John M. Chu’s anticipated motion picture based on Lin Manuel Miranda’s stage musical has arrived in theaters after a one-year delay due to the pandemic. Set in the New York neighborhood of Washington Heights, the Warner Bros. release features an ensemble cast led by Anthony Ramos (Usnavi), Leslie Grace (Nina), Corey Hawkins (Benny), Melissa Barerra (Vanessa), Olga Merediz (Abuela Claudia), Jimmy Smits Kevin Rosario) ...
- 6/10/2021
- The Hollywood Reporter - Movie News
There’s a casual decadence to the films of Jon M. Chu, an energy about them that is irresistible to watch. Whether the director is indulging in absurd magic tricks, grandiose weddings, riveting action, or exquisitely choreographed and performed song-and-dance numbers, there is an almost effortless extravagance to his work as a filmmaker. Having been suited to spectacle from the get-go, his adaptation of In the Heights is proof that the movie musical isn’t dead––it simply needed a little flavor.
From its opening notes, In the Heights feels like a breath of fresh air, its upbeat first number not just introducing its characters, but inviting viewers to be a part of the community being highlighted. Chu begs the audience to step up and dance along, with the endlessly charismatic Anthony Ramos taking the lead as Usnavi, the film’s narrator and owner of a bodega in Washington Heights.
From its opening notes, In the Heights feels like a breath of fresh air, its upbeat first number not just introducing its characters, but inviting viewers to be a part of the community being highlighted. Chu begs the audience to step up and dance along, with the endlessly charismatic Anthony Ramos taking the lead as Usnavi, the film’s narrator and owner of a bodega in Washington Heights.
- 5/21/2021
- by Juan Barquin
- The Film Stage
Jon M. Chu’s “In the Heights” will screen at the Los Angeles Latino International Film Festival with a special preview on June 4 at Hollywood’s Tcl Chinese Theatre.
The film adaptation of Lin-Manuel Miranda’s hit Broadway musical will screen five days before the Tribeca Film Festival.
“We cannot wait to share this incredible film with our audience as part of this year’s festival,” said Edward James Olmos, founder of the Latino Film Institute. “’In the Heights’ celebrates the Latino culture and allows us to continue to support our mission of providing a platform of stories that are told by us and for us. We are equally excited to partner with such a renowned film festival like Tribeca and we know that this will be a partnership that will flourish over the years.”
In addition, Laliff and Tribeca will partner as a celebration of their 20th anniversaries.
“Congratulations...
The film adaptation of Lin-Manuel Miranda’s hit Broadway musical will screen five days before the Tribeca Film Festival.
“We cannot wait to share this incredible film with our audience as part of this year’s festival,” said Edward James Olmos, founder of the Latino Film Institute. “’In the Heights’ celebrates the Latino culture and allows us to continue to support our mission of providing a platform of stories that are told by us and for us. We are equally excited to partner with such a renowned film festival like Tribeca and we know that this will be a partnership that will flourish over the years.”
In addition, Laliff and Tribeca will partner as a celebration of their 20th anniversaries.
“Congratulations...
- 4/30/2021
- by Jazz Tangcay
- Variety Film + TV
From VancouverFilm.Net, here is the Vancouver Film Production Update for November 2020, with local productions responding individually, based on best practices for businesses and employers from the 'BC Centre for Disease Control', to stop the spread of Covid-19:
Feature
Bonfire
Local Production Company: No Clocks Productions Ltd.
Producer: Jim Whitaker, Joe Roth
Director: David Lowery
Change Of Pace
Local Production Company: Change Of Pace Film, Inc.
Producer: Graham Fraser
Director: Stephen Campanelli
Ellington
Local Production Company: Swan Song BC Productions Inc.
Director: Ben Cleary
Hello, Goodbye And Everything In Between
Local Production Company: Hello Goodbye Productions Inc.
Producer: Brian Robbins, Matt Kaplan, Kelsey Jackson
Director: Michael Lewen
Love Hard
Local Production Company: Love Hard Films Canada, Inc.
Producer: McG, Mary Viola
Director: Hernan Jimenez Garcia
Solitary
Local Production Company: Windor Productions BC Inc.
Producer: Aaron Gilbert, Nate Parker, Christina Lee Storm, David Oyelowo, Kevin Turen
Director: Nate Parker
Untitled...
Feature
Bonfire
Local Production Company: No Clocks Productions Ltd.
Producer: Jim Whitaker, Joe Roth
Director: David Lowery
Change Of Pace
Local Production Company: Change Of Pace Film, Inc.
Producer: Graham Fraser
Director: Stephen Campanelli
Ellington
Local Production Company: Swan Song BC Productions Inc.
Director: Ben Cleary
Hello, Goodbye And Everything In Between
Local Production Company: Hello Goodbye Productions Inc.
Producer: Brian Robbins, Matt Kaplan, Kelsey Jackson
Director: Michael Lewen
Love Hard
Local Production Company: Love Hard Films Canada, Inc.
Producer: McG, Mary Viola
Director: Hernan Jimenez Garcia
Solitary
Local Production Company: Windor Productions BC Inc.
Producer: Aaron Gilbert, Nate Parker, Christina Lee Storm, David Oyelowo, Kevin Turen
Director: Nate Parker
Untitled...
- 11/2/2020
- by Unknown
- SneakPeek
From VancouverFilm.Net, here is the Vancouver Film Production Update for June 2020, including features/ TV series temporarily suspended due to the Covid-19 pandemic:
Features
Bonfire (Temporarily Suspended)
Local Production Company: No Clocks Productions Ltd.
Executive Producer: Tom Hammel
Producer: Jim Whitaker, Joe Roth
Director: David Lowery
Ellington (Temporarily Suspended)
Local Production Company: Swan Song BC Productions Inc.
Executive Producer: Shea Kammer, Jonathan King, Adam Shulman, Jacob Perlin
Director: Ben Cleary
Untitled Graham King Project (Temporarily Suspended)
Local Production Company: Cold Hut Production Ulc.
Executive Producer: Nicola Shindler, Graham King, Ken Kamins, Sally Wainwright, Colin Vaines
Producer: Nan Morales
Director: Nora Fingscheidt
TV Pilots
Kung Fu (Temporarily Suspended)
Local Production Company: 3253 Production Services Inc.
Executive Producer: Christina M. Kim, Martin Gero, Greg Berlanti, Sarah Schechter, Hanelle Culpepper
Producer: Ian Smith
Director: Hanelle Culpepper
LA Brea (Temporarily Suspended)
Local Production Company: Gep La Brea Inc.
Executive Producer: David Appelbaum, Avi Nir, Alon Shtruzman,...
Features
Bonfire (Temporarily Suspended)
Local Production Company: No Clocks Productions Ltd.
Executive Producer: Tom Hammel
Producer: Jim Whitaker, Joe Roth
Director: David Lowery
Ellington (Temporarily Suspended)
Local Production Company: Swan Song BC Productions Inc.
Executive Producer: Shea Kammer, Jonathan King, Adam Shulman, Jacob Perlin
Director: Ben Cleary
Untitled Graham King Project (Temporarily Suspended)
Local Production Company: Cold Hut Production Ulc.
Executive Producer: Nicola Shindler, Graham King, Ken Kamins, Sally Wainwright, Colin Vaines
Producer: Nan Morales
Director: Nora Fingscheidt
TV Pilots
Kung Fu (Temporarily Suspended)
Local Production Company: 3253 Production Services Inc.
Executive Producer: Christina M. Kim, Martin Gero, Greg Berlanti, Sarah Schechter, Hanelle Culpepper
Producer: Ian Smith
Director: Hanelle Culpepper
LA Brea (Temporarily Suspended)
Local Production Company: Gep La Brea Inc.
Executive Producer: David Appelbaum, Avi Nir, Alon Shtruzman,...
- 6/24/2020
- by Unknown
- SneakPeek
The thing that appealed to director Jon M. Chu about “Home Before Dark,” the new series from Apple TV Plus, is that it’s a family show about the importance of truth and journalism.
“We teach kids to tell the truth, and yet we lie to them,” says Chu of the show, based on the true story of 9-year-old Hilde Lysiak, who sought to uncover the facts behind a murder in her hometown. “I thought this little girl’s relationship with her father [Matt, played by Jim Sturgess] is interesting. He was a journalist at one point, and he taught her everything she knows.” However, Chu marries fact with fiction to tell the narrative. As played by Brooklynn Prince (“The Florida Project”), Hilde isn’t just investigating a murder but digging into a long-ago kidnapping that has haunted her father since he witnessed it as a child.
Chu, who recently became a father to a little girl,...
“We teach kids to tell the truth, and yet we lie to them,” says Chu of the show, based on the true story of 9-year-old Hilde Lysiak, who sought to uncover the facts behind a murder in her hometown. “I thought this little girl’s relationship with her father [Matt, played by Jim Sturgess] is interesting. He was a journalist at one point, and he taught her everything she knows.” However, Chu marries fact with fiction to tell the narrative. As played by Brooklynn Prince (“The Florida Project”), Hilde isn’t just investigating a murder but digging into a long-ago kidnapping that has haunted her father since he witnessed it as a child.
Chu, who recently became a father to a little girl,...
- 4/10/2020
- by Jazz Tangcay
- Variety Film + TV
Lin-Manuel Miranda's hit Broadway show "In The Heights" gets the big screen treatment, and the new trailer is epic. The star of In The Heights movie, Anthony Ramos who broke out in Miranda's "Hamilton," is a star in the making. You can't help but feel emotional when watching this first extended preview of the musical adaptation.
In The Heights stars Anthony Ramos, Jimmy Smits, Lin-Manuel Miranda, "Orange is the New Black's" Dascha Polanco, "Vida's" Melissa Barrera, Corey Hawkins (Straight Outta Compton), “Brooklyn Nine-Nine's” Stephanie Beatriz, and Olga Merediz reprises her role from Broadway.
In The Heights opens June 25.
Official Synopsis:
The creator of “Hamilton” and the director of “Crazy Rich Asians” invite you to the event of the summer, where the streets are made of music and little dreams become big... “In the Heights.”
Lights up on Washington Heights...The scent of a cafecito caliente hangs in the...
In The Heights stars Anthony Ramos, Jimmy Smits, Lin-Manuel Miranda, "Orange is the New Black's" Dascha Polanco, "Vida's" Melissa Barrera, Corey Hawkins (Straight Outta Compton), “Brooklyn Nine-Nine's” Stephanie Beatriz, and Olga Merediz reprises her role from Broadway.
In The Heights opens June 25.
Official Synopsis:
The creator of “Hamilton” and the director of “Crazy Rich Asians” invite you to the event of the summer, where the streets are made of music and little dreams become big... “In the Heights.”
Lights up on Washington Heights...The scent of a cafecito caliente hangs in the...
- 12/12/2019
- by info@cinemovie.tv (Super User)
- CineMovie
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